Academic literature on the topic 'Yoruba Art'

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Journal articles on the topic "Yoruba Art"

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Adepoju, Oluwatoyin Vincent. "Adapting Yorùbá Epistemology in Educational Theory and Practice in Nigeria." Yoruba Studies Review 3, no. 1 (2021): 1–26. http://dx.doi.org/10.32473/ysr.v3i1.129918.

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What is the value of Yoruba epistemology, theory of knowledge, particularly its philosophy of perception, to humanity in general, and to contemporary Nigeria, in particular? How does Yorùbá epistemology connect with educational theory and practice in Nigeria? This essay recognizes but goes beyond the more general overviews on classical Yoruba education and its contemporary significance represented in works of Yorùbá and Africanist scholars. I demonstrate the significance of Yoruba philosophy of education beyond its cultural context, by projecting its universal and timeless value, foregrounding
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Olaleye-Otunla, Olufemi Joseph, Eyitayo Tolulope Ijisakin, Babasehinde Augustine Ademuleya, and Mosobalaje Oyebamiji Adeoye. "Beyond Frank Willett: The Need for Compositional Analysis of Yoruba Art Objects." Mediterranean Journal of Social Sciences 13, no. 2 (2022): 76. http://dx.doi.org/10.36941/mjss-2022-0018.

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Since the pioneering efforts of Frank Willett that examine the Yoruba arts, there remains a yearning gap to holistically investigate the material contents and classification of Yoruba art objects. For proper documentation, information and placement of Yoruba arts, the need for a scientific material compositional analysis of Yoruba arts cannot be overemphasised. This discourse employs a qualitative and evaluative mode of research to emphasize the need, importance and prospects of proper scientific material investigation of Yoruba arts. The study provides information on Frank Willett, the Yoruba
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Abiodun, Rowland. "On the Imperative of Language for Understanding African Art." Yoruba Studies Review 2, no. 2 (2021): 1–26. http://dx.doi.org/10.32473/ysr.v2i2.130129.

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I was deeply touched and honored by the roundtable organized at the 2016 African Studies Association Conference to focus on my book, Yoruba Art and Language: Seeking the African in African Art (2014). I want to thank Professor Funṣọ Afọlayan for contacting and bringing together a formidable group of scholars of Yorùbá art and culture to that end. I was gratified that, by and large, all the panelists endorsed my premise on the fundamental importance of language in Yorùbá art studies. The first paper by Moyọ Okediji was a pleasant surprise. Even though this possibility has always existed, as
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Okediji, Moyo. "Art of the Yoruba." Art Institute of Chicago Museum Studies 23, no. 2 (1997): 164. http://dx.doi.org/10.2307/4104382.

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Stokes, Deborah. "Authorship in Yoruba Art." African Arts 32, no. 4 (1999): 10. http://dx.doi.org/10.2307/3337661.

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Duran, Jane. "Yoruba Work and Art Categorization." Philosophia Africana 9, no. 1 (2006): 35–40. http://dx.doi.org/10.5840/philafricana2006919.

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Perani, Judith, and Mark Fleming. "Yoruba Art of West Africa." African Arts 21, no. 2 (1988): 93. http://dx.doi.org/10.2307/3336548.

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Ajíbóyè, Olusegun, Stephen Fọlárànmí, and Nanashaitu Umoru-Ọkẹ. "Orí (Head) as an Expression of Yorùbá Aesthetic Philosophy." Mediterranean Journal of Social Sciences 9, no. 4 (2018): 59–70. http://dx.doi.org/10.2478/mjss-2018-0115.

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Abstract Aesthetics was never a subject or a separate philosophy in the traditional philosophies of black Africa. This is however not a justification to conclude that it is nonexistent. Indeed, aesthetics is a day to day affair among Africans. There are criteria for aesthetic judgment among African societies which vary from one society to the other. The Yorùbá of Southwestern Nigeria are not different. This study sets out to examine how the Yorùbá make their aesthetic judgments and demonstrate their aesthetic philosophy in decorating their orí, which means head among the Yorùbá. The head recei
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Ozah, Marie Agatha, and David Bolaji. "Towards an Authentic Nigeria Hymnody: The Study of Yoruba Hymnody." East African Journal of Arts and Social Sciences 2, no. 1 (2020): 67–72. http://dx.doi.org/10.37284/eajass.2.1.202.

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The indigenous hymnology has experienced a lot of tonality distortion in Nigeria due to the direct translation of Western hymn tunes to the indigenous hymns. Different scholars have identified this act of perversion, but little or no documentation can be found on the method(s) that can be used in correcting this perverse act. The focus of this paper is on Yoruba hymnody. In this light, the paper examines and discuss the abnormality found in Yoruba indigenous hymns, through an analytical content of three selected indigenous Yoruba hymns and propounds methods and implementation strategies toward
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Cowcher, Kate. "Trash Talking: Yoruba Art beyond Beauty." Art History 35, no. 4 (2012): 860–62. http://dx.doi.org/10.1111/j.1467-8365.2012.00925.x.

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Dissertations / Theses on the topic "Yoruba Art"

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Ijagbemi, Bayo 1963. "O-okun Yoruba in Yoruba art historiography: History, problems and prospects." Thesis, The University of Arizona, 1996. http://hdl.handle.net/10150/278548.

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One of the most obtrusive features of Yoruba studies has been its clear pattern of regional preferences and biases in its scholarship. This pattern is reflected in the present concentration of studies on the southwest, the northwest, the central subgroups of Ife, Owo, Ijesha, Egba, Ijebu, Oyo, and Ilorin on one hand, and the paucity of works on the northeast and southeast subgroups of the O-okun Yoruba, the Igbomina, the Ikale and the Ilaje on the other. There is no other subgroup where this particularistic trend in Yoruba studies and especially, art historiography can better be observed than
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Famule, Olawole Francis. "Art and spirituality : the Ijumu northeastern-Yoruba egúngún /." Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1372%5F1%5Fm.pdf&type=application/pdf.

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Famule, Olawole Francis. "Art and Spirituality: The Ijumu Northeastern-Yoruba Egungun." Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1372%5F1%5Fm.pdf&type=application/pdf.

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Diebold, Paige. "Yoruba Applique Lappets." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1308073741.

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Thapalyal, Hyland Ranjana. "Education as mutual translation : a Yoruba and Vedantic interface for art school pedagogy." Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19357/.

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This thesis proposes that concepts of self and mutuality with others, found in ancient Indian (Hindu Vedantist) and Yoruba (West African) philosophies can be applied to art school pedagogy and potentially beyond. Mind, self, identity and agency in these traditions echo recent thinking on the student being by Ronald Barnett, and critical consciousness as defined by Paulo Freire. Situating oneself as part of, yet distinct from others, leads naturally to reflection on the nature of self and identity; the thesis urges that art education engage with more awareness of students as cultural, political
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Waite, Renée B. "African Concepts of Energy and Their Manifestations Through Art." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1469715071.

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January, LaTricia M. "Beyond the Threshold: Allusions to the Òrìsà in Ana Mendieta's Silueta Series." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1391.

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The Cuban-born artist Ana Mendieta (1948-1985) created the Silueta Series during the 1970s and ‘80s. It consists of earth-body works in situ featuring the silhouette of the artist's body fashioned from mud, plants, rocks, gunpowder and other materials. Underlying the creation of the Silueta Series is Mendieta's belief that the elements are sentient and powerful beings. This perception is particularly strong in the Afro-Cuban religion Santeria, a creolized form of the Òrìsà tradition of the Yoruba of West Africa introduced to the Americas during the trans-Atlantic slave trade. While scholars h
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Junior, Ademir Ribeiro. "Parafernália das mães-ancestrais: as máscaras gueledé, os edan ogboni e a construção do imaginário sobre as \"sociedades secretas\" africanas no Recôncavo Baiano." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-22092008-150603/.

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Esta dissertação constitui-se de um estudo da cultura material de origem africana em que se investiga a produção, circulação, utilização e descarte de objetos africanos e afro-inspirados, aos quais eventualmente no Brasil agregam-se novos significados. Tratamos particularmente de duas produções características dos iorubás: as máscaras gueledé e os edan ogboni. Alguns desses objetos constam em coleções no Brasil, e seu uso em cultos religiosos afro-brasileiros do Recôncavo Baiano, no passado, é mencionado na literatura especializada. Na Nigéria e no Benim as máscaras de madeira denominadas guel
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Nour, A. I. "Developing African art : innovation and tradition seen through the work of two artists; Lamidi Fakeye and Ahmed Shibrain." Thesis, University of St Andrews, 2006. http://hdl.handle.net/10023/2620.

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The dissertation explores the work of two African artists: Lamidi O. Fakeye a Yoruba wood carver, and Ahmed M. Shibrain a Sudanese painter, as an exemplary development within African art during the second half of the 20th century. It examines their works through the sense of "tradition" as it is seen within the context of their cultures and their histories. It considers their works to be a reflection of their time, a hybrid art and a new tradition emerging within their respective cultures as a result of change in their societies. It argues against the notion that separates their art from their
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Watson, Ruth. ""Civil disorder is the disease of Ibadan" : chieftaincy & civic culture in a Yoruba city /." Athens : Oxford : Ibadan : Ohio University Press ; James Currey ; Heinemann Educational Books, 2003. http://catalogue.bnf.fr/ark:/12148/cb388554486.

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Books on the topic "Yoruba Art"

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John, Drewal Henry, Pemberton John 1928-, Homberger Lorenz, and Museum Rietberg, eds. Yoruba, art and aesthetics. Center for African Art, 1991.

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Patton, Pedro Pablo Aguilera. Religión y arte yorubas. Ciencias Sociales, 1996.

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Patton, Pedro Pablo Aguilera. Religión y arte yorubas. Editorial de Ciencias Sociales, 1994.

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Beier, Ulli. Thirty years of Oshogbo art. IWALEWA, 1991.

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Drewal, Henry John. Gẹlẹdẹ: Art and female power among the Yoruba. Indiana University Press, 1990.

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Babatunde, Lawal. Oyibo: Representations of the colonialist other in Yoruba art, 1826-1960. African Studies Center, Boston University, 1993.

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Beier, Ulli. A sea of indigo: Yoruba textile art. Fourth Dimension Publishing, 1997.

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MacGougan, Sharon. Nok & juju: Nigerian art and music. Briarwood Pub., 1992.

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Babatunde, Lawal. The Gẹ̀lẹ̀dé spectacle: Art, gender, and social harmony in an African culture. University of Washington Press, 1996.

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Rowland, Abiodun, Drewal Henry John, Pemberton John 1928-, and Museum Rietberg, eds. The Yoruba artist: New theoretical perspectives on African arts. Smithsonian Institution Press, 1994.

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Book chapters on the topic "Yoruba Art"

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Fajuyigbe, Michael Olusegun. "Creativity and Identity Construction in Contemporary Yoruba Art." In Methodology, Ideology and Pedagogy of African Art. Routledge, 2023. http://dx.doi.org/10.4324/9781003389088-11.

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Ogunyemi, Kemi. "The Art and Ethics of Business: Through African (Yoruba) Lenses." In Another State of Mind. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137425829_18.

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Huylebrouck, Dirk. "Multiplication in the Yoruba and “Ethiopian” Way." In Mathematics, Culture, and the Arts. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04037-6_6.

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Oyĕwùmí, Oyèrónkẹ́. "Beyond Gendercentric Models: Restoring Motherhood to Yorùbá Discourses of Art and Aesthetics." In Gender Epistemologies in Africa. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230116276_11.

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Ademosu, Temitope, Tutiette Thomas, and Sola Adebiyi. "Madness, Mythopoetry and Medicine." In International Perspectives in Values-Based Mental Health Practice. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47852-0_11.

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AbstractThis chapter draws on a detailed transgenerational case study, the story of ‘Masimbo’, which involves migration, to highlight the conceptualisation and journey of mental illness within an African cultural perspective. In Masimbo’s story, African understandings of mental disorder are side-lined by Western approaches with untoward consequences for him and his family. The implication that is drawn from this, however, is not that African perspectives should replace Western approaches but rather that they should be used together. Thus, Masimbo’s story is illuminated with comments woven in from both an African (Yoruba traditional conceptualisation) and a systemic psychotherapy perspective. This shows how respecting both perspectives is possible and preferable from a person-centred point of view as different narratives/understandings are foregrounded and backgrounded like a tapestry, promoting an approach in which mental illness and the nuances that culture brings, is appreciated and worked with. We conclude with a reflection on the nature of storytelling as mythopoetry within African culture and its role in bridging between perspectives in mental health.
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"YORUBA MAKERS OF CIVILIZATION." In African Art in Motion. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8305983.20.

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"YORUBA ASSUAGERS OF THE WITCHES." In African Art in Motion. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8305983.21.

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"The Fashionable World of the Yoruba." In Cloth, Dress and Art Patronage in Africa. Berg, 1999. http://dx.doi.org/10.2752/9781847888662/cdart0013.

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"Body Art: Yoruba Women’s Tattoo Fashion and Memories." In Fashion: Exploring Critical Issues. BRILL, 2012. http://dx.doi.org/10.1163/9781848881488_008.

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Asubiaro, Toluwase Victor, and Ebelechukwu Gloria Igwe. "A State-of-the-Art Review of Nigerian Languages Natural Language Processing Research." In Advances in IT Standards and Standardization Research. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-3468-7.ch008.

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African languages, including those that are natives to Nigeria, are low-resource languages because they lack basic computing resources such as language-dependent hardware keyboard. Speakers of these low-resource languages are therefore unfairly deprived of information access on the internet. There is no information about the level of progress that has been made on the computation of Nigerian languages. Hence, this chapter presents a state-of-the-art review of Nigerian languages natural language processing. The review reveals that only four Nigerian languages; Hausa, Ibibio, Igbo, and Yoruba have been significantly studied in published NLP papers. Creating alternatives to hardware keyboard is one of the most popular research areas, and means such as automatic diacritics restoration, virtual keyboard, and optical character recognition have been explored. There was also an inclination towards speech and computational morphological analysis. Resource development and knowledge representation modeling of the languages using rapid resource development and cross-lingual methods are recommended.
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Conference papers on the topic "Yoruba Art"

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Aremu, P. S. O., O. J. Ajiboye, and B. Abiodun. "Art and culture as a viable currency in Yoruba traditional architecture." In The Sustainable World. WIT Press, 2010. http://dx.doi.org/10.2495/sw100661.

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Odebode, Idowu. "Multicultural aspects of name and naming in Nigeria: a sociolinguistic study." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/63.

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Nigeria is a heterogeneous country that comprises about 450 ethnolinguistic speech communities. These are divided into thirty-six states and three major linguistic groups: Hausa in the North, Yoruba in the West and Igbo in the East. Due to its ethnic diversity, cross-cultural contacts with the Trans-Saharan trade of the 8th century as well as colonization, the Nigerian naming system received an impetus of assimilating lots of foreign words into its lexicon. This study considers such multicultural names with the aim of unearthing their sociolinguistic imports.
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Oyebade, F. O., F. O. Aranuwa, and J. A. Adéjùmò. "Development of a System Prototype for an Enhanced Version of Yorùbá Language Option of the Automated Teller Machine (ATM)." In 27th iSTEAMS-ACity-IEEE International Conference. Society for Multidisciplinary and Advanced Research Techniques - Creative Research Publishers, 2021. http://dx.doi.org/10.22624/aims/isteams-2021/v27p12.

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The research work is focused at developing a system prototype for an enhanced version of the Yorùbá language menu option of the ATM, introducing Yorùbá tone mark built on an enhanced translation equivalence model in order to assist users who are monolingual only in Yorùbá language to effectively interact with the system. To achieve the objective of the work, the researcher employed the equivalence translation model designed for the work and adopted traditional structured systems analysis and design methodology (SSADM) to build the system prototype. Java packages such as Java Swing, Classes and
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Özalp, Harun, and Akın Yıldırım. "İLK VAKADAN İLK AŞIYA TÜRKİYE’DE PANDEMİ SÜRECİ: SAĞLIK BAKANI DR. FAHRETTİN KOCA’NIN TWEETLERİ ÜZERİNE NETNOGRAFİK BİR İNCELEME." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctc.2021/ctc21.040.

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Yeni medya geleneksel medyadan farklı olarak bireylere etkileşim imkânı tanımıştır. Kullanıcılar web 2.0 teknolojisinin gelişim ile birlikte, mesajın sadece alıcısı değil aynı zamanda üreticisi haline gelmiştir. Bu çoklu ortam sayesinde kullanıcılar bir yandan veriye erişimde özgürleşirken, diğer yandan da; dijital tabanlı bu yeni etki- leşimli iletişim modeli ile veriyi yorumlayıp, yayabilir hale gelmiştir. Söz konusu ortamların bu denli hızlı yaygın- laşması ve benimsenmesi de, önemli ölçüde kullanıcılara tanıdığı etkileşim olanağının yarattığı cazibe sayesinde mümkün olmuştur. Etkileşim ola
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