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Journal articles on the topic 'Yezierska'

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1

Iancu, Anca-Luminiţa. "Spaces of Identity: Gender, Ethnicity, and Race in Salome of the Tenements (1923) and Quicksand (1928)." American, British and Canadian Studies 30, no. 1 (2018): 51–75. http://dx.doi.org/10.2478/abcsj-2018-0004.

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Abstract The 1920s marked a fervent time for artistic and literary expression in the United States. Besides the famous authors of the decade, including F. Scott Fitzgerald, Ernest Hemingway, and William Faulkner, Anzia Yezierska and Nella Larsen, among other female writers, also managed to carve “a literary space” for their stories. Yezierska and Larsen depicted the struggles and tribulations of minority women during the fermenting 1920s, with a view to illustrating the impact of ethnicity and race on the individual female identity. Yezierska, a Jewish-American immigrant, and Larsen, a biracia
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2

Campos Ferreras, Rebeca. "Whitening Domestic Spaces: Enacting Female Roles in Anzia Yezierska's The Lost Beautifulness." Grove - Working Papers on English Studies 26 (October 23, 2019): 9–26. http://dx.doi.org/10.17561/grove.v26.a1.

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The aim of this research is to give an accurate account of how female stereotypes around the concept of hygiene and domesticity in early 20thC North American context influenced newly arrived Eastern European immigrants. Located in New York’s Lower East Side ghetto and determined by their Jewish background, these immigrants’ arrival caused them a cultural shock to the point that they started shaping their identities according to the new standard of beauty and cleanliness related to the Americanness they were eager to perform. For this purpose, Anzia Yezierska’s short story The Lost Beautifulnes
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3

Sundquist, Eric J., and Louise Levitas Henriksen. "Anzia Yezierska: A Writer's Life." American Literature 61, no. 1 (1989): 120. http://dx.doi.org/10.2307/2926534.

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4

Schneider, Robert W., and Louise Levitas Henriksen. "Anzia Yezierska: A Writer's Life." Journal of American History 75, no. 3 (1988): 997. http://dx.doi.org/10.2307/1901685.

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5

Jirousek, Lori. "Ethnics and Ethnographers:Zora Neale Hurston and Anzia Yezierska." Journal of Modern Literature 29, no. 2 (2006): 19–32. http://dx.doi.org/10.2979/jml.2006.29.2.19.

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6

Shapiro, Ann R. "The Ultimate Shaygets and the Fiction of Anzia Yezierska." MELUS 21, no. 2 (1996): 79. http://dx.doi.org/10.2307/467951.

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7

Pavletich, JoAnn. "Anzia Yezierska, Immigrant Authority, and the Uses of Affect." Tulsa Studies in Women's Literature 19, no. 1 (2000): 81. http://dx.doi.org/10.2307/464410.

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8

Jirousek, Lori. "Ethnics and Ethnographers: Zora Neale Hurston and Anzia Yezierska." Journal of Modern Literature 29, no. 2 (2006): 19–32. http://dx.doi.org/10.1353/jml.2006.0021.

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9

Stubbs, Katherine, and Anzia Yezierska. "Reading Material: Contextualizing Clothing in the Work of Anzia Yezierska." MELUS 23, no. 2 (1998): 157. http://dx.doi.org/10.2307/468017.

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10

Ebest, Ron. "Anzia Yezierska and the Popular Periodical Debate over the Jews." MELUS 25, no. 1 (2000): 105. http://dx.doi.org/10.2307/468153.

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11

Katz, Wendy R. "Untying the Immigrant Tongue: Whitman and the "Americanization" of Anzia Yezierska." Walt Whitman Quarterly Review 21, no. 3-4 (2004): 155–65. http://dx.doi.org/10.13008/2153-3695.1726.

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12

Jirousek, L. "Spectacle Ethnography and Immigrant Resistance: Sui Sin Far and Anzia Yezierska." MELUS: Multi-Ethnic Literature of the United States 27, no. 1 (2002): 25–52. http://dx.doi.org/10.2307/3250636.

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13

Lisa Botshon. "Anzia Yezierska and the Marketing of the Jewish Immigrant in 1920s Hollywood." Journal of Narrative Theory 30, no. 3 (2000): 287–312. http://dx.doi.org/10.1353/jnt.2011.0042.

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14

Taylor, Bob Pepperman, and Mary V. Dearborn. "Love in the Promised Land: The Story of Anzia Yezierska and John Dewey." New England Quarterly 61, no. 4 (1988): 638. http://dx.doi.org/10.2307/365960.

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15

Bashaw, Carolyn Terry, and Mary V. Dearborn. "Love in the Promised Land: The Story of Anzia Yezierska and John Dewey." History of Education Quarterly 29, no. 2 (1989): 345. http://dx.doi.org/10.2307/368334.

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16

Mikkelsen, A. "From Sympathy to Empathy: Anzia Yezierska and the Transformation of the American Subject." American Literature 82, no. 2 (2010): 361–88. http://dx.doi.org/10.1215/00029831-2010-005.

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17

Farooq, Nihad M. "Of Science and Excess: Jacob Riis, Anzia Yezierska, and the Modernist Turn in Immigrant Fiction." American Studies 53, no. 4 (2014): 73–94. http://dx.doi.org/10.1353/ams.2014.0175.

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18

Belluscio, Steven J. "Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation (review)." MFS Modern Fiction Studies 50, no. 2 (2004): 517–19. http://dx.doi.org/10.1353/mfs.2004.0017.

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19

Campos, Rebeca E. "Charity institutions as networks of power: how Anzia Yezierska's characters resist philanthropic surveillance." Journal of English Studies 15 (November 28, 2017): 31. http://dx.doi.org/10.18172/jes.3135.

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At the end of the nineteenth-century, American private institutions took the charge of spreading national values due to the massive wave of eastern European immigration. These institutions, especially charitable organizations, supported the integration of immigrants, however, from a classist perspective. According to the Polish-American author Anzia Yezierska (1885-1970), their apparently inclusive programs actually hindered the fulfilment of the discourse of the American Dream, which is based on the premise of preserving individual differences. By comparing those charitable institutions to Mi
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20

Komariah, Satiul. "THE SPEECH ACT ANALYSIS OF DIRECT UTTERANCES ON SHORT STORY "THE LOST BEAUTIFULNESS� BY ANZIA YEZIERSKA." EduLite: Journal of English Education, Literature and Culture 2, no. 1 (2017): 347. http://dx.doi.org/10.30659/e.2.1.347-360.

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This research aimed to investigate (1) the form of direct sentences on short story entitled The Lost �Beautifulness�, (2) analyze the purpose of the direct utterances in the short story, (3) show the kind of direct utterances in short story The Lost �Beautifulness�. The object used in this research are direct utterances of short story The Lost �Beautifulness�. The data were collected by observation method. The writer selecting the direct utterances which can be found in the short story. The result of the research showed that: (1) three forms of the direct utterances are declarative, interrogat
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21

Gelfant, Blanche H. "The Possessive Self in Mary Antin and Anzia Yezierska: Gender, Jewishness, and the Assumptions of Americanization." Prospects 23 (October 1998): 357–77. http://dx.doi.org/10.1017/s0361233300006384.

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Mary Antin was not modest in her use of the possessive case in The Promised Land — in her iterations of Mine, Mine, Mine. While still a schoolgirl, Antin asserted that everything she saw in the Boston Public Library, a “treasure house” of wisdom and art, was “Mine.” As the child of a newly naturalized American, she felt entitled to claim possession; the library and its treasured holdings were “Mine,” she said, “because I was a citizen; mine, though I was born an alien; mine … My palace — mine! … This is mine” (266, original emphasis). By the time Antin came to the soaring conclusion of The Pro
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22

Davey Smith, George. "If data could talk back: Anzia Yezierska, Paul de Kruif and thousands of pages of ‘research’." International Journal of Epidemiology 42, no. 1 (2013): 1–6. http://dx.doi.org/10.1093/ije/dyt039.

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23

Smith, G. D. "If data could talk back: Anzia Yezierska, Paul de Kruif and thousands of pages of 'research'." International Journal of Epidemiology 42, no. 3 (2013): 918. http://dx.doi.org/10.1093/ije/dyt153.

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24

Harrison-Kahan, Lori. ""Drunk with the fiery rhythms of jazz:" Anzia Yezierska, Hybridity, and the Harlem Renaissance." MFS Modern Fiction Studies 51, no. 2 (2005): 416–36. http://dx.doi.org/10.1353/mfs.2005.0041.

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25

Launius, Christine. "The Three Rs: Reading, (W)riting, and Romance in Class Mobility Narratives by Yezierska, Smedley and Saxton." College Literature 34, no. 4 (2007): 125–47. http://dx.doi.org/10.1353/lit.2007.0046.

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26

Vapnek, Lara. "The Salome Ensemble: Rose Pastor Stokes, Anzio Yezierska, Sonya Levin, and Jetta Goudal by Alan Robert Ginsbergt." American Jewish History 101, no. 2 (2017): 311–13. http://dx.doi.org/10.1353/ajh.2017.0035.

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27

Purdy, Strother B. "Anzia Yezierska: A Writer's Life, and: The Rise of Socialist Fiction 1880-1914 (review)." MFS Modern Fiction Studies 34, no. 4 (1988): 742–43. http://dx.doi.org/10.1353/mfs.0.0895.

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28

Von Rosk, Nancy. "“Go, Make Yourself for a Person”: Urbanity and the Construction of an American Identity in the Novels of Abraham Cahan and Anzia Yezierska." Prospects 26 (October 2001): 295–335. http://dx.doi.org/10.1017/s0361233300000958.

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Recalling His Early Days in New York, Abraham Cahan declared that he “felt strongly drawn to the life of the city.” “My heart,” he wrote, “beat to its rhythm” (Marovitz, 17). Anzia Yezierska also remembers New York's Lower East Side at the turn of the century with affection in her autobiographical novel,Bread Givers. When her heroine Sarah Smolinsky is away from Hester Street, she longs for “the crowds sweeping you on like waves of a beating sea. The drive and thrill of doing things faster and faster” (129). For both of these Jewish immigrant writers, the spectacle of New York City embodied ho
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29

Wagner-Martin, L. "Ethnic Modernisms: Anzia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation; Rereading the Harlem Renaissance: Race, Class, and Gender in the Fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West." American Literature 75, no. 3 (2003): 661–63. http://dx.doi.org/10.1215/00029831-75-3-661.

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30

Oaklander, Anne Louise, Dennis Dey, and Orlando Landrum. "Response to Letter by Dr Yezierski and Vierck." Pain 115, no. 3 (2005): 420–21. http://dx.doi.org/10.1016/j.pain.2005.03.020.

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31

Edmunds, Susan. "Between Revolution and Reform: Anzia Yezierska's Labor Politics." Modernism/modernity 18, no. 2 (2011): 405–23. http://dx.doi.org/10.1353/mod.2011.0041.

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32

Hefner, Brooks E. ""Slipping back into the vernacular": Anzia Yezierska's Vernacular Modernism." MELUS: Multi-Ethnic Literature of the U.S. 36, no. 3 (2011): 187–211. http://dx.doi.org/10.1353/mel.2011.0040.

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33

Wilentz, Gay. "Cultural Mediation and the Immigrant's Daughter: Anzia Yezierska's Bread Givers." MELUS 17, no. 3 (1991): 33. http://dx.doi.org/10.2307/467238.

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34

E. Campos, Rebeca. "Philanthropic classism: americanization as a controversial rite of passage in Anzia Yezierska’s fiction." Revista de Estudios Norteamericanos, no. 23 (2019): 71–93. http://dx.doi.org/10.12795/ren.2019.i23.04.

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35

Bélinki, Karmela. "Historic development in immigrant novels: the Jewish conflict in Anzia Yezierska's bread givers and Herman Wouk's Majorie Morningstar." Nordisk Judaistik/Scandinavian Jewish Studies 13, no. 1 (1992): 23–26. http://dx.doi.org/10.30752/nj.69470.

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The two novels of this paper, Anzia Yezierska’s Bread Givers and Herman Wouk´s Marjorie Morningstar, represent sequent generations in American Jewish immigrant literature. Bread Givers (1925) is partly an autobiographical novel, the story of an American Jewish immigrant girl in conflict with her traditional role as the servile daughter of a demanding father and the growing impact of American society. Marjorie Morningstar (1955) treats basically the same theme, the clash between tradition and transition, although from the point of view of second generation immigrants. The basic fears of assimil
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36

Friedman, Natalie. "Marriage and the Immigrant Narrative: Anzia Yezierska's Salome Of the Tenements." Legacy 22, no. 2 (2005): 176–86. http://dx.doi.org/10.1353/leg.2005.0029.

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37

Lisa Botshon. "The New Woman of the Tenements: Anzia Yezierska’s Salome." MFS Modern Fiction Studies 56, no. 2 (2010): 233–61. http://dx.doi.org/10.1353/mfs.0.1679.

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38

Okonkwo, Christopher N. "Of Repression, Assertion, and the Speakerly Dress: Anzia Yezierska's Salome of the Tenements." MELUS 25, no. 1 (2000): 129. http://dx.doi.org/10.2307/468154.

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39

Hannah Adelman Komy. "Lies Her Mother Told Us: Louise Levitas Henriksen's Critique of Anzia Yezierska's Autobiography." Shofar: An Interdisciplinary Journal of Jewish Studies 26, no. 3 (2009): 33–47. http://dx.doi.org/10.1353/sho.0.0210.

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40

Lausin, Faridah. "The Effects of Using Particle Diagrams on AIMS Students' Conceptual Understanding of Stoichiometry." Abstract Proceedings International Scholars Conference 7, no. 1 (2019): 1599–615. http://dx.doi.org/10.35974/isc.v7i1.1709.

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The lack of conceptual understanding of Stoichiometry among high school students is a concern not only because it is a significant predictor of performance in college Chemistry but also because it reflects the need for instructional methods that teach students to use skills beyond mere rote memorization and algorithmic problem-solving. Studies have shown that a more visual pedagogical approach to teaching Stoichiometry could effectively advance student conceptual understanding of Stoichiometry. The purpose of this quantitative study was to investigate the effects of using a visual-based instru
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41

Konzett, Delia Caparoso. "Administered Identities and Linguistic Assimilation: The Politics of Immigrant English in Anzia Yezierska's Hungry Hearts." American Literature 69, no. 3 (1997): 595. http://dx.doi.org/10.2307/2928216.

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42

Merish, Lori. "The Matter of Identification: Yezierska's Arrogant Beggar and the Gendered Injuries of Class." Studies in American Fiction 39, no. 2 (2012): 207–41. http://dx.doi.org/10.1353/saf.2012.0012.

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43

Goldstein, Douglas J. "The Political Dimensions of Desire in Anzia Yezierska's "The Lost 'Beautifulness'" and Salome of the Tenements." Studies in American Fiction 35, no. 1 (2007): 43–66. http://dx.doi.org/10.1353/saf.2007.0015.

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44

Coklin, Ljiljana. "Between the Orient and the Ghetto: A Modern Immigrant Woman in Anzia Yezierska's Salome of the Tenements." Frontiers: A Journal of Women Studies 27, no. 2 (2006): 136–61. http://dx.doi.org/10.1353/fro.2007.0002.

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45

Korkalainen. "Telling Tales of Difference: Portrayals of Immigrant Identity in Cahan’s, Cohen’s, and Yezierska’s “Landscapes” of Otherness and Contrast." Studies in American Jewish Literature (1981-) 40, no. 1 (2021): 43. http://dx.doi.org/10.5325/studamerjewilite.40.1.0043.

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46

Tyrone R. Simpson II. "“The Love of Colour in Me”: Anzia Yezierska’s Bread Givers and the Space of White Racial Manufacture." MELUS: Multi-Ethnic Literature of the U.S. 34, no. 3 (2009): 93–114. http://dx.doi.org/10.1353/mel.0.0043.

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47

Kevin Piper. "The Making of an American: Counternarration in Louis Adamic's Laughing in the Jungle and Anzia Yezierska's Bread Givers." MELUS: Multi-Ethnic Literature of the U.S. 35, no. 1 (2010): 99–118. http://dx.doi.org/10.1353/mel.0.0074.

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48

Biering-Sørensen, Fin. "Spinal Cord Injury Pain: Assessment, Mechanisms, Management. Progress in Pain Research and Management. Volume 23. Robert P. Yezierski & Kim J. Burchiel, eds, pp. 440, 2002. Price $67.00. ISBN 0 931092 43 4. IASP Press, Seattle." Journal of Rehabilitation Medicine 35, no. 4 (2003): 198. http://dx.doi.org/10.1080/16501970306122.

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49

"Love in the Promised Land: the story of Anzia Yezierska and John Dewey." Choice Reviews Online 26, no. 05 (1989): 26–2584. http://dx.doi.org/10.5860/choice.26-2584.

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50

"Women Empowerment in the Realms of Institutionalized Religion and Patriarchy: El Saadawi’s Firdaus and Yezierska’s Sara as Examples." International Journal of Applied Linguistics and English Literature 5, no. 5 (2016). http://dx.doi.org/10.7575/aiac.ijalel.v.5n.5p.1.

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