Academic literature on the topic 'Yerma'
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Journal articles on the topic "Yerma"
Hernández de Miguel, Eleuterio R. "YERMA 2.0." Medicina Reproductiva y Embriología Clínica 2, no. 2 (August 2015): 70. http://dx.doi.org/10.1016/j.medre.2015.04.002.
Full textKimberly Ramírez. "Yerma (review)." Theatre Journal 60, no. 2 (2008): 298–300. http://dx.doi.org/10.1353/tj.0.0032.
Full textMart, Guadalupe, and Nez Lacalle. "Yerma: ?Una tragedia pura y simplemente?" Neophilologus 72, no. 2 (April 1988): 227–37. http://dx.doi.org/10.1007/bf00399677.
Full textSix, Fred. "Yerma vraag een toedeling, een Vlaamse hertaling." Documenta 24, no. 1 (March 25, 2019): 23–29. http://dx.doi.org/10.21825/doc.v24i1.10389.
Full textAubé-Bourligueux, Jocelyne. "Yerma, el arte de develar al público el conflicto originario oculto." La Palabra y el Hombre, revista de la Universidad Veracruzana, no. 51 (November 11, 2020): 13–18. http://dx.doi.org/10.25009/lpyh.v0i51.3095.
Full textÖZYÖN, Arzu. "LORCA'NIN YERMA ADLI OYUNUNDA YARATICI/YIKICI BİR GÜÇ OLARAK KADIN." Journal of Social Sciences 14, no. 14 (January 1, 2017): 536–43. http://dx.doi.org/10.16990/sobider.3536.
Full textJovaní, Alfonso Boix. "La Tierra Yerma y el destierro en el Cantar de Mio Cid." Bulletin of Hispanic Studies 85, no. 6 (December 2008): 781–88. http://dx.doi.org/10.3828/bhs.85.6.2.
Full textGoebel McDermott, Anthony. "Historia ambiental, representaciones sociales y exploración decimonónica: elementos conceptuales y empíricos para el estudio del imaginario ambiental de la Costa Rica del siglo XIX." Diálogos Revista Electrónica 9, no. 2 (August 8, 2008): 23. http://dx.doi.org/10.15517/dre.v9i2.6150.
Full textCifuentes, Luis Fernandez, and Dennis A. Klein. "Blood Wedding, Yerma, and The House of Bernarda Alba. Garcia Lorca's Tragic Trilogy." Hispanic Review 62, no. 1 (1994): 135. http://dx.doi.org/10.2307/474449.
Full textMolina García, María José. "La lectura de los clásicos en la etapa preuniversitaria: una propuesta de intervención." Enunciación 20, no. 1 (December 22, 2015): 26. http://dx.doi.org/10.14483/udistrital.jour.enunc.2015.1.a02.
Full textDissertations / Theses on the topic "Yerma"
Perez-Illade, Carmen. "Pedro Páramo, tierra yerma moderna : un análisis arquetipico femenino /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.
Full textBittar, Filho Nazir. "Yerma de Villa-Lobos : um estudo dos aspectos dramático-musicais e performáticos." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284373.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Yerma, ópera em três atos de Heitor Villa-Lobos, foi composta na última fase do compositor como resultado de uma encomenda vinda dos Estados Unidos, que tinha como objetivo a musicalização da obra teatral de mesmo nome do poeta espanhol Federico Garcia Lorca. Terminada em 1955, teve sua première mundial somente em 1971, no Santa Fé Opera House, e, no Brasil, apenas em 1983, no Teatro Municipal do Rio de Janeiro. Yerma possui vários aspectos inovadores e certamente a característica mais interessante da ópera é o fato de ela ter sido integralmente musicada por Villa-Lobos, sem adaptações ou cortes expressivos e sem o uso de um libretista, o que a torna um exemplo único na literatura operística no Brasil e quiçá um dos poucos exemplos concebidos desta forma no mundo. Yerma pode ser classificada, segundo suas características composicionais, em uma categoria nos dos estudos da ópera chamada Literaturoper. O presente estudo, além de apresentar as questões do libreto e mostrar como a ópera se enquadra nestes aspectos, busca elencar facetas inovadoras musicais de Villa-Lobos ao conceber esta ópera à luz de postulados dos Estudos Literários e da Literaturoper. As montagens realizadas até o presente momento são analisadas e entrevistas são confrontadas a hipóteses levantadas em relação às providências musicais de Villa-Lobos na composição da ópera
Abstract: Yerma, opera in three acts by Villa-Lobos, was written during the composer's last phase as a result of a commission originated in the United States which aimed at the musicalization of the homonymous play by Spanish poet Federico Garcia Lorca. Finished in 1955, its world premiere only took place in 1971 at the Santa Fé Opera House, and in Brazil at the Teatro Municipal do Rio de Janeiro in 1983. Yerma presents several innovative aspects and certainly its most interesting feature is the fact that it was thoroughly musicalized by Villa- Lobos, without any adaptations or cuts, and without using a librettist, which makes the opera a unique example in the operatic literature of Brazil and perhaps one of the few ones conceived in this way in the whole world. Yerma may be classified, according to its composing features, within a category of operatic studies known as Literaturoper. The present study, besides presenting the libretto's questions and how the opera may fit these aspects, aims at showing Villa Lobos's innovative musical issues on conceiving this opera in the light of the postulates of Literary Studies and of Literaturoper. The performances which have been put on so far are also analyzed and interviews either confirm or deny hypotheses raised in connection with the musical choices taken by Villa-Lobos on writing the opera
Doutorado
Fundamentos Teoricos
Doutor em Música
Saint-Martin, Vanessa. "L'implicite dans le théâtre espagnol d'avant-garde : analyse de « Luces de bohemia » et de « Yerma »." Thesis, Bordeaux 3, 2020. http://www.theses.fr/2020BOR30029.
Full textThis thesis analyses the modalities and challenges of implicit language in two plays of avant-garde Spanish theatre. Through the study of Luces de bohemia and Yerma, written respectively by Ramón del Valle-Inclán and Federico García Lorca, this research highlights the importance of oblique communication in the renewal project of these two emblematic playwrights of the first third of the 20th century. On the one hand, it sets out to present the different components of an implicit repertoire in the textual matrix of these two plays, to examine how these components operate in exchanges between the characters and with the audience and to determine the part they play in the grotesque aesthetic of Esperpento and in a reflection on the subject division within the tragic poem. Exploring the implicit in interaction also implies taking into account the context and the multiplicity of signs which extend far beyond the verbal domain and fully contribute to updating these contents. This is why this study also includes a corpus of stagings and film adaptations. On the other hand, this research demonstrates that the proliferation of undertones, irony, indirect illocutionary acts, metaphors, or even ellipsis does not only serve a cosmetic purpose. Constantly questioning the theatrics - the stratification of the enunciative device, the tension between text and representation, the density of the signs -, these elements of information, delivered on the margin of what is expressly said, create a true poetics of ambiguity which shakes the foundations of conventional dramaturgy. The concentration of these processes indeed disturbs the proper functioning of the dialogue between the characters, also causing a break in the relationship with the readers / spectators. Ultimately, this argument proposes to compare incomplete forms with the desire to put an end to the falling asleep of the audience, called to take on a decisive role in deciphering the implicit integrated into a total theatre
Marquina, Chumbes Karen Staci, Silva Paz Ailyn Nadinne Ocampo, Celis Eliana Allison Porras, and Diaz Claudia Alejandra Pretell. "El cortometraje de ficción “Yerma” desde la perspectiva de las áreas de producción, arte y sonido." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2019. http://hdl.handle.net/20.500.12404/17138.
Full textYerma is a fiction short film that shows the pain of thousands of women who were sterilized without their consent and the anguish and anger that their families still feel to this day. It also presents the consequences of an abuse that was, and still is, ignored by our society, the media and the State. In this paper, we describe the challenges that arose in the production, the art and sound direction of this project when trying to expose and manage a complex and risky issue that we have not experienced. In addition, we explain how the representation of an important part of the Internal Conflict in Peru was approached from each area after a thorough investigation; since, the production plans, the colors and costumes of art direction and the sounds present throughout the short film are the result of that. Because of all this, with Yerma, we want to demonstrate that the dialogue on forced sterilizations can and should be encouraged and that we cannot continue to be indifferent to a part of our history that we can help to make visible in a credible and respectful way through cinema.
Trabajo de investigación
Wickberg, Månsson Adam. "”¡Ay, de la que tiene los pechos de arena!” : En studie av metaforiken i Federico Garcia Lorcas Yerma." Thesis, Stockholms universitet, Institutionen för litteraturvetenskap och idéhistoria, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7446.
Full textCea, Sepúlveda Alma. "El rizoma aplicado a la dirección de escena de la trilogía lorquiana:Bodas de sangre, Yerma y La casa de Bernarda Alba." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/145268.
Full textUno de los objetivos fundamentales de esta exploración teórico-práctica, es vincular los principios rizomáticos a obras teatrales de origen clásico que posean un orden aristotélico; para ello, hemos seleccionado tres textos de Federico García Lorca: Bodas de Sangre, Yerma y La casa de Bernarda Alba con el propósito de observar el proceso creativo que surja a partir de una nueva estructura dramática que apele a lo rizomático. Para conseguir éste propósito, estudiaremos autores teatrales que han podido combinar estos conceptos, siendo ejemplos referenciales para nuestra investigación. El primer autor utilizado, es el Actor, director y Dramaturgo Teatral Italiano: Carmelo Bene, quien, a partir de la sustracción utilizada en sus obras, hace proliferar un relato nuevo, generando de ésta manera una ruptura de la línea estructural de la obra original, como es el caso de la obra Ricardo Tercero de Shakespeare. También será relevante para nuestra investigación, el concepto de Paisaje Dramático” utilizado por Manuela Infante, directora y dramaturga chilena.
Swick, Janell. "La opresion del genero sexual y la expresion sexual en Bodas de sangre, Yerma, y la casa de Bernarda Alba por Federico Garcia Lorca." Click here to view, 2010. http://digitalcommons.calpoly.edu/mllsp/2/.
Full textProject advisor: Karen Munoz-Christian. Title from PDF title page; viewed on Mar. 24, 2010. Includes bibliographical references. Also available on microfiche.
Santos, Luciana Crestana dos. "Honra e honor nas tragédias rurais de Federico García Lorca." reponame:Repositório Institucional da UCS, 2009. https://repositorio.ucs.br/handle/11338/354.
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Los motivos de honra y honor en la dramaturgia de Federico García Lorca. Análisis de la trilogía rural, Bodas de sangre, Yerma y La casa de Bernarda Alba. Los motivos de honra y honor y sus funciones en el desencadenamiento de las tragedias. Honra y honor como trazos culturales de la región de Andalucía.
Filho, Claudio de Souza Castro. "Eu mesma matei meu filho: do filicídio materno como poética trágica em Eurípides, Goethe e García Lorca." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4004.
Full textLa présente thèse cherche à étudier les poétiques du tragique dans les uvres d'Euripide (Grèce, v. 484 406 av. J.-C.), de Johann Wolfgang von Goethe (Allemagne, 1749 1832) et de Federico García Lorca (Espagne, 1898 1936) et soutient que, chez les trois auteurs, de telles conceptions esthétiques s'établissent surtout sur la représentation poétique du filicide maternel. L'antinomie tragique engendrée, métaphoriquement, dans le meurtre de l'enfant par les mains de celle qui lui a donné la vie est le thème de Médée (431 av. J.-C.), de la Tragédie de Marguerite (1790) et de Yerma (1934), des uvres fondamentales pour comprendre la vision tragique des trois poètes respectivement étudiés. Le conflit entre le sacré et la raison, en montrant l'affirmation tragique du corps et du féminin, est présent dans les trois uvres. Le parallélisme entre les dimensions politique et esthétique est, par conséquent, patent dans les trois drames, alors que chaque auteur, avec leurs propres contexte et signature, élabore une idée esthétique entièrement singulière autour du tragique. Le dialogue entre littérature et philosophie, ou entre intuition et concept, traverse, dans cette thèse, la lecture du tragique dans la métaphore du filicide. Sous une telle perspective, la Médée d'Euripide s'impose dans le centre du débat entre socratiques et sophistes, et aborde des thèmes, comme l'empire des passions sur la raison, qui ont aussi séduit des auteurs comme Platon, Aristote et Nietzsche. La Gretchentragödie, de Goethe, se présente, de sa part, comme une uvre poétique où convergent les discussions esthétiques les plus chaleureuses de la pensée allemande moderne, comme les questions du "sublime" (Kant, Schiller) et de la "volonté" (Schopenhauer). Yerma, de García Lorca, sera aussi une uvre de convergence philosophique, en exprimant la "nueva manera espiritualista" qui marque la dernière phase de la production lorquienne. La perspective tragique de Nietzsche, dans l'affirmation du corps comme "grande raison", ainsi que le dialogue de Lorca avec la pensée de Miguel de Unamuno sur "El sentimiento tragico de la vida", caractérisent une espèce de tragédie à l'envers, qui nie le sacré et affirme le tragique comme synthèse libertaire du "je", du corps et du féminin
A presente tese investiga as poéticas do trágico nas obras teatrais de Eurípides (Grécia, c. 484 406 a.C.), Johann Wolfgang von Goethe (Alemanha, 1749 1832) e Federico García Lorca (Espanha, 1898 1936) e defende que, nos três autores, as concepções estéticas do trágico se constituem principalmente sobre a representação poética do filicídio materno. A antinomia trágica engendrada, metaforicamente, no assassinato da criança pelas mãos daquela que lhe deu a vida é tema de Medeia (431 a.C.), Tragédia de Margarida (1790) e Yerma (1934), obras fundamentais para compreender a visada trágica dos três poetas aqui, em respectivo, estudados. O conflito com o sagrado e com a razão, ao apontar para a afirmação trágica do corpo e do feminino, frequenta as três obras. O paralelismo entre as dimensões política e estética é, por conseguinte, patente nos três dramas, ao mesmo tempo em que cada um dos autores, com contexto e assinatura próprios, configura uma ideia estética acerca do trágico inteiramente singular. O diálogo entre literatura e filosofia, ou entre intuição e conceito, atravessa, nesta tese, a leitura do trágico na metáfora do filicídio. Sob tal perspectiva, a Medeia de Eurípides impõe-se no centro do debate entre socráticos e sofistas, e aborda temas, como o domínio das paixões sobre a razão, que também aliciaram autores como Platão, Aristóteles e Nietzsche. A Gretchentragödie, de Goethe, apresenta-se, por sua vez, como obra poética aonde convergem as mais calorosas discussões estéticas do moderno pensamento alemão, como as questões do sublime (Kant, Schiller) e da vontade (Schopenhauer). Yerma, de García Lorca, será também uma obra de convergência filosófica, expressando a nueva manera espiritualista que marca a última fase da produção lorquiana: a perspectiva trágica de Nietzsche, na afirmação do corpo como grande razão, assim como o diálogo de Lorca com o pensamento de Miguel de Unamuno sobre El sentimiento trágico de la vida, caracteriza uma espécie de tragédia às avessas, que nega o sagrado e afirma o trágico como síntese libertária do eu, do corpo e do feminino
Prazuck, Christophe. "Anomalous diurnal currents in the vicinity of the Yermak Plateau." Thesis, Monterey, California. Naval Postgraduate School, 1991. http://hdl.handle.net/10945/26380.
Full textBooks on the topic "Yerma"
1934-, Macpherson Ian Richard, Wilkinson Jacqueline Minett, and Lyon John 1933-, eds. Yerma. Warminster, Wiltshire: Aris & Phillips, 1987.
Find full textBook chapters on the topic "Yerma"
Briesemeister, Dietrich. "García Lorca, Federico: Yerma." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3714-1.
Full textBetancur, Bryan. "Tragedy, In Vitro: The Function of Reproductive Science in Simon Stone’s Adaptation of Yerma." In Trauma and Motherhood in Contemporary Literature and Culture, 163–83. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77407-3_8.
Full textSastry, K. Subramanya, Bikash Mandal, John Hammond, S. W. Scott, and R. W. Briddon. "Ilex paraguariensis (Yerba mate)." In Encyclopedia of Plant Viruses and Viroids, 1235–36. New Delhi: Springer India, 2019. http://dx.doi.org/10.1007/978-81-322-3912-3_478.
Full textDohrenwend, Adam S. "A Biographical Sketch of Yerba Mate." In Green Gold, 5–19. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82011-4_2.
Full textDohrenwend, Adam S. "A Biographical Sketch of Yerba Mate." In Green Gold, 5–19. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82011-4_2.
Full textIommi, Candela. "Regulatory Aspects Concerning Yerba Mate Tea." In SpringerBriefs in Molecular Science, 69–72. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69614-6_7.
Full textCrane, Kathleen, Peter R. Vogt, and Eirik Sundvor. "Deep Pleistocene Iceberg Plowmarks on the Yermak Plateau." In Glaciated Continental Margins, 140–41. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-011-5820-6_54.
Full textDohrenwend, Adam S. "INYM, Prices, and the Argentine Yerba Mate Food System." In Green Gold, 29–35. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82011-4_4.
Full textIommi, Candela. "Safety and Health Effects Ascribed to Yerba Mate Consumption." In SpringerBriefs in Molecular Science, 57–62. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69614-6_5.
Full textIommi, Candela. "Yerba Mate Tea, a Traditional South American Beverage. An Introduction." In SpringerBriefs in Molecular Science, 1–34. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69614-6_1.
Full textConference papers on the topic "Yerma"
Jouhara, Hussam, Theodora Nannou, Bertrand Delpech, Sulaiman Almahmoud, Amisha Chauhan, Mark Boocock, Luiz Wrobel, Ignacio Carrau, and Federico Carrau. "Heat Pipe Based Heat Exchanger for Clean Yerba Mate Drying Process." In 10TH International Conference on Sustainable Energy and Environmental Protection. University of Maribor Press, 2017. http://dx.doi.org/10.18690/978-961-286-063-9.2.
Full textMatsunaga, Fabio Takeshi, Miroslava Rakocevic, and Jacques Duilio Brancher. "InterpolMateS1- The module for interpolation of growth and production of yerba-mate." In 2012 IEEE 4th International Symposium on Plant Growth Modeling, Simulation, Visualization and Applications (PMA). IEEE, 2012. http://dx.doi.org/10.1109/pma.2012.6524859.
Full textGerke, Isabel Boger Bubans, Fabiane Hamerski, Agnes Paula Scheer, and Vitor Renan da Silva. "Solid-liquid extraction of bioactive compounds from yerba mate (Ilex paraguariensis) leaves." In III Simpósio Paranaense de Modelagem, Simulação e Controle de Processos. Curitiba: DEQ/UFPR, 2018. http://dx.doi.org/10.5380/19847521.3simproc2018.a30p222-229.
Full textLee, Hohsing, and Eric Cordoba. "Innovative Design for the SFOBB I-80 Yerba Buena Island WB Ramps." In IABSE Congress, Stockholm 2016: Challenges in Design and Construction of an Innovative and Sustainable Built Environment. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2016. http://dx.doi.org/10.2749/stockholm.2016.2227.
Full textLee, Hohsing, and Allen Ely. "Innovative Design for the SFOBB I-80 WB Ramps at Yerba Buena Island." In Structures Congress 2015. Reston, VA: American Society of Civil Engineers, 2015. http://dx.doi.org/10.1061/9780784479117.021.
Full textLee, Hohsing. "Innovative Solutions to Seismic Design Challenges for the SFOBB I-80 WB Ramps at Yerba Buena Island." In IABSE Symposium, Vancouver 2017: Engineering the Future. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2017. http://dx.doi.org/10.2749/vancouver.2017.0120.
Full textCampos, Javier E., and Rafael E. Manzanarez. "Load Rating of the San Francisco-Oakland Bay Bridge West Span." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.1404.
Full textGalloway, Michael, Emma Grigg, Deborah Green, Hal Markowitz, Sarah Allen, and Chuck Morton. "Differential Scanning between Sex and Age Classes of Pacific Harbor Seals (Phoca vitulina richardii) at Yerba Buena Island." In California and the World Ocean 2002. Reston, VA: American Society of Civil Engineers, 2005. http://dx.doi.org/10.1061/40761(175)100.
Full textLázaro, Rocío S. García, Humberto Lamdan, Norailys Lorenzo Perez, Lorena G. Caligiuri, Andrea L. Berengeno, Hugo H. Ortega, Daniel F. Alonso, and Hernan G. Farina. "Abstract 3455: Preclinical evidences of antitumoral properties of a Yerba mate extract on breast and colon cancer models." In Proceedings: AACR Annual Meeting 2020; April 27-28, 2020 and June 22-24, 2020; Philadelphia, PA. American Association for Cancer Research, 2020. http://dx.doi.org/10.1158/1538-7445.am2020-3455.
Full textCesar Velázquez Silva, Luis, and Victoria Kubota. "EFECTOS DEL CULTIVO DE YERBA MATE BAJO SOMBRA SOBRE LA MESOFAUNA EDAFICA EN LA RESERVA DE BIÓSFERA DEL BOSQUE MBARACAYÚ." In XVII Encontro Nacional de Estudantes de Engenharia Ambiental e V Fórum Latino-Americano de Engenharia e Sustentabilidade. Recife, Brasil: Even3, 2019. http://dx.doi.org/10.29327/15304.17-162654.
Full textReports on the topic "Yerma"
Alwang, Jeffrey, Alexis Villacis, and Victor Barrera. Credence Attributes and Opportunities: Yerba Mate in Paraguay. Inter-American Development Bank, January 2022. http://dx.doi.org/10.18235/0003962.
Full textGeohydrology and water quality of Marine Corps Logistics Base, Nebo and Yermo annexes, near Barstow, California. US Geological Survey, 1997. http://dx.doi.org/10.3133/wri964301.
Full text