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Relevant bibliographies by topics / You (The English word) in literature

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Dissertations / Theses

Academic literature on the topic 'You (The English word) in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 January 2023

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Dissertations / Theses on the topic "You (The English word) in literature"

1

Archer, Josh. "The Force is with You: Dylan Thomas's Force as it Exists in His Poetry and Drama." [Johnson City, Tenn. : East Tennessee State University], 2004. http://etd-submit.etsu.edu/etd/theses/available/etd-0719104-123135/unrestricted/ArcherJ080404f.pdf.

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Thesis (M.A.)--East Tennessee State University, 2004.<br>Title from electronic submission form. ETSU ETD database URN: etd-0719104-123135 Includes bibliographical references. Also available via Internet at the UMI web site.

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2

Rothfuss, David. "You call this an honors thesis?" Miami University Honors Theses / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1111686362.

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3

Howe, J. N. "A critical edition of Samuel Rowley's 'When You See Me, You Know Me'." Thesis, Bath Spa University, 2015. http://researchspace.bathspa.ac.uk/6231/.

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This edition presents a fully modernised and annotated text of Samuel Rowley’s 'When You See Me, You Know Me', first performed by Prince Henry’s Men at the Fortune playhouse c.1604. The earliest extant playtext to represent King Henry VIII as a character on the early modern stage, When You See Me dramatizes a number of key events in the Tudor king’s reign including, as per the play’s subtitle, ‘the birth and virtuous life of Edward, Prince of Wales’. The play was first printed in 1605, with subsequent editions appearing in 1613, 1621 and 1632. Despite its apparent success on the Fortune stage,

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4

Pentolfe-Aegerter, Lindsay Alexandra. ""You have met the woman; you have struck the rock" : Southern African women's writing as resistance /." Thesis, Connect to this title online; UW restricted, 1992. http://hdl.handle.net/1773/9526.

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5

McDuffie, Kristi. "Rhetorical grammar and you : a study of first-year composition papers /." View online, 2010. http://repository.eiu.edu/theses/docs/32211131524366.pdf.

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6

Cairns, Daniel. "As it likes you early modern desire and vestigial impersonal constructions /." Waltham, Mass. : Brandeis University, 2009. http://dcoll.brandeis.edu/handle/10192/23236.

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7

DeVito, Angela Ann. "Gendered speech in Old English narrative poetry: A comprehensive word list." Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/280305.

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The purpose of this dissertation is to create a word list of male and female speech in those Old English narrative poems which contain dialogue, to use as a reference in determining what, if any, differences existed between the way male Anglo-Saxon poets constructed speech for their male and female characters. Using a specifically designed computer program and an on-line text of the Anglo-Saxon Poetic Records, I electronically tagged those lines assigned to male characters, and then those assigned to female speakers, to generate two separate word lists. I eliminated all immortal speech (God, a

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8

Dhrodia, Reshma. ""Have you met Miss Jones?": Feminism and difference in the Bridget Jones diaries." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/27125.

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Helen Fielding's Bridget Jones novels are popular with countless readers all over the world. They are "ripe for feminist interpretation and investigation" because they are "contemporary women's novels" that discuss the everyday lives of women, particularly unmarried women in the West (Whelehan 2004, 38). Imelda Whelehan argues that if the Bridget Jones novels do not "offer a 'true' reflection of contemporary single life for women, they perhaps present its tensions more boldly than ever" (2004, 30). This thesis is a feminist study of the Bridget Jones novels and the film adaptation of Bridget J

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9

Aertsen, H. "Play in Middle English : a contribution to word field theory /." Amsterdam : Free University Press, 1987. http://bibpurl.oclc.org/web/33043.

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10

Johnson, Vilja Olivia. ""It's What You Do That Defines You": Batman as Moral Philosopher." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2952.

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In 2008, Christopher Nolan's The Dark Knight became the most commercially successful comic book adaptation to date. His film, which highlights the humanity and fallibility of Batman, builds on a long character history while also functioning as an individual work. Nolan's depiction of Batman, which follows a long progression towards postmodernism in graphic novel versions of the character, is just one of multiple filmic superhero representations in recent years to depict a darker side of the "superhero" mythos. These films highlight the humanity and fallibility of these heroic figures and place

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