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Books on the topic 'Yeats, W. B. Verse drama, English'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

1865-1939, Yeats W. B., ed. W. B. Yeats e il teatro dell'antica memoria. Bulzoni, 2002.

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2

Leeming, Glenda. Poetic drama. Macmillan Education, 1989.

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3

Leeming, Glenda. Poetic drama. St. Martin's Press, 1988.

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4

W. B. Yeats and the idea of a theatre: The early Abbey Theatre in theory and practice. Yale University Press, 1989.

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5

W.B. Yeats: Metaphysician as dramatist. C. Smythe, 1986.

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6

W.B. Yeats and the creation of a tragic universe. Barnes & Noble Books, 1987.

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7

W.B. Yeats and the creation of a tragic universe. Macmillan, 1987.

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8

The later affluence of W.B. Yeats and Wallace Stevens. Palgrave Macmillan, 2012.

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9

W.B. Yeats's poetry and drama between late romanticism and modernism: An analysis of Yeats's poetry and drama. P. Lang, 1996.

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10

The theatre of the real: Yeats, Beckett, and Sondheim. Ohio State University Press, 2008.

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11

The politics of identity in Irish drama: W.B. Yeats, Augusta Gregory and J.M. Synge. Routledge, 2009.

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12

B, Yeats W. The words upon the window pane: Manuscript materials. Cornell University Press, 2002.

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13

Gender and modern Irish drama. Indiana University Press, 2002.

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14

Progress and Identity in the Plays of W. B. Yeats, 1892-1907. Taylor & Francis Group, 2015.

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15

Good, Maeve. W. B. Yeats and the Creation of a Tragic Universe. Palgrave Macmillan, 1987.

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16

Flannery, James W. W. B. Yeats and the Idea of a Theatre: The Early Abbey Theatre in Theory and in Practice. Yale University Press, 1989.

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17

Martin, Heather. W.B. Yeats: Metaphysician As Dramatist. Wilfrid Laurier Univ Pr, 1987.

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18

B, Yeats W. A Book Of Irish Verse: Selected From Modern Writers With An Introduction And Notes by W. B. Yeats. Kessinger Publishing, LLC, 2007.

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19

B, Yeats W. A Book Of Irish Verse: Selected From Modern Writers With An Introduction And Notes by W. B. Yeats. Kessinger Publishing, LLC, 2006.

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20

Cusack, George. The Politics of Identity in Irish Drama. Routledge, 2011.

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21

Fermor, Una Mary Ellis. Irish Dramatic Movement: An Interpretation. Taylor & Francis Group, 2013.

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22

Fermor, Una Mary Ellis. Irish Dramatic Movement: An Interpretation. Taylor & Francis Group, 2012.

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23

B, Yeats W. When You Are Old: Early Poems and Fairy Tales. Penguin Books, 2014.

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24

B, Yeats W. When You Are Old: Early Poems, Plays, and Fairy Tales. Penguin Classics, 2015.

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25

Cannon Harris, Susan. Desiring Women: Irish Playwrights, New Women and Queer Socialism, 1892–1894. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424462.003.0002.

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The interrelationship between sexual and social revolutions in London in the 1890s shaped both the Irish dramatic revival and twentieth-century English drama. W. B. Yeats and George Bernard Shaw both embraced a socialism rooted in the radical eros of Percy Bysshe Shelley and developed by William Morris, Oscar Wilde, and Edward Carpenter. This “queer socialism” (the chapter acknowledges but departs from from Patrick Mullen’s earlier use of the phrase) was defined by its insistence on pleasure as the means and as the end of social progress. Yeats, Shaw, and John Todhunter—all Shelley enthusiasts, and all fascinated by Florence Farr’s bisexuality—contributed plays to a season that Farr produced at the Avenue Theatre. The opening night audience violently protested the double bill of Yeats’s Land of Heart’s Desire and Todhunter’s A Comedy of Sighs, in part because both plays mythologized the New Woman’s transgressive sexuality through occult representations of lesbian desire. Shaw moved to protect himself from homophobic condemnation by replacing Farr in the lead role of Arms and the Man with a more gender-conforming actress. After Shaw’s brilliant success, Yeats decided to pursue his dramatic career in Dublin, leaving Shaw to found a straightforwardly socialist dramatic revival in London.

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