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Shimizu, Priscila Yanagihara. "Shin-hanga e Hiroshi Yoshida: paisagens de uma nova gravura." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-31102018-155822/.
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A presente pesquisa investiga o movimento de gravura moderna japonesa Shin-hanga, que se iniciou na Era Meiji (1868 1912) e foi desenvolvido nas duas eras subsequentes, Taish (1912 1926) e Shwa (1926 1989), em um momento em que o Japão passava por um processo de ocidentalização. Tal contexto histórico é explicado no primeiro capítulo, o qual nos ajuda a entender o desenvolvimento do Shin-hanga e suas relações com o mundo e a arte ocidental, principalmente a europeia. O movimento em si é explicado no segundo capítulo: o seu início, o desenvolvimento e os principais artistas. A paisagem, ou as vistas de lugares, foi o tema escolhido para a análise das imagens. Como exemplo do movimento, destacou-se o artista Hiroshi Yoshida (1876 1950), o qual teve muitas oportunidades para viajar para fora do Japão, tendo a vivência no Ocidente e no Oriente. Yoshida fez pinturas e xilogravuras e utilizou a técnica tradicional japonesa em sua produção, mas também incorporou conceitos ocidentais no estudo de luz, por exemplo. Suas obras foram estudadas estabelecendo comparações com as estampas Ukiyo-e e algumas pinturas impressionistas europeias.The present research investigates the modern Japanese print movement Shin-hanga, which began in the Meiji Era (1868 1912) and was developed in the two subsequent eras, Taish (1912 1926) and Shwa (1926 1989), at a time when Japan underwent a process of westernization. Such a context is explained in the first chapter, which helps us understand the development of Shin-hanga and his relations with the world and Western art, mainly European. The movement itself is explained in the second chapter: its beginning, development and the leading artists. The landscape, or the views of places was the theme chosen for the analysis of the images. As an example of the movement, the highlight is on the artist Hiroshi Yoshida (1876 - 1950), who had many opportunities to travel outside Japan, having experience in the West and East. Yoshida made paintings and prints and used the traditional Japanese technique in his production, but also incorporated Western concepts in the study of light, for example. His works were studied alongside Ukiyo-e prints and some Impressionist paintings by European artists.
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Sharp, Samantha Clare. "A Partial Translation of Two Novels: Durarara!! by Rhohgo Narita and Parade by Yoshida Shuichi." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/297755.
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This project is a translation of the first two chapters of Durarara!!, by Ryohgo Narita, and chapter 2 of Parade, by Yoshida Shuichi. I wanted to do a translation because I love reading and I want to be a translator. I became interested in the Durarara!! novel after seeing the anime. Since this was right when I was planning my senior thesis, I thought it might be fun to do a translation of the novel. There are official English translations of the Durarara!! anime and manga, but not the original novel. After discussing the project with my thesis advisor, Dr. Gabriel, we decided that I should translate part of Durarara!! for the first semester and part of Parade, a book with which Dr. Gabriel was already familiar, for the second semester. Dr. Gabriel has already translated Parade, but the translation has not yet been published. Throughout the translation, I made notes on any issues I had. I also noted the page numbers in the original text. The most challenging and fun aspect was trying to find a balance between keeping the author’s style and making the story sound good in English. I think I gained valuable experience from this project.
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Veillon, Charlène. "Mythes personnels et mythes pluriels dans l'oeuvre de Kimiko Yoshida : une esthétique de l'entre-deux, 1995-2012." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010510.
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L'œuvre principalement photographique de Kimiko Yoshida (née le 23 juin 1963 au Japon et installée en France depuis 1995) se fonde sur la création de « mythes» à travers ses autoportraits. Les « mythes du Photographe» à l'origine des « fonctions» de son œuvre - visant entre autres à « informer, représenter, surprendre, faire signifier, donner envie» selon Roland Barthes dans La chambre claire - trouvent leurs sources dans la société, la culture, l'époque auxquelles l'artiste appartient et par conséquent également dans ce qui touche à la singularité de la personnalité, du vécu, de l'histoire à l'échelle intime de celui-ci. De fait, le titre général de cette étude énonce une quête des « mythes personnels et pluriels dans l'œuvre de Kimiko Yoshida », dont le thème de « rentre-deux» constitue la posture esthétique majeure, l'artiste et son œuvre se trouvant entre Japon et Occident, entre figuration et abstraction, entre réalité et fiction, entre citation et transgression. Ce discours fictionnel par l'image et dans l'image subit différentes métamorphoses qui forment les quatre axes fondateurs de la thèse, à savoir l'entre-deux particulier du « personnage conceptuel» défini par Gilles Deleuze et Félix Guattari dans Qu'est-ce que la philosophie / appliqué à la « signature» Kimiko Yoshida : l'étude d'un entre-deux géographique et culturel définissant un « syncrétisme» artistique singulier: les illustrations des différentes dimensions spatio-temporelles perceptibles dans l ' œuvre de Kimiko Yoshida, notamment à travers les (enjeux des couleurs des images : et l'interrogation concernant la place du sujet à l'image, entre trace et absenceThe work of Kimiko Yoshida (born on June 23rd, 1963, in Japan and living in France since 1995), mainly based on photography, is founded on the creation of « myths ». This study is about searching, defining and analysing the « functions » of Kimiko Yoshida's self-portraits. The « myths of the Photographer », at the origins of her work's functions - aiming. amongst others, to « inform, represent, surprise, signify, create desire» according to Roland Barthes' Camera Lucida - are rooted in the society, the culture and the time the artist belongs to, and as a consequence also in the singularity of his/her personality, experience, and intimate story. Thus, the general title of this study brings forwards a research of « personal and plural myths in Kimiko Yoshida's work of art», whose topic of the « in-between » is the main aesthetic position, the artist and her work situated between Japan and the West between representation and abstraction, between reality and fiction, between quotation and transgression. The fictional speech through and in the image undergoes several transformations which make up the four founding lines of this thesis, that is to say the distinctive in-between of the « conceptual character » defined by Gilles Deleuze and Félix Guattari in Whut is Philosophy ) applied to Kirniko Yoshida's name : the study of a geographical and cultural in-between defining a singular artistic « syncretism » : the illustrations of the several perceptible space-time dimensions in Kimiko Yoshida's work, notably through the games/aims of the images' colours : and the questioning about the subject in the image, between trace and absence
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Silva, Barbara Dantas Mendes da. "A atuação internacional do Japão no século XXI: as transformações da Doutrina Yoshida como norteadora do posicionamento internacional do país." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-18102018-104340/.
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Este trabalho tem o objetivo de observar as alterações da Doutrina Yoshida como norteadora do posicionamento internacional do Japão no início do século XXI. Para isso, abordaremos a relevância que o Leste Asiático tem para a delimitação das ameaças e como a lógica regional influencia diretamente a atuação do país, principalmente quanto aos temas de segurança. Utilizar-se-á a teoria dos complexos regionais de segurança para compreender a forma de inserção internacional do Japão, bem como embasar o aspecto de instabilidade que levaram às alterações da Doutrina Yoshida. Dentre as principais ameaças ao país, destacamos a relação sino-japonesa e as disputas nas gray zones, bem como a nuclearização norte-coreana. A aliança com os EUA e outros países do entorno regional também serão analisadas a fim de corroborar com a atuação internacional do Japão. Abordaremos também como a criação da Estratégia Nacional de Segurança japonesa e o pacifismo proativo complementam os fundamentos da Doutrina Yoshida na manutenção dos interesses nacionais do país perante as crescentes instabilidades do entorno asiático.This paper aims to observe the changes of the Yoshida Doctrine as the guideline of Japans international performance in the beginning of the 21st century. In order to do it, we will focus on the threats of East Asia region as well as the relevance of the regional logic and how it directly influences the country\'s performance, especially regarding security issues. The theory of regional security complexes is used to understand Japan\'s international insertion, as well as to base the instability aspect that led to the changes in the Yoshida Doctrine. Among the main threats to the country, we highlight the Sino-Japanese relationship and the disputes in the gray zones, besides the North Korean nuclear program. The US alliance, as other regional countries alliances will also be analyzed in order to corroborate with the international performance of Japan. We will also address how the creation of the Japanese National Security Strategy and proactive pacifism complement the fundamentals principles of the Yoshida Doctrine in order to maintain the countrys interests in the growing instability of the Asian environment.
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Emery, Sean. "Lipid peroxidation, cell proliferation and lipid soluble antioxidant in regenerating rat liver and Yoshida AH-130 tumour cell." Thesis, Brunel University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253480.
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Knauer, Beate [Verfasser], Motoharu [Akademischer Betreuer] Yoshida, and Denise [Akademischer Betreuer] Manahan-Vaugham. "Persistent firing and depolarization block in rat CA1 pyramidal neurons / Beate Knauer. Gutachter: Motoharu Yoshida ; Denise Manahan-Vaugham." Bochum : Ruhr-Universität Bochum, 2016. http://d-nb.info/1089005970/34.
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Giordano, Alessandro Massimo [Verfasser], Alin [Akademischer Betreuer] Albu-Schäffer, Alin [Gutachter] Albu-Schäffer, and Kazuya [Gutachter] Yoshida. "Whole-Body Control of Orbital Robots / Alessandro Massimo Giordano ; Gutachter: Alin Albu-Schäffer, Kazuya Yoshida ; Betreuer: Alin Albu-Schäffer." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1224047028/34.
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PUDART, HUGUES. "Tissu adipeux brun et modifications du metabolisme energetique liees a un developpement tumoral : etude chez le rat porteur du sarcome de yoshida." Université Louis Pasteur (Strasbourg) (1971-2008), 1996. http://www.theses.fr/1996STR13239.
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Le developpement d'une tumeur maligne s'accompagne frequemment d'une emaciation de l'organisme hote, caracteristique du syndrome de cachexie. Cette cachexie resulte d'une anorexie mais peut egalement resulter d'une augmentation de la depense energetique de l'organisme hote. Considerant le role essentiel du tissu adipeux brun dans le metabolisme energetique des petits rongeurs, nous avons etudies l'implication eventuelle de l'activite thermogenique de ce tissu dans la cachexie induite par le developpement du sarcome de yoshida chez le rat. Le sarcome de yoshida est une tumeur a developpement rapide qui induit une anorexie et une perte de proteines et de lipides corporels chez l'organisme hote. Cette tumeur provoque une augmentation de la depense energetique de repos et une fievre diurne et egalement un retard de phase du rythme de temperature corporelle. Cette tumeur entraine une hypercorticosteronemie, une hypoinsulinemie et une augmentation du taux circulant d'interleukine 1. Elle provoque egalement une augmentation du taux circulant de facteur necrosant des tumeurs, mais uniquement durant la periode diurne du nycthemere. Compare a celui de rats temoins recevant la meme quantite de nourriture en un seul repas, le tissu adipeux brun des rats porteurs du sarcome de yoshida presente une activite thermogenique mitochondriale et totale plus elevee. Lorsque les rats temoins sont nourris selon le meme decours temporel que celui de la prise alimentaire spontanee des rats porteurs de tumeur, l'activite thermogenique mitochondriale du tissu adipeux brun est plus elevee chez les rats porteurs de tumeur durant la periode diurne du nycthemere. Par contre, le tissu adipeux brun des rats porteurs de tumeur presente une involution qui conduit a une diminution de son activite thermogenique totale. L'activite thermogenique du tissu adipeux brun n'est donc pas impliquee dans l'augmentation de la depense energetique de repos induite par un developpement tumoral
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Lindner, Silvia [Verfasser], Raymond [Akademischer Betreuer] Hemmecke, Ruriko [Akademischer Betreuer] Yoshida, and Rüdiger [Akademischer Betreuer] Schultz. "Discrete Optimisation in Machine Learning : Learning of Bayesian Network Structures and Conditional Independence Implication / Silvia Lindner. Gutachter: Ruriko Yoshida ; Rüdiger Schultz. Betreuer: Raymond Hemmecke." München : Universitätsbibliothek der TU München, 2012. http://d-nb.info/1020706562/34.
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Jochems, Arthur [Verfasser], Motoharu [Gutachter] Yoshida, and Denise [Gutachter] Manahan-Vaughan. "Cellular mechanisms for short-term information retention in the hippocampus and entorhinal cortex / Arthur Jochems ; Gutachter: Motoharu Yoshida, Denise Manahan-Vaughan ; International Graduate School of Neuroscience." Bochum : Ruhr-Universität Bochum, 2014. http://d-nb.info/1224681770/34.
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Bibinger, Markus. "Estimating the quadratic covariation from asynchronous noisy high-frequency observations." Doctoral thesis, Humboldt-Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät II, 2011. http://dx.doi.org/10.18452/16365.
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Ein nichtparametrisches Schätzverfahren für die quadratische Kovariation von hochfrequent nicht-synchron beobachteter Itô-Prozessen mit einem additiven Rauschen wird entwickelt. Für eine artverwandte Folge von statistischen Experimenten wird die lokal asymptotische Normalität (LAN) im Sinne von Le Cam bewiesen. Mit dieser lassen sich optimale Konvergenzraten und Effizienzschranken für asymptotische Varianzen ableiten. Der vorgestellte Schätzer wird auf Grundlage von zwei modernen Verfahren, für die Anwendung bei nicht-synchronen Beobachtungen zum einen, und einem additiven Rauschen zum anderen, entwickelt. Der Hayashi-Yoshida Schätzer wird in einer neuen Darstellung eingeführt, welche einen Synchronisierungsalgorithmus mit einschließt, der für die kombinierte Methode ausgelegt werden kann. Es wird eine stabiles zentrales Grenzwerttheorem bewiesen, wobei spezieller Wert auf die Analyse des Einflusses der Nicht-Synchronität auf die asymptotische Varianz gelegt wird. Nach diesen Vorbereitungen wird das kombinierte Schätzverfahren für den allgemeinsten Fall nicht-synchroner verrauschter Beobachtungen vorgestellt. Dieses beruht auf Subsampling- und Multiskalenmethoden, die auf Mykland, Zhang und Aït-Sahalia zurück gehen. Es vereint positive Eigenschaften der beiden Ursprünge. Das zentrale Resultat dieser Arbeit ist der Beweis, dass der Schätzfehler stabil in Verteilung gegen eine gemischte Normalverteilung konvergiert. Für die asymptotische Varianz wird ein konsistenter Schätzer angegeben. In einer Anwendungsstudie wird eine praktische Implementierung des Schätzverfahrens, die die Wahl von abhängigen Parametern beinhaltet, getestet und auf ihre Eigenschaften im Falle endlicher Stichprobenumfänge untersucht. Neuen fortgeschrittenen Entwicklungen auf dem Forschungsfeld von Seite anderer Autoren wird Rechnung getragen durch Vergleiche und diesbezügliche Kommentare.A nonparametric estimation approach for the quadratic covariation of Itô processes from high-frequency observations with an additive noise is developed. It is proved that a closely related sequence of statistical experiments is locally asymptotically normal (LAN) in the Le Cam sense. By virtue of this property optimal convergence rates and efficiency bounds for asymptotic variances of estimators can be concluded. The proposed nonparametric estimator is founded on a combination of two modern estimation methods devoted to an additive observation noise on the one hand and asynchronous observation schemes on the other hand. We reinvent this Hayashi-Yoshida estimator in a new illustration that can serve as a synchronization method which is possible to adapt for the combined approach. A stable central limit theorem is proved focusing especially on the impact of non-synchronicity on the asymptotic variance. With this preparations on hand, the generalized multiscale estimator for the noisy and asynchronous setting arises. This convenient method for the general model is based on subsampling and multiscale estimation techniques that have been established by Mykland, Zhang and Aït-Sahalia. It preserves valuable features of the synchronization methodology and the estimators to cope with noise perturbation. The central result of the thesis is that the estimation error of the generalized multiscale estimator converges with optimal rate stably in law to a centred mixed normal limiting distribution on fairly general regularity assumptions. For the asymptotic variance a consistent estimator based on time transformed histograms is given making the central limit theorem feasible. In an application study a practicable estimation algorithm including a choice of tuning parameters is tested for its features and finite sample size behaviour. We take account of recent advances on the research field by other authors in comparisons and notes.
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Ellagoune, Salah. "Contribution à l’étude du plissement en emboutissage." Lyon, INSA, 1987. http://www.theses.fr/1987ISAL0060.
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La tendance actuelle voulant qu'on allège les véhicules par diminution des épaisseurs des tôles et augmentation des caractéristiques mécaniques, le problème du plissement lors d'une opération d'emboutissage est devenu un problème critique. L'objectif fixé au départ de ce travail, en relation avec les industriels, a été l'analyse des conditions d'apparitions de plis ou de cloques en cours d'emboutissage en recherchant l'influence relative des caractéristiques mécaniques de la tôle, des paramètres géométriques (épaisseur, forme), des paramètres technologiques du procédé (pression de serre-flan, conditions d'interface métal-outil). Pour répondre à ces questions, nous avons choisi dans un premier temps d'utiliser le test YOSHIDA. C'est ainsi que la première partie regroupe les résultats expérimentaux obtenus par moiré-ombre sur huit nuances de tôles allant de la tôle à emboutissage classique à la tôle à très haute résistance ; la cinétique du développement des plis est relevée sur chaque échantillon. Dans la deuxième partie, nous avons fait une étude numérique de l'éprouvette YOSHIDA, par éléments finis de coques en grands déplacements, afin de réaliser une étude paramétrique complète ; on a pu mettre en évidence, entre autres, la très grande sensibilité du plissement à l'épaisseur de la tôle, sa limite élastique et son taux d'anisotropie. Dans la troisième partie, nous avons réalisé des emboutis tronconiques, plus représentatifs des emboutis industriels. Nous avons établi un critère énergétique d'apparition des plis, en comparant, sur un élément de la tôle, l'énergie nécessaire à la formation d'un pli avec le travail des contraintes sur le bord de l'élément lors de la formation du pli. Les flèches critiques obtenues sont en excellente concordance avec les résultats expérimentaux et mettent bien en évidence l'influence de l'épaisseur de la tôle, de ses caractéristiques mécaniques, de l'effort de serre-flanAs the present trend is to lighten vehicles by sheet reduction thickness ; tje wrinkling phenomenon during deep drawing process becomes a critical problem with the change of materiel mechanical behaviours ; The first purpose of this research, with industrial relationship, was to observe wrinkling formation during deep drawing operation and to study the relative influence of sheet mechanical properties, geographical parameters (thickness, shape) and technological parameters of process (blank-holder force, metal-tool contact… ) The YOSHIDA buckling test has been chosen to reach this aim. Thus the first part of this research describes the experimental results obtained by a Moire fringe pattern method applied to eight kind of sheet ranging from classical deep drawing steel to high strength steel. The kinematic of the wrinkle development has been recorded for each sample of metal. Th e second part of this work lies with a computer solution of the YOSHIDA buckling test by the finite element method in order to bring up a complete parametric investigation. A large displacement formulation with shell elements has showed hat wrinkling is mainly sheet thickness dependent, yield stress dependent and anisotropic rate dependent. The third part is devoted to a more practical case, a conical flange which is more representative of manufacturing process. An energetic criteria has been developed and tested ; This criteria forecasts wrinkling by comparing the energy needed for the wrinkle rising and the energy available at the edges of the wrinkle during its rising. The predicted critical deflection is an excellent agreement with experimental results. The kind of analysis point out, influence too, influence of sheet thickness, mechanical caracteristics and blank-holder force
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Mittendorfer, Philipp [Verfasser], Gordon [Akademischer Betreuer] Cheng, Eiichi [Akademischer Betreuer] Yoshida, and Giorgio [Akademischer Betreuer] Cannata. "From a Multi-modal Intelligent Cell to a Self-organizing Robotic Skin - Realizing Self and Enriching Robot Tactile Interaction / Philipp Mittendorfer. Gutachter: Eiichi Yoshida ; Giorgio Cannata ; Gordon Cheng. Betreuer: Gordon Cheng." München : Universitätsbibliothek der TU München, 2015. http://d-nb.info/1073642577/34.
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Funaiole, Matthew. "History and hierarchy : the foreign policy evolution of modern Japan." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5843.
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This thesis examines the foreign policy evolution of Japan from the time of its modernization during the mid-nineteenth century though the present. It is argued that infringements upon Japanese sovereignty and geopolitical vulnerabilities have conditioned Japanese leaders towards power seeking policy objectives. The core variables of statehood, namely power and sovereignty, and the perception of state elites are traced over this broad time period to provide a historical foundation for framing contemporary analyses of Japanese foreign policy. To facilitate this research, a unique framework that accounts for both the foreign policy preferences of Japanese leaders and the external constraints of the international system is developed. Neoclassical realist understandings of self-help and relative power distributions form the basis of the presented analysis, while constructivism offers crucial insights into ideational factors that influence state elites. Social Identity Theory, a social psychology theory that examines group behavior, is integrated to conceptualize the available policy options. Surveying Japanese foreign policy through this framework clarifies the seemingly irreconcilable shifts in Japan's foreign policy history and clearly delineates between political groups that embody distinct policy strategies and norms. Consequently, the main contribution of this thesis lies in the development of a theoretical framework that is uniquely positioned to identify historical trends in foreign policy. Owing to the numerous shifts in modern Japan's foreign policy history, this research identifies and examines three distinguishable Japanese “states”: Meiji Japan (1868 - 1912), Imperial Japan (1912 - 1945), and postwar Japan (1945 - present).
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Endo, Yoshito [Verfasser]. "Das Leib-Seele-Problem bei Karl Joël / Yoshito Endo." Mainz : Universitätsbibliothek Mainz, 2013. http://d-nb.info/1044423706/34.
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Kanamaru, Tomoko. "The pedagogical implications of Yoshinao Nakada's Japanesse festival [electronic resource] : /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1163781496.
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Tan, Eliza. "Yoshiko Shimada : art, feminism and memory in Japan after 1989." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/37319/.
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This thesis investigates the intersection of art, feminism and postwar memory in Japan through lens of artist Yoshiko Shimada. Coinciding with unprecedented geopolitical shifts occurring in the final thaw of the Cold War, the year 1989 marks a fraught moment in Japan when spectres of the nation's imperialist past and its historical entanglements acquired renewed potency in the wake of Emperor Hirohito's death. Born in 159, Shimada gained international prominence in the 1990s for her critique of the national body, in particular, the relationship between women and the imperial wartime state. Her work, which unapologetically confronts Japan's WWII aggressions in Asia, its wider histories of occupation, and issues such as the fiercely contested legacies of former 'comfort women' vitally reflects on the social role and agency of art and artist in a climate of political unease emergent at Showa's close. Based on extensive interviews with the artist and research into her primary archive, this is the first comprehensive survey chronicling Shimad;s twenty-five year oeuvre. It situates her practice between two vectors: feminism in Japan and its engagement with Western scholarship, and traces the 1990s 'feminist turn' led by art historians such as Chino Kaori, who began to champion the application of gender perspectives in the study of Japanese art. Within the wider Asian region, the concurrent development of transnational women's art' networks, exhibitions and publications dovetailed with the burgeoning of performance art was protest. As one of the most outspoken feminist art activists of her generation, Shimada has borne key witness to the changing cultural conditions informing women artists' organised activities and the writing of their social histories. This interdisciplinary study incorporates a range of perspectives drawn from art history and gender studies, film and performance theory, memory and trauma studies, Japanese studies and cross-cultural scholarship. It highlights the formal and conceptual interactions between printmaking, performance, installation and lens-based media in Shimada's practice, and demonstrates the plural ways in which her reflexive aesthetics and visual strategies express the tensions and complexities characterising processes of remembering, forgetting and representing the past. By interweaving arguments about the crucial role of feminism in challenging dominant narratives of nation, race, sex and ethnicity, with critical perspectives central to discourse on postmodern Japan, questions are raised concerning the implications of gender, tradition and popular culture for art produced in this age of anxiety. The recent proliferation of problem-oriented, politically engaged practices following the 2011 Great East Japan earthquake and tsunami marks an ostensible 'return to the social' and departure from privileged tropes of 'Japaneseness' in artistic experimentation. Taking this into account, this thesis proposes that revisiting the recent history of feminist art interventions reveals valuable insights into the role of art in understanding and addressing trauma, and engaging marginalised histories and communities. This is exemplified by Shimada's work, which offers a powerful vantage point from which to contemplate art's political inflections, its social potential and the urgency of memory work both in Japan, and in our contemporary societies today.
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Kanamaru, Tomoko. "The Pedagogical Implications of Yoshinao Nakada’s Japanese Festival." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163781496.
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Imai, Yoshio [Verfasser]. "Messung und Optimierung der Lichtpolarisation des A4-Compton-Rückstreupolarimeters / Yoshio Imai." Mainz : Universitätsbibliothek Mainz, 2019. http://d-nb.info/1188761854/34.
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Yoshioka, Takahiro [Verfasser], and Hans [Akademischer Betreuer] Keppler. "Experimental studies on the deep geochemistry of carbon and nitrogen / Takahiro Yoshioka ; Betreuer: Hans Keppler." Bayreuth : Universität Bayreuth, 2018. http://d-nb.info/1173247963/34.
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Han, Jung-Sun N. "An imperial path to modernity : Yoshino Sakuzō and the making of a new liberal project in Japan, 1905-1937." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/10480.
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Masneri, Luca <1989>. "Seidō no Kirisuto (Il Cristo di bronzo) di Nagayo Yoshiro nel contesto italiano: analisi dell'opera e della sua storia editoriale." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6625.
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In questa tesi si vogliono indagare i motivi storici che hanno portato alla diffusione in Italia dell’opera Seidō no Kirisuto (青銅の基督, “Il Cristo di bronzo”), un romanzo storico del 1923 scritto da Nagayo Yoshirō, autore facente parte della corrente Shirakaba. Il romanzo fu pubblicato in Italia nel 1942 e nel 1961 da due case editrici diverse, rispettivamente la Corticelli e la Rizzoli, basandosi su due versioni europee differenti: la prima dal francese e la seconda dall’inglese. In questo senso, è un testo emblematico del periodo storico per quanto riguarda la letteratura giapponese, perché rispecchia il modo in cui venivano portate in Italia le prime traduzioni di romanzi giapponesi, ovvero affidandosi a versioni che erano già state pubblicate in Europa e che avevano riscosso successo, un’operazione a basso rischio editoriale.
Nel primo capitolo verrà trattata la biografia dell’autore e sarà data una descrizione riassuntiva del romanzo. Questo servirà anche per tratteggiare la ricezione dell’Europa in Giappone e come la visione di un mondo cosmopolita, in particolar modo tra gli autori della corrente Shirakaba, si trasformò in modo lento, ma costante, in adesione a un nazionalismo sempre più pregnante.
Nel secondo capitolo, invece, sarà descritto come il Giappone sia stato accolto in Italia dalla fine dell’Ottocento fino alla Seconda guerra mondiale. All’inizio del Novecento, nello stesso periodo in cui Nagayo scriveva il romanzo, si era diffusa in Italia la moda del japonisme, che aveva già colpito alla fine dell’Ottocento altri Paesi europei (in particolare Francia e Inghilterra). Gabriele D’Annunzio si fece portavoce di questa nuova estetica e ne fu il suo più illustre rappresentante. Anche negli anni Trenta ci fu un ritorno al japonisme con gli scritti del capitano di fanteria Bartolomeo Balbi, incentrati sulle figure stereotipate di geisha e samurai. Sull’onda di questi successi, nel 1942 Alberto Corticelli propose al pubblico italiano la propria versione del romanzo di Nagayo, su rifacimento di quella francese.
Nell’ultimo capitolo verranno invece discusse le edizioni italiane vere e proprie di Seidō no Kirisuto. Nel 1942, la Corticelli optò per questo tipo di traduzione per rafforzare la sua linea editoriale, famosa per la traduzione di testi stranieri di ambientazione esotica, come quelli di Kipling. Nel 1961, la Rizzoli, conscia del successo di pubblico che il cinema giapponese stava riscuotendo in quegli anni, tradusse il testo dall’edizione inglese dopo che nel 1956 il film Seidō no Kirisuto di Minoru Shibuya, sceneggiato dallo stesso Nagayo, era sbarcato al Festival di Cannes.
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Young, Hiu-tung. "Problems of translating contemporary Japanese comics into Chinese the case of Crayon Shinchan /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B39848863.
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Saigenji, Yoshiko [Verfasser], and Manfred [Akademischer Betreuer] Zeller. "Contract farming and its impact on production efficiency and rural household income in the Vietnamese tea sector / Yoshiko Saigenji. Betreuer: Manfred Zeller." Hohenheim : Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim, 2012. http://d-nb.info/1027353894/34.
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Dittmar, Christian [Verfasser], Meinard [Akademischer Betreuer] Müller, Meinard [Gutachter] Müller, and Kazuyoshi [Gutachter] Yoshii. "Source Separation and Restoration of Drum Sounds in Music Recordings / Christian Dittmar ; Gutachter: Meinard Müller, Kazuyoshi Yoshii ; Betreuer: Meinard Müller." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2018. http://d-nb.info/1161607641/34.
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Bortoli, Amelia Yoshiko Hanai. "Contribuição do artigo 19 da lei 12.305/2010 para o desenvolvimento sustentável do meio ambiente urbano / Amélia Yoshiko Hanai Bortoli ; orientador, Carlos Mello Garcias." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2012. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=2366.
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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2012Bibliografia: f. 148-154
A grande concentração de pessoas nos centros urbanos, o nível de consumo e de desenvolvimento econômico, acarreta uma elevada geração de resíduos sólidos (RS). Os Municípios possuem a competência de prestar os serviços de limpeza urbana, manejo dos RS e d
A large concentration of people in urban centers, the level of consumption and economic development causes a higher solid waste (SW) generation. Municipalities have the authority to provide the urban sanitation services and management of SW, but when they
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Montavon, Grégoire Verfasser], Klaus-Robert [Akademischer Betreuer] [Müller, Yoshua [Akademischer Betreuer] Bengio, and Léon [Akademischer Betreuer] Bottou. "On layer-wise representations in deep neural networks / Grégoire Montavon. Gutachter: Klaus-Robert Müller ; Yoshua Bengio ; Léon Bottou. Betreuer: Klaus-Robert Müller." Berlin : Technische Universität Berlin, 2013. http://d-nb.info/1065665458/34.
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Gengenbach, Katrin [Verfasser], Steffi [Akademischer Betreuer] Richter, Steffi [Gutachter] Richter, and Shun\''ya [Gutachter] Yoshimi. "Between Extremes of Poverty and Luxury: Sociocultural Dynamics of Consumption in Early Postwar Japan (1945-1959) / Katrin Gengenbach ; Gutachter: Steffi Richter, Shun\''ya Yoshimi ; Betreuer: Steffi Richter." Leipzig : Universitätsbibliothek Leipzig, 2013. http://d-nb.info/1238366252/34.
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Izuhara, Yoshio [Verfasser], Jürgen [Akademischer Betreuer] Krug, Christina [Gutachter] Müller, and Yutaka [Gutachter] Shiraishi. "Koordinative Fähigkeiten bei Schülern der ersten Klasse : - Eine vergleichende Studie in Japan und Deutschland - / Yoshio Izuhara ; Gutachter: Christina Müller, Yutaka Shiraishi ; Betreuer: Jürgen Krug." Leipzig : Universitätsbibliothek Leipzig, 2012. http://d-nb.info/123807667X/34.
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Horn, [née Bunz] Melanie [Verfasser], Dirk [Gutachter] Rieger, Charlotte [Gutachter] Förster, Thomas [Gutachter] Hovestadt, and Taishi [Gutachter] Yoshii. "The impact of Drosophila melanogaster`s endogenous clock on fitness: Influence of day length, humidity and food composition / Melanie Horn [née Bunz] ; Gutachter: Dirk Rieger, Charlotte Förster, Thomas Hovestadt, Taishi Yoshii." Würzburg : Universität Würzburg, 2020. http://d-nb.info/1217599207/34.
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中井, えり子, and Eriko NAKAI. "『官許佛和辭典』と岡田好樹をめぐって." 名古屋大学附属図書館研究開発室, 2008. http://hdl.handle.net/2237/11102.
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Aponte, Elena M. "Either 'Shining White or Blackest Black': Grey Morality of the Colonized Subject in Postwar Japanese Cinema and Contemporary Manga." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491495352122861.
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Coaldrake, Maida Stelmar. "Yoshida Shoin (1830-1859) and the Shoka Sonjuku." Thesis, 1985. https://eprints.utas.edu.au/18891/1/whole_CoaldrakeMaidaStelmar1985_thesis.pdf.
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YOSHIDA SHOIN (1830-1859)
AND THE SHOKA SONJUKU
The life and writings of Yoshida Shoin, samurai of Choshu
in western Japan, scholar, patriot and teacher, reflect the many
diverse and turbulent aspects of the late Tokugawa period. In his
personal relationships and activities Shoin anticipated the desperate
nature of the crisis facing Japan in the mid-nineteenth century
with the arrival of foreigners on Japanese soil seeking trade and
diplomatic privilege. He was executed for crimes against the state
during the Ansei Purge in 1859, ten years before the same ideas
and a number of the men who were his students propelled Japan into
the modern world. Shoin has been the object of fascination to both Japanese and
Western historians since the publication of The Life of Yoshida ShOin
(1893) by Tokutomi Iichiro and Robert Louis Stevenson's "Yoshida
Torajiro" in Familiar Studies of Men and Books (1903). Interpretation
of his life and work has been prey to a hundred years of changing
historiographical fashion. Shoin has been cast in the role of archconservative,
ultranationalist, messianic prophet of the Meiji
Restoration, tragic failed hero, disaffected intellectual and "grassroots"
radical insurrectionist. Within the encrustation of legend
and interpretation the real Yoshida Shoin has been overlaid.
This study re-examines Shoin's life and thought with particular
emphasis on the Shoka Sonjuku. The students of this small community
school at which he was principal instructor while under domiciliary
confinement, included such later "Men of Meiji" as Ito Hirobumi,
Yamagata Aritomo and Kido Koin. Ideas gathered during fieldwork helped to clarify Shoin's
ideas and appear in the text where appropriate in the form of maps,
charts andphotographic plates. Locations where he was active,
including Hagi itself are pinpointed. His journeys are traced from
Hirado and Nagasaki in Kyushu, through Kyoto and Nakasendo to IzuShimoda,
Mito and Aizu-Wakamatsu, as far north as the Tsugaru
Straits. The chronological listing of his major writings which is
included, traces the evolution of his concepts of state and philosophy
of education.
This thesis sheds new light on Shoin's life, thought and
activities, especially his relationship to the physical environment
of Hagi, the domain castletown, to the Neo-Confucian and Yamaga
philosophical traditions in which he was fostered and the intellectual
movements to which he was exposed, notably, Mitogaku. Special
attention is given to Shoka Sonjukuki, an essay written by Shin
in 1856 in which he discusses the history and educational principles
of the school which were transmitted to his deshi (disciples). The
analysis of this vital text has not been carried out previously
and challenges the existing inadequate but historiographically
explicable interpretations of Shoin as a radical and extremist.
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Ting, Chen Yen, and 陳彥廷. "The Study of Shigeru Yoshida- The China Policy After World War Ⅱ(1945-1954)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/73716800742202017961.
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碩士東海大學
日本語文學系
99
The study of Shigeru Yoshida’s statement was an important topic in Japan after the Second World War. In Taiwan, however, there are not so much studies about him. According to major research, when he faced to make the China policy, his attitude seems to be ambiguous. And then, after Japan signed the peace treaty with Republic of China, Japan Government decided to establish the relationship with People’s Republic of China by “Political and Economic Isolation Strategy.” In this thesis, I’d like to determine the formation of China policy made through the cognition with China of Shigeru Yoshida. As a diplomatic, when Shigeru Yoshida was confronted with the crash to economy, he took the economy reconstruction policy as his main strategy. At that time, the market in China was very important to Japan. In 1949, there was the problem of Two Chinas. How did Shigeru Yoshida make the China policy when faced this problem? Meanwhile, would the formation of his China policy be connected with his economic reconstruction? In this thesis, I will discuss the questions more deeply.
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Yoshida, Naoki [Verfasser]. "Numerical simulations of the formation of large scale structure of the universe / vorgelegt von Naoki Yoshida." 2001. http://d-nb.info/964305984/34.
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Schneider, Niklas. "Sensitivity of the Yoshida jet to the parameterization of vertical mixing. Do easterly winds imply equatorial upwelling?" Thesis, 1992. http://hdl.handle.net/10125/10027.
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Chau-Jian, Huang, and 黃朝鍵. "The concept of honoring the Emperor and repelling theBarbarians to Yoshida Shoin's "idea of honoring the king"." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/41275871096363057077.
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碩士淡江大學
日本研究所
87
The last years of the E-do time in Japan was an unstable period. Meanwhile, China was attacked by several aggressive nations from west world. According to China's defeated experience in the Opium War(1840), Japanese patriots were worrying about that Japan would face the west power's threat some day. In 1853, Pelly, the US admiral, led the East India Fleet to break Japan's blockade policy. Under west power's intimidation, Japan was in a great panic, and the society became unstable. In addition to that situation, the vassal states were facing serious financial crisis. Farmers in these vassal states couldn't afford the heavy tax; hence many of them got involved in revolutionary activities. To rescue Japan from the outside intimidation and inside disorder, the patriots advocated the idea of honoring the emperor and repelling the barbarians. At that chaotic age, those patriots who propagated the idea of honoring the emperor and repelling the barbarians were named as Sonjo party, and most of them were vassals. Originally, they supported the spirit of the former idea of honoring the emperor and repelling the barbarians, Nevertheless, ignoring Emperor's opinions on dealing the relations between Japan and the west nations, shogun arbitrarily contracted with the west nations.Shogun's conduct was obviously against the spirit of honoring the emperor, and this made the patriots of Sonjo party decide to express their will through honoring Emperor practically. Yoshida Shoin was the forerunner of the Sonjo party and he was influential during the last period of the shogunate age. Although his lifetime is quite short, only 30 years, Yoshida Shoin's effort influenced the shogunate time a great deal. His thought played an important role in this unstable age, and most particular of all was his idea of "saving the throne"(honoring the emperor). This idea initiated the storm of "honoring the emperor and repelling the barbarians" in the shogunate time, The success of Meiji restoration in later time was influenced by Shoin both directly and indirectly, because some important figures of Meiji restoration were Shoin's disciples. The topic of this thesis is Yoshida Shoin's idea of "saving the throne". First, it explains the theory of Shoin's idea of "saving the throne" and the former idea of "honoring the emperor and repelling the barbarians" . Then it expounds the relations between Shoin's idea of "saving the throne"and others' idea of "honoring the emperor and repelling the barbarians".Finally, it comes to discuss the "saving the throne" ideas influence on both members of Sonjo party and Meiji restoration. This thesis indudes 3 parts; introduction, main contention, and conclusion.
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Horton, Rene N. "Characteristics of Typhlodromus americanus Chant and Yoshida-Shaul (Acari: phytoseiidae) as a biological control agent of Oligonychus ununguis (Jacobi) (Acari: tetranychidae)." Thesis, 1995. http://hdl.handle.net/1957/34638.
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The life history, temperature, humidity, and feeding requirements of the
phytoseiid predator mite, Typhlodromus americanus Chant and Yoshida-Shaul were
tested in the laboratory. Occurance of the mite in the field during different times of the
year was investigated as well. Effects of temperature and humidity on egg hatch, the
feeding requirements of the larvae, the amount consumed by each life stage, the length of
each life stage and suitability of different food sources were investigated in the
laboratory. The use of the mite as a biological control agent was evaluated by using the
information gained from the laboratory experiments.
T. americanus was originally discovered in plantation grown Douglas-fir in
western Oregon. Since that time the mite has been found on a number of other hosts
throughout North America. The mite is active year round in the Christmas tree plantations
of the Willamette Valley in Oregon. The adult is found in or near the one year old bud
scars and the eggs are typically deposited there also.
Life parameters were measured providing a net reproductive rate of 4.23, a mean
generation time of 24.45 days, and an intrinsic rate of increase of 0.059 The intrinsic rate
of increase was low when compared to other predator mites and numerical response to
prey increase would not be possible with such a low rate.
The optimal temperature for the shortest eclosion time (54.4 hr.) and the highest
survival (96.4%) was 26��C. The regression of temperature vs. time to hatch gave a 90%
R�� with both the slope and intercept significantly different from zero. Humidities above
70% had survival rates over 96% and eclosion rates in the range of 50-58 hours. The
relative humidity at which 50% of the population died was 58.6%.
The mite was found to feed readily on the pest mite Oligonychus ununguis (spruce
spider mite), as well as Tetranychus urticae (two spotted spider mite), and corn, oak, and
Douglas-fir pollens. The larval form of the predator mite does not require food to molt to
the protonymph, but the protonymph does require food to molt. If water is provided the
entire time from egg to death, the protonymph can survive about ten days. Females
consumed more Tet. urticae than males in both the immature and adult stages. The T.
americanus that were fed corn pollen and Tet. urticae (complete diet) lived for over 115
days. Mites raised on oak and corn pollens did not survive as long (only 70-80 days), and
those raised on Douglas-fir pollens did not reach adulthood. Egg production was observed
on the complete diet, but not on the diets of pollen. The largest number of eggs were laid
around the twelfth day after the molt to adult.
Control and management of field conditions to improve habitat for T. americanus
will be the best approach for its use as a biological control agent. As it does not respond
numerically to prey increase, it will be more effective in a regulatory role to prevent these
increases while the prey is at low levels.Graduation date: 1996
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Patrício, Miguel Martins. "Sístoles e Diástoles: uma perspectiva sobre a Art Theatre Guild." Master's thesis, 2017. http://hdl.handle.net/10362/31395.
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Fundada no dia 15 de Novembro de 1961, a Art Theatre Guild (ATG) japonesa começou por ser apenas uma distribuidora de filmes estrangeiros. O primeiro objectivo da companhia, composta por críticos influentes e pessoas ligadas ao cinema, era apresentar, pela primeira vez, um conjunto de cinematografias mundiais, comummente apelidadas de art-house, ao público japonês. Numa indústria ainda dominada pelos grandes estúdios de cinema e onde a distribuição das produções nacionais excedia mais do dobro das estrangeiras, a vinda desses filmes para salas selectas e a propagação dessa(s) refrescante(s) “estética(s) cinematográfica(s)” foi decisiva para o público e os cineastas japoneses conhecerem as obras contemporâneas de Jean Luc-Godard, Ingmar Bergman, Michelangelo Antonioni, Federico Fellini, Alain Resnais, Luis Buñuel mas também redescobrir Orson Welles ou até mesmo Sergei Eisenstein.
A Nûberu Bâgu ou “A Nova Vaga do Cinema Japonês”, tendo sido cimentada pelos estúdios japoneses durante os primeiros anos da década de 60, via-se impossibilitada em continuar a filmar nesse contexto de produção, avesso ao arrojo estético e político, cada vez mais assinalável, das suas propostas. Por outro lado, uma nova geração de cineastas, vinda da cena emergente do documentário, sentia a necessidade de se exprimir fora dos formatos e condições que outro tipo de indústria, a dos filmes promocionais, lhe oferecia. Esta tensão entre criadores e produtores, assim como o subsequente ansejo de uma liberdade criativa sem barreiras e mediadores, foi o pano de fundo essencial para o ATG abrir a sua actividade enquanto produtora independente em 1967.
Quer pelas inovadoras técnicas de produção, quer pela inventividade formal, carga política e o contexto social em que as obras foram produzidas, qualquer coisa de revolucionário tinha chegado ao cinema japonês. De 1967 a 1972, o catálogo das obras produzidas pelo ATG não era somente um amontoado de propostas sem ligação, realizadas por cineastas não alinhados (por exemplo, Ôshima Nagisa, Yoshida Kijû, Shinoda Masahiro, Matsumoto Toshio, Hani Susumu, Terayama Shûji, etc.), mas um conjunto complexo de obras que preconizava uma certa unidade estética, que, ainda
v
assim, não encontrava quaisquer ecos com a padronização dos grandes estúdios. A este estado de coisas tão sui-generis, porém nunca conceptualizado como tal pelos seus intervenientes mais directos, chamaremos de movimento.
Esta dissertação concentrar-se-á em capturar a consistência e a pertinência deste baptismo, ao mesmo tempo que trará a terreiro um par de conceitos capaz de homogeneizar aquilo que, à primeira vista, parece heterogéneo. A partir da metáfora do músculo cardíaco que necessita de se contrair (sístole) e relaxar (diástole) para manter a circulação sanguínea de um organismo, também o movimento livre dos cineastas da ATG necessitou de explorar duas opções estéticas para construir um novo tipo de cinema: a primeira (sístole) caracteriza-se pelo enclausuramento da câmara no estúdio, a segunda (diástole) pela sua libertação nas ruas. Definirei as implicações espaciais e temporais do filme sistólico e diastólico, pondo igualmente em evidência o papel cimeiro da ATG na História do Cinema Japonês, como sendo, mais do que uma produtora, um modo de fazer cinemaFounded on the 15th of November 1961, the Art Theatre Guild (ATG) of Japan was originally a distributor of foreign films. The initial objective of the company, composed of influential critics and people with connections to the film world, was to introduce a group of international art-house films to the Japanese public for the first time. In an industry still dominated by the major studios and where the distribution of national productions was more than double that of foreign films, these screenings were significant for Japanese audiences and filmmakers alike, who were exposed to contemporary works from directors such as Jean Luc-Godard, Ingmar Bergman, Michelangelo Antonioni, Federico Fellini, Alain Resnais, and Luis Buñuel, and also provided an opportunity to discover the works of Orson Welles and Sergei Eisenstein. The "New Wave" of Japanese cinema was established by the main Japanese studios during the early sixties, but was unable to continue in that context due to the growing aesthetic and political radicalism of its participants. At the same time, a new generation of filmmakers from the emerging documentary scene felt the need to express themselves outside the conditions that the promotional film industry demanded. This tension between creators and producers, as well as the subsequent desire for creative freedom without barriers or mediators, was the catalyst for the ATG to begin activity as an independent production company in 1967. ATG's innovative production techniques and formal inventiveness paired with the social and political context of the films themselves was proof that something truly revolutionary had arrived in Japanese cinema. From 1967 to 1972, their catalogue was not simply a jumble of unrelated works made by unaffiliated filmmakers (eg Ôshima Nagisa, Yoshida Kijû, Shinoda Masahiro, Matsumoto Toshio, Hani Susumu, and Terayama Shûji), but a complex set of films with a certain aesthetic cohesion, a cohesion that was unlike the standardized style of the studios' "program pictures". We will refer to this unique scenario as a movement, though none of the filmmakers explicitly claimed to belong to one. This dissertation will focus on capturing the consistency and relevance of this movement, while introducing concepts that unify seemingly dissimilar elements. Like a heart muscle which must contract (systole) and relax (diastole) in order to maintain the circulation of blood in an organism, the free movement of the ATG filmmakers used two methods to construct a new form of cinema. The first (systole) is characterized by the enclosure of the camera in the studio space, while the second (diastole) is defined by the release of the camera into the streets. By defining the spatial and temporal implications of the systolic and diastolic style in ATG films, I will highlight the important role of the company and how it changed Japanese cinema. I will also argue that, more than a production company, the japanese ATG encompassed a mode of filmmaking.
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Ying-ZhenChen and 陳瑩臻. "Identity Politics in Yoshiko Uchida’s Picture Bride." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/52nqw4.
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碩士國立成功大學
外國語文學系碩博士班
101
At the turn of the twentieth century, a massive Japanese immigration influx landed in the American soil as Japanese immigrants attempted to achieve an economically promising life in America. However, the American Dream of these Asian newcomers is often frustrated or deferred, with American government’s racist laws, American society’s differential attitudes towards Asian immigrants, and the generational gaps between Issei and Nisei being among the numerous hardships Japanese Americans had to confront. As their desire to make the United States as their new home is denied and their home-making efforts thwarted, their experiences highlight the contestatory nature of the ideologies of “home” as they also register the ethical imperative to read “home” as a “community” bound less by kinship or genealogy than by friendship and hospitality. Yoshiko Uchida’s Picture Bride: A Novel, published in 1987, registers the sufferings of a woman who came to America as a picture bride and who was later sent to the detention camp. More importantly, however, it is a novel that not only compels the reader to reconsider the notion of “home-making” but it also fleshes out early immigrants’ subjectivity and agency as they use “human rights” discourse to reframe “American Dream” as a “home-making” dream that should be available to all. The two chapters of this thesis respectively treat the “home-making” project and the “human rights” claim to conclude that the novel bears witness to the ongoing efforts of Japanese immigrants for home-making as well as for self-making.
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Sugano, Yoshimi Teresa [Verfasser]. "Bronchoskopische Vermessung und dreidimensionale Darstellung der Trachea / von Yoshimi Teresa Sugano." 2006. http://d-nb.info/978723457/34.
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Chen, Ping-Yi, and 陳秉益. "A research on the cultural landscape of Gongqian(Miyamae) in Yoshino village." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/kx2gxf.
Full textAbstract:
碩士國立東華大學
臺灣文化學系
106
Yoshino village is the first Japanese official agricultural immigrant village in Taiwan. Yoshino village was established by the colonial government. To solve the problem of insufficient domestic arable land and overpopulation, the colonial government introduced Japanese agricultural immigrants from within the country to Yoshinio village. After the establishment of Yoshino village, the immigrants faced a completely strange environment and a vast cultivated land. However, they gradually formed a community that can be self-sufficient. As for the insufficient labor required for farming, they relied on the recruitment of Han Chinese immigrants from the west and the north until the 20th year of the Showa (1945), the defeat of Japan. After the war, the Japanese immigrants returned to Japan, and the immigrant villages experienced the transformation and preservation of the public sector and residents. Today, there are few remaining Japanese landscapes. The scope of the cultural landscape to be explored in this study is located in Gongqian(Miyamae) in Yoshino village, the first official agricultural immigration village in Taiwan during the Japanese colonial period. It includes the chessboard-style street in the settlement and the monument of the in Yoshino village. In addition, there are some houses and smoke buildings left by the Japanese government during the Japanese colonial period. The Gongqian Camp, which was converted from the former site of Yoshino Shrine, has been transformed into the Ji'an Art Village(Hakka Art village) in recent years. This is a plan for the reuse of unused space promoted by the public sector. It is the most obvious landscape change in Gongqian recently. The base of Ji'an Art Village(Hakka Art village) is dominated by the Gongqian District of the Ministry of National Defense Department, which consists of eleven houses and the camp space, covering an area of three thousand pings. This study will first explore the time background and the space background of this abandoned landscape, how it transferred from the Ministry of National Defense Department to the local public sector. This study will further explore the interaction between the public sector and the local residents during the cultural landscape change, as well as how the image of Hakka becomes the main connotation of the landscape creation. This study hopes to provide analysis and suggestions on the correlation between landscape changes, public sector governance and local expectations in this study area.
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Chang, Chun-Chi, and 張俊麒. "The Transcending Process on Nationalism of Yoshino Sakuzo： From the perspective of “SHUYO”." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/r7nw53.
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碩士國立臺灣大學
歷史學研究所
104
The main purpose of this thesis is to figure out the motivation of Yoshino Sakuzo on transcending the thought of nationalism, renowned as one of the most important democratic theorists in the Taisho Democracy period, by analyzing the role of “SHUYO”(self-cultivation) in the process from embrace to transcend of nationalism through all the periods of his life. Yoshino was deeply inspired by SHUYO in his teenage, which was not only origined from the moral education but also one of his favorite magazine SHOKOKUMIN (young nationals) during his teenage. The main goal for the Meiji Government to promote the moral education was to combine the engraft of patriotism with the cultivation of moral; moreover, SHOKOKUMIN was also based on the official educational policy. As a result, Yoshino had already become a young man with strong nationalism and moral sensitivity due to the engraft from the government. Into the youth of Yoshino, Japan had faced the social collective moral crisis, and followed with the rise of the "SHUYOSHUGI"(self-cultivation doctrine). It was highly acceptable for Yoshino in pursuing for SHUYOSHUGI which is based on the meaning of life and the promotion on moral and personality due to the establishment of moral in his teenage and the death of his sister. Through the contact with person who followed SHUYOSHUGI as Oshikawa Masayoshi, Ebina Danjo, and Nitobe Inazo, Yoshino gained the satisfaction on his concern in moral and moreover built up the idea of self-cultivation. But the nationalism still remained great influence, so that Yoshino still put “Nation” rather than “Personal” as the main role in the cultivation of moral and personality. Yoshino didn’t pay much attention on personalism which is based on pursuing the value of “person” according to the description of SHUYOSHUGI. After his graduation from the Tokyo University, Yoshino’s nationalism faced great challenge. The outbreak of domestic and oversea movement and his oversea experience forced Yoshino to rethink the relationship between “nation” and “person”, and led the development of his own theory of democracy, which is called “MINPONSHUGI” (people based doctrine). Not only moral concept but also the personalism and personalism-based Christian conviction were taken by Yoshino for the core of democratic practice in his MINPONSHUGI. Inspired with Thomas Woodrow Wilson’s idealistic international theory after the WWI, Yoshino put his democratic theory into the sphere of international relations. Based on the personalism, Yoshino asked Japanese to be just and sympathetic to China and Korea, then claimed the SHUYO of personalism is the core idea that Japanese should cultivate for the upcoming time of international democracy. As a conclusion, we could say the awareness of the personality is the key to the transcending on nationalism in Yoshino’s case.
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Yin, Chieh, and 殷婕. "A Study in the Changes of Takeuchi Yoshimi''s Perception of Asia." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/73dk74.
Full textAbstract:
碩士國立臺灣大學
日本語文學研究所
103
Takeuchi Yoshimi’s studies in modern Chinese literature breathed new life into traditional Sinology in Japan. In contrast to supports of modernism and contemporary political theories from west Europe by most Japanese postwar scholars, Takeuchi Yoshimi denounced that Japan gave up “defenses” and embraced the idea of “leave Asia to join Europe”with open arms. At the same time, he took China as the pillar of his theories, brought up new ideas in order to find out a “neutral perception of Asia”. Takeuchi Yoshimi’s political theories are constructed on close relationships with China. He used his own perception of China as a tool to form his criticisms of modern Japan. In ‘Chinese Modernity and Japanese Modernity’, Takeuchi Yoshimi stated his views of eastern and western culture, as well as the relationships between them. By comparing the modernity of China and Japan, he indicated that Japan does not have its own independent direction as a nation. He also came to being aware of the issue that “the images of Asia in resistance and struggle”. The article ‘Asia as a Method’ followed the basic theories mentioned in ‘Chinese Modernity and Japanese Modernity’ to reconstruct the “perception of Asia”. Asianism plays an important role in both ‘Chinese Modernity and Japanese Modernity’ and ‘Asia as a Method’. Takeuchi Yoshimi used “overcoming modernity” as the base of his theory, and tried to portrait the competitive relationship between Europe and Asia. Through his articles, we may realize that distinguished features of Asia are actually existed on the premise of resistance to Europe. Takeuchi Yoshimi found the nature of ‘resistance’ in China, and further more saw the ‘independent direction of Asia’ in ‘China in resistance’. This study focused on three articles, ‘Chinese Modernity and Japanese Modernity’, ‘Asia as a Method’, and ‘A Survey of Asianism’, to figure out Takeuchi Yoshimi’s perception of Asia.
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Tzeng, Yu-Ting, and 曾鈺婷. "The Research and Interpretation of Four Songs From the Poems of “Matinée Poétique” by Yoshinao Nakada." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/vm9wdj.
Full textAbstract:
碩士國立臺南藝術大學
鋼琴合作藝術研究所
103
Yoshinao Nakada (1923-2000), one of the most well-known Japanese classical composers of the 20th century, is a prolific composer with the majority of his works in vocal music, including doyo (the songs written for children), art songs, choral works, and popular songs, among others. One of Nakada’s most representative solo vocal works is Four Songs from The Poems of “Matinée Poétique”, written in 1950. The texts of these four songs were selected from the poem collection written by Matinée Poétique, a group of poets. The four poems of four different poets had diverse styles. Nakada not only create a close relationship between lyrics and music, he also composed well-refined piano accompaniment to make styles of each song different. This paper is organized as follows: The first part reviews the history and development of Japanese art songs. The second section presents biographical information of Yoshinao Nakada and his compositional style of vocal works. Subsequently, in the third section, brief biographies of the four poets, as well as the backgrounds and translations of the four poems are provided. The relationship between the lyrics and the music in this set of art songs is identified in the final part, along with interpretative suggestions from a collaborative pianist’s point of view.
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HUANG, PING-YI, and 黃秉翊. "Modernization and the Struggle of Subjectivity of Japan:A Study of Yoshimi Takeuchi’s View of China and Asianism." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/78x3je.
Full textAbstract:
碩士輔仁大學
日本語文學系碩士班
104
Japan’s Asianism is a spiritual heritage for modern Japan. Regardless of the controversies surrounding Asianism, its influence on Japan’s modernization cannot be neglected. Yoshimi Takeuchi was aware of the loss of Japan’s cultural subjectivity after the country’s defeat in 1945. To retrieve and reconstruct subjectivity, Takeuchi sought to redefine Asianism and believed that this was the way to help his country rethink modernisation. To gain a full understanding of Takeuchi’s thinking, the first part of this dissertation is focused on his historical background. Based on his background, the study looks into his analysis of the modernization process of China and Japan after World War II. After analysis, Takeuchi came to the conclusion that the success ofMeiji Restoration cannot be applied to China and thus a fundamental difference exists between the two countries. He then proposed the classification of “reflection and reverse,” which was inspired by Lu Xun’s concept of “struggle.” Takeuchi has been seeing the world and history from this perspective since he was young. Takeuchi used “the existence of resistance,” “people’s revolutionary awareness” and “types of modernization,” as the basis for understanding Asianism while examining the modernization of China and Japan. He hoped that his effort can provide Japan with a new perspective on Asianism and modernisation. Drawing reference from Takeuchi’s Asianism and his views on China, this study can provide suggestions to Asian countries that are undergoing modernization and experiencing subjectivity struggles and help these countries find their own path.
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Chen, Yi-Shiu, and 陳羿秀. "The image of famous courtesans in“ Shikidookagami” and “Hankyozakki” －The contraction of Yoshino and Li Xiang Jun －." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/05194848938372940480.
Full textAbstract:
碩士國立臺灣大學
日本語文學研究所
96
Although Yoshino and Li Xiang Jun lived in the same 17th century, they were brought up into two different countries, Japan and China, lived in two different backgrounds of the Japanese Edo period and at the turn of the Chinese Ming and Qing periods, and therefore also the expectations of the contemporary men of culture towards them as famous courtesans were entirely different. Characteristic features of the two ourtesans were “benevolence” and “chivalry”, but why has these two features taken the main place in the aesthetics of that time? At the beginning of the Edo period people were absorbed in the idea of the Heian court culture and they frequented the pleasure quarters created on the basis of the courtly sense of beauty. In the Heian period, love was a kind of a pleasant play and so being passionate and falling in love with many people was being considered as refined. Thus, it is possible that longing for the “benevolence” as seen in the early Edo period may be the influence of the Court period. In the same manner, at the end of the Ming period when the possibility passing examinations for the imperial clerks was declining, the literati of that time, starting from the wreckage, they were running away from anguish and restraints of the Confucian society and longing for the culture of gallantry. This longing has led them to the gorgeous and luxurious pleasure quarters, which have become one of the main stages of the pursue for the chivalry and gallantry. Chivalry was popular among eople in China from the ancient times and was worshiped as a hero. It is possible that the literati were trying to cheer themselves from the disappointment of the imperial clerk examinations by becoming chivalrous men. Therefore, the reason why Yoshino and Li Xiang Jun were praised by the men of culture was nothing else but the fact that they were famous courtesans and that they possessed both the “benevolence” and the “chivalry” which were the dream and ideal of the literati. The goal of my thesis is to present the aesthetics and the cultural sense of values in China and Japan of the 17th century by comparing the two courtesans. By completing my thesis I would like to put more light on the cultural sense of beauty in both countries in the 17th century.
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Hao, Yucong. "The turn to China : representing Lu Xun in early 1940s Japan." Thesis, 2014. http://hdl.handle.net/2152/28115.
Full textAbstract:
The report revolves around two Japanese biographies of Lu Xun produced during the Greater East Asian War: Takeuchi Yoshimi’s scholarly biography Lu Xun (Rojin, 1944) and Dazai Osamu’s fictional biography A Regretful Farewell (Sekibetsu, 1945). It explores a dual structure of resistance in the two works that they not only represent the resistance of literature against political interference, but also exemplify a different positioning of literary imaginations—turn to China, which constitutes an oppositional alternative to the contemporaneous mainstream discourse of “overcoming modernity”—the search for the essence of Japanese civilization and the invention of Japanese traditions that is paradoxically promoted by intellectuals with Western-style mentality. Historicizing the production of the two works onto the very site of the violent collision between literature and politics, I examine their respective creative deployment of the aesthetic resources of Lu Xun: Takeuchi Yoshimi explicates a political understanding of literature as a force of opposition from the life and works of Lu Xun, Dazai Osamu reconstructs the origin myth of literature by rewriting the critical conversion of the “Lantern Slides Incident” in Lu Xun’s literary career.text
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YANG, HAO-TIEN, and 楊皓天. "A Research of Settlement Planning and Space Development to the JapaneseImmigration Village the case of Yoshino Mura in Hualien." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/52p2m3.
Full textAbstract:
碩士國立臺北藝術大學
建築與文化資產研究所
100
In 1895 (the 28th year of Meiji) Japan started their colonial period in Taiwan after the Treaty of Shimonoseki was signed. Under the uncertainty of social and economic situation and the overcrowding rural population, Taiwan governor’s office drew up the emigrating plan and hopefully to solve population problems. Taiwan governor’s office chose the eastern Taiwan of its large land field after the overall land survey in 1909 (the 42nd year of Meiji). They built the first agricultural immigrant village with all Japanese residence and started the government -run immigrant project. The first village, Yoshino Mura as a pioneer and demonstration to the other Taiwan agricultural immigrant village, the residents’contribution were remarkable. The Yoshino Mura was planned with the “compromise” idea based on the reclaiming experience from western countries and Hokkaido, The administration offices were located in central of the village surrounding by two to three residential settlements with the cultivable land nearby. It was a collective residence but with plenty space for farming and breeding live stocks. This model could still be found in the urban plan after decades. It is valuable not only to local history but the rural villages planning. The context is a Yoshino Mura- research object, which is subordinate to Hualiengang Ting. It is to research the village planning during the government-run period and the historical developments and transformations after its end.
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Chan, Hou-Kit, and 陳豪傑. "The prediction of the credit spread on China’s corporate bond market by Culp, Yoshio& Veronesi’s model (2014)." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/72971915852413005626.
Full textAbstract:
碩士國立臺灣大學
財務金融學研究所
104
Credit risk of China’s corporate bond market is looming in the minds of investors. The lack of credit derivatives cause investors difficult to hedge credit risk and evaluate the credit risk through direct observation from credit derivatives market. The paper discusses that if there is any credit risk information could be capture from the information of an offshore China large exchange traded fund and its options markets. The paper extend the Culp, Yoshio& Veronesi’s model(2014) to simulate the credit spread by using the data of iShares China Large-Cap ETF and its options. The paper show that the model credit spread and the credit spread of AA-rate China corporate bond are moderately correlated. Investors could capture credit risk information through direct observation from the information of iShares China Large-Cap ETF and its options