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1

Copson, P. "Yorick crown." British Dental Journal 215, no. 1 (2013): 4–5. http://dx.doi.org/10.1038/sj.bdj.2013.637.

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2

Jadvar, Hossein. "“Alas, Poor Yorick!”." American Journal of Roentgenology 178, no. 1 (2002): 178. http://dx.doi.org/10.2214/ajr.178.1.1780178.

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3

Black, S. M. "Alas poor yorick." Science & Justice 35, no. 4 (1995): 315–16. http://dx.doi.org/10.1016/s1355-0306(95)72694-6.

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4

Black, S. M. "Alas poor yorick." Science & Justice 36, no. 2 (1996): 127–28. http://dx.doi.org/10.1016/s1355-0306(96)72581-9.

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5

Smythies, J. R. "Alas, poor Yorick." Nature 371, no. 6497 (1994): 470. http://dx.doi.org/10.1038/371470d0.

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6

HAWLEY, J. "YORICK IN THE PULPIT." Essays in Criticism XLVIII, no. 1 (1998): 80–88. http://dx.doi.org/10.1093/eic/xlviii.1.80.

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7

Munro, David H., and Paul F. Dubois. "Using the Yorick Interpreted Language." Computers in Physics 9, no. 6 (1995): 609. http://dx.doi.org/10.1063/1.4823451.

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8

Gould, Rebecca. "Sterne's Sentimental Yorick as Male Hysteric." Studies in English Literature, 1500-1900 36, no. 3 (1996): 641. http://dx.doi.org/10.2307/450803.

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9

Moore, Paul. "STERNE, TRISTRAM, YORICK, BIRDS, AND BEASTS." Journal for Eighteenth-Century Studies 10, no. 1 (2008): 43–54. http://dx.doi.org/10.1111/j.1754-0208.1987.tb00004.x.

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10

Hampton, Bryan Adams. "“I knew him, Horatio”: Shakespeare’s Beliefs, Early Textual Editing, and Nineteenth-Century Phrenology." Religions 10, no. 4 (2019): 236. http://dx.doi.org/10.3390/rel10040236.

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As Hamlet gazes into Yorick’s skull, he reassembles the quirks of the jester’s personhood and also imagines a self that he used to be, in relation to Yorick. Partially through the lens of Hamlet, characterized by A.C. Bradley as Shakespeare’s most “religious” play, this essay interrogates how several eighteenth-century textual editors, and some nineteenth-century scholars and popular admirers, imagine and construct Shakespeare’s beliefs: the first, through their efforts to reassemble the textual “bones” of Shakespeare’s works; and the second, through the rising pseudoscience of phrenology, ope
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11

Williams, Helen. "“Alas, poor YORICK!”: Sterne’s Iconography of Mourning." Eighteenth-Century Fiction 28, no. 2 (2015): 313–44. http://dx.doi.org/10.3138/ecf.28.2.313.

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12

Arıkan, Seda. "Salman Rushdie’nin “Yorick” Adlı Kısa Öyküsünde Üsteleştiri." Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi 35, no. 1 (2018): 1–9. http://dx.doi.org/10.32600/huefd.438142.

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13

Gager, V. L. "Charles Dickens and Yorick: Shakespeare or Sterne?" Notes and Queries 38, no. 3 (1991): 313–15. http://dx.doi.org/10.1093/notesj/38.3.313-a.

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14

S. Saltsman, Wayne. "Contemplating the Transitions of a ‧Poor Yorick'." Caring for the Ages 16, no. 10 (2015): 6. http://dx.doi.org/10.1016/j.carage.2015.09.006.

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15

Haggerty, George E. "“Alas, Poor Yorick!”: Elegiac Friendship in Tristram Shandy." Publications of the Modern Language Association of America 130, no. 5 (2015): 1450–56. http://dx.doi.org/10.1632/pmla.2015.130.5.1450.

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Not far into the first volume of laurence sterne's tristram shandy, we are presented with the death scene of yorick, the country parson who plays a central role in the novel. Yorick has barely made his appearance before his death is lamented in one of the novel's most arresting passages. This death scene is unexpected and out of sync with the way the story has been told so far. Readers are not yet aware that events transpire according to a system all their own; nor do they realize that in Tristram Shandy death is implicit in the lives of its characters as perhaps in no other novel, certainly n
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16

Hughes, J. T. "‘Alas, Poor Yorick!’ The Death of Laurence Sterne." Journal of Medical Biography 11, no. 3 (2003): 156–62. http://dx.doi.org/10.1177/096777200301100310.

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The life and death of Laurence Sterne are examined. Sterne's body was taken from his grave and soon after appeared for dissection in Cambridge. The teaching of anatomy, the activities of body snatchers and the passage of the 1832 Anatomy Act are reviewed.
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17

Morrissey, Sara. "Yorick Wilks, Machine Translation: Its Scope and Limits." Machine Translation 23, no. 4 (2009): 265–67. http://dx.doi.org/10.1007/s10590-009-9067-4.

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18

Castro Santana, Anaclara. "Yorick of Jorvik: Sophisticated Provinciality in Sterne’sTristram Shandy." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 28, no. 1 (2015): 29–33. http://dx.doi.org/10.1080/0895769x.2015.1035365.

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19

Yaghoubzadeh, Ramin. "Yorick Wilks (ed.): “Close Engagements with Artificial Companions” (2010)." KI - Künstliche Intelligenz 26, no. 2 (2012): 205–6. http://dx.doi.org/10.1007/s13218-012-0173-8.

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20

Vasconcelos, Sandra Guardini. "A pena da galhofa e a tinta da melancolia em Sentimental Journey." Literatura e Sociedade 22, no. 25 (2018): 106–16. http://dx.doi.org/10.11606/issn.2237-1184.v0i25p106-116.

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Em Uma viagem sentimental através da França e da Itália (1768), Laurence Sterne põe em xeque e tensiona uma série de concepções que se tornaram correntes principalmente a partir da segunda metade do século XVIII na Inglaterra. Valendo-se da tradição da narrativa de viagem, que ele também parodia, Sterne leva Yorick, sua personagem principal, à França para ficcionalizar um debate importante em seu tempo, tratando-o com humor e graça, sem, no entanto, apagar suas contradições.
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21

Dettmer, R. "Alas poor Yorick - I think you've been upstaged! [humanoid robot]." Engineering & Technology 4, no. 11 (2009): 42–45. http://dx.doi.org/10.1049/et.2009.1108.

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22

Sharkey, P. M., D. W. Murray, P. F. McLauchlan, and J. P. Brooker. "Hardware development of the Yorick series of active vision systems." Microprocessors and Microsystems 21, no. 6 (1998): 363–75. http://dx.doi.org/10.1016/s0141-9331(98)00051-9.

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23

Creider, Chet A. "Theoretical issues in natural language processing Edited by Yorick Wilks." Language 67, no. 2 (1991): 424–25. http://dx.doi.org/10.1353/lan.1991.0076.

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24

Lehman, F. K. ": Artificial Believers: The Ascription of Belief . Afzal Ballim, Yorick Wilks." American Anthropologist 95, no. 1 (1993): 173–74. http://dx.doi.org/10.1525/aa.1993.95.1.02a00260.

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25

Hayden, Deborah. "Alas, Poor Yorick: Digging Up the Dead to Make Medical Diagnoses." PLoS Medicine 2, no. 3 (2005): e60. http://dx.doi.org/10.1371/journal.pmed.0020060.

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26

Venturinha, Nuno. "Wittgenstein’s Whewell’s Court lectures: Cambridge 1938–1941, from the notes by Yorick Smythies." British Journal for the History of Philosophy 28, no. 2 (2019): 423–25. http://dx.doi.org/10.1080/09608788.2019.1695195.

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27

Nagy, Vicky. "Yorick Smaal, Andy Kaladelfos, and Mark Finnane (eds.), Child sexual abuse: Redress and recognition." Australian & New Zealand Journal of Criminology 52, no. 2 (2018): 310–13. http://dx.doi.org/10.1177/0004865818779825.

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28

Lupton, Christina. "Two Texts Told Twice: Poor Richard, Pastor Yorick, and the Case of the Word's Return." Early American Literature 40, no. 3 (2005): 471–98. http://dx.doi.org/10.1353/eal.2005.0052.

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29

Gates, Trevor G. "Book Review: Yorick Smaal and Graham Willett (eds), Out Here: Gay and Lesbian Perspectives VI." International Sociology 29, no. 5 (2014): 482–84. http://dx.doi.org/10.1177/0268580914544446b.

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30

Evans, L. M., and D. Owens. "Enhancement of a low-fidelity surgical simulator. Is it possible?" Journal of Laryngology & Otology 135, no. 2 (2021): 179–81. http://dx.doi.org/10.1017/s0022215120002613.

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AbstractBackgroundSimulation training has become a core component in the training of ENT surgeons. It provides the opportunity for the repetitive practice of a surgical technique. Simulators are broadly categorised into low- and high-fidelity simulators. A method using a home microprocessor to enhance a low-fidelity surgical simulator is introduced.MethodThe Yorick tonsil tie trainer was enhanced using an Arduino microcontroller attached to the simulated inferior pole of the tonsil. The Arduino was coded to give a visual stimulus when linear motion exceeded parameters. The prototype simulator
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31

Sumillera, Rocío G. "Manuel Tamayo y Baus’s Un Drama Nuevo (1867) and the Reception of Hamlet in 19th-Century Spain." ELOPE: English Language Overseas Perspectives and Enquiries 10, no. 1 (2013): 71–80. http://dx.doi.org/10.4312/elope.10.1.71-80.

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The present article discusses how Tamayo y Baus appropriates and refashions in Un drama nuevo (1867) the figures of Shakespeare and Yorick, as well as different elements of a number of tragedies by Shakespeare (Hamlet, Romeo and Juliet, Othello), in order to render homage to Shakespearean drama by means of a play that, even if set at the beginning of 17th-century England, particularly addresses the tastes and concerns of 19th-century Spanish audiences. Additionally, this article considers the extent to which the contemporary audience of Tamayo y Baus was acquainted with Shakespeare and Hamlet,
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32

Abaitua, Joseba. "Khurshid Ahmad, Christopher Brewster, Mark Stevenson (Eds), Words and Intelligence I: Selected Papers by Yorick Wilks." Machine Translation 22, no. 3 (2008): 175–80. http://dx.doi.org/10.1007/s10590-009-9049-6.

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33

Cieślak, Magdalena. "Grzegorz Wiśniewski’s Production of Richard III in Teatr Jaracza in Łódź—Textual Authority, the “Director's Cut”, and Theatre Status." Multicultural Shakespeare: Translation, Appropriation and Performance 17, no. 32 (2018): 69–80. http://dx.doi.org/10.18778/2083-8530.17.07.

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Grzegorz Wiśniewski’s 2012 Richard III in Teatr Jaracza in Łódź was a very successful production with critics and audiences alike. At the 2012 Gdańsk Shakespeare Festival it won the Golden Yorick, a prestigious Polish award for the best staging of a Shakespearean play in the season. Wiśniewski, a renown Polish theatre director and professor at the National Film School in Łódź, has his own way of understanding theatre, its role in culture, and Shakespeare’s place in it. Wiśniewski believes in the theatre of the middle path, as he calls it, that is neither classical/conservative, nor radically a
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34

Pistolesi, Elena. "Tra lingua e lessicografia. Osservazioni su Gli italianismi nel catalano. Dizionario storico-etimologico di Yorick Gomez Gane." Quaderns d’Italià 18 (November 2, 2013): 299. http://dx.doi.org/10.5565/rev/qdi.353.

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35

Gerard, W. B. "Sterne, Tristram, Yorick: Tercentenary Essays on Laurence Sterne ed. by Melvyn New, Peter de Voogd, Judith Hawley." Eighteenth-Century Studies 50, no. 1 (2016): 129–31. http://dx.doi.org/10.1353/ecs.2016.0052.

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36

Goodhue, Elizabeth K. "When Yorick Takes His Tea; Or, the Commerce of Consumptive Passions in the Case of Laurence Sterne." Journal for Early Modern Cultural Studies 6, no. 1 (2006): 51–83. http://dx.doi.org/10.1353/jem.2006.0005.

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37

Jakub Lipski, Jakub Lipski. "STERNE/YORICK JAKO SENTYMENTALNY PODRÓŻNIK I WSPÓŁ- CZESNE STUDIA LITERATURY PODRÓŻNICZEJ: PROBLEMATYZACJA KRYTYCZNEGO ŻYCIA W “PODRÓŻY SENTYMENTALNEJ”." Porównania 24 (June 15, 2019): 231–42. http://dx.doi.org/10.14746/por.2019.1.18.

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Artykuł podejmuje problematykę wkładu twórczości Laurence’a Sterne’a, a w szczególności jego Podróży sentymentalnej (1768), w rozwój literatury podróżniczej. Krytyce poddane zostają dwa toposy badawcze: wkład Sterne’a w tzw. przeformułowanie paradygma-tu, z podróżopisarstwa „naukowego” na „subiektywne”, oraz koncepcja „maniery sternowskiej”, często pochopnie stosowana w odniesieniu do różnorodnych przemian stylistycznych w literaturze podróżniczej po 1768 roku. Topos pierwszy potraktowany jest jako przykład stylu odbioru niepotrzebnie dążącego do ustanowienia mitu początku, często kosztem rzet
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38

Mildenberger, Florian Georg. "Yorick Smaal: Sex, Soldiers and the South Pacific, 1939–1945: Queer Identities in Australia in the Second World War." Sexuality & Culture 20, no. 3 (2016): 772–73. http://dx.doi.org/10.1007/s12119-016-9354-1.

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39

Valenzuela, Luciano O., Kevin Chase, Lawrence McGill, Shawn Miller, Mark Nielsen, and Karl G. Lark. "“Alas poor Yorick”: What retrospective analysis of canine skulls can tell us about the impact of environmental factors on health." Open Journal of Animal Sciences 03, no. 03 (2013): 12–18. http://dx.doi.org/10.4236/ojas.2013.33a002.

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40

Papanikolaou, Nick. "Review of "Classical and Quantum Computing with C++ and Java Simulations, by Yorick Hardy and Willi-Hans Steeb", Birkhauser Verlag, 2001." ACM SIGACT News 36, no. 3 (2005): 5–9. http://dx.doi.org/10.1145/1086649.1086654.

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41

Pichler, Alois. "Wittgenstein’s Whewell’s Court Lectures: Cambridge, 1938–1941, from the Notes by Yorick Smythies, edited by Volker A. Munz and Bernhard Ritter." Grazer Philosophische Studien 95, no. 4 (2018): 596–603. http://dx.doi.org/10.1163/18756735-000051.

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42

Ward, Nigel. "Book review: Automatic Natural Language Parsing. Edited by Karen Sparck Jones and Yorick Wilks (Ellis Horwood and John Wiley and Sons 1983)." ACM SIGART Bulletin, no. 98 (October 1986): 12–13. http://dx.doi.org/10.1145/15923.1058022.

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43

New, Melvyn. "A Sentimental Journey through France and Italy by Mr. Yorick by Laurence Sterne, and: A Sentimental Journey and Other Writings by Laurence Sterne." Scriblerian and the Kit-Cats 38, no. 1 (2005): 134–36. http://dx.doi.org/10.1353/scb.2005.0049.

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44

Wilks, Yorick. "Wordnet as a resource for NLP: Yorick Wilks’ reflections on the ontological debate—and how to cope with ambiguity and vagueness of natural language." International Journal of Speech Technology 11, no. 3-4 (2008): 109–19. http://dx.doi.org/10.1007/s10772-009-9045-5.

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45

Molesworth, Jesse. "Sterne, Tristram, Yorick: Tercentenary Essays on Laurence Sterne, ed. Melvyn New, Peter de Voogd, and Judith HawleySterne, Tristram, Yorick: Tercentenary Essays on Laurence Sterne, ed. Melvyn New, Peter de Voogd, and Judith Hawley Newark: University of Delaware Press; Rowman & Littlefield, 2015. xviii+268pp. US$85. ISBN 978-1-61149-570-6." Eighteenth-Century Fiction 29, no. 3 (2017): 529–31. http://dx.doi.org/10.3138/ecf.29.3.529.

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46

Pérez Rodríguez, Eva M. "Laurence Sterne, François Vernes y Bernardo María de Calzada: el periplo del «Viajador sensible» por Europa a finales del siglo XVIII." Cuadernos de Estudios del Siglo XVIII, no. 12-13 (September 28, 2017): 117–35. http://dx.doi.org/10.17811/cesxviii.12-13.2003.117-135.

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Cuando Laurence Sterne publicó su A Sentimental Journey through Franceand Italy (1768), la obra se estableció como paradigma de innovación dentro de la literatura sentimental y de viajes. El autor ginebrino François Vernes se sirvió de la fama del autor inglés, como de su personaje Yorick, para escribir una obra, Le Voyageur Sentimental, ou Ma Promenade à Yverdun (1786) en la que el protagonista se desplaza por la geografía ginebrina a la vez que reflexiona sobre el devenir histórico y social de su patria. Bernardo María de Calzada, traductor y militar en el reinado de Carlos III y luego de Ca
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47

Coutinho, S. C. "Classical and quantum computing, with C++ and Java simulations, by Yorick Hardy and Willi-Hans Steeb. Pp. 589. €55.00. 2001. ISBN 3 7643 6610 9 Birkhäuser-Verlag." Mathematical Gazette 88, no. 511 (2004): 188–89. http://dx.doi.org/10.1017/s0025557200174856.

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48

TRUJILLO, ARTURO. "Yorick A. Wilks, Brian M. Slator and Louise M. Guthrie, Electric Words: Dictionaries, Computers and Meanings. Cambridge, MA: MIT Press, 1996. ISBN 0 262 23182 4, £24.95 (hardback), ix+289 pages." Natural Language Engineering 4, no. 2 (1998): 175–90. http://dx.doi.org/10.1017/s1351324997261437.

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49

McKinnon, Scott. "Yorick Smaal , Sex, soldiers and the South Pacific, 1939–45: Queer identities in Australia in the Second World War, Basingstoke: Palgrave Macmillan, 2015, ISBN 9 7811 3736 5132, 250 pp., A$119.95." Queensland Review 23, no. 1 (2016): 100–102. http://dx.doi.org/10.1017/qre.2016.13.

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50

ROBB, LINSEY. "Yorick Smaal, Sex, Soldiers and the South Pacific 1939-1945: Queer Identities in Australia in the Second World War (Basingstoke: Palgrave Macmillan, 2015), pp. xxi + 250. ISBN: 978-1-137-36513-2 (hb)." Gender & History 30, no. 1 (2018): 294–95. http://dx.doi.org/10.1111/1468-0424.12350.

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