Academic literature on the topic 'Yantra'

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Journal articles on the topic "Yantra"

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Huet, Gérard. "Śrı̄ Yantra Geometry." Theoretical Computer Science 281, no. 1-2 (June 2002): 609–28. http://dx.doi.org/10.1016/s0304-3975(02)00028-2.

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Gaikwad, Pranesh Prakash, Mamta Nakade, Santosh Kamble, Abhijit Shekhar, Prashant Khade, and Amol Waghmare. "Efficacy of Ghati Yantra Raktamokshana (Bloodletting with Modified Cupping) in Pain management of Ghridhrasi (Sciatica): A systematic review." International Journal of Ayurvedic Medicine 12, no. 4 (December 31, 2021): 961–66. http://dx.doi.org/10.47552/ijam.v12i4.2159.

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Background & Objectives: Pain in Sciatica can be incredibly painful and intolerable which seeks immediate medical attention. Various treatment modalities are widely used but have side effects too. One of them is Ghati Yantra Raktamokshana (Bloodletting with modified cupping). This systematic review provides an assessment on evidence of pain management of Gridhrasi (Sciatica) by Ghati Yantra Raktamokshana (Bloodletting with Modified Cupping). Methods: The databases of PubMed, Scopus, Cochrane Library, AYUSH portal, Shodhganga, Clinical trial registry of India, Google scholar were searched systematically (since inception to February 2021) for relevant articles about the effect of Ghati Yantra Raktamokshana in pain management of Gridhrasi. All randomized controlled trials as well as non-randomized controlled trials, before and after studies and single group clinical studies assessing the efficacy of Ghati Yantra Raktamokshana in pain management of Gridhrasi was included. Results: The original search yielded 774 articles of which only 6 articles (1-pilot study, 1-case study and 4-single arm studies) met the inclusion criteria and they showed the effectiveness of Ghati Yantra Raktamokshana in Pain management of Gridhrasi. Interpretation & Conclusions: Though review shows that the Ghati Yantra Raktamokshana is effective in Pain management of Gridhrasi but due to the methodological and clinical heterogeneity and risk of bias of the included trials requires more strong evidences in terms of RCT’s with larger sample size and for longer duration to definitely conclude its effectiveness.
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Krishna Kanth Varma, P., Ch Murali Krishna, and G. Santhi Ratna Priyanka. "Performance Improvement of Sri Yantra Shaped Multiband Antenna with Defected Ground Structure." International Journal of Engineering & Technology 7, no. 3.31 (August 24, 2018): 40. http://dx.doi.org/10.14419/ijet.v7i3.31.18197.

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A hybrid fractal antenna inspired from sri yantra geometry covering multiple bands in the microwave frequency spectrum is presented in this paper with a reduced size of 45mm x 30mm x 1.6mm. The presented design aims at a multiband antenna with a polygon slots in- scribed in a circular patch with defected ground structure and the effect of Sri Yantra fractal iterations on the antenna characteristics are also studied. The gains achieved at respective bands for Sri Yantra geometry are 4.61dB at 4.04GHz, 2.71dB at 4.94GHz, 4.77dB at 5.88GHz, 3.41dB at 6.60GHz, 5.12dB at 7.24GHz, 3.11dB at 8.88GHz and 3.47dB at 10.92GHz.
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Rajput Singh, Minakshi. "PROPORTIONS IN ARCHITECTURE." International Journal of Research -GRANTHAALAYAH 6, no. 3 (March 31, 2018): 126–33. http://dx.doi.org/10.29121/granthaalayah.v6.i3.2018.1505.

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The uniqueness of His creation is reflected in different fields of life by the great masters throughout the ages that have born with the formation of the universe, from the big bang, till times still to come. Special ratio that can be used to describe the proportions of everything from nature’s smallest building blocks, such as atoms, to the most advanced patterns in the universe, such as unimaginably large celestial bodies. One of the key evidences presented for creation is the recurring appearance of the Divine proportion, or golden section, throughout the design of the human body and other life forms. An attempt has been made to relate Sri yantra and golden ratio and the various forms that seem to exemplify in the plan and elevation of the Indian temple. The yantra which is a complex geometry has been perfected to be used for the development of temple forms of different eras. The following paper will be a tool for the researchers to use the yantra in deriving the spaces of Indian temples.
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Goncalves, Luis Nobre, Michal Madr, and Pavel Striz. "Drawing the Shree Yantra Core with Metapost." Zpravodaj Československého sdružení uživatelů TeXu 19, no. 4 (2009): 212–21. http://dx.doi.org/10.5300/2009-4/212.

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Witherspoon, Bill. "Art as Technology: Oregon Desert Sri Yantra." Leonardo 38, no. 1 (February 2005): 12–13. http://dx.doi.org/10.1162/leon.2005.38.1.12.

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Chiodo, Alessandro. "On the construction of the Śrī Yantra." Comptes Rendus. Mathématique 359, no. 4 (May 27, 2021): 377–97. http://dx.doi.org/10.5802/crmath.163.

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Setianingsih, Rita Margaretha. "Dua Batu Berhias Dari Ruas Sungai Opak: Data Tambahan Pembangunan Percandian Prambanan." Berkala Arkeologi 18, no. 1 (October 24, 1998): 17–29. http://dx.doi.org/10.30883/jba.v18i1.773.

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Dua batu berhias dari Sungai Opak menarik untuk dicermati. Hingga saat ini terlihat bahwa masing-masing mempunyai fungsi dan makna yang berbeda. Batu berhias BG. 748 yang memuat atribut-atribut dewa, yakni vajra, trisula dan padma yang kesemuanya dapat dihubungkan dengan Siwa. Demikian pula dengan aksara Jawa Kunanya yang menyebutkan na - ma - kha. Kata nama berhubungan dengan para yogi untuk mencapai tingkat kesucian batin dengan mclakukan perbuatan baik dan perenungan mengenai Tuhan. Para yogi melakukannya dengan menggunakan sarana yang disebut sebagai yantra. Demikian pula dcngan tulisan kha yang merupakan simbol dari sankhya yang berkenaan dengan kedudukan bulan dan bintang yang berjumlah 27 buah, sesuai pula dengan jumlah tembereng BG. 748. Lingkaran di bagian tengah dapat melambangkan candra, sehingga memungkinkan apabila BG. 748 merupakan candramandala yang merupakan salah satu yantra sekaligus gambaran sifat khas dewa Siwa.
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Srivastava, Kinshuk. "CONTRIBUTION OF MUSIC FOR THE PREVENTION AND WELFARE OF THE EVILS CAUSED IN SOCIETY BY MENTAL DISTORTION." International Journal of Research -GRANTHAALAYAH 3, no. 1SE (January 31, 2015): 1–2. http://dx.doi.org/10.29121/granthaalayah.v3.i1se.2015.3472.

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The entire world is changing at a very fast pace since the transition phase of postmodernism. Science has, through various inventions, acquired complete dominance over the individual today. The use of Yantra in every sphere of life has made man himself a Yantra. All these changes have changed the way of life of human beings. Due to which mental distortions have taken place inside the person and evils have occurred in the society. Therefore, music is the only medium which is capable of destroying the evils generated in society. सम्पूर्ण विष्व आज उत्तर आधुनिकता के संक्रमणकाल के दौर से बड़ी तेज रफ्तार से बदल रहा है। विज्ञान ने आज विभिन्न अविष्कारों के माध्यम से व्यक्ति पर अपना पूर्णतः आधिपत्य जमा लिया है। जीवन के प्रत्येक क्षेत्र में यंत्र के प्रयोग ने मानव को स्वयं एक यंत्र बना दिया है। इन समस्त परिवर्तनों ने मानव की जीवन पद्धति को बदल दिया है। जिस कारण व्यक्ति के अंदर मानसिक विकृतियों ने जन्म लिया है और समाज मे कुरीतियाँ उत्पन्न हुई। अतः संगीत ही एक ऐसा माध्यम है जो समाज में उत्पन्न कुरीतियों को जड़ से नष्ट करने में सक्षम है।
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Shree, Ruchi. "Sri-Yantra and the geophilosophy of India by Niraj Kumar." Strategic Analysis 39, no. 4 (June 26, 2015): 461–62. http://dx.doi.org/10.1080/09700161.2015.1047222.

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Dissertations / Theses on the topic "Yantra"

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King, Willow. "Yantra: A creative writing thesis (Original writing, Poetry, Creative fiction)." Diss., Connect to online resource, 2005. http://wwwlib.umi.com/cr/colorado/fullcit?p1425764.

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Morelli, Giovanni, and Bianca Baccarini. "Social square: progetto di riqualificazione dell'area Banganga Tank a Mumbai." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16994/.

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Mumbai, città con la maggiore ricchezza dello stato, vede il 60% dei suoi abitanti vivere negli slum che si distribuiscono sul suo territorio e che si confrontano con un numero sempre più alto di grattacieli costruiti, spesso vuoti a causa del loro prezzo inaccessibile. L’area di Walkeshwar, è stata fin dalla sua fondazione riservata ad un ceto sociale elitario, immersa nella vegetazione che caratterizza anche gran parte dell’area e dalla cisterna del Banganga, meta ambita dei pellegrini e dei turisti. L'area di studio presenza di un grande insediamento informale litoraneo che si oppone ad una serie di edifici a torre, generando contrasti forti e rendendo il tessuto disgregato. “Social Square” si pone come duplice obiettivo la valorizzazione di un'importante emergenza architettonica, la Banganga, e la riqualificazione dello slum, privo di opere di urbanizzazione ed a rischio allagamento. L’antica cisterna viene inserita all’interno di un sistema più ampio per potenziarne potenziate le connessioni. Attraverso la costruzione di cinque padiglioni e di un teatro a cielo aperto, adiacenti alla vasca, viene inoltre riqualificato e ampliato il disegno dello spazio pubblico offrendo nuove possibilità aggregative. In linea con l’interpretazione della vita quotidiana in India, la riqualificazione dello slum riporta l’attenzione sullo studio delle relazioni tra spazio privato e pubblico: il progetto plasma lo spazio aperto, sempre attraversabile per creare una rete di percorsi, spazi, legami sociali. Configurando una grande piazza frammentata si offrono nuovi scenari urbani. L’insediamento residenziale segue i principi dell’architettura incrementale e dell’autocostruzione per contenere i costi di edificazione, garantendo tempi di costruzione rapidi. Il progetto per Walkeshwar dimostra come le risorse della comunità possano contribuire alla riqualificazione di un’intera area che potrebbe diventare, in un futuro prossimo, un importante polo attrattivo per la città di Mumbai.
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Caballero, Silva Chloe Michelle Raquel, Flores Walter Mario Suyat Chipana, Iglesias Elva Paola Silvana Suchero, and Ballena Renzo Jesus Angulo. "YANTA." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/626219.

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En la actualidad, el consumo de dispositivos móviles aumentó a un 67%, crece a la par que se incrementa el uso de smartphones, Internet y redes sociales. Según un estudio realizado por ComScore, entre las principales características de dicho incremento está el consumo de páginas vistas a través de móviles, el cual se ha ido incrementado en los últimos años, y es el sistema operativo Android el más usado por los peruanos. La gran mayoría de personas navegan por internet desde dispositivos móviles, lo cual trae mayor comodidad y rapidez a los usuarios. Asimismo, en la actualidad, se presenta un escenario positivo en cuanto el incremento del parque automotor, lo cual ha llevado al crecimiento de los CarWash en Lima Metropolitana. El presente proyecto se ha basado en la problemática de personas que cuentan con auto y requieren del servicio de lavado del mismo, pero no cuentan con tiempo suficiente. Por ello, se ha planteado brindar una alternativa de solución rápida, eficiente y con valor agregado para los usuarios. Gracias a esta información nació la idea de crear YANTA, un aplicativo móvil en donde el usuario podrá descargarlo desde su celular para poder seleccionar los mejores CarWash de su distrito con tal solo un clic. La inversión requerida aproximada es de s/. 62,000 soles, los cuales se utilizarán para la puesta en marcha del proyecto, y sobre todo la elaboración del aplicativo móvil y publicidad del servicio.
Currently, the consumption of mobile devices by 67%, increases the use of smartphones, the Internet and social networks. According to a study conducted by ComScore, among the main features of such use, the consumption of pages, images through mobile devices, which has increased in recent years, and is the Android operating system. Most of the people are surfing the internet from our cell phones, which provides greater convenience and speed to users. Also, at present, we present a positive scenario regarding the growth of the automotive fleet, which has led to the growth of car washes in Metropolitan Lima. This project has been based on the problem of people who have cars and require a car wash, but do not have enough time. Therefore, it has been proposed to provide a quick, efficient and value-added solution alternative for users. Thanks to this information was born the idea of creating YANTA, a mobile device where the user can download the application from their cell phone to select the best CarWash in their district with just one click. The required investment is of s/. 62,000 pen, which will be used for the implementation of our project, and especially the development of the mobile application and advertising of the service.
Trabajo de investigación
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Yaneva, Rakina Hristova [Verfasser]. "Molecular mechanism of peptide selection by MHC molecules / Rakina Hristova Yaneva." Bremen : IRC-Library, Information Resource Center der Jacobs University Bremen, 2012. http://d-nb.info/1035265060/34.

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Nahum-Claudel, Chloe. "Working together for Yankwa : vitalising cosmogony in Southern Amazonia (Enawene-nawe)." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607927.

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Bao, Yanhua [Verfasser]. "A Study of a Comprehensive Career Services System in Chinese Universities / Yanhua Bao." Kassel : Universitätsbibliothek Kassel, 2011. http://d-nb.info/1018623973/34.

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Bloch, Yanina [Verfasser]. "UN-Women : Ein neues Kapitel für Frauen in den Vereinten Nationen / Yanina Bloch." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://d-nb.info/1183471017/34.

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Guimarães, Maria Claudia Alves 1966. "Vestigios da dança expressionista no Brasil : Yanka Rudzka e Aurel von Milloss." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284178.

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Orientador: Antonieta Marilia de Oswald de Andrade
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-07-23T17:57:02Z (GMT). No. of bitstreams: 1 Guimaraes_MariaClaudiaAlves_M.pdf: 8959629 bytes, checksum: 66abbb4b0c65ea03155d26347d5121e3 (MD5) Previous issue date: 1998
Resumo: Nesta dissertação, procuramos, em primeiro lugar, resgatar historicamente o movimento de dança expressionista alemão, em virtude da sua importância, visto que este movimento teve uma forte repercussão no âmbito mundial, contribuindo para o desenvolvimento da dança moderna, podendo até hoje ser vistos claros reflexos seus no Tanztheater e no Butoh. Este movimento também deixou suas marcas no Brasil, na medida em que diversos profissionais, que tiveram um papel importante no estabelecimento da dança no Brasil, terem sido fortemente influenciados pela dança expressionista alemã. Todavia, como não seria possível, no âmbito limitado desta dissertação, abarcar a trajetória de todos os profissionais que tiveram forte ligação com esta estética, optamos por focalizar apenas o trabalho de dois artistas: Yanka Rudzka e Aurel von Milloss. As razões que nos levaram a focalizar o trabalho desenvolvido por Yanka Rudzka e por Aurel von Milloss, estão ligadas ao fato da primeira ter sido a fundadora da faculdade de dança da Universidade Federal da Bahia, representando o início do movimento de inserção da dança no mundo universitário e, do segundo ter exercido uma forte influência na formação de uma geração de profissionais, dentre os quais constam professores e coreógrafos que atuam até hoje, como: Ady Addor, Ismael Guiser, Márika Gidali, Neyde Rossi, entre outros, desempenhando um papel importante no cenário da dança acadêmica no Brasil
Abstract: Not informed.
Mestrado
Mestre em Artes
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Li, Ping. "L'habitat rural et ses transformations en Chine avec l'étude du cas de la région de Yantai." Paris 10, 1996. http://www.theses.fr/1996PA100173.

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L'habitat rural est une unite a la fois spatiale et sociale. A l'echelle de la chine toute entiere, il se manifeste principalement sous forme de villages. Au sein des constructions groupees spatialement vivait une societe tres intime et fermee, caracterisee essentiellement par son aspect clanique. La repartition et l'evolution de l'habitat rural sont influencees a la fois par des facteurs humains et physiques, ce qui a engendre une grande diversite de l'habitat rural en chine. Le rapport et l'importance de ces facteurs changent, l'habitat rural evolue. Les changements politiques assez brutaux correspondant aux reformes mises en oeuvre a partir de 1978 ont eu des consequences importantes sur l'economie du pays, qui ont engendre une mutation importante de l'habitat rural. Cette mutation a ete etudiee en considerant plus particulierement le cas de la region de yantai. Les resultats des enquetes ont permis l'analyse des evolutions recentes de l'habitat, en mettant en particulier en evidence l'engouement des ruraux pour les materiaux industrialises modernes, et pour de nouveaux styles de maisons. Ces resultats ont permis egalement d'analyser la diversification des maisons sous l'effet de modes particulierement changeantes, la separation croissante des fonctions des maisons rurales, et l'evolution de la notion d'independance des villages, qui a eu une influence marquee sur l'organisation spatiale de l'habitat rural. L'etude des raisons de ces transformations ont mis en evidence l'evolution acceleree de la societe rurale, et une ouverture des campagnes qui n'a jamais ete observee jusqu'a present. L'intervention energique des autorites gouvernementales a renforce l'importance de ces transformations. Ces transformations ne sont pas toujours compatibles avec l'evolution de la societe. On a observe que la societe rurale vacille entre la mutation engendree par l'aspiration a la modernisation et la continuite basee sur le recours a la tradition. L'habitat rural en est a une phase cruciale de son evolution, il necessite a present un pilotage raisonne, tant au niveau socio-economique qu'au niveau de l'organisation de l'espace
The rural habitat is both spatial and social. At the scale of the whole china, it appears in the form of villages. Inside the spatially grouped constructions lived a very intimate and enclosed society characterised essentially by its clan aspect. The rural habitat's distribution and evolution are influenced by both the human and physic factors, which resulted in a very big rural habitat diversity in china. The ratio and the importance of these factors change, the rural habitat evolves. The relatively brutal politic changes corresponding to the reforms of 78 have had an important consequence to the country'economics, which resulted in an important mutation in the rural habitat. This mutation was studied by considering particularly the case of the region of yantai. Inquiry results allowed us a recent evolution analysis of the habitat, evidencing particularly the rustics infatuation for modern industrialised materials, and new house styles. It also allowed us to analyse the house diversification under the effects of the particularly changing fashion, the increasing function separation of rural habitations, and the evolution of the independence notion for villages which has influenced drastically the spatial organisation of rural habitat. The reason study of these transformations evidenced an accelerated evolution of the rural society, and a countryside opening never observed. The government intervention reinforced these transformations importance. These transformations are not always compatible with the society evolution. The rural society is changing between the mutation resulted by the aspiration to the modernisation and the continuity based on the resort to the tradition. The rural habitat has a crucial phase of its evolution, it is necessary to have reasoning piloting, both in the level of social-economics and of the space organisation
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Sevilla, Seguí Clara María. "Forma y Consciencia: Fundamentos para una Teoría Yántrica del Dibujo." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/63259.

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[EN] This PhD in Fine Arts is the introduction to a Yantric Theory of Drawing as a result of researching plastic forms from the universal principles present in perceptive reality. Based on the yantra as an active element in the drawing of a integral mandalic vision, Drawing re-presents a vision of the world based on aesthetic distance, in which the sum and multiplication of all the parts is contemplated from one point of view, a naked eye. This perspective is transdimensional, whereby co-creative man is capable of making his own vision real, enjoying the aesthetic experience through the practice of Art. Art is the fifth element in which contact with Beauty takes place in a disinterested way. This thesis in its Form and Consciousness explores the fundaments of these aesthetic formulations through its most yogic roots in India. We will add a metaphor to such aesthetic formulations and explain them through the voice of the artist, in which the process of transmutation of the matter, the transformation of the Nature into Art takes place. The shilpi yogi is the inspiration and aspiration of the being which indwells the imagery artist who develops images of himself, the imprints of personal consciousness transcended through transpersonal art forms. Its being, its Presence, can be modulated through plasticity, from the purest abstraction to the finest figurative art. This thesis represents a plastic voyage to the very heart of India, in which an artist and a sadhu go hand in hand as a symbolic encounter between indosophy and the sublime plastic representative of the tragedy of duality, sunk in life under the weight of chiaroscuro. Light is the Great Symbolic Metaphor and the primordial object of the mystery of Science. The space of the heart is the fifth plastic element on which we base our Yantric Theory of Drawing. We use this to reintegrate the coherence of Art from all times and places, reinterpreting it from an optimistic historical standpoint. Drawing gives us the power to make this real (maya-magic), through the yantric vision. This thesis is the foundational preface to a way to make real the dream of the imagined, a function which Art, the original inoculant, has had throughout history. Such a possibility of form-function-power is endorsed by the most ancient foundations of civilization: the great symbolic potential which was crystalised in Man, the complex system of ancient times which doesn't respond to limits, but rather to constellations, the tantra, inspiration and aspiration of quantic meta-physics.
[ES] Esta tesis doctoral en Bellas Artes es la introducción de una Teoría Yántrica del Dibujo como resultado de una investigación de la forma plástica desde principios universales presentes en la realidad perceptiva. Basada en el yantra como elemento activo dibujístico de una visión mandálica integral, el Dibujo viene a re-presentar una visión del mundo basada en la distancia estética, en la que la suma y multiplicación de todas las partes es contemplada desde un punto de vista y un ojo genuino, transdimensional, en el que el hombre co-creativo es capaz de realizar su propia visión y disfrutar de la experiencia estética a través de la práctica del Arte. El Arte es el quinto elemento en el que el contacto con la Belleza de modo desinteresado tiene lugar. Esta tesis, como Forma y Consciencia explora los fundamentos de estas formulaciones estéticas, a través de sus raíces más yóguicas, en India. A tales formulaciones estéticas les añadimos una metáfora y las explicamos a través de la voz del artista, en el que se da el proceso de transmutación de la materia, la transformación de la Naturaleza en Arte. El silpi yogui es la inspiración y aspiración del ser que habita en el artista imaginero, quien desarrolla sus propias imágenes o la huella de la consciencia personal que se supera a sí misma a través de la plástica de lo trans-personal. Su ser, solo Presencia, se deja modular en el vehículo plástico desde la más pura abstracción a la más fina figuración. Esta tesis representa un viaje plástico al corazón de la India, en el que van de la mano una artista y un sadhu como encuentro simbólico de la indosofía y el sublime representante plástico de la tragedia de la dualidad, sumido en la vida y el peso del claroscuro. La Luz es la Gran Metáfora simbólica y el objeto de misterio primordial de la Ciencia. El espacio del corazón es el quinto elemento plástico en el que se basa nuestra Teoría Yántrica del Dibujo para reintegrar la coherencia del Arte de todos los tiempos y lugares, desde un punto de vista histórico optimista que está en nuestras manos hacer real (magia-maya), a través de la visión yántrica para el Arte, a que da pie el Dibujo. Esta tesis es el prolegómeno fundacional de una vía de hacer real el sueño de lo imaginado, como ha venido haciendo el Arte como inóculo original a lo largo de la Historia. Tal posibilidad de forma-función-poder está avalada por los más antiguos fundamentos de la civilización, el gran potencial simbólico que fue posible cristalizar en el Hombre, el sistema complejo de la antigüedad que no responde a límites, sino a constelaciones, el tantra, inspiración y aspiración de la meta-física cuántica. CLARA M. SEVILLA SEGUÍ
[CAT] Aquesta tesi doctoral en Belles Arts és la introducció d'una Teoria Iàntrica del Dibuix com a resultat d'una investigació de la forma plàstica des de principis universals presents en la realitat perceptiva. Basada en el iantra com a element actiu del dibuix d'una visió integral del mandala, el Dibuix vindria a re-presentar una visió del món basada en la distància estètica, en què la suma i multiplicació de totes les parts és contemplada des d'un punt de vista i un ull genuí, "transdimensional", en què l'home co-creatiu és capaç de realitzar la pròpia visió i gaudir de l'experiència estètica a través de la pràctica de l'Art. L'Art és el cinquè element en què el contacte amb la Bellesa hi té lloc de forma desinteressada. Aquesta tesi, en tant que Forma i Consciència, explora els fonaments d'aquestes formulacions estètiques mitjançant unes arrels basades en sistema del ioga, pel que fa a l'Índia. A aitals formulacions estètiques els afegim una metàfora, i les expliquem per mitjà de la veu de l'artista, l'individu en qui es produeix el procés de transmutació de la matèria, la transformació de la Natura en Art. El silpi iogui és la inspiració i aspiració de l'ésser que habita en l'artista imaginer, qui desenvolupa les seves pròpies imatges o l'empremta de la consciència personal que se supera a si mateixa a través de la pràctica d'allò trans-personal. El seu ésser, tan sols Presència, es deixa modular en el vehicle plàstic des de la més pura abstracció fins a la figuració més fina. Aquesta tesi representa un viatge plàstic al cor de l'Índia, en què una artista i un sadhu, plegats, conflueixen de manera simbòlica en la indosofia i el sublim representant plàstic de la tragèdia de la dualitat, immers en la vida i el pes del clarobscur. La Llum és la Gran Metàfora simbòlica i l'objecte primordial de la ciència. L'espai del cor és el cinquè element plàstic en què es basa la nostra Teoria Iàntrica del Dibuix, el propòsit del qual consisteix a reintegrar la coherència de l'Art de tots els temps i llocs, des d'un punt de vista històric i optimista, que tenim a les nostres mans convertir en real (màgia-maia) a través de la visió iàntrica per a l'Art, a què dóna peu el Dibuix. Aquesta tesi és el prolegomen fundacional d'una via per tal de materialitzar el somni respecte d'allò imaginat, com ha vingut fent l'Art com a inòcul originari al llarg de la Història. Aquesta possibilitat de forma-funció-poder és avalada pels més antics fonaments de la civilització, el gran potencial simbòlic que fou possible cristal·litzar en la figura de l'Home, el sistema complex de l'antiguitat que no respon a límits, sinó a constel·lacions, el tantra: inspiració i aspiració de la meta-física quàntica.
Sevilla Seguí, CM. (2016). Forma y Consciencia: Fundamentos para una Teoría Yántrica del Dibujo [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/63259
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Books on the topic "Yantra"

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Ramakrishnan, Malayattoor. Yantra. Naī Dillī: Neśanala Buka Ṭrasṭa, 2000.

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Ramakrishnan, Malayattoor. Yantra. Naī Dillī: Neśanala Buka Ṭrasṭa, 2000.

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Yantra śatakaya: Yantra mantra 250 y. [Colombo?]: Baṇḍāragama Prēmatilaka saha Putrayō, 1987.

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Dāsa, Acyutānanda. Caurāśī yantra. Kaṭaka: Mahāprasāda Goshṭi, 1994.

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Ḍhakāla, Nārāyaṇa. Śahara-yantra: Kathāsaṅgraha. Kāṭhamāḍauṃ: Sājhā Prakāśana, 1993.

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Bernon, Olivier de. Yantra et mantra. [Phnom Penh]: Centre culturel français de Phnom-Penh, 1998.

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Vijana, Vijaya. Yantra-bādhā tantra-bādhā. Dillī: Abhivyakti, 1991.

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Yantra-bādhā tantra-bādhā. Dillī: Abhivyakti, 1991.

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Garg, Rajeev. Roge nidan yantra aur paddhatian. Delhi: Salutya Sahkar, 2001.

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Subramaṇya, Pā La. Mānava śarīra - yantra prāṇāyāma - tantra. Maisūru: Bhārati Prakāśana, 2013.

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Book chapters on the topic "Yantra"

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Zeiler, Xenia. "Yantra." In Hinduism and Tribal Religions, 1–3. Dordrecht: Springer Netherlands, 2018. http://dx.doi.org/10.1007/978-94-024-1036-5_164-1.

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Zeiler, Xenia. "Yantra." In Hinduism and Tribal Religions, 1803–5. Dordrecht: Springer Netherlands, 2022. http://dx.doi.org/10.1007/978-94-024-1188-1_164.

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Rao, Mani. "Body-Yantra: Sahasrakshi Meru Temple, Devipuram." In Living Mantra, 67–112. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96391-4_5.

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Rathnasree, Nandivada, Lavanya Nemani, Pritpal Sandhu, Pulkit Agarwal, Sonia Munjal, Megha Rajoria, Ramesh Chikara, et al. "Towards the Restoration of the Jantar Mantar Observatory Instruments at Delhi: Calibration and Observations with the Jaiprakas and Ram Yantra." In The Growth and Development of Astronomy and Astrophysics in India and the Asia-Pacific Region, 3–13. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3645-4_1.

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Saich, Tony, and Biliang Hu. "Yantian: A Model in Transition." In Chinese Village, Global Market, 179–89. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137035158_9.

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Saich, Tony, and Biliang Hu. "“Becoming Global”: Yantian Village in Context." In Chinese Village, Global Market, 1–25. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137035158_1.

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Ginters, Egils, Artis Aizstrauts, Inita Sakne, Miquel Angel Piera Eroles, Roman Buil, and Boyong Wang. "The Yantai Urban Economic Development Assessment Simulator." In New Contributions in Information Systems and Technologies, 629–39. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-16486-1_62.

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Saich, Tony, and Biliang Hu. "“One Village, Different Worlds”: Healthcare Provision in Yantian." In Chinese Village, Global Market, 129–48. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137035158_7.

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Davies, Martin, and Jiang Lin. "Yantai Xiangyu Materials Co., Ltd. v. China Continent Property & Casualty Insurance Co., Ltd. Yantai Sub-Branch et al." In Chinese Maritime Cases, 1095–108. Berlin, Heidelberg: Springer Berlin Heidelberg, 2021. http://dx.doi.org/10.1007/978-3-662-63239-0_60.

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Liu, Qunyi. "Yantie lun in the Pro-Legalist and Anti-Confucian Campaign." In European and Chinese Histories of Economic Thought, 202–14. London: Routledge, 2021. http://dx.doi.org/10.4324/9780367434496-23.

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Conference papers on the topic "Yantra"

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Kirilova Bojilova, Elena. "ESTIMATION OF MINIMUM AVERAGE MONTHLY RIVER DISCHARGE: YANTRA RIVER, NORTH BULGARIA." In XXVII Conference of the Danubian Countries on Hydrological Forecasting and Hydrological Bases of Water Management. Nika-Tsentr, 2020. http://dx.doi.org/10.15407/uhmi.conference.01.07.

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Yantra river basin situated in North Bulgaria, is a part of Danube river basin directorate. This investigation is performed in the framework of the project with Bulgarian Ministry of Environment and Water. From the Ministry the points for each effluent or water abstraction facility are provided. For all points it was requested to evaluate 95% probability of occurrence for minimum monthly average river discharge. The provided from the project cross section (points) are along the main river body and also on the main river tributaries: Vidima, Rositza, Belitza and Drianovska rivers. For the current study data from thirteen hydrological gauging stations in the drainage basin of Yantra river are used. Time series for the 1981-2014 study period are executed. Seven homogeneous regions were determined. Map with homogeneous regions for the Yantra river basin is elaborated and presented. Results are discussed.
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Kirilova Bojilova, Elena. "AVERAGE ANNUAL RIVER DISCHARGE ASSESSMENT, YANTRA RIVER, NORTH BULGARIA." In XXVII Conference of the Danubian Countries on Hydrological Forecasting and Hydrological Bases of Water Management. Nika-Tsentr, 2020. http://dx.doi.org/10.15407/uhmi.conference.01.08.

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The study was performed for the needs of Danube river basin directorate in Bulgaria. The object of investigation is Yantra river basin situated in North Bulgaria. The Bulgarian Ministry of Environment and Water was provided the points for each effluent or water abstraction facility. For all points it was requested to evaluate 10% of multiannual average river discharge. For the drainage basin of Yantra river the points are 195. The selected cross section (points) are along the main river body and also on the main river tributaries. The majority of the points are located in the drainage basins of Vidima, Rositza, Belitza and Drianovska rivers. Three homogeneous regions were determined: upper mountain tributaries; middle part and lower part of Yantra river basin. Map with determined homogeneous regions for the drainage river basin is elaborated. The obtained results are discussed.
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Kalange, A. E., B. P. Mahale, S. T. Aghav, and S. A. Gangal. "Nadi Parikshan Yantra and analysis of radial pulse." In 2012 1st International Symposium on Physics and Technology of Sensors (ISPTS). IEEE, 2012. http://dx.doi.org/10.1109/ispts.2012.6260910.

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Arya, Kavi, Blossom Coelho, and Shraddha Pandya. "A Model Based Design Approach To System Building Using The e-Yantra Educational Robot." In the WESE'14: Workshop. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2829957.2829963.

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Krithivasan, S., S. Shandilya, K. Arya, K. Lala, P. Manavar, S. Patii, and S. Jain. "Learning by competing and competing by learning: Experience from the e-Yantra Robotics Competition." In 2014 IEEE Frontiers in Education Conference (FIE). IEEE, 2014. http://dx.doi.org/10.1109/fie.2014.7044136.

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Pavana M.G., Shashikala N., and Manisha Joshi. "Design, development and Comparative performance analysis of Bessel and Butterworth filter for Nadi Pariksha yantra." In 2016 IEEE International Conference on Engineering and Technology (ICETECH). IEEE, 2016. http://dx.doi.org/10.1109/icetech.2016.7569413.

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Krithivasan, S., K. Lala, K. Arya, S. Shandilya, S. Jain, P. Manavar, and S. Patii. "e-Yantra lab setup initiative: Sustainable knowledge creation and scalable infrastructure creation at engineering colleges." In 2014 IEEE Frontiers in Education Conference (FIE). IEEE, 2014. http://dx.doi.org/10.1109/fie.2014.7044455.

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Abhinav, Meghna Sareen, Mahendra Kumar, Sneh Anand, Ashok Salhan, and Jayashree Santhosh. "Nadi Yantra: A Robust System Design to Capture the Signals from the Radial Artery for Non-Invasive Diagnosis." In 2008 2nd International Conference on Bioinformatics and Biomedical Engineering. IEEE, 2008. http://dx.doi.org/10.1109/icbbe.2008.676.

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Krithivasan, S., S. Shandilya, K. Lala, and K. Arya. "Massive Project Based Learning through a Competition: Impact of and Insights from the e-Yantra Robotics Competition (eYRC -- 2013)." In 2014 IEEE Sixth International Conference on Technology for Education (T4E). IEEE, 2014. http://dx.doi.org/10.1109/t4e.2014.13.

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Burle, Kiran J., Sandeep S. Ahankari, and R. A. Kanai. "Engineering a Better Tomorow by Bridging the Quality Gap in Education Through Project Based Learning Using ICT e-Yantra-Robot Enhanced Teaching in Engineering Colleges." In 2016 IEEE Eighth International Conference on Technology for Education (T4E). IEEE, 2016. http://dx.doi.org/10.1109/t4e.2016.065.

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Reports on the topic "Yantra"

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Rudyk, Myroslava. COMMUNICATIVE FEATURES OF UKRAINIAN VIDEO BLOGS ON THE EXAMPLE OF YOUTUBE-CHANNELS OF «TORONTO TV», YANINA SOKOLOVA, AND OSTAP DROZDOV. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11111.

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The article is devoted to the study of the Ukrainian segment of video blogging as one of the most popular types of the functioning of the modern blogosphere. The content and statistics of popular video blogs were studied on the example of YouTube channels of Ukrainian bloggers and famous journalists. Today we are witnessing the rapid development of technologies that help journalists become better, and the creators of media content to work more quickly and ensure the completeness of the information. With the help of Internet communication, new ways of disseminating information have appeared in journalism. Journalists more often create their blogs on various platforms. Blogosphere video content has become very popular among the Ukrainian audience on YouTube because today the video format is the most effective in terms of communication. The YouTube social network partially replaces television, and the variety of thematic content is ably adapted to a wide audience. The paper analyzes Ukrainian blogs managed by journalists, where they publish different content formats. Therefore, the presentation of various examples of video blogs in our work helps to understand the specifics of Ukrainian blogging at its current stage of development. After all, videos of popular people such as Michael Shchur, Yanina Sokolova, Ostap Drozdov demonstrate the peculiarities of Ukrainian popular video content. For the research, we chose those blogs that are currently relevant to Ukrainian YouTube and have their specifics and uniqueness. The main objective of a blogger is to react quickly to the flow of information because the rating of the channel being monetized depends on it. With the help of statistical data, we can conclude that the Ukrainian audience is interested in a wide range of different information. Viewers now value the independent opinion of bloggers and more often listen to it. Every important event is covered by bloggers promptly. And the format in which it is presented depends on the individual style of the author and the concept of his channel. We can conclude that the video content of the modern blogosphere is developing rapidly. This provides the audience with information for different tastes.
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CO-ADD screening of Yantai University (China) compounds. EMBL-EBI, February 2021. http://dx.doi.org/10.6019/chembl4513152.

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