Journal articles: 'Yasmina Khadra'

1

Fishbach, Constance. "Yasmina Khadra. L'Équation africaine." Afrique contemporaine 246, no. 2 (2013): 169. http://dx.doi.org/10.3917/afco.246.0169.

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Toumi, Alek Baylee. "Khalil by Yasmina Khadra." French Review 93, no. 2 (2019): 221–22. http://dx.doi.org/10.1353/tfr.2019.0039.

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Biondi, Carminella. "Yasmina Khadra, L’Olympe des Infortunes." Studi Francesi, no. 162 (LIV | III) (November 1, 2010): 601. http://dx.doi.org/10.4000/studifrancesi.6465.

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Toumi, Alek Baylee. "L'équation africaine by Yasmina Khadra." French Review 86, no. 2 (2012): 419. http://dx.doi.org/10.1353/tfr.2012.0124.

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Vitali, Ilaria. "Yasmina Khadra, L’imposture des mots." Studi Francesi, no. 144 (XLVIII | III) (December 15, 2004): 662. http://dx.doi.org/10.4000/studifrancesi.38467.

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Toumi, Alek Baylee. "Qu’attendent les singes by Yasmina Khadra." French Review 88, no. 3 (2015): 257–58. http://dx.doi.org/10.1353/tfr.2015.0401.

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Diette, Thomas. "Le réel à l’épreuve de la fiction dans « Khalil » de Yasmina Khadra." Lublin Studies in Modern Languages and Literature 44, no. 4 (December 22, 2020): 79. http://dx.doi.org/10.17951/lsmll.2020.44.4.79-90.

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In Khalil, Yasmina Khadra paints a realistic portrait of a terrorist. This novel written in 2018 and developed from a real fact, blurs the spaces of reality and fiction to reveal the apparently unavowable thoughts of a jihadist. It is this detour strategy that this article will seek to clarify. It will be a question of studying how Yasmina Khadra organizes a scrambling of these two worlds, the fictional space and the realistic space, located at the edge of each other, to make them interact, confront each other but also to question.

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Biondi, Carminella. "Yasmina Khadra, Dieu n’habite pas La Havane." Studi Francesi, no. 184 (LXII | I) (April 1, 2018): 176. http://dx.doi.org/10.4000/studifrancesi.12239.

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Tsobgny, Brigitte, Boualem Sansal, and Yasmina Khadra. "Entretiens avec Boualem Sansal et Yasmina Khadra." Contemporary French and Francophone Studies 25, no. 1 (January 1, 2021): 42–51. http://dx.doi.org/10.1080/17409292.2021.1865054.

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Toumi, Alek Baylee. "La dernière nuit du Raïs by Yasmina Khadra." French Review 90, no. 3 (2017): 212. http://dx.doi.org/10.1353/tfr.2017.0345.

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Toumi, Alek Baylee. "L'outrage fait à Sarah Ikker par Yasmina Khadra." French Review 94, no. 2 (2020): 268–69. http://dx.doi.org/10.1353/tfr.2020.0324.

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ZAATAR, Dahlia Hossam Eddine. "Pour une approche descriptive de « l’Écrivain », de Yasmina Khadra." مجلة البحث العلمی فی الآداب 1, no. 3 (October 1, 2018): 1–35. http://dx.doi.org/10.21608/jssa.2018.12625.

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Toumi, Alek Baylee. "Les anges meurent de nos blessures par Yasmina Khadra." French Review 88, no. 2 (2014): 268–69. http://dx.doi.org/10.1353/tfr.2014.0077.

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Toumi, Alek Baylee. "Le sel de tous les oublis par Yasmina Khadra." French Review 95, no. 2 (2021): 265. http://dx.doi.org/10.1353/tfr.2021.0311.

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Toumi, Alek Baylee. "Ce que le mirage doit à l'oasis by Yasmina Khadra." French Review 92, no. 4 (2019): 238–39. http://dx.doi.org/10.1353/tfr.2019.0331.

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16

Ågerup, Karl. "Knowing an Arab: Yasmina Khadra and the aesthetics of didactic fiction." Critique: Studies in Contemporary Fiction 59, no. 2 (November 27, 2017): 180–90. http://dx.doi.org/10.1080/00111619.2017.1373057.

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17

Benzid, Aziza. "Étude Titrologique de À Quoi Rêvent les Loups de Yasmina Khadra." مجلة علوم الإنسان و المجتمع, no. 9 (March 2014): 25–44. http://dx.doi.org/10.12816/0003371.

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18

Garand, Dominique. "Que peut la fiction ? Yasmina Khadra, le terrorisme et le conflit israélo-palestinien." Études françaises 44, no. 1 (June 11, 2008): 37–56. http://dx.doi.org/10.7202/018162ar.

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Résume La grande époque du roman engagé portait prioritairement sur des questions sociales relatives aux rapports de classe, aux injustices et aux inégalités. Il s’agissait de dénoncer des pouvoirs économiques ou politiques. Alors que ces problèmes étaient le plus souvent circonscrits dans un espace/temps spécifique, le terrorisme s’impose aujourd’hui comme une question qui touche l’ensemble de l’humanité dans une remise en question violente des valeurs occidentales. L’oeuvre de l’écrivain algérien Yasmina Khadra (aujourd’hui installé en France) porte précisément sur ce grave problème et tente d’en comprendre les « raisons ». Dans cette étude, j’interroge principalement L’attentat, deuxième roman d’une trilogie portant sur l’intégrisme musulman et ses dérives terroristes. Il s’agit d’examiner si la complexité du problème posé entraîne un renouvellement des formes du roman engagé. J’analyse pour ce faire les techniques narratives utilisées par l’auteur en les mettant en rapport avec la structure traditionnelle du roman à thèse. J’expose la dialectique, dans ces romans, entre le désengagement (distance par rapport aux grandes Causes idéologiques qui s’affrontent) et l’engagement (chez Khadra, appel à une tierce voie, inédite). Je montre comment l’auteur s’y prend pour mettre en suspens tout a priori ou tout parti pris initial et comment, malgré cette ouverture aux voix antagonistes, il en vient tout de même à proposer des valeurs qui transcenderaient le conflit en prenant ses distances à l’égard des solutions sacrificielles.

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19

Schoolcraft, Ralph. "De Mohammed Moulessehoul à Yasmina Khadra. Enquête idéologique sur le commissaire Llob." Les Lettres Romanes 64, no. 3-4 (January 2010): 349–70. http://dx.doi.org/10.1484/j.llr.1.102070.

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20

Assam, Malha. "Histoire et Fiction dans à Quoi Rêvent les Loups ? de Yasmina Khadra." الخطاب N.A, no. 25 (June 2017): 27–39. http://dx.doi.org/10.12816/0048054.

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21

Rădulescu, Valentina. "Quelques aspects de l’écriture de la violence dans le roman L’Attentat de Yasmina Khadra." Dialogues francophones 21, no. 1 (December 1, 2015): 31–44. http://dx.doi.org/10.1515/difra-2015-0003.

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Abstract Violence and its devastating effects challenge writers more than ever. Based on the novel L’Attentat [The Attack] (Julliard, 2005), by the Algerian writer Yasmina Khadra, this paper aims to demonstrate that the writing of violence is both the consequence and the mirror of today’s world convulsions. The analytical approach is focused on the functions of this type of writing, the various forms of violence and their problematic aspects, as well as on the relation of a discourse explaining terrorism with a humanist pacifist discourse, as it appears in the novel.

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Achheb, Loubna. "La ville anonyme face à la mer : du mirage au métissage." Lublin Studies in Modern Languages and Literature 44, no. 4 (December 22, 2020): 67. http://dx.doi.org/10.17951/lsmll.2020.44.4.67-77.

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Our current article talks about the geocritical analysis of the spaces of the anonymous city and the sea argued by the two Algerian authors: Mohamed Dib through his novel Cours sur la rive sauvage and Yasmina Khadra in L'Olympe des infortunes. These two writers highlight the binary dynamics of the anonymous city and the sea. The fusion of these two spaces creates mirages revealing the intermingling of their writings and their society. This textual hybridization reveals a harmful criticism of the metropolis and the era of globalization.

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جابر أحمد آدم, مصطفى. "Le cadre spatio-temporel dans "À quoi rêvent les loups" de: Yasmina Khadra." مجلة کلیة الآداب بقنا 29, no. 51 (June 1, 2020): 1–21. http://dx.doi.org/10.21608/qarts.2020.51234.1012.

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Clavaron, Yves. "Littérature et terreur: L’Attentat de Yasmina Khadra (2005) et Terrorist de John Updike (2006)." Neohelicon 45, no. 2 (September 18, 2018): 587–601. http://dx.doi.org/10.1007/s11059-018-0445-x.

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25

Fouzia, Amrouche. "L'Épigraphe Comme Indice Possible du Sens 1 dans les Chants Cannibales de Yasmina Khadra." الأثر, no. 25 (2016): 47–53. http://dx.doi.org/10.12816/0039847.

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26

Badea, Georgiana I., Lucia Botnari, Alexandra Emciuc, Bianca Jianu, Imola Nagy, and Miruna Vlad. "Sur la mobilité des frontières de soi au profit du passage transfrontalier interlinguistique et sémiotique. Étude de cas : traduction et adaptation filmique du roman Ce que le jour doit à la nuit, de Yasmina Khadra." Translationes 12-13, no. 1 (December 1, 2021): 46–68. http://dx.doi.org/10.2478/tran-2021-0002.

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Abstract In this article, we briefly present the results of a multifaceted investigation of the book Ce que le jour doit à la nuit. We examine the effects produced on the novel by the transgression of multiple frontiers: identity, geographic, interlinguistic, translation, semiotic, etc. These are frontiers that both the writer, Yasmina Khadra, and her novel transgress. A necessary look at the circumstances in which the book was created will allow us to survey the types of frontier transgression: of the self, of the civilian and artistic identity, in order to concentrate on the crossing of interlinguistic frontiers (the translation into Romanian of the novel Ce que le jour doit à la nuit in this case), semiotic (its cinema adaptation and its subtitles).

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27

Condamin, Christine. "Frustrations précoces, violence pulsionnelle et passage à l'acte meurtrier dans Cousine K de Yasmina Khadra." Adolescence 64, no. 2 (2008): 465. http://dx.doi.org/10.3917/ado.064.0465.

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Bouchakour, Fatima Zohra. "Représentation spatiale et identitaire chez Yasmina Khadra dans Ce que le jour doit à la nuit." Insaniyat / إنسانيات, no. 82 (December 31, 2018): 51–65. http://dx.doi.org/10.4000/insaniyat.19931.

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29

Farghali, Naglaa. "«L’ethos entre formation et déformation» (Etude pragmatique dans «A quoi rêvent les loups» de Yasmina Khadra)." مجلة الآداب والعلوم الإنسانیة 86, no. 1 (January 1, 2018): 333–48. http://dx.doi.org/10.21608/fjhj.2018.93415.

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30

Pawlicki, Jędrzej. "Les tribulations parisiennes de l’officier écrivain : l’oeuvre autobiographique de Yasmina Khadra et son accueil en France." Studia Romanica Posnaniensia 39, no. 1 (January 1, 2012): 99. http://dx.doi.org/10.14746/strop.2012.391.008.

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31

Messati, Said. "La Dimension Temporelle et Son Inscription dans l’Histoire chez Yasmina Khadra : Devoir de Vérité, Pouvoir de l’Imagination." الأثر, no. 24 (March 2016): 33–38. http://dx.doi.org/10.12816/0039585.

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32

Gueydan-Turek, Alexandra. "Les Prémices littéraires des Révolutions arabes—Yasmina Khadra, Assia Djebar, Abdellah Taïa by Samir Patrice El Maarouf." Nouvelles Études Francophones 29, no. 2 (2015): 226–30. http://dx.doi.org/10.1353/nef.2015.0007.

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33

Khelfaoui, Benaoumeur, and Latifa Sari Mohamed. "L’Ecriture Romanesque Comme Reconciliation du Couple Infernal dans (Ce Que le Jour Doit à la Nuit) de Yasmina Khadra." الأثر, no. 24 (March 2016): 9–22. http://dx.doi.org/10.12816/0039582.

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34

Benzid, Aziza. "La Mise en Texte de la Ville d'Alger dans la Trilogie Policière de Yasmina Khadra : Morituri , Double Blancet l’Automne des Chimères." مجلة علوم الإنسان و المجتمع, no. 16 (2015): 27–41. http://dx.doi.org/10.12816/0026217.

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35

MOKRANE, Katia. "TRADITION OR MODERNITY: WHICH MODEL FOR THE ALGERIAN NOVEL?" RIMAK International Journal of Humanities and Social Sciences 03, no. 06 (July 1, 2021): 247–52. http://dx.doi.org/10.47832/2717-8293.6-3.22.

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The Algerian novel occupies an important place in the literary world of the French expression. Numerous are the Algerian writers passionned by this way of writing resulting from historical events between Algeria and France. The Algerian author is confused between his traditional society, his roots, his sociocultural environment and the modern one transmitted by the culture of the colon. The reports between tradition and modernity are in the core of the mystery of creation, the act of the creator, indeed, concentrates on heritages but he can always go towards their unforeseen transformations. With a more analytical look, we can state that between both notions, it exists convergent points, this may say that beyond appearances it is impossible to build a tight partition. The tangling of both concepts is revealed in the Algerian novels, for instance, in Kateb yacine, Mouloud Mammeri, Yasmina Khadra, Latifa Ben Mansour et Rachid Mimouni. This is why we have opted for this theme which aimed to: Situate the Algerian novel between these two dichotomies and how the Algerian author apprehends this repport? The present work is based on the study of technics which make the dichotony Tradition/Modernity opposed in time; a cyclicity through a literary creation.

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36

Zakarriya, Jihan. "Randomness and Political Complexity in the Contemporary Arab Novel." Comparative Critical Studies 18, no. 2-3 (October 2021): 259–83. http://dx.doi.org/10.3366/ccs.2021.0406.

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This essay examines the concept of randomness in three novels by contemporary Arab novelists, employing chaos theory and complexity theory. The three novels are Lebanese Rabie Gaber's dystopian novel Beirutus: Underground City ( Beirutus: Madīna Taḥt al-Arḍ, 2005), Egyptian Ezzedine Choukri Fishere's realistic novel Exit ( Bāb al-Khurūj, 2012), and Algerian Yasmina Khadra's detective novel What are Monkeys Waiting for? ( Qu'attendent les singes, 2014). Although they belong to different genres, all three are speculative novels and present different forms of political-security complexity and chaos in the contemporary Arab world. They represent unpredictable, random events that both resonate with and anticipate forthcoming events and political changes in the Arab world. Exit, for instance, represents the unexpected downfall of the Muslim Brotherhood in Egypt and the return of the military rule after the 2011 revolution, and Beirutus the unexpected rubbish and environmental crisis in 2016 in Lebanon, while What are Monkeys Waiting for? anticipates the contemporary political turmoil in Algeria. Randomness and unpredictability in the three novels are used as a means of political projection and prediction, and as narrative strategies of literary activism against repressive realities and authoritarianism. By representing the unpredictable, Gaber, Fishere and Khadra implicitly incite resistance by warning of appalling forthcoming realities.

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جديلي, بسمة. "شعرية العنوان في رواية ( بم تحلم الذئاب ؟ ) لياسمينة خضرا = Poétique de Titre dans le Roman ( A Quoi Rêvent les Loups ) de Yasmina Khadra." مجلة جيل الدراسات الأدبية و الفكرية 3, no. 21 (July 2016): 75–88. http://dx.doi.org/10.12816/0030571.

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38

Hägerdal, Hans. "Humanistiska notiser från Linnéuniversitetet." HumaNetten, no. 29 (November 27, 2015): 63–69. http://dx.doi.org/10.15626/hn.20122907.

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Charlotte Hommerberg, Persuasiveness in the discourse of wine. The rhetoric of Robert Parker (Växjö : Linnaeus University Press, 2011). Doktorsavhandling i engelska. Wirginia Bogatic, Exilens dilemma: att stanna eller att återvända: beslut i Sverige av polska kvinnor som överlevde KZ-lägret Ravensbrück och räddades till Sverige 1945-1947 (Växjö : Linnaeus University Press, 2011). Doktorsavhandling i historia. Joakim Stoltz, L’alternance codique dans l’enseignement du FLE: étude quantitative et qualitative de la production orale d’interlocuteurs suédophones en classe de lycée (Växjö : Linnaeus University Press, 2011). Doktorsavhandling i franska. Anette Almgren White, Intermedial narration i den fotolyriska bilderboken. Jean Claude Arnault, Katarina Frostenson och Rut Hillarp (Växjö : Linnaeus University Press, 2011). Doktorsavhandling i litteraturvetenskap. Fredrik Håkansson, Standing up to a Multinational Giant. The Saint-Gobain World Council and the American Window Glass Workers’ Strike in the American Saint Gobain Corporation in 1969 (Växjö : Linnaeus University Press, 2011). Doktorsavhandling i historia. Zara Bersbo, ”Rätt för kvinnan att blifva människa - fullt och helt”: Svenska kvinnors ekonomiska medborgarskap 1921-1971 (Växjö : Linnaeus University Press, 2011). Doktorsavhandling i historia. Simon Hartling, L’Autorité dissimulée – l’autorité manifeste. L’écriture de la violence chez Yasmina Khadra (Växjö : Linnaeus University Press, 2012). Doktorsavhandling i fransk litteraturvetenskap. Kirsten Husung, L’Ecriture comme seul pays. Construction et subversion des discours identitaires: hybridité et genre chez Assia Djebar et Nina Bouraoui (Växjö : Linnaeus University Press, 2012). Doktorsavhandling i franska. Ewa Bergh Nestlog, Var är meningen? Elevtexter och undervisningspraktiker (Växjö : Linnaeus University Press, 2012). Doktorsavhandling i svenska.

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39

Marir, Asma. "De la Conception Encyclopédique du Nom de Personnage Romanesque à l'Autre Intertextuelle : Cas (Llaz) dans le Privilège du Phénix de Yasmina Khadra et (As) dans l'As de Tahar Ouettar." الأثر, no. 23 (December 2015): 13–20. http://dx.doi.org/10.12816/0039765.

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40

Deckard, Sharae. "KHADRA, Yasmina Cousin K Translated by Donald Nicholson-Smith and Alyson Waters Afterword by Robert Polito University of Nebraska Press, 2013. 96 pp., $15.95, ISBN: 978-0-8032-3493-2." Modern & Contemporary France 22, no. 3 (March 6, 2014): 416–18. http://dx.doi.org/10.1080/09639489.2014.889106.

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41

جديلي, بسمة. "الفضاء النصي و صناعة المعنى بين بياض الصفحة و سطر الكتابة : مقاربة في روايتي بم تحلم الذئاب ؟ و الصدمة لياسمينة خضرا = Textual Space and the Making of the Meaning between Tha Blank of the Page and the Time of Writing : An Approach in the Two Novels Entitled What Are the Dreams of the Wolves ? And the Shoc of Yasmina Khadra." مجلة جيل الدراسات الأدبية و الفكرية 3, no. 20 (2016): 59–71. http://dx.doi.org/10.12816/0030238.

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42

Knight, Lucie. "Writing Wrongs: The Representation of 'Harkis' in Yasmina Khadra's La part du mort." French Forum 36, no. 2-3 (2011): 163–79. http://dx.doi.org/10.1353/frf.2011.0031.

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شطاح, عبد الله. "تخييل الزمن الكولونيالي ازدواجية الخطاب وتمزقات الذات والهوية في رواية ما يدين به النهار لليل لياسمينة خضرا = The Imaginary of the Colonial Era : Duality of Discourse and Self-Rupture in Yasmin Khadra's What the Day Owes the Night." تبين للدراسات الفكرية و الثقافية 5, no. 21 (2017): 79–98. http://dx.doi.org/10.12816/0040066.

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44

Boraso, Silvia. "Yasmina Khadra. Khalil." Il Tolomeo, no. 1 (December 19, 2019). http://dx.doi.org/10.30687/tol/2499-5975/2019/01/029.

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45

"Slim vu par Yasmina Khadra." Confluences Méditerranée N°81, no. 2 (2012): 217. http://dx.doi.org/10.3917/come.081.0217.

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46

"L'éthique de la trilogie de Yasmina Khadra Ecrivain engagé." مجلة کلية التربية بالمنصورة 111, no. 1 (July 1, 2010): 3–31. http://dx.doi.org/10.21608/maed.2010.140851.

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47

Chiron, Alain. "Tarek, Yasmina Khadra, Baptiste Payen, Kamel Mouellef, Turcos, le jasmin et la boue." Cahiers d’histoire. Revue d’histoire critique, no. 119 (April 1, 2012). http://dx.doi.org/10.4000/chrhc.2890.

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48

Amrouche, Fouzia. "L' épigraphe Comme Indice Possible Du Sens Dans Les Chants Cannibales De Yasmina Khadra." حوليات الآداب واللغات, 2016, 34. http://dx.doi.org/10.35813/1712-000-006-010.

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Abdelhamid, Samir, and Makrof Mohamed. "L’anthroponymie Romanesque :, Fonctions Et Enjeu Symbolique Dans Les Sirènes De Bagdad De Yasmina Khadra." مجلة التراث, 2017, 413. http://dx.doi.org/10.35918/1064-000-026-045.

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Azizi, Nassima. "Cristallisation De L'ironie Dans Le Système Narratif Des Hirondelles De Kaboul, De Yasmina Khadra." مجلة آفاق للعلوم, 2017, 274. http://dx.doi.org/10.37167/1677-000-009-029.

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Journal articles on the topic 'Yasmina Khadra'

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