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Journal articles on the topic 'Yeats, W. B. in fiction'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Morrisson, Mark S. "Apocalypse 1917: Esoteric Modernism and the War in Aleister Crowley's Moonchild." Modernist Cultures 12, no. 1 (March 2017): 98–119. http://dx.doi.org/10.3366/mod.2017.0158.

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This article explores the apocalyptic fervor of 1917 as a context for the rise of the esoteric modernism of W. B Yeats and Aleister Crowley, paying special attention to the contributions of Crowley's Moonchild to a specifically modernist form of esoteric fiction. Moonchild featured a modernist synthesis of ritual, transpersonal epistemology, experimental prose, and a play of competing popular genres in a contemplative fiction that continued to impact twentieth-century culture well beyond the death of its author. This literature turned to communications with spirit entities and to ritual magic to reveal spiritual interpretations of a world in which the flux of modernity augured technologically sophisticated war as a permanent state of affairs, the world of 1917.

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2

Genet, Jacqueline. "W. B. Yeats & George Yeats." Études irlandaises, no. 36-2 (December 30, 2011): 192–93. http://dx.doi.org/10.4000/etudesirlandaises.2521.

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3

Rhee, Young Suck. "Expressionism in W. B. Yeats and Jack Yeats." Yeats Journal of Korea 36 (December 30, 2010): 125–38. http://dx.doi.org/10.14354/yjk.2011.36.125.

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4

Sheils, B. "W. B. Yeats & George Yeats: The Letters." English 62, no. 236 (July 6, 2012): 91–93. http://dx.doi.org/10.1093/english/efs029.

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5

MORRIS, BRUCE. "ARTHUR SYMONS/W. B. YEATS." Notes and Queries 32, no. 4 (December 1, 1985): 506—c—506. http://dx.doi.org/10.1093/nq/32-4-506c.

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6

Lee, Cheolhee. "W. B. Yeats as Imagist." Yeats Journal of Korea 47 (August 31, 2015): 247–60. http://dx.doi.org/10.14354/yjk.2015.47.247.

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7

Dampier, Graham. "W. B. Yeats and the Muses." Irish Studies Review 20, no. 1 (February 2012): 99–101. http://dx.doi.org/10.1080/09670882.2012.656225.

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8

가와시마 다케시 and 권정희. "Oe Kenzaburo and W. B. Yeats." CONCEPT AND COMMUNICATION ll, no. 14 (December 2014): 137–71. http://dx.doi.org/10.15797/concom.2014..14.004.

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9

Murray, Paul. "W. B. Yeats and Bram Stoker." Yeats Journal of Korea 12 (December 31, 1999): 285–97. http://dx.doi.org/10.14354/yjk.1999.12.285.

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10

Ko, Joon-Seog, and Dong-Yul Cho. "W. B. Yeats and the Upanishads." Yeats Journal of Korea 30 (June 30, 2008): 5–28. http://dx.doi.org/10.14354/yjk.2008.30.5.

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11

Albright, Daniel. "Introduction: W. B. Yeats: The Poems." Yeats Journal of Korea 41 (June 30, 2013): 11–48. http://dx.doi.org/10.14354/yjk.2013.41.11.

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12

Kim, Younghee. "W. B. Yeats and Walt Whitman." Yeats Journal of Korea 58 (April 30, 2019): 327–45. http://dx.doi.org/10.14354/yjk.2019.58.327.

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13

Bryden, Mary, and Gordon S. Armstrong. "Samuel Beckett, W. B. Yeats, and Jack Yeats: Images and Words." Modern Language Review 87, no. 3 (July 1992): 728. http://dx.doi.org/10.2307/3732976.

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14

Foster, Roy. "Writing a Life of W. B. Yeats." Irish Review (1986-), no. 21 (1997): 92. http://dx.doi.org/10.2307/29735864.

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15

Rhee, Young Suck. "Denis Donoghue, ed. W. B. Yeats: Memoirs." Yeats Journal of Korea 15 (June 30, 2001): 185–86. http://dx.doi.org/10.14354/yjk.2001.15.185.

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16

Dowling, Linda, W. B. Yeats, John Kelly, and Eric Domville. "The Collected Letters of W. B. Yeats." Modern Language Review 83, no. 1 (January 1988): 174. http://dx.doi.org/10.2307/3728583.

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17

Cho, Dong-Yul. "The Creative Mind of W. B. Yeats." Yeats Journal of Korea 5 (December 31, 1995): 93–119. http://dx.doi.org/10.14354/yjk.1995.5.93.

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18

Morin, Emilie. "W. B. Yeats and Broadcasting, 1924–1965." Historical Journal of Film, Radio and Television 35, no. 1 (January 21, 2014): 145–75. http://dx.doi.org/10.1080/01439685.2013.847648.

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19

Suh, Hye Sook. "W. B. Yeats and Irish Fairy Tales." Yeats Journal of Korea 18 (December 31, 2002): 25–54. http://dx.doi.org/10.14354/yjk.2002.18.25.

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20

Allison, Jonathan. "W. B. Yeats, Space, and Cultural Nationalism." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 14, no. 4 (January 2001): 55–67. http://dx.doi.org/10.1080/08957690109598175.

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21

Vladic Jovanov, Milena. "THE DOUBLE POETIC OF W. B. YEATS." Folia linguistica et litteraria XII, no. 35 (2021): 87–116. http://dx.doi.org/10.31902/fll.35.2021.5.

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In the double poetic of W. B. Yeats, a certain relation between poems is initiated; and this relation is not only interpreted by means of various approaches to the theories of intertextuality but rather the theory of deconstruction as well. Yeats makes it so his poems lean on one another, creating in his poetic practice a self-referentiality, owing to the fact that he uses his own poetry as a basis for further verse-creation. Reality is, in fact, art, which is why in the space between poems a narrative pointed toward diverse themes is formed. One of these themes is art and the poet’s experience of creating a work of art which the poet showcases in his own writings through indications such as repeated verses or themes that guide the reader into a multifaceted nexus of meaning and space between poems in which they create and write a new work of art in the form of an interpretation. Writing about their own experience of the poem, the poet writes about the poem itself, making the experience of writing and the poem the themes of the poem. However, by writing about their own experience of how they write, the poet achieves a complex modernist meta-quality. They do not directly talk about the poem and the laws it rests upon nor do they critique previous rules and derive ideologies behind them nor do they personally set foot in the work of art as is in postmodernism, but rather they do so by means of complex poetic images. These images enable the intricate meta-quality that refers us to the space between poems and makes another important characteristic through which Yeats gets close to modernist poetic possible – communication. The poems communicate with one another and in that exchange the question and theme of communication, which is of great importance to modernist poetic both in poetry and narrative, is raised. If it could be said that money is the main topic of realism, then time would be the main topic of the stream-of-consciousness novel, as well as, in a sense, the modernist novel in general. What distinguishes modernist poetic, besides the theme of communication as a form of discourse – a transfer of knowledge – is the creation of both the identity of the work of art itself and the very social function of the poet – a topos theme of world literature – made possible through the self-same communication. Moreover, communication does not only involve the exchange between two or more poems, in which by way of repetition is the différance of the same, in the space between two or more poems shown, but also the change and transposition of meaning from one place to another. In this way, modernist poets directly deal with the issues of the creation of art itself and the fundamental, often indistinguishable question of what artistic is and when the border between the artistic and inartistic is crossed in a work of art. Through the use of paratextual material – the title, subtitle and the comments – the reader is included in the creation of the work of art as an important link. They as the semiotic reader, in Eco’s terms, through their own literary knowledge create a work of art in which they communicate with the author, while simultaneously correcting that selfsame communication by means of their inner semantic reader whom they never forget, since the writer beguiles their readers through intertextual irony and, especially, meta-quality. The doubleness of reading marks the duality of the creation of a work that has double relations: to itself and to the reality that it – through other works – either expresses or denies but always regards again and again with its writing and its relation to it.

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22

Armstrong, Charles. "A Master’s Monument Shakespeare’s Sonnets in the Poetry of W. B. Yeats." Early Modern Culture Online 1, no. 1 (September 16, 2010): 21. http://dx.doi.org/10.15845/emco.v1i1.1213.

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This article explores the reception of Shakespeare’s Sonnets by W.B. Yeats. In her recent study Our Secret Discipline: Yeats and Lyric Form (2007), Helen Vendler has stressed the importance of taking the formal structures of W. B. Yeats’ poetry seriously. If her analyses occasionally seem overwrought in all their technical detail, she nevertheless forcefully argues that “technique was never, for Yeats, without conceptual meaning” (153). But the actual conceptual meanings she brings forth are often less than convincing – particularly so in the case of Yeats’ appropriation of the Shakespearean sonnet.

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23

Armstrong, Charles. "A Master’s Monument Shakespeare’s Sonnets in the Poetry of W. B. Yeats." Early Modern Culture Online 1, no. 1 (September 16, 2010): 21. http://dx.doi.org/10.15845/emco.v1i1.1243.

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This article explores the reception of Shakespeare’s Sonnets by W.B. Yeats. In her recent study Our Secret Discipline: Yeats and Lyric Form (2007), Helen Vendler has stressed the importance of taking the formal structures of W. B. Yeats’ poetry seriously. If her analyses occasionally seem overwrought in all their technical detail, she nevertheless forcefully argues that “technique was never, for Yeats, without conceptual meaning” (153). But the actual conceptual meanings she brings forth are often less than convincing – particularly so in the case of Yeats’ appropriation of the Shakespearean sonnet.

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24

McNamee, Brendan. ""What then?": poststructuralism, authorial intention and W. B. Yeats." Revista Alicantina de Estudios Ingleses, no. 18 (November 15, 2005): 215. http://dx.doi.org/10.14198/raei.2005.18.10.

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Using aspects Yeats' s life and work (poems, philosophy, publishing episodes) as a lens, and focusing on the question of authorial intention, this paper explores certain conflicts and interrelations between traditional and poststructuralist theories of both textual and literary criticism. It will seek to show how Yeats himself embodies and mirrors this conflict in his work, both textually and thematically, and how the most important aspect of this conflict, for Yeats and for literature in general, is that it remains unresolved. Contrasting the ideas of E.D. Hirsch with those of Jerome McGann on the textual side and with those of Stanley Pish on the theoretical side, the paper seeks to highlight some limitations of the poststructuralist position, and also to show how these two apparently disparate schools of thought, traditionalist and poststructuralist, can occasionally exhibit some surprising affinities. The paper is indebted to George Bornstein's textual work on Yeats in its argument.

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25

Rhee, Young Suck, and Lianggong Luo. "W. B. 예이츠와 비극." Yeats Journal of Korea 57 (December 31, 2018): 65–80. http://dx.doi.org/10.14354/yjk.2018.57.65.

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26

Zhou, Dan. "W. B. 예이츠와 민속문화." Yeats Journal of Korea 58 (April 30, 2019): 105–17. http://dx.doi.org/10.14354/yjk.2019.58.105.

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27

Anderson, Andrew A. "Was Garcia Lorca Dyslexic (Like W. B. Yeats)?" Modern Language Review 94, no. 3 (July 1999): 700. http://dx.doi.org/10.2307/3736996.

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28

Ewart, Gavin. "Nearly There: W. B. Yeats and Maud Gonne." Grand Street 8, no. 4 (1989): 243. http://dx.doi.org/10.2307/25007290.

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29

Haslam, Richard. "W. B. Yeats : Snobbery as mood and mode." Études irlandaises 29, no. 1 (2004): 55–72. http://dx.doi.org/10.3406/irlan.2004.1699.

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30

Domville, Eric, K. P. S. Jochum, Eitel Timm, and Eric Wredenhagen. "W. B. Yeats: A Classified Bibliography of Criticism." Canadian Journal of Irish Studies 18, no. 2 (1992): 125. http://dx.doi.org/10.2307/25512934.

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31

Whitaker, Thomas R., Malati Ramratnam, and David Young. "W. B. Yeats and the Craft of Verse." Yearbook of English Studies 20 (1990): 317. http://dx.doi.org/10.2307/3507606.

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32

Hynd, Hazel. "Celtic Rivals: John Davidson and W. B. Yeats." Irish Studies Review 10, no. 3 (December 2002): 277–88. http://dx.doi.org/10.1080/0967088022000040257.

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33

Choe, Youngja. "A Portrait of W. B. Yeats: Last Poems." Yeats Journal of Korea 14 (December 31, 2000): 33–58. http://dx.doi.org/10.14354/yjk.2000.14.33.

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34

Yoon, Ilhwan. "W. B. Yeats and Absence of the Center." Yeats Journal of Korea 34 (December 30, 2009): 123–43. http://dx.doi.org/10.14354/yjk.2010.34.123.

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35

Al-Douri, Hamdi H. "W. B. Yeats and the Quest for Order." Koya University Journal of Humanities and Social Sciences 3, no. 1 (June 18, 2020): 53–58. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp53-58.

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This paper is an attempt to explore Yeats’s quest for order and how this quest found expression in his works. Throughout his life, Yeats was dissatisfied with the religious, artistic, political, anthropological and intellectual aspects of life, in both Ireland and England which have taken away from modern man the sense of order. His father's skepticism, his dissatisfaction with the spiritless religion of his time, a religion which seems dead and his sense of alienation at school among British students were behind his ceaseless search for alternative orders which became the preoccupation of all his life and triggered his [] engagements in numerous nationalistic, occult, and mystical societies which he joined early in his life. Among the societies he joined was the Balvatsky Lodge of the Russian lady Madam Balvatsky through which he came into close contact with the occult. One of the most important societies he joined and presided was the occult society the Golden Dawn. This paper, therefore, sheds light on his quest for nationalist, intellectual, philosophical, and mystical orders and how this is reflected in his poetry. The paper attempts to explore this quest for order selected poems such as "The Lake Isle of Innisfree", "The Second Coming", "Leda and the Swan", "Sailing to Byzantium" and some other poems together with reference to his philosophical book A Vision. However, the dominating quest in Yeats's poetry is his quest for a mystical order which can be traced in almost all his poetical works.

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36

Rooksby, Rikky. "Smith, S., W. B. Yeats: A Critical Introduction." Notes and Queries 39, no. 1 (March 1, 1992): 125–26. http://dx.doi.org/10.1093/nq/39.1.125.

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37

Rhee, Young Suck. "W. B. Yeats, Yeats Studies, and Bibliography: An Interview with Klaus Peter Jochum." Yeats Journal of Korea 39 (June 30, 2012): 13–19. http://dx.doi.org/10.14354/yjk.2012.39.13.

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38

Smith, Stan, Kathleen Raine, and W. B. Yeats. "Yeats the Initiate: Essays on Certain Themes in the Work of W. B. Yeats." Modern Language Review 88, no. 1 (January 1993): 168. http://dx.doi.org/10.2307/3730815.

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39

Ahn, Joong-Eun. "T. S. Eliot and W. B. Yeats: 1915-1933." British and American Language and Literature Association of Korea 129 (June 16, 2018): 199–221. http://dx.doi.org/10.21297/ballak.2018.129.199.

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40

Pratt, William, and R. F. Foster. "W. B. Yeats: A Life. 1: The Apprentice Mage." World Literature Today 71, no. 4 (1997): 796. http://dx.doi.org/10.2307/40153384.

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41

McDowell, Colin, and Timothy Materer. "Gyre and Vortex: W. B. Yeats and Ezra Pound." Twentieth Century Literature 31, no. 4 (1985): 343. http://dx.doi.org/10.2307/441459.

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42

Gu, Jakwang. "‘Melancholy’ and Postcolonial ‘Politics’ in W. B. Yeats Case." Yeats Journal of Korea 28 (December 30, 2007): 5–41. http://dx.doi.org/10.14354/yjk.2007.28.5.

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43

Elliott, Maurice, and Ann Saddlemyer. "Becoming George. The Life of Mrs W. B. Yeats." Canadian Journal of Irish Studies 28/29 (2002): 202. http://dx.doi.org/10.2307/25515438.

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44

Cosgrove, Brian, and Roy Foster. "W. B. Yeats: A Life. II: The Arch-Poet." Canadian Journal of Irish Studies 30, no. 2 (2004): 79. http://dx.doi.org/10.2307/25515543.

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45

Cho, Dong-yul. "The Politics and Self-Development of W. B. Yeats." Yeats Journal of Korea 6 (July 31, 1996): 303–31. http://dx.doi.org/10.14354/yjk.1996.6.303.

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46

Rhee, Young Suck. "The Aesthetics of W. B. Yeats and Derek Walcott*." Yeats Journal of Korea 11 (September 30, 1999): 159–75. http://dx.doi.org/10.14354/yjk.1999.11.159.

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47

McDonald, P. "Review: Transition, Reception and Modernism in W. B. Yeats." Review of English Studies 54, no. 213 (February 1, 2003): 148–49. http://dx.doi.org/10.1093/res/54.213.148.

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48

Monteiro, G. "W. B. Yeats Reprints in US Periodicals (1890-1926)." Notes and Queries 58, no. 4 (November 10, 2011): 578–81. http://dx.doi.org/10.1093/notesj/gjr198.

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49

Hong, Sungsook. "Ideal Glocalism in Seamus Heaney and W. B. Yeats." Yeats Journal of Korea 15 (June 30, 2001): 163–77. http://dx.doi.org/10.14354/yjk.2001.15.163.

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50

GOULD, WARWICK. "W. B. Yeats and the Resurrection of the Author." Library s6-16, no. 2 (1994): 101–34. http://dx.doi.org/10.1093/library/s6-16.2.101.

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