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Relevant bibliographies by topics / Yellow ochre

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Academic literature on the topic 'Yellow ochre'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Yellow ochre"

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Rakow, G., J. P. Raney, J. Relf-Eckstein, and D. Rode. "AC Pennant, AC Base and Andante yellow condiment mustard cultivars." Canadian Journal of Plant Science 89, no. 2 (2009): 331–36. http://dx.doi.org/10.4141/cjps08145.

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Yellow condiment mustard (Sinapis alba L.) occupies about 50% of the total acreage of condiment mustard grown in western Canada. Breeding efforts at Agriculture and Agri-Food Canada in Saskatoon (AAFC) from 1987 to 2001 resulted in the registration of three new cultivars. AC Pennant, AC Base and Andante had 8, 7 and 6% higher grain yield, respectively, than the check cultivar Ochre, on average over 28 location years in 3 yr of condiment mustard Co-op tests 1999–2001. All three cultivars had similar maturity and plant height to Ochre. Andante had lower fixed oil than Ochre while AC Base had low

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Secco, Michele, Leslie Rainer, Kiernan Graves, et al. "Ochre-Based Pigments in the Tablinum of the House of the Bicentenary (Herculaneum, Italy) between Decorative Technology and Natural Disasters." Minerals 11, no. 1 (2021): 67. http://dx.doi.org/10.3390/min11010067.

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Ochre-based pigments have been employed since the first artistic expressions of mankind, with widespread diffusion during the Roman civilization. Such prominent use influenced their technological development, focused on functional and aesthetic optimization through complex manufacturing procedures. Furthermore, their appearance is also influenced by degradation processes, sometimes driven by natural disasters such as the eruption of Mount Vesuvius in 79 AD, in which yellow ochres of Vesuvian sites were sometimes converted to red by thermal alteration. In this contribution, a multi-analytical a

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Secco, Michele, Leslie Rainer, Kiernan Graves, et al. "Ochre-Based Pigments in the Tablinum of the House of the Bicentenary (Herculaneum, Italy) Between Decorative Technology and Natural Disasters." Minerals 11, no. 1 (2021): 67. http://dx.doi.org/10.3390/min11010067.

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Ochre-based pigments have been employed since the first artistic expressions of mankind, with widespread diffusion during the Roman civilization. Such prominent use influenced their technological development, focused on functional and aesthetic optimization through complex manufacturing procedures. Furthermore, their appearance is also influenced by degradation processes, sometimes driven by natural disasters such as the eruption of Mount Vesuvius in 79 AD, in which yellow ochres of Vesuvian sites were sometimes converted to red by thermal alteration. In this contribution, a multi-analytical a

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Ryu, Ga Yeong, Young Kyun Kim, and Kyeong Soon Han. "A Study on the Alternative Method according to the Mixing of Traditional Material Dancheong Pigment: Focusing on Orpiment and Lead White." Journal of Conservation Science 38, no. 6 (2022): 720–34. http://dx.doi.org/10.12654/jcs.2022.38.6.13.

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Among the traditional dancheong pigments, orpiment and lead white have problems such as toxic properties, unstable supply and demand, and low color stability. Therefore, alternative methods are needed. This study attempted to solve these problems by reducing the amount of orpiment and lead white by mixing other pigments. The specimens were prepared by mixing orpiment with two types of yellow ochre and one each of oyster shell white and white clay. Lead white was mixed with three types of oyster shell white and white clay. Surface changes, chromaticity, and peeling characteristics were observed

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Loboda, Anastasia Yu, Igor N. Trunkin, Roman D. Svetogorov, et al. "A Study of the Pigments and Cohesive Colour Layers of the Paintings in a Church from the Tenth to Thirteenth Centuries on the Plateau of Eski-Kermen." Materials in Archaeology, History and Ethnography of Tauria, no. XXVI (2021): 156–74. http://dx.doi.org/10.37279/2413-189x.2021.26.156-174.

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In 2018–2019, the excavations of an aisleless church dated from the tenth to thirteenth centuries and located in quarter II on the territory of a provincial Byzantine town atop of the plateau of Eski-Kermen discovered fragments of wall-plaster with polychrome painting. There are several shades of green, two shades of red, white (beige), yellow (ochre), and grey-brown colours. This paper presents the results of studies of the colour layer, determines pigments and cohesive colour components, and uncovers the features of the painting technique applied to the walls of the church. Four groups of sa

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Khramchenkova, Rezida, Corina Ionescu, Airat Sitdikov, Polina Kaplan, Ágnes Gál, and Bulat Gareev. "A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation)." Minerals 9, no. 2 (2019): 114. http://dx.doi.org/10.3390/min9020114.

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Twenty frescoes from “The Assumption” Cathedral located in the island town of Sviyazhsk (Tatarstan Republic, Russian Federation)—dated back to the times of Tsar Ivan IV “the Terrible”—were chemically analyzed in situ with a portable X-ray fluorescence (pXRF) spectrometer. The investigation focused on identifying the pigments and their combinations in the paint recipes. One hundred ninety-three micropoints randomly chosen from the white, yellow, orange, pink, brown, red, grey, black, green, and blue areas were measured for major and minor elements. The compositional types separated within each

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Stratulat, Lacramioara, Maria Geba, and Daniela Salajan. "Village from Muscel by Ion Marinescu Valsan State of Conservation and the Chromatic Palette." Revista de Chimie 69, no. 12 (2019): 3464–68. http://dx.doi.org/10.37358/rc.18.12.6770.

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Ion Marinescu V�lsan (1865 - 1936) was a Romanian painter belonging to the modern Romanian art from the beginning of the 20th century. Many of the paintings painted by him have picturesque landscapes in his native town, Malureni, Arges County. He was influencedby Nicolae Grigorescu. Village from Muscel painting, by Ion Marinescu V�lsan, was examined by several non-invasive techniques (Vis, UV &grazing light examination, IR reflectography, optical microscopy and X-rays fluorescence spectrometry) to obtain information on its chromatic palette and state of conservation. Zinc white, Lead white

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Bakovic, Marica, Slobodanka Karapandza, Sajed Mcheik, and Ana Pejović-Milić. "Scientific Study of the Origin of the Painting from the Early 20th Century Leads to Pablo Picasso." Heritage 5, no. 2 (2022): 1120–40. http://dx.doi.org/10.3390/heritage5020060.

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This study applied multiple scientific approaches to establish the significance of an old work of art, Red Guitar, by examining its historical origin and the color materials used in its creation. Additionally, the study provides thus far unknown pieces of Olga Picasso’s family history to be added to her biography. Scientific approaches included digital X-ray radiography, X-ray fluorescence spectroscopy, infrared Fourier transform spectroscopy, Raman spectroscopy, and elemental thermal conductivity analysis. This combination of techniques provided a broad confirmation as to when the painting wa

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Liu, Guan-Lin, and Sergei G. Kazarian. "Characterization and Degradation Analysis of Pigments in Paintings by Martiros Sarian: Attenuated Total Reflection Fourier Transform Infrared Spectroscopic Imaging and X-ray Fluorescence Approach." Heritage 6, no. 10 (2023): 6777–99. http://dx.doi.org/10.3390/heritage6100354.

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This paper presents a preliminary scientific investigation of pigments used by Martiros Sarian, a prominent Armenian artist known for his vibrant and evocative paintings. The study focuses on five of Sarian’s paintings from different periods of his career, namely, Morning in Stavrino, Arabian Dancer, Caravan, Yerevan Zangu River, and Kirovakan, dated between 1909 and 1948. Non-destructive techniques, including micro-attenuated total reflection Fourier transform infrared (ATR-FTIR) spectroscopic imaging and X-ray fluorescence (XRF), were employed to characterize the pigments in the samples extr

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Dayet Bouillot, Laure, Sarah Wurz, and Floréal Daniel. "Ochre Resources, Behavioural Complexity and Regional Patterns in the Howiesons Poort." Journal of African Archaeology 15, no. 1 (2017): 20–41. http://dx.doi.org/10.1163/21915784-12340002.

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Abstract The widespread use of ochre during Oxygen Isotope Stage 5 and 4 in South Africa has often been interpreted as reflecting complex behaviours amongst modern human populations. The Howiesons Poort is one of the most documented techno-complexes identified within this timeframe. It is associated with an intensification of a combination of innovative technical and symbolic behaviours. Despite the notable focus on ochre use, detailed analyses of Howiesons Poort assemblages in this respect are rare. New data on ochre exploitation from the Howiesons Poort of Klasies River main site are present

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Books on the topic "Yellow ochre"

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Publications, QuestingPixel QuestingPixel. Mid-Century Concrete Moon Blank Notebook: Retro Gray and Yellow Ochre Geometric Notebook Journal with 120 Plain Blank Pages 6x9. Independently Published, 2021.

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Book chapters on the topic "Yellow ochre"

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Gooch, Jan W. "Ocher, Ochre (Yellow, Golden, Red)." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_8079.

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Gooch, Jan W. "Yellow Ocher." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_12964.

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Gooch, Jan W. "Synthetic Yellow Ocher." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_11499.

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Gooch, Jan W. "Yellow Ocher, Synthetic." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_12965.

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"yellow ochre | yellow ocher, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/1180727162.

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"Ocher, ochre (yellow, golden, and red)." In Encyclopedic Dictionary of Polymers. Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30160-0_7937.

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Payne, Robert B. "Crotophaginae." In The Cuckoos. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780198502135.003.0012.

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Abstract ADULT: Sexes alike, appearance shaggy, head ochre with dark shaft streaks, crest orangerufous, upper back brown, feathers streaked with a white shaft and light gray edges.Wing coverts dark brown with white edges, wing dark brown with inner vane of wing feathers rufous, outer vane brown with a pale gray edge, giving a frosted appearance. The lower back is white. the rump is buff. Tail blackish with a yellowish base and a broad white band at the tips of T2 to T4, Tl dark brown with a yellowish base: Below pale ochre to whitish, throat and breast streaked brown, under wing whitish, darke

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Hanson, Paul E., and Ian D. Gauld. "The Biology Of Hymenoptera." In The Hymenoptera of Costa Rica. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198549055.003.0002.

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Abstract In Costa Rica hymenopterans have been collected in all major terrestrial habitats, from the coastal man grove swamps to the peaks of the highest mountains. Although none has yet actually been collected in fresh water, a species of Hydrophylita, a trichogrammatid genus known to attack submerged eggs of dragonflies, has recently been captured in Malaise traps in the country (see Chapter 11.19). The different life zones referred to in Chapter 1 support rather different hymenopterous communities. In the hot, seasonally dry and rather open tropical deciduous forests of the northwest a vari

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Elkins, Amy E. "The Poetics of Pigment." In Crafting Feminism from Literary Modernism to the Multimedia Present. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192857835.003.0007.

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Abstract This chapter turns from textile crafts to painting. Lorna Goodison’s use of pigments and fifteenth-century ink recipes (such as yellow ochre and “Scorched Stone of Peach” black) in her writing and paintings reveals a fascinating art-historical timeline running between the most elemental properties of paint and her feminist, antiracist writing. Goodison studied at the Art Students League of New York in the late 1960s, and her understudied artwork intertwines narrative, place, and complex perspectives on womanhood. Color’s fundamental properties destabilize fixed conceptions of feminist

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"Yellow ocher." In Encyclopedic Dictionary of Polymers. Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30160-0_12718.

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Conference papers on the topic "Yellow ochre"

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FIKRI, Imane. "Wall Paintings from The Roman City of Volubilis in Morocco: XRF, Raman and FTIR-ATR Analyses." In Mediterranean Architectural Heritage. Materials Research Forum LLC, 2024. http://dx.doi.org/10.21741/9781644903117-17.

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Abstract The work is an in-depth investigation of painting remains from the roman city of Volubilis in Morocco, classified World Heritage. Raman and ATR-FTIR structural and XRF elemental spectroscopies were crossed to decrypt the pigments adopted by roman craftsmen in the south Mediterranean region. Red-ochre alone or in admixture with cinnabar was used in brown-red paintings, while yellow ochre, green earth and Egyptian blue pigments were used to achieve yellow, green and blue ones. All pigments highlighted had been commonly used in the roman world, among which some ones continue until the me

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Е.Я., Зубавичус,, Вдовиченко, М.В., Седов, Вл.В., et al. "WALL PAINTING FRAGMENTS FROM YURYEV-POLSKOY ARCHAEOLOGICAL EXPEDITION: FIRST FINDINGS OF NATURAL SCIENCE STUDIES." In Археология Владимиро-Суздальской земли. Crossref, 2021. http://dx.doi.org/10.25681/iaras.2021.978-5-94375-365-7.98-111.

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В 2019 г. при раскопках в Георгиевском соборе в г. Юрьеве-Польском обнаружены фрагменты штукатурки, которые предположительно можно было отнести к фрагментам стенного письма. Собор XIII в. не расписывался, и найденные фрагменты, вероятно, являются остатками более раннего собора XII в. Фрагменты были изучены с использованием методов: растровой электронной микроскопии с энергодисперсионным рентгеновским микроанализом, газовой хроматографии с масс-спектрометрией, рентгенофазового анализа на источнике синхротронного излучения КИСИ-«Курчатов». Результаты исследований показали присутствие в верхнем с

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