Relevant bibliographies by topics / Yoruba (African people) – Religion

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Yoruba (African people) – Religion'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Yoruba (African people) – Religion"

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Smith, Katherine. "African Religions and Art in the Americas." Nova Religio 16, no. 1 (August 1, 2012): 5–12. http://dx.doi.org/10.1525/nr.2012.16.1.5.

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This print symposium of Nova Religio is devoted to African religions and arts in the Americas, focusing specifically on devotional arts inspired by the Yoruba people of West Africa. The authors presented here privilege an emic approach to the study of art and religion, basing their work on extensive interviews with artists, religious practitioners, and consumers. These articles contribute an understanding of devotional arts that shows Africa, or the idea of Africa, remains a powerful political and aesthetic force in the religious imagination of the Americas.
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Akitoye, Hakeem A. "Islam and Traditional Titles in Contemporary Lagos Society: A Historical Analysis." International Letters of Social and Humanistic Sciences 25 (March 2014): 42–49. http://dx.doi.org/10.18052/www.scipress.com/ilshs.25.42.

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Lagos, an area basically inhabited by the Yoruba speaking people of South Western Nigeria and by extension some other parts of West Africa where Islam, Christianity and the African Traditional Religion are still being practised side by side till date with the Africans still being converted to the new faiths without dropping their traditional religion or cultural affiliations. This ideology is very common to the average African who still believes in his culture which has always tainted his way of life or as far as his religion is concerned should not interfere with his culture as the religion as not tacitly condemned some of these practices. This paper intends to examine the extent to which the Yoruba Muslims have been involved in syncretism especially as regards the introduction of the conferment of titles into the Muslim community.
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Olupona, Jacob K. "The Study of Yoruba Religious Tradition in Historical Perspective." Numen 40, no. 3 (1993): 240–73. http://dx.doi.org/10.1163/156852793x00176.

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AbstractThis essay presents an overview of past and recent scholarship in Yoruba religion. The earliest studies of Yoruba religious traditions were carried out by missionaries, travellers and explorers who were concerned with writing about the so called "pagan" practices and "animist" beliefs of the African peoples. In the first quarter of the 20th century professional ethnologists committed to documenting the Yoruba religion and culture were, among other things, concerned with theories about cosmology, belief-systems, and organizations of Orisà cults. Indigenous authors, especially the Reverend gentlemen of the Church Missionary Society, responded to these early works by proposing the Egyptian origin of Yoruba religion and by conducting research into Ifá divination system as a preparatio evangelica. The paper also examines the contributions of scholars in the arts and the social sciences to the interpretation and analysis of Yoruba religion, especially those areas neglected in previous scholarship. This essay further explores the study of Yoruba religion in the Americas, as a way of providing useful comparison with the Nigerian situation. It demonstrates the strong influence of Yoruba religion and culture on world religions among African diaspora. In the past ten years, significant works on the phenomenology and history of religions have been produced by indigenous scholars trained in philosophy and Religionswissenschaft in Europe and America and more recently in Nigeria. Lastly, the essay examines some neglected aspects of Yoruba religious studies and suggests that future research should focus on developing new theories and uncovering existing ones in indigenous Yoruba discourses.
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Òkéwándé, Olúwọlé Tẹ́wọ́gboyè, and Adéfúnkẹ Kẹhìndé Adébáyọ. "Investigating African Belief in the Concept of Reincarnation: The case of Ifá and Ayò Ọlọ́pọ́n. Symbolism among the Yoruba of Southwestern Nigeria." Vestnik of Saint Petersburg University. Asian and African Studies 13, no. 2 (2021): 267–81. http://dx.doi.org/10.21638/spbu13.2021.209.

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The concept of reincarnation, a situation where a dead person comes back to life, is as old as human beings. However, there is divergence in the belief among various religions. African religion such as Ifá uses symbols to validate the belief in reincarnation. Ifá is the foundation of the culture of the Yoruba people. The present study aims to define the concept of reincarnation in Ifá and in ayò ọlọ́pọ́n to substantiate African beliefs in the concept of reincarnation. No known work either relates Ifá with the concept of reincarnation or connects ayò ọlọ́pọ́n with Ifá to solve a cultural problem. The present study fills this gap. Symbolism, a mode in semiotics where an object signifies or represents something or somebody, is adopted for the analysis of the study since symbolism is fundamental to Ifá. The visitation of Odù in Ifá is related to the ayò game, linking the symbolism in both Ifá and ayò ọlọ́pọ́n to the realization or application of the concept of reincarnation in human life, especially among Africans and the Yoruba people. It is determined that there is synergy between Ifá and ayò ọlọ́pọ́n, and reincarnation. The study concludes that reincarnation is an encapsulated concept illustrated by Ifá and ayò ọlọ́pọ́n- the religious and social life of the Yoruba people. African cultural symbols are tangible means of cultural heritage that solve contemporary and controversial human issues such as the African belief in reincarnation.
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Peel, J. D. Y. "Poverty and Sacrifice in Nineteenth-Century Yorubaland: A Critique of Iliffe's Thesis." Journal of African History 31, no. 3 (November 1990): 465–84. http://dx.doi.org/10.1017/s0021853700031182.

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John Iliffe has argued that the Yoruba, almost uniquely among African peoples not substantially affected by the world religions, had developed by the nineteenth century a syndrome of institutions – a culture of begging, the valorization of poverty, asceticism – more typical of literate, stratified societies with intensive agriculture.It is agreed that the Yoruba towns of the nineteenth century knew poverty on a substantial scale, aggravated by the endemic warfare and social upheaval. However, the supposed ‘indigenous tradition of begging’ which Iliffe cites as evidence, is shown to rest on a cultural misreading of social practices reported by the missionaries, notably the offering of cowries to the devotees of gods, especially Esu. These acts were not almsgiving to beggars but sacrifices to deities, continuous with other forms of sacrifice. The ‘beggars’ were by no means always poor. Sociologically, offerings to the devotees of deities ranged from a ‘commercial’ mode, where material blessings were anticipated in return, to a ‘tributary’ mode (particularly common with devotees of Sango) where they were analogous to placatory sacrifices (etutu). So dominant was the notion of sacrifice that a concept of Islamic origin, saraa, originally meaning ‘alms’, came to take the meaning of ‘sacrifice’ in Yoruba (as in many other West African languages).Other aspects of the alleged poverty/asceticism syndrome are shown to be equally invalid. The pronounced this-worldliness of Yoruba religious attitudes is incompatible with idea that the poor might enjoy special religious favour. Acts of self-mortification did not indicate an attitude of religious asceticism. There was no ideal that religious personnel should be poor. It is argued in conclusion that the changes which we can see in Yoruba religion arise from the active engagement of Yorubas with external influences, rather than purely from endogenous developments or purely reactive responses.
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Dasaolu, Babajide Olugbenga, and Kehinde Emmanuel Obasola. "religio-philosophical analysis of freewill and determinism in relation to the Yoruba perception of Ori." Oguaa Journal of Religion and Human Values 5, no. 2 (December 1, 2019): 59–75. http://dx.doi.org/10.47963/ojorhv.v5i2.1166.

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There is much debate regarding the seeming contradictions and ambivalence in the metaphysical concepts of freewill and determinism. Several interpretations have been given by various African philosophers on what freewill or determinism connote. In this regard, the traditional Yoruba conception of freewill and determinism is replete with contradictions by virtue of their perception of human destiny which is variously chosen by the people. This paper argues that the Yoruba have a two-sided conception of destiny, as something given and unalterable and yet alterable under certain circumstances and conditions. The conception of destiny appears problematic. On the other hand, the Yoruba are regarded as determinist but not fatalist. Thus, it could be argued that the Yoruba could be seen as both freewillers and determinists. It is in this perspective that this paper does a critique of freewill and determinism in relation to Yoruba perception of Ori using a philosophical methodology. Therefore, the paper offers and defends soft determinism as a better alternative to the causal explanatory paradigm among the Yoruba.
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Fape, Michael O. "National Anglican Identity Formation: An African Perspective." Journal of Anglican Studies 6, no. 1 (June 2008): 17–30. http://dx.doi.org/10.1177/1740355308091383.

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ABSTRACTAfrica played a prominent role in the formation of earliest Christianity not least in the persons of Cyprian of Carthage and Augustine of Hippo. The Anglican heritage is considered through the experience of the Yoruba people in south-west Nigeria through whom christian faith came to the rest of Nigeria. The Anglicanism which came to the Yoruba was evangelical through the Church Missionary Society, though a key role was played by liberated slaves from Sierra Leone. Contexts in which the gospel is proclaimed and the way it is expressed may change, yet the contents of the gospel do not. A contextualized curriculum thus includes key courses such as biblical studies and systematic theology. It also includes contextual subjects such as African traditional religions and Islam and Christianity. The Church of Nigeria has thus undertaken a thorough review of the curriculum to adequately represent this kind of contextualized theology.
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Adékambi, Moïse Adéniran. "African Biblical Hermeneutics Considering Ifá Hermeneutic Principles." Religions 14, no. 11 (November 19, 2023): 1436. http://dx.doi.org/10.3390/rel14111436.

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African contextual biblical hermeneutics, practiced mainly among those from the southern hemisphere, is framed by conflicting academic approaches, methods, epistemologies, rationalities, etc. The general challenge put before the Bible scholars in this part of the world mostly concerns methodologies. This paper focuses on the link between a biblical text and the context of its interpretation. To avoid any specific context or interpreter gaining hermeneutical hegemony over the text, in contextual biblical hermeneutics, the coherence should be first and foremost between the text and the context of its interpretation. The interpretation method of Ifá, the sacred orature of Yoruba and some non-Yoruba people in West Africa, helps to achieve that coherence. This paper is a theoretical presentation of what a contextual biblical hermeneutic can learn from this African Sacred literature reading in context. The hermeneutical rationale of Ifá stories is one of “speaking in proverbs”, considering both the stories and their interpretations as proverbs. In line with this rationale, the ideal link between a biblical text and its hermeneutical context is like the one between a “proverb story” and the many stories (contexts) of its harmonious utterances. The epistemological and hermeneutical functions of the context of interpretation are not to interpret the biblical text but to verify the validity of proposed interpretations.
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Adegbamigbe, Abayomi Agboade. "The Mystery of Akudaaya in Yoruba Films: Interrogating Death and Destiny in Aye Loja, Directed by Seun Olaiva." SCHOLARS: Journal of Arts & Humanities 4, no. 2 (August 11, 2022): 51–64. http://dx.doi.org/10.3126/sjah.v4i2.47422.

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The study of afterlife has remained within the mythic mode because of its non-empirical but impelling nature. Many scholars insist that death cannot be annihilative and the debate is intensified as Wole Soyinka proposes robust African perspectives on existential issues of life and death. Akudaaya (‘transmigrated soul’) describes people returning to life after death, a phenomenon, which is regularly explored in Yoruba films. This paper expounds the mysteries surrounding this Akudaaya and the dramatic/filmic techniques deployed to present the phenomenon. It also addresses how Yoruba films have presented the phenomenon to define the relationship between death and destiny. With the film directed by Seun Olaiya and titled Aye Loja as the primary text, more information is accessed through interaction with notable traditionalists, and relevant works in literature, religion and philosophy were consulted. While Akudaaya remains a mystery, the phenomenon is discovered to be driven by unfulfilled destiny. Akudaaya is therefore seen as a metaphor for the continuity of life in death and a measure through which the conflict between death and destiny is mediated.
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Love, Velma. "Casting the Sacred Reading the Self." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 4, no. 2 (November 12, 2010): 217–27. http://dx.doi.org/10.1558/post.v4i2.217.

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"Casting the Sacred" examines the material culture and storied environment associated with African American engagements with the unwritten scriptures of the Yoruba Ifa tradition of West African origin, and offers a compelling case for expanding conventional notions of scriptures. This essay builds on the work of historians of religion who take a relational approach to the study of scriptures, placing the focus on the people and their engagement with sacred texts as cultural practice and system of meaning-making. Showcasing the diviner as the chief orchestrator of the storied environment, this work draws attention to the set of personal scriptures derived form Oracular utterances. It also notes the physicality of bodies, shells, divining chains, palm nuts, floor mats, and notebooks, all of which are significant aspects of "reading," a means of accessing and engaging a form of sacred knowledge which clients incorporate into their lives.
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Dissertations / Theses on the topic "Yoruba (African people) – Religion"

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Babalola, S. A. "Theological analysis of culturalized worship ceremonies among Yoruba Christians in selected U.S. cities indigenization versus syncretization /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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Famule, Olawole Francis. "Art and spirituality : the Ijumu northeastern-Yoruba egúngún /." Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1372%5F1%5Fm.pdf&type=application/pdf.

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Ramos, Miguel. "Lucumí (Yoruba) Culture in Cuba: A Reevaluation (1830S -1940s)." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/966.

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The status, roles, and interactions of three dominant African ethnic groups and their descendants in Cuba significantly influenced the island’s cubanidad (national identity): the Lucumís (Yoruba), the Congos (Bantú speakers from Central West Africa), and the Carabalís (from the region of Calabar). These three groups, enslaved on the island, coexisted, each group confronting obstacles that threatened their way of life and cultural identities. Through covert resistance, cultural appropriation, and accommodation, all three, but especially the Lucumís, laid deep roots in the nineteenth century that came to fruition in the twentieth. During the early 1900s, Cuba confronted numerous pressures, internal and external. Under the pretense of a quest for national identity and modernity, Afro-Cubans and African cultures and religion came under political, social, and intellectual attack. Race was an undeniable element in these conflicts. While all three groups were oppressed equally, only the Lucumís fought back, contesting accusations of backwardness, human sacrifice, cannibalism, and brujería (witchcraft), exaggerated by the sensationalistic media, often with the police’s and legal system’s complicity. Unlike the covert character of earlier epochs’ responses to oppression, in the twentieth century Lucumí resistance was overt and outspoken, publically refuting the accusations levied against African religions. Although these struggles had unintended consequences for the Lucumís, they gave birth to cubanidad’s African component. With the help of Fernando Ortiz, the Lucumí were situated at the pinnacle of a hierarchical pyramid, stratifying African religious complexes based on civilizational advancement, but at a costly price. Social ascent denigrated Lucumí religion to the status of folklore, depriving it of its status as a bona fide religious complex. To the present, Lucumí religious descendants, in Cuba and, after 1959, in many other areas of the world, are still contesting this contradiction in terms: an elevated downgrade.
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Turyatunga, Vanessa. "African Traditional Religions in Mainstream Religious Studies Discourse: The Case for Inclusion Through the Lens of Yoruba Divine Conceptualizations." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39917.

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The history of African Traditional Religions (ATRs), both inside and outside academia, is one dominated by exclusions. These exclusions were created by the colonial framing of ATRs as primitive, irrational and inferior to other religions. This colonial legacy is in danger of being preserved by the absence of ATRs from the academic study of religion, legal definitions of religion, and global and local conversations about religion. This thesis will explore the ways that a more considered and accurate examination of the understudied religious dimensions within ATRs can potentially dismantle this legacy. It will do so by demonstrating what this considered examination might look like, through an examination of Yoruba divine conceptualizations and the insights they bring to our understanding of three concepts in Religious Studies discourse: Worship, Gender, and Syncretism. This thesis will demonstrate how these concepts have the ability to challenge and contribute to a richer understanding of various concepts and debates in Religious Studies discourse. Finally, it will consider the implications beyond academia, with a focus on the self-understanding of ATR practitioners and African communities. It frames these implications under the lens of the colonial legacy of ‘monstrosity’, which relates to their perception as primitive and irrational, and concludes that a more considered examination of ATRs within the Religious Studies framework has the potential to dismantle this legacy.
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Redd, David Allen. "Yoruba migrants : a study of rural-urban linkages and community development." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ50561.pdf.

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Williams, Annette Lyn. "Our mysterious mothers| The primordial feminine power of aje in the cosmology, mythology, and historical reality of the West African Yoruba." Thesis, California Institute of Integral Studies, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3643206.

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Among the Yoruba àjé&dotbelow; is the primordial force of causation and creation. Àjé&dotbelow; is the power of the feminine, of female divinity and women, and àjé&dotbelow; is the women themselves who wield this power. Unfortunately, àjé&dotbelow; has been translated witch/witchcraft with attendant malevolent connotations. Though the fearsome nature of àjé&dotbelow; cannot be denied, àjé&dotbelow; is a richly nuanced term. Examination of Yoruba sacred text, Odu Ifa, reveals àjé&dotbelow; to be an endowment gifted to female divinity from the Source of Creation. Female divinity empowered their mortal daughters with àjé&dotbelow;—spiritual and temporal power exercised in religious, judicial, political, and economic domains throughout Yoruba history. However, in contemporary times àjé&dotbelow; have been negatively branded as witches and attacked.

The dissertation investigates factors contributing to the duality in attitude towards àjé&dotbelow; and factors that contributed to the intensified representation of their fearsome aspects to the virtual disavowal of their positive dimensions. Employing transdisciplinary methodology and using multiple lenses, including hermeneutics, historiography, and critical theory, the place of àjé&dotbelow; within Yoruba cosmology and historical reality is presented to broaden understanding and appreciation of the power and role of àjé&dotbelow; as well as to elucidate challenges to àjé&dotbelow;. Personal experiences of àjé&dotbelow; are spoken to within the qualitative interviews. Individuals with knowledge of àjé&dotbelow; were interviewed in Yorubaland and within the United States.

Culture is not static. A critical reading of Odu Ifa reveals the infiltration of patriarchal influence. The research uncovered that patriarchal evolution within Yoruba society buttressed and augmented by the patriarchy of British imperialism as well as the economic and social transformations wrought by colonialism coalesced to undermine àjé&dotbelow; power and function.

In our out-of-balance world, there might be wisdom to be gleaned from beings that were given the charge of maintaining cosmic balance. Giving proper respect and honor to "our mothers" (awon iya wa) who own and control àjé&dotbelow;, individuals are called to exercise their àjé&dotbelow; in the world in the cause of social justice, to be the guardians of a just society.

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Nissen, Andrew Christoffel. "An investigation into the supposed loss of the Khoikhoi traditional religious heritage amongst its descendants, namely the Coloured people with specific references to the question of religiosity of the Khoikhoi and their disintegration." Master's thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/21841.

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Bibliography: pages 94-97.
This study is about the Khoikhoi, known as the "Hottentots" who are today no longer to be found in their original state in South Africa. It deals with their religion nnd disintegration, especially the land issue. The author upholds that there are remnants of Khoikhoi religion and cultural elements present among the descendants of the Khoikhoi, nnmely the Coloured people, especially those in the Cape. These Khoikhoi religious and cultural elements give the Coloured people a dignified continuation with their forebearers. The author also demonstrates that the Khoikhoi were religious people in spite of misconstrued perceptions of their being, culture and traditions. These elements the author further states should be included in the discipline of African theology.
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Küpper, Stefan. "Santeria – von afrikanischen Orishas über kubanische Heilige zur amerikanischen „Lifestyle-Kultur“." Master's thesis, Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2009/3920/.

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Diese Arbeit beschäftigt sich mit dem Entwicklungsprozess der Santeria im Rahmen der Afrikanischen Diaspora. Dabei werden die pluralen Formen der Orisha-Religion der Yoruba in Afrika im Hinblick auf ihre Funktion als religiöses Fundament der Santeria untersucht. Im Folgenden wird die Entstehung der Santeria auf Kuba, bedingt durch die Einfuhr einer Vielzahl von Yoruba Sklaven, analysiert. Dabei spielt die Vermischung des kubanischen Volkskatholizismus mit den Orishas der Yoruba, die in einer neuen synkretischen Religion - die Santeria - mündet, eine hervorgehobene Rolle. Auch der Einfluss von anderen Glaubenssystemen (Spiritismus) wird an dieser Stelle deutlich gemacht. Im Mittelteil der Arbeit stehen die Emigrationen zahlreicher Kubanern nach der Revolution von 1959, welche somit die Santeria in die USA exportierten. Inwiefern sich die Santeria im Kontext der USA weiterentwickelte bzw. welche neuen Religionsvarianten entstanden sind, wird an dieser Stelle untersucht. Auch die zunehmende Kommerzialisierung der Santeria-Varianten wird kritisch analysiert, besonders im Hinblick auf die wachsende Bedeutung von Botanicas. Der letzte Teil der Arbeit beschäftigt sich mit den gegenwärtigen Entwicklungstendenzen der Santeria zur Lifestyle-Kultur im Rahmen des spirituellen Shoppings und geht auf die öffentliche Wahrnehmung in den USA ein. Dabei wird auch die ‚breite Massentauglichkeit’ der Santeria im Vergleich zu anderen Immigrantenreligionen herausgestellt und ihr Potential als kulturell-religiöse Identifikationsmöglichkeit für diverse Migrantengemeiden in einer zunehmend globalisierten Welt untersucht.
This paper deals with the development of Santeria within the framework of the African Diaspora – rooting in Africa, emerging in Cuba, advancing in the USA. At first, the plural variants of the Yoruba Orisha religion in Africa are explored with regard to their function as religious basis of Santeria. In the following, the genesis of Santeria in Cuba, caused by the import of many Yoruba slaves, is analysed. In this process the blending of Cuban popular Catholicism with the Orishas of the Yoruba, which led to the emergence of Santeria as a syncretic religion, plays a major role. The influence of differing belief systems, such as Spiritism, on Santeria is highlighted as well. In the middle section of this paper the mass emigrations of Cubans, who brought Santeria to American shores, especially after Castro’s revolution in 1959, are examined in detail. The issues of how Santeria advanced within the American context and what kind of new religious variants emerged out of it are broached at this point. With particular regard to the growing importance of botanicas, the increasing character of commercialisation among different forms of Santeria is critically scrutinised. The final part of this paper deals with contemporary trends in the USA, where Santeria develops from an earlier religious character to a lifestyle-culture, clearly influenced by the process of spiritual shopping. At this point the broad attraction of Santeria, which appeals to multiple social groups in contrast to other immigrant religions, is emphasised. Due to her potential as cultural and religious opportunity for identification among several immigrant communities, Santeria advances to a source of identity among diasporic communities all over an increasingly globalised world.
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Ngugi, Michael Wainana. "Impact of Christianity among the Kikuyu people : a study of Kikuyu people religion and belief /." Berlin Viademica-Verl.***90496, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2905079&prov=M&dok_var=1&dok_ext=htm.

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Latham, C. J. K. "Mwari and the divine heroes: guardians of the Shona." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1004666.

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Books on the topic "Yoruba (African people) – Religion"

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Karade, Ifa. The handbook of Yoruba religious concepts. East Orange, N.J: O.R.I. Associates, 1991.

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Ecún, Obá. Ita: Mythology of the Yoruba religion. Miami, FL: Obaecun Books, 1989.

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de, Armas Curiel Gustavo, ed. Oduduwa: Un secreto de Ifa. [Puerto Rico]: Editorial Oduduwa, 1999.

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Adewale, S. A. The religion of the Yoruba: A phenomenological analysis. [Ibadan]: Dept. of Religious Studies, University of Ibadan, 1988.

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Ecun, Oba. Ita: Mythology of the Yoruba religion. Miami, FL: ObaEcun Books, 1996.

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Jemiriya, Timothy F. The Yoruba God and gods. Ado-Ekiti [Nigeria]: Petoa Educational Publishers, 1998.

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Patton, Pedro Pablo Aguilera. Religión y arte yorubas. La Habana: Ciencias Sociales, 1996.

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Patton, Pedro Pablo Aguilera. Religión y arte yorubas. La Habana: Editorial de Ciencias Sociales, 1994.

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Toyin, Falola, and Genova Ann, eds. Orisa: Yoruba gods and spiritual identity in Africa and the diaspora. Trenton NJ: Africa World Press, 2005.

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Kọ́mọláfẹ́, Kọ́láwọlé. African traditional religion: Understanding Ogboni Fraternity. Lagos: Ifa-Ọ̀rúnmìlà Organisation, 1995.

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Book chapters on the topic "Yoruba (African people) – Religion"

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Moses, Wilson Jeremiah. "Introduction: Alexander Crummell and the Destined Superiority of African People." In The African Diaspora and the Study of Religion, 1–13. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609938_1.

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Seekings, Jeremy. "The Social Question in Pre-apartheid South Africa: Race, Religion and the State." In One Hundred Years of Social Protection, 191–220. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54959-6_6.

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AbstractIn the first half of the twentieth century, “social” issues in South Africa were framed by both rapid social and economic change (especially industrialisation and urbanisation) and racial division. The social question in South Africa was as much a racialised version of a “national question” as a social one, revolving around the social and economic inclusion (through state intervention) of “poor white” people and white workers and the reinforcement of a clear racial hierarchy. From the 1930s, political elites slowly moved towards the very partial inclusion of the African majority. Political and religious ideas, primarily from Europe, informed understandings of the social question among both supporters and opponents of public provision.
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Fulford, Bill. "Linking Science with People: An Introduction to Part IV, Science." In International Perspectives in Values-Based Mental Health Practice, 209–19. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47852-0_24.

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AbstractThis chapter outlines how the contributions to this Part illustrate the role of a culturally enriched model of values-based practice in linking science with people. Chapters 25, “A Cross-Cultural Values-Based Approach to the Diagnosis and Treatment of Dissociative (Conversion) Disorders,” 26, “Treatment of Social Anxiety Disorder or Neuroenhancement of Socially Accepted Modesty? The Case of Ms. Suzuki,” 27, “Nontraditional Religion, Hyper-religiosity, and Psychopathology: The Story of Ivan from Bulgaria,” and 28, “Journey into Genes: Cultural Values and the (Near) Future of Genetic Counselling in Mental Health” explore the three principles of values-based practice defining its relationship with evidence-based practice. Chapters 29, “Policy-Making Indabas to Prevent “Not Listening”: An Added Recommendation from the Life Esidimeni Tragedy,” 30, “Covert Treatment in a Cross-Cultural Setting,” and 31, “Discouragement Towards Seeking Health Care of Older People in Rural China: The Influence of Culture and Structural Constraints” then give examples of the rich resources of the wider values tool kit for linking science with people (the African indaba, transcultural ethics, and anthropology). The concluding chapter, the autobiographical chapter 32, “Discovering Myself, a Journey of Rediscovery,” illustrates the role of cultural values (particularly of the positive StAR values) in recovery. A cross-cutting theme of the contributions to this Part is the importance of the cultural and other values impacting on psychiatric diagnostic assessment in supporting best practice in person-centered mental health care.
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Sambo, Pamela Towela. "An African Legal, Cultural and Religious Perspective of Sustainable Soil Governance." In International Yearbook of Soil Law and Policy 2022, 305–31. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-40609-6_13.

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AbstractThis chapter adopts a desktop review of diverse literature to understand the legal, cultural and religious underpinning of sustainable soil governance in Africa. The role of traditional knowledge systems in achieving sustainable soil governance in Africa will also be evaluated. The African Union recognises five geographic regions on the continent namely, North, South, West, East and Central. A sixth region consisting of people of African descent living outside the continent is also categorized but it is not materially relevant for the present analysis. The countries highlighted in this chapter are only used representatively of the entire continent to the extent possible. Africa is a large continent with diverse traditions, cultures and religions upon which the legal systems responsible for natural resources and environmental protection are anchored. It is therefore impossible to discuss any issue pertinent to the continent with homogeneity. Africa is no doubt one of the most resource-abundant continents. Natural resources such as gold, diamond, oil, natural gas, copper, uranium, among others are mined in different parts of the continent. Almost every country in Africa has a deposit of natural resources because the continent is endowed with about 97% of the world’s chromium, 90% of the world’s cobalt, 85% of the word’s platinum, 70% of the world’s cocoa, and 60% of the world’s coffee. Despite this abundance of natural resources, Africa is also among the poorest continents. One of the factors that has led to the continent’s extreme poverty levels is that the extraction of land or soil based natural resources is minimally utilised to the benefit of the African countries themselves. The process of natural resources extraction causes immense damage primarily to land and soil as well as the general environment. Against this background, this chapter assesses how culture, traditional norms and religion have shaped sustainable soil governance in Africa.
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Haynes, Patrice. "African Humanism: Between the Cosmic and the Terrestrial." In Beyond the Doctrine of Man, 161–90. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286898.003.0008.

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This chapter explores the anthropocentrism of African indigenous religions, with a focus on the religious traditions of the Yoruba peoples (south-west Nigeria). In doing so it hopes to disclose an alternative vision of the human to that of what Sylvia Wynter calls “Man,” the figure at the heart of colonial modernity. While the humanistic orientation of African indigenous religion could be understood in a Feuerbachian sense, this chapter argues that such an approach fails to address the Eurocentric assumptions in Feuerbach’s anthropological analysis of religion. Drawing on ritual studies and recent efforts to rehabilitate the idea of “animism,” the chapter goes on to sketch what it calls an “animist humanism.” The aim here is to articulate a religious anthropocentrism that indicates how thinking with African indigenous religions might enable us to think beyond the doctrine of Man.
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Beauchamp, Tom L., F. Barbara Orlans, Rebecca Dresser, David B. Morton, and John P. Gluck. "Animal Sacrifice as Religious Ritual The Santeria Case." In The Human Use of Animals, 149–60. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195340198.003.0009.

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Abstract In the spring of 1987, a controversy arose in the city of Hialeah, Florida. It began when Ernesto Pichardo, the president and priest of the Church of the Lukumi Babalu Aye, issued a public statement describing the church’s plan to build a worship and education center on city land that the church previously had leased. The announcement triggered discussion and debate among residents of Hialeah, some of whom were opposed to the church’s plan.1 Before the controversy subsided, the U.S. Supreme Court had become involved. The case raises issues about balancing the interests of nonhuman animals against the interests of humans—in particular, the human interests incorporated in the First Amendment protection of the free exercise of religion. The original opposition was based on moral concerns about the sacrifice of animals, a practice associated with the Church of the Lukumi Babalu Aye. Members of the church practice a religion called Santeria. This religion began in the sixteenth century among Cuban slaves who had been removed from their East African homes. The slaves belonged to the Yoruba people, who practiced a traditional religion in Africa. In Cuba, the Yoruba were not permitted to practice their religion openly. They were often baptized without their consent as Christians before being forced onto the Spanish ships that took them to Cuba. In response, many Yoruba practitioners incorporated their traditional faith into the Roman Catholic religion.
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Orlans, F. Barbara, Tom L. Beauchamp, Rebecca Dresser, David B. Morton, and John P. Gluck. "Animal Sacrifice as Religious Ritual: The Santeria Case." In The Human Use Of Animals, 307–20. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119077.003.0017.

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Abstract In the spring of 1987, a controversy arose in the city of Hialeah, Florida. It began when Ernesto Pichardo, the president and priest of the Church of the Lukumi Babalu Aye, issued a public statement on the church’s plan to build a worship and education center on city land that the church previously had leased. The announcement triggered discussion and debate among residents of Hialeah, some of whom were opposed to the church’s plan. Before the controversy subsided, the US Supreme Court had become involved. The case raises issues about balancing the interests of nonhuman animals against the interests of humans, in particular, the human interests incorporated in First Amendment protection of the free exercise of religion. The opposition originated in concerns about the sacrifice of animals, a practice associated with the Church of the Lukurni Babalu Aye. Members of the church practice a religion called Santeria. This religion began in the sixteenth century, among Cuban slaves who had been removed from their East African homes. The slaves belonged to the Yoruba people, who practiced a traditional religion in Africa. In Cuba, the Yoruba were not permitted to practice their religion openly. They were often baptized as Christians without their consent before being forced onto the Spanish ships that took them to Cuba.
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Abiolu, Rhoda Titilopemi Inioluwa, and Ruth E. Teer-Tomaselli. "Ṣaworoidẹ." In Advances in Religious and Cultural Studies, 65–86. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7295-4.ch004.

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Ṣaworoidẹ is a Nigerian film about the Yorùbá people in Nigeria. It accentuates the socio-cultural and political activities and nuances in Jogbo, representational of the “old Nigeria.” Ṣaworoidẹ itself is a “talking drum” laced with brass bells along its beatable surface. The “talking drum” is an indigenous musical instrument in West Africa, whose functionalities are those of communication and entertainment. But enshrined in this unique instrument are political and socio-cultural characteristics as represented in Ṣaworoidẹ. This chapter identifies those characteristics and their prominence in present-day Nigeria, particularly among the Yorùbá people. The authors unravel the notable and multifaceted use of the “talking drum” for political, religious, traditional, and mass mobilization activities. They suggest that cultural heritage policies of Nigeria, including curricula that facilitate indigenous knowledge, should provide support for this rich drumming tradition, especially in educational institutions.
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"POVERTY AMONG AFRICAN PEOPLE AND THE AMBIGUOUS ROLE OF CHRISTIAN THOUGHT." In Religion and Poverty, 193–212. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822392309-012.

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Ayedze, Kossi A. "Poverty among African People and the Ambiguous Role of Christian Thought." In Religion and Poverty, 193–212. Duke University Press, 2009. http://dx.doi.org/10.1215/9780822392309-010.

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Conference papers on the topic "Yoruba (African people) – Religion"

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Arantes, Priscila, and Cynthia Nunes. "Into the decolonial encruzilhada: the Afrofuturistic collages of Luiz Gustavo Nostalgia as the artistic materialization of cruzo." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.88.

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The task of reviewing the silences present in hegemonic histories emerges at the beginning of the 20th century, seeking to provide a more amplified way of understanding the history of peoples and nations subjected to colonial subjugation. Rufino (2019) considers that this space of decolonization presents itself under the name of “encruzilhada” (crossroads) and understands the potentialities of the orixá Exu, of Yoruba spirituality: the orixá of communication, of the paths and the guardian of axé (vital energy). Exu disarray what exist to reconstruct— therefore, since the encruzilhada is Exu’s place, it is a space that allows the crossing of knowledge produced as deviations from colonial impositions on so-called official knowledge, a process which the author names “cruzo” (cross): the encruzilhada is a refusal to everything put as absolute; Exu is the movement of that encruzilhada. In addition to the positivization of the knowledge and ways of living of peoples who have suffered, over the centuries, from numerous processes of inferiority, it is necessary to insert this knowledge in the cultural elements of the present— and in the conceptions about the future. It is in this context that, regarding the experience of Afro-diasporic peoples, a global aesthetic movement that encompasses arts, literature, audiovisual and academic research emerges: Afrofuturism (YASZEK, 2013). Afrofuturism goal is to connect the dilemmas of the African diaspora to technological innovations, commonly unavailable to the descendants of the enslaved, and it aims to establish possible future scenarios— scenarios that contemplate the presence and, furthermore, the protagonism of black people (YASZEK, 2013). To this end, the movement breaks with the Western linear chronology and starts to consider time in a cyclic way, interweaving past, present and future in a single composition: in the same way that Exu, in the Yoruba cosmology, killed a bird yesterday with a stone that has only been thrown today, Afrofuturism weaves a web of historical and cultural retaking of African memory with questions that arise from the reflection of the problems faced by black people in the present, in order to think about a positive and possible future, once a dystopian scenario is already weighing on the shoulders of them. In the frontier of visual arts and design, Luiz Gustavo Nostalgia, a creator based on Rio de Janeiro, dismantles existing images and rearranges them through collages to create a new intention of meaning. His work evokes the cruzo on the principle of rearranging— central to collages— with the widespread rearrangement of our ways of living and understanding society— based on an Afrofuturistic conception of world— by celebrating African motifs, culture and spirituality, allied to the already acquainted aesthetics of “future” (such as the galaxy, bright lights and robotic elements). Through your creation, the artist is capable of presenting a future where black people do exist as protagonists and have their culture, past and roots celebrated.
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Geçimli, Meryem, and Mehmet Nuhoğlu. "CULTURE – HOUSE RELATIONS IN THE CONTEXT OF CULTURAL SUSTAINABILITY: EVALUATION ON EXAMPLES." In GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b2/v2/29.

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There are close relationships between the cultural structures of societies and residential areas. The place where the society chooses to live and the ways it is organized is an expression of the cultural structure. Traditional houses are accepted as the most obvious indicator of this situation. One of the ways of preserving cultural sustainability today is to read the design principles of these houses correctly. Culture is about what kind of environment people live in and how they live. Human behaviors are based on cultural references. Religion, view of life and perceptions of the environment are both dialectically shaped culture and shaped by culture. Culture is about where and how human meets his needs throughout his life. It can be said that culture is one of the basic factors that direct human behavior and life. Therefore, the cultural embedding of sustainability thought is important in shaping the world in which future generations will live. Regarding various cultures in the literature; the structure of the society, their way of life and how they shape their places of residence, etc. there are many studies. The riches that each culture possesses are considered to be indisputable. These important studies are mostly based on an in-depth analysis of that culture, concentrating on a single specific culture. In this study, it is aimed to make a more holistic analysis by examining more than one culture. Thanks to this holistic perspective, it is thought that it will be possible to make inferences that can be considered as common to all societies. This study, which especially focuses on Asian and African societies, is the tendency of these societies to maintain their cultural structure compared to other societies. The reflections of cultural practices on residential spaces are examined through various examples. The dialectical structure of Berber houses, integration of Chinese houses with natural environmental references, Toroja houses associated with the genealogy in Indonesia, etc. examples will be examined in the context of cultural sustainability in this study. With this holistic approach, where the basic philosophy of cultural sustainability can be obtained, important references can be obtained in the design of today's residences. This paper was produced from an incomplete PhD dissertation named Evaluation of Cultural Sustainability in the Application of House Design at Yildiz Technical University, Social Sciences Institution, Art and Design Program
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