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Journal articles on the topic 'Young women – Poetry'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Ahmad Gul Momand and Shamsurahman Adel. "Political Stability As A Major Concern in Pashtun Women's Poetry." Creative Saplings 2, no. 06 (2023): 1–22. http://dx.doi.org/10.56062/gtrs.2023.2.06.378.

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Much of human emotions are expressed via poetry and other literary genres, but when it comes to women in Pashtun society, we lose their voices. Afzal Raza believes Pashtun women cannot speak about their pain, misery, or other feelings (Raza). As women could be persecuted for writing poetry in Pashtun society, much of the folklore poetry was anonymized by female speakers. Recently, the New York Times reported about several young girls set themselves on fire after they were caught reciting poetry to an FM radio from home (Griswold). Reading about women casualties in their poetry, Raza shall be a

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2

Ahmad Gul Momand & Fahim Rahimi. "Introduction to Pashtun Women’s Poetry." Creative Saplings 1, no. 12 (2023): 46–75. http://dx.doi.org/10.56062/gtrs.2023.1.12.231.

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Much of human emotions are expressed via poetry and other literary genres but when it comes to women in Pashtun society we lose their voices. Afzal Raza believes it is impossible for Pashtun women to speak about their pain and misery or any other feelings (Raza). As women could be persecuted for writing poetry in Pashtun society thus much of the folklore poetry came to existence by female speakers anonymously. Recently, New York Times reported about several young girls set themselves on fire after they were caught reciting poetry to an FM radio from home (Griswold). Reading about women casualt

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3

Choi, Jung Ja. "Female Intersubjectivity: Violence, Women, and Elegy in Lee Chang-dong’s Poetry." Journal of Korean Studies 25, no. 1 (2020): 237–61. http://dx.doi.org/10.1215/07311613-7932324.

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Abstract This article explores the configuration of female intersubjectivity demonstrated in the film Poetry (Si, 2010) by Lee Chang-dong (Yi Ch’angdong), as well as the power of poetry to conjure the dead and provide space and voice for marginalized and silenced women. The focus of the film is Mija, a woman in her mid-sixties who works as a caregiver to a disabled man while raising a grandson on her own. Just as Mija discovers that her grandson has been implicated in a sex crime that led to a girl’s death, she learns that she herself is in the first stage of Alzheimer’s disease. It is through

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4

ZAFER, Zeynep. "REVIVED FROM THE ASHES (THE POETRY OF MEFKURE MOLLOVA)." Ezikov Svyat volume 20 issue 3, ezs.swu.v20i3 (October 20, 2022): 427–36. http://dx.doi.org/10.37708/ezs.swu.bg.v20i3.14.

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Mefkure Mollova, known as a scholar in Turkology, was the first poetess to publish poems in the periodic print in Turkish language in Bulgaria and the only woman who was fortunate to issue a solo poetic collection (1964). She emerges as the most sensitive of the time, whose work boldly touches on the intimate corners of the Turk's mentality and emotionality, to questions and problems close to all women. The sophistication of her work excites young women and crumbles the walls of the traditional taboo. Her contemporaries are delighted with the talent of the beautiful poetess and the "freedom" o

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Bojö, Anna-Klara. "Kropparnas poesi." Tidskrift för litteraturvetenskap 51, no. 1-2 (2021): 5–14. http://dx.doi.org/10.54797/tfl.v51i1-2.1705.

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The Bodies’ Poetry: Eva Runefelt, Eva Ström and Swedish Poetry in the Late 1970’s In the mid 1970’s a new type of poetry, associated with the body, emerged in Sweden. Especially young women writers appeared to take Swedish poetry in new aesthetic directions, exploring questions regarding experience and language. This article focuses on two prominent writers, Eva Runefelt and Eva Ström, and discusses how their different types of poetry can be said to be a bodies’ poetry, and how it was discussed in contemporary literary critique. It also reflects on why this strand of poetry has been gran

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Muftee, Mehek. "Poetiska homeplaces: Reflektioner och samtal om muslimsk subjektivitet inom spoken word och poesi." Tidskrift för genusvetenskap 43, no. 1 (2023): 27–48. http://dx.doi.org/10.55870/tgv.v43i1.10348.

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The last decade saw a renaissance of the artform called spoken word poetry through several spoken word projects in the suburbs of Swedish cities. A group of women who have been prominent in using these platforms as a way to highlight their voices and stories are young Muslim women from primarily from socioeconomically disadvantaged suburbs. This article focuses on a few of these voices. Based on a multimodal methodology including interviews with poets and readings of their work, this article sets out to understand how the young women use their poetry to formulate their subjectivity and issues

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Kovalova, Daryna. "FEMINIST DISCOURSE OF WOMEN’S POETRY OF YOUNG POLAND." Polish Studies of Kyiv, no. 37 (2021): 186–95. http://dx.doi.org/10.17721/psk.2021.37.186-195.

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In the XIX-XX centuries. the emancipation of women had a strong influence on the established order of society. It was most evident in the works of contemporary writers. The article explores a little-known topic of women’s poetry of the literary period of Young Poland. The article analyzes the thematic range, issues and corporeality of poetry of Bronislava Ostrovska, Maryla Volska, Marcelina Kulikovska, Maria Komornitska and others. The essay examines the work of these women writers in the projection of the active development of feminist discourse through the prism of socio-political, cultural

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Paden, William D., and Frances Freeman Paden. "Swollen Woman, Shifting Canon: A Midwife's Charm and the Birth of Secular Romance Lyric." PMLA/Publications of the Modern Language Association of America 125, no. 2 (2010): 306–21. http://dx.doi.org/10.1632/pmla.2010.125.2.306.

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In “Tomida femina” (“A swollen woman”), a tenth-century charm written in Occitan, the vernacular of the south of France, a birthing woman and her helpers intone magical language during the most intense moments of childbirth. The poem permits us, with brief but uncommon intimacy, to imagine the lives of women long ago. It takes its place in a European tradition of birthing charms, including others written in Latin, German, and English. These charms, and in particular “Tomida femina,” provide an image of vigorous medieval women in childbirth that precedes the images of women in other secular Rom

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9

Günör, Tuğba. "The Place of Special Women in the Art of Poetry for Russian Poet Nekrasov." Cankaya University Journal of Humanities and Social Sciences 18, no. 2 (2024): 320–31. https://doi.org/10.47777/cankujhss.1490274.

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Nikolay Alexeyevich Nekrasov, who had a very important place in the 19th century Russian literature, existed as a poet in the literary scene of his period, apart from his identity as a literary authority and publisher. Despite being an aristocrat, the artist, who grew up with slave peasant children, is closely acquainted with the problems and understanding of slave peasants, who were considered the lowest class of the Russian people. He integrated these experiences with realism, one of the widespread movements of his time, and tried to be the voice of these people who were ignored in their cou

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Mortensen, Emilie Lund. "Poetic Imagination." Anthropology of the Middle East 16, no. 2 (2021): 75–90. http://dx.doi.org/10.3167/ame.2021.160204.

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Abstract In this article, I attend to poetic expressions of passionate longing for a beloved among displaced single Syrian men in the Jordanian capital of Amman. With a point of departure in the story and poetry of Qays, a 28-year-old Syrian man from Damascus, the article engages in an exploration of the poetic space engendered in the process of writing and reading poetry in exile. It demonstrates how longing found expression and relief in love poetry, as it enabled the young Syrian men to, momentarily, displace themselves to a different time and place, closer to the women they longed for. The

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Peregrino, Miriane. "Moz Slam e as novas dinâmicas da poesia falada em Moçambique no século XXI." Via Atlântica 25, no. 2 (2025): 177–99. https://doi.org/10.11606/va.v25.n2.2025.215816.

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From the United States to the world, poetry slam competitions establish rules for oral poetry presentations and streamline an international circuit that provides meetings between poets from different realities. This article takes the Mozambican competition Moz Slam to present and discusses the dynamics of production, circulation and reception of this format of spoken poetry that has been gaining acceptance, especially among young artists. The article highlights the presence of women in Moz Slam and Slam da Guilhermina during online slams in times of pandemic and is based on interviews carried

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Ronell, Avital. "On the Misery of Theory without Poetry: Heidegger's Reading of Hölderlin's “Andenken”." PMLA/Publications of the Modern Language Association of America 120, no. 1 (2005): 16–32. http://dx.doi.org/10.1632/003081205x36831.

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The article considers the tendency among young theorists to forget or repress poetry. As symptom, the aberrant dissociation of poetry from theory reflects an increasing technicization, not to say impoverishment, of critical language. The theoretical elders, on the other hand, clung to poetic insight with the urgency of hunger. Focusing on tropes of greeting, celebration, and sending, I explore an exemplary instance in the encounter between poetry and thought—when Heidegger met Hölderlin. Still, Heidegger's appropriation of poetry leaves a violent residue, a kind of critical warping that has re

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Mirza Sibtain Beg. "Feminist Perspectives in the Poetry of Parveen Shakir." Creative Saplings 3, no. 12 (2024): 70–82. https://doi.org/10.56062/gtrs.2024.3.12.823.

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Parveen Shakir has remarkably evolved the cult status in the annals of Modern Urdu poetry. She was a professor, poet, a journalist and a Pakistani beaurocrat. She is an indefatigable poet, who gives vociferously a vent to her own feelings, emotions, life experiences, and her relationship with her husband, and son in general and society in particular through poetry in an ebullient way. Her excellent and spectacular oeuvre includes Khushbu (Fragrance) (1976), Sad Barg (Marigold) (1980), Khud Kalami (Talking to self) (1981), Inkar (Denial)(1994), and Mahe- Tamam (Full Moon) (1980) et al. She left

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Al – Rubaie, Dr Taghreed Adnan Mahmoud. "Women in the poetry of Farazdak (an analytical reading of his poetic introductions)." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 226, no. 1 (2018): 45–72. http://dx.doi.org/10.36473/ujhss.v226i1.186.

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The Farzdaq is a unique phenomenon in Arab poetry that we rarely find a counterpart, a self-righteous personality enveloped by so Childesh, Shomokh, Fathers and glory. The woman had a privileged position, and he employed her in his poetic creations, as she was an artistic curator of the beginning of his poems as textual values. These introductions create a balance that enters the heart of the poetic industry, because they are the first to encounter the reader, and reach the ears of the listener, and the reader is located on it. These introductions to their diversity and sometimes their brevity

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Al – Rubaie, Dr Taghreed Adnan Mahmoud. "Women in the poetry of Farazdak (an analytical reading of his poetic introductions)." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES, no. 226(1) (September 1, 2018): 45–72. http://dx.doi.org/10.36473/ujhss.v0i226(1).186.

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The Farzdaq is a unique phenomenon in Arab poetry that we rarely find a counterpart, a self-righteous personality enveloped by so Childesh, Shomokh, Fathers and glory. The woman had a privileged position, and he employed her in his poetic creations, as she was an artistic curator of the beginning of his poems as textual values. These introductions create a balance that enters the heart of the poetic industry, because they are the first to encounter the reader, and reach the ears of the listener, and the reader is located on it. These introductions to their diversity and sometimes their brevity

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16

Zaman, Independent University, Bangladesh, Niaz. "From Islamic Feminism to Radical Feminism: Roquiah Sakhawat Hossein to Taslima Nasrin." Asiatic: IIUM Journal of English Language and Literature 10, no. 1 (2016): 4–26. http://dx.doi.org/10.31436/asiatic.v10i1.781.

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This paper examines four women writers who have contributed through their writings and actions to the awakening of women in Bangladesh: Roquiah Sakhawat Hossein, Sufia Kamal, Jahanara Imam and Taslima Nasrin. The first three succeeded in making a space for themselves in the Bangladesh tradition and carved a special niche in Bangladesh. All three of them were writers in different genres â€“ poetry, prose, fiction â€“ with the last best known for her diary about 1971. While these iconic figures contributed towards womenâ€™s empowerment or peopleâ€™s rights in general, Taslima Nasrin is the most

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17

Garbacik-Balakowicz, Magdalena. "Suffering, Trauma, and Death in Anna Terék’s Poetry Book Halott nők [Dead Women]." Acta Universitatis Sapientiae, Philologica 13, no. 1 (2021): 105–15. http://dx.doi.org/10.2478/ausp-2021-0008.

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Abstract Anna Terék is one of the most interesting Hungarian poets of the young generation. The study is focused on Terék’s third poetry book, Halott nők (Dead Women) (2017). The book is a poetry cycle that shows stories/voices of five women. Violence, physical as well as psychological and symbolic, becomes destructive to the identity of the individual but also to the identity of the community. At the same time, it demands an effort of expression. The paper analyses these issues. The study describes the speech / narrative forms and their functions, and it examines the system of metaphors and t

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Farhangi, Fariba. "A Systematic Educational-Based Review of Stories and Poems: Seeking the Voice of Young Women in Charlotte Smith’s and Anna Barbauld’s Major Works—Are There Any Implications for Educational Context?" Education Research International 2022 (October 1, 2022): 1–12. http://dx.doi.org/10.1155/2022/8305051.

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Many researchers with an interest in the field of teaching have attempted to implement story reading and storytelling strategies in teaching oral language skills to EFL/ESL language learners as a means of extending the positive effects of storytelling and poetry on first language acquisition to second language acquisition. Numerous studies have looked at how narrative and poetry affect language abilities, but few have tried to find educational applications in well-known works of literature. To address the gap, this study was carried out to seek the voice of young women in Charlotte Smith’s and

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Zawiszewska, Agata. "Zofia Wojnarowska. Poetka dla dzieci – poetka miłości – poetka rewolucji." Poznańskie Studia Polonistyczne. Seria Literacka, no. 32 (October 2, 2018): 57–74. http://dx.doi.org/10.14746/pspsl.2018.32.3.

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The article discusses Zofia Wojnarowska’s (1881-1967) biography and poetry which were representative of the life path and artistic career of many other active Polish poetesses at the turn of the 19th century. The output of Wojnarowska, who made her debut in the period of Young Poland and reached her artistic maturity in the interwar period, expresses a typical situation of an artist–epigone whose mediocre talent looks for its own expression and place in the literary Parnassus in the time of, important for the national community, political, economic and cultural changes. Political facts like th

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20

Turdubaeva, Nazgul. "KYRGYZ WOMEN'S POETRY IN CHINA: HISTORY OF DEVELOPMENT, IDEOLOGICAL AND ARTISTIC FEATURES." Alatoo Academic Studies 23, no. 3 (2023): 320–30. http://dx.doi.org/10.17015/aas.2023.233.32.

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This article discusses the history of the development of women's poetry in the literature of the Kyrgyz people living in China, who also wrote at that time, focused on the ideological, artistic and thematic features of the poems created by our daughters. They came to Kyrgyz literature in the 80s, and from year to year they are joined by young poets led by the famous poet Gulaiy Matili, the article also aims to reveal in chronological order their contribution to the development of the poetic genre by reviewing their work. Of course, we were able to give an example of only a few lines of verse.

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Nisha, Shwet, Umesh Kumar, Shivangi Choudhary, et al. "Analyzing W.B. Yeats Selected Poetry Through Feminist Epistemology: A Reassessment." BIO Web of Conferences 86 (2024): 01113. http://dx.doi.org/10.1051/bioconf/20248601113.

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W.B. Yeats stands out as one of the most influential poets of the twentieth century. His symbolic poetry and his political and philosophical ideas are all prominently reflected in his work. During his lifetime, he was deeply influenced by a few remarkable women who made significant contributions to his poetic development and played a pivotal role in shaping his personality. Yeats's poems chosen for this study offer a profound insight into the predicament of women within various socio-cultural and economic contexts. This analysis will explore how Yeats projected female voices through multiple i

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Lipenga, Ken Junior, and Asante Lucy Mtenje. "Black Women and Self-Care: A Black Feminist Reading of Upile Chisala’s Poetry." Tulsa Studies in Women's Literature 42, no. 2 (2023): 343–60. http://dx.doi.org/10.1353/tsw.2023.a913029.

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ABSTRACT: This article examines poems of the young Black writer Upile Chisala selected from her three poetry collections, soft magic (2019), nectar (2019), and a fire like you (2020). The poet advances an ethic of self-care—driven by the simultaneous needs for deliberate selfishness and sisterhood—directed at Black women in Africa and the diaspora as the first step towards their mental, physical, and social well-being. Adopting the notion of self-care as advanced by a number of Black feminist scholars, the article examines the way Chisala tackles the topic through a three-pronged trajectory, e

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Offredi, Mariola. "Educating the Young against Discrimination." Archiv orientální 82, no. 1 (2014): 59–116. http://dx.doi.org/10.47979/aror.j.82.1.59-116.

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The paper takes into consideration the Hindi textbooks of the National Council of Educational Research and Training (NCERT, set-up in 1961 and fully funded by the Central Government) for sixth to twelfth grade students (11/12 to 17/18 years of age) published in the 2000s. In accordance with the NCERT’s aim of seeking qualitative improvements in school education, these new generation textbooks are framed so as to bridge the gap between education and life. The literary texts of the collections – prose works, poetry, drama, songs, all introduced (with the exception of the syllabus for class 6) by

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Varshika, Srivastava. "ECO FEMINISM AND ROBERT FROST'S POETRY: A CRITICAL ANALYSIS." International Journal of Multidisciplinary Research and Modern Education 3, no. 1 (2017): 526–29. https://doi.org/10.5281/zenodo.825273.

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We cannot ignore the fact that since the inception of civilization, both women as well as Nature are the integral parts of any society or culture. The reason is that it is a woman whois the pillar of a home because of being the creator of the hand that rocks the cradle, rules the human beings on earth, the same woman makes a family and these families lay the base of a nation. Like woman, Nature too gives her offerings to the ‘man-made society and never demand anything for that. In this way, we can say that though the maker of a nation is undoubtedly women yet the role of Nature cannot be under

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Cornish, Alison. "A Lady Asks: The Gender of Vulgarization in Late Medieval Italy." PMLA/Publications of the Modern Language Association of America 115, no. 2 (2000): 166–80. http://dx.doi.org/10.2307/463254.

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Classical texts were extensively translated into the vernacular in Italy during the period when Italian poetry began, and the “mentality” of translation is traceable in this early verse. Vernacularization is gendered female, especially in the conventions of lyric poetry. As exemplified in some thirteenth- and fourteenth-century poems and their prose commentaries, “vulgarization” is often presented as a discourse to women, who are conceived as a superior rather than an inferior audience. Instead of demeaning the Latin original, this kind of vulgarization paradoxically ennobles both the learned

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Putzi, Jennifer. "Charity Bryant and the Queer Affordances of the Early American Acrostic." Early American Literature 58, no. 2 (2023): 363–94. http://dx.doi.org/10.1353/eal.2023.a903779.

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Abstract: This article investigates early American women's acrostic poetry, especially as it was written and exchanged in same-sex friendships and romantic relationships. It begins with a discussion of male poets' deployment of the print acrostic in the service of courtship, considering how such poems expose women to the public eye. Women's manuscript acrostics, on the other hand, refuse the isolation of the female subject in the heterosexual pair, instead creating community in their composition and circulation practices. By way of example, the article turns to acrostic poetry written and rece

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Suranjana, Bhadra. "A 'Space' of One's Own: Exploring the Language of Resistance in Select Poems of Meena Kandasamy." postScriptum: An Interdisciplinary Journal of Literary Studies 3, no. 2 (2018): 93–100. https://doi.org/10.5281/zenodo.1318978.

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Contemporary women poets in India have re-radicalized the commonplace poetical conventions in order to subvert prevalent power structures. The self-representation of the cultural ‘other’ in poetry dissolves the feeling of being an ‘outsider’ as they venture to move beyond boundaries, beyond fixities. The process of creating a potent voice translates the ‘contact zone’ into the production of meaning. The two places, the ‘I’ and the ‘You’ get mobilized in the passage through a ‘Third Space’, a fusion of the horizons through

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Alcorn, John. "I Am Not a Juvenile Delinquent: How Poetry Changed a Group of At-Risk Young Women." Italian Americana XL, no. 2 (2022): 192–94. http://dx.doi.org/10.5406/2327753x.40.2.30.

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Salsabila, Virgiena, Lili Awaludin, and Hasbi Assiddiqi. "REFUTATION OF LAURA MULVEY'S 'MALE GAZE' THEORY IN FILM LITTLE WOMEN (2019)." Saksama 1, no. 2 (2022): 100–118. http://dx.doi.org/10.15575/sksm.v1i2.23899.

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Film, along with other literary works such as books, poetry and theater, is one of the mediums used in the contemporary day to communicate messages to society. Greta Gerwig adapted the film Little Women (2019) from the novel Little Women (1868) by Louisa May Alcott. This film shows a breakthrough over the prejudice and discrimination towards women in 19th-century cinema. The subject of female gaze has received attention since, up to this point, women have frequently only been shown as passive narrative objects, or even as the principal sexual objects in movies. Analyzing by comparing Laura Mul

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Jaleel, Jaleel Abd. "Natural Indices in Rupi Kaur’s Poetry: An Ecocritical Reading." JOURNAL OF LANGUAGE STUDIES 7, no. 1 (2023): 73–86. http://dx.doi.org/10.25130/jls.7.1.7.

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Rupi Kaur is a Canadian young poet that employed natural elements in her poems to reflect the genuine human experiences. She has recently made great fame on social media and her poetry collections have made a great impact on Canadian literature. Her poetry can be analyzed through the ecocritical lens. Kaur’s poetry is not abstruse, or metaphysically oriented rather it is easy, and simple and reflects the plight of women and her journey from stumbling, falling, breaking, rising, and finally blooming. This journey sounds more like a non-human experience that is natural for instance the cycle of

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Karmen, Kaitlin. "First edition and translation of an unpublished poem (1566) from Johanna Otho to Camille de Morel." Humanistica Lovaniensia 70, no. 2 (2022): 209–27. http://dx.doi.org/10.30986/2021.209.

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This paper presents the first full edition and translation of an unpublished (1566) poem written by Johanna Otho and sent to Camille de Morel. Both young women, linked by their mutual acquaintance Karel Utenhove, were internationally recognized for their learning. Otho’s poem is a significant contribution to the corpus of women’s Latin poetry. This paper also offers a brief introduction to the poem’s historical context and suggests contem- porary political resonances for Otho’s poem. Her poem contains allusions to the conflict between courtly life and religion, which reference the ongoing conf

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Peterson, Linda H. "ALICE MEYNELL'S PRELUDES, OR PRELUDES TO WHAT FUTURE POETRY?" Victorian Literature and Culture 34, no. 2 (2006): 405–26. http://dx.doi.org/10.1017/s1060150306051242.

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In 1875, the young poet Alice Thompson (soon to be Alice Meynell) published Preludes (1875), a slender volume of lyrics illustrated by her sister, Elizabeth. Given the professional musical training of the Thompson women, the title of the volume may recall Chopin's musical Preludes (1838), those brief lyrical pieces composed when Chopin was twenty-seven that cover all twenty-four musical keys and demonstrate, as one critic has put it, an “astonishing variety and vividness of mood…achieve[d] in little more than a blink of an eye” (Siepman 5). Meynell's Preludes, written in her mid-twenties and p

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Wojtaszek, Aleksandra. "Poetry and Engagement: Monika Herceg in the Labyrinth of Herstory and Itstory." Studia Litteraria Universitatis Iagellonicae Cracoviensis 18, no. 3-4 (2024): 281–90. http://dx.doi.org/10.4467/20843933st.23.025.19444.

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Herceg is an award-winning Croatian poet of the young generation. She has published three volumes of poetry: Početne koordinate (2018), Lovostaj. (2019) and Vrijeme prije jezika (2020). Herceg’s poetry abounds in multi-layered, open metaphors, and makes numerous references to vital contemporary problems, primarily connected with systemic violence against women and nature. Particularly the second volume, which is less personal than the poet’s debut, yet more programmatic and engaged, refers to the issues raised by feminist theory. Its compositional axis determines the theme of femininity and wo

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D, Ammu. "Personification of Puranaanutru Avvai." International Research Journal of Tamil 4, S-8 (2022): 86–92. http://dx.doi.org/10.34256/irjt22s812.

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Personality is the ability to govern oneself and others. In psychological terms, personality refers to a person's organised dialectical characteristics and the resulting attitudes, behaviors, feelings, and thoughts. Personality in general refers largely to one's outward appearance. Although women were not given full freedom during the Sangam period, they excelled in many fields during that time. As well as excelling in various fields, they were well versed in Tamil as well. Reminiscing about the excellence of Sangam period woman poet Avvaiyaar and studying her language skills and intellect can

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Zhumataeva, Aidana Nyshangaliyevna. "THE POETIC IMAGE OF A WOMAN IN ABAI’S WORKS: A COMPARATIVE ANALYSIS WITH PRE-ABAEV ARTISTIC TRENDS." Chronos 7, no. 3(65) (2022): 25–30. http://dx.doi.org/10.52013/2658-7556-65-3-6.

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Analyzing the evolution of artistic views on the image of Kazakh women in national art, we draw attention to the fact that the image of the steppe beauty is recreated in the binary opposition good / bad. Precisely in this way, the female character was stereotypically recreated by the poets of the pre-Abaev era. The character of the heroines is revealed in the female images, born by the pen of Abai, the psychological, emotional state, spirituality are conveyed. The portrait characteristic is remembered. This determines the importance of scientific understanding of how complex and multifaceted t

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Ahn, Sangwon. "Perception of the World’s Violence and Waiting for a ‘Future That Will Not Come’ in the Poetry of Female Youth - Focusing on Jung Da-yeon, Joo Min-hyun, and Park Kyu-hyun -." Theological Research Institute of Sahmyook University 27, no. 1 (2025): 187–221. https://doi.org/10.56035/tod.2025.27.1.187.

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This study examines the self-perception and worldview of young women in 21st-century Korean society through the poetry of Jeong Da-yeon, Joo Min-hyun, and Park Kyu-hyun. The poetic subjects recognize the violence embedded in the everyday world they inhabit and the humiliation directed toward the weak, while simultaneously acknowledging their own complicity in this world. As members of a sprawling urban landscape, they realize they cannot separate themselves from the vastness of the world. Rather than concealing its violence, they undertake an ethical responsibility to stand in solidarity with

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Watson, Wendy, Sandra Faulkner, and Charlie Stelle. "WHAT I KNOW NOW THAT I WISH I HAD KNOWN WHEN I WAS YOUNGER: OLDER WOMEN’S RELATIONSHIP ADVICE AS SKINNY POETRY." Innovation in Aging 6, Supplement_1 (2022): 837. http://dx.doi.org/10.1093/geroni/igac059.3003.

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Abstract Research has demonstrated that relationships are important in the lives of older women. Eighteen women between the ages of 64–84 participated in interviews about their lives and relationships across the life course. As a final question, the women were asked, “What do you know now about relationships that you wish you’d known when you were young?” Responses to that question were examined using a skinny poem. The Skinny poem is a short poetry form that portrays a vivid image in 11 “skinny” lines. It is a type of lyric poem that uses condensed images, expressions of personal feelings, an

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Diko, Mlamli. "Education and drug abuse in two selected isiXhosa poems produced by Anelisa Thengimfene." International Journal of Research in Business and Social Science (2147- 4478) 12, no. 2 (2023): 588–97. http://dx.doi.org/10.20525/ijrbs.v12i2.2370.

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The poetry of Anelisa Thengimfene, through scholarly critique, certifies that applicatory subjects may be enacted in isiXhosa modern literature. Such applicatory subjects breathe pertinence to social issues that predominantly affect the South African youth and other organs of social anatomy. Using Anelisa Thengimfene’s two selected isiXhosa poems (Imfundo and Iziyobisi) , issues concerning education and drug abuse are critiqued in terms of content or subject matter in order to unmask their interfacing meanings. Textual analysis alongside qualitative research methodology is appointed to operate

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Abdi, Ali. "Bachah-bāzī: A Socio-Erotic Tradition." Afghanistan 5, no. 2 (2022): 153–71. http://dx.doi.org/10.3366/afg.2022.0091.

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This article looks into the tradition of bachah-bāzī, namely, showing interest for or having liaison with beardless young males, and contextualizes it within Afghan society and culture (and beyond). Complicating some widely held accounts of bachah-bāzī, the article suggests that the “unavailability of females” alone cannot adequately account for the persistence of the tradition in Afghanistan, and that bachahs (beardless young males) are not necessarily “underage boys” but have historically been perceived as distinct gender figures in addition to women and men. More broadly, the article reveal

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Hayati, Dewi Lutfiana, and Daris Syafaah. "Sosok Perempuan Dalam Puisi “Asyhadu An Lâ Imra’ata Illâ Anti” Karya Nizar Qabbani." Tsaqofiya : Jurnal Pendidikan Bahasa dan Sastra Arab 4, no. 1 (2022): 55–74. http://dx.doi.org/10.21154/tsaqofiya.v4i1.84.

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Abstract Poetry research with the title "I witness that there is no woman Apart From You" by Nizar Qabbani. Poetry has beautiful words that describe social conditions even to the point of economic and political. The purpose of this study was to find out the meaning contained in the poem "I witness There Is No Woman Besides You and to know the aspects of the signified and the aspect of the signifier. The form of the formulation of the problem contained in this poem are: 1) What are the characteristics of women in the poem "I bear witness that there is no woman but you"? 2) How does the fe

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Finley, Susan. "“Freedom’s Just Another Word for Nothin’ Left to Lose”: The Power of Poetry for Young, Nomadic Women of the Streets." Cultural Studies ↔ Critical Methodologies 10, no. 1 (2009): 58–63. http://dx.doi.org/10.1177/1532708609351158.

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Ranaware, Ravindra. "Feministic Analysis of Shauna Singh Baldwin’s selected stories in English Lessons and Other Stories." Feminist Research 4, no. 1 (2020): 1–5. http://dx.doi.org/10.21523/gcj2.19010102.

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The present paper aims at exploration of Shauna Singh Baldwin’s specific technique implemented to present women predicament in selected stories from feministic point of view. The feministic point of view has developed out of a movement for equal rights and chances for women society. The present search is based on analytical and interpretative methods. Shauna Singh Baldwin is a writer of short fiction, poetry, novels and essays. Her ‘English Lessons and Other Stories’ explores the predicament of earlier neglected women of Sikh community by putting them in the context of globalization, immigrati

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Najim Abid Al-Khafaji, Saad. "Motherhood in Wordsworth: A Psychoanalytic Study of his Poetics." Al-Adab Journal 1, no. 127 (2018): 30–39. http://dx.doi.org/10.31973/aj.v1i127.198.

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By definition, the Romantic ego is a male; the creator of language which helps him to establish “rites of passage toward poetic creativity and toward masculine empowerment.”1 The outlet for a male quest of self – possession in Romantic poetry is women. For the Romantic poets , the “true woman was emotional, dependent and gentle –a born flower”2 and “the Ideal mother was expected to be strong , self- reliant , protective and efficient caretaker in relation to children and home.”4 With emphasis on the individual in Romantic literature and ideology, mothers are depicted as good when they are natu

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С.А., Зубенко. "СТИХОТВОРЕНИЯ П. АНТОКОЛЬСКОГО 1915 – 1916 ГГ. И МИСТИФИКАЦИЯ Е. ДМИТРИЕВОЙ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 86 (2018): 128–38. https://doi.org/10.5281/zenodo.1146230.

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The article explores the paths of apprenticeship of Pavel Antokolsky in the early period of his work experiencing various influences. An attempt is made to revise the established ideas about his legacy. In the poems by Pavel Antokolsky (1915 –1916) it is possible to trace the influence of the poetry by Cherubina de Gabriak – the mystification of Elizaveta Dmitrieva, performed under the leadership of Maximilian Voloshin. These two poems of these two poets correlate at the thematic and figurative level, which proves the search of his poetic path by Pavel Antakolsky. In his poems he e

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Bonthuys, Marni. "’n Interseksionele ondersoek: Godsdiens, feminisme, identiteit en behoort in geselekteerde digbundels." Tydskrif vir Letterkunde 61, no. 1 (2024): 66–80. http://dx.doi.org/10.17159/tl.v61i1.16403.

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Religion is a common theme in Afrikaans literature. Religious references are used in many ways—during the anti-apartheid struggle it was (for instance) employed to protest the actions of the government in literary texts such as poetry. Similarly, women poets use religion, which is usually associated with patriarchy, as a metaphor for struggles with identity and belonging. Spirituality and organised religion are also shown to be differing concepts with organised religion being the product of society which influences the position of different genders within its stuctures. Spirituality refers to

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Ålund, Aleksandra. "Bok, bröd och minnessten - kontinuitet och förändring genom och bortom det etniska minnet." Tidskrift för genusvetenskap 17, no. 3-4 (2022): 52–68. http://dx.doi.org/10.55870/tgv.v17i3-4.4708.

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Young people from multi-ethnic communities live in close and constant contact with multi-cultural aspects of everyday life. Diverse eultural elements clash, intersect and mingle och new identities are created. Behind the individual life stories of three young women retold in this artiele there is a common pattern. To a great extent young people with an immigrant background seem to strive towards a recreating and identifying a place of origin and to estahlish a connection between then and now which is closely related to the need for a sense of belonging. Recurring themes in their life stories a

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Syahrul, Ninawati. "Representation of Sumbang Duo Baleh’s Cultural Values: A Study of Poetry in the Form of Minang Classical Song Lyrics." Early Childhood Education & Parenting 1, no. 1 (2025): 23–38. https://doi.org/10.17509/ecepa.v1i1.74363.

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As a product of the creative process, song lines or lyrics are also forms of poetry containing aesthetical and ethical values. Song lyrics and poetry are like two sides of the coin, intertwined. Classical Minang song lyrics as a cultural product of traditional Minang people are objects that contain moral messages and life values. The cultural values contained in the song texts come from the experiences and life realities of the people. This research aims to reveal the meaning and cultural values contained in classical Minang songs. The research method used is descriptive qualitative with a lit

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Patricia Chiquillo, Raquel. "Madness, the Grotesque and Female Identity in “Exquisita ama de casa” and “El juego de la demencia” by Krisma Mancía." Latin American Literary Review 49, no. 97 (2021): 50–58. http://dx.doi.org/10.26824/lalr.221.

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Krisma Mancía (1980, El Salvador) is one of the most promising members of the postwar generation of young Salvadoran poets. Like Jacinta Escudos, Claudia Hernández and Vanessa Núñez Handal in prose, Krisma Mancía breaks free of the taboos still found within Salvadoran society that have kept women’s issues out of literary discourse longer than in other Latin American countries, and brings them to the forefront in her poetry. In this study, I focus on analyzing the poems “Exquisita ama de casa” and “El juego de la demencia,” both from the collection La era del llanto (2004) and showing how diffi

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Saragih, Eliyansen. "Teologi Tentang Berpacaran Menurut Amsal 30:18-19." BIA': Jurnal Teologi dan Pendidikan Kristen Kontekstual 1, no. 2 (2018): 164–78. http://dx.doi.org/10.34307/b.v1i2.40.

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Dating is an irresistible phenomenon in today's youth life. Actually, dating is a way that brings youth in two directions, towards a good or bad life. Therefore all parties in the community must be wise to anticipate. Proverbs 30: 18-19 can be a theological basis for the phenomenon of dating. Interestingly, numerical poetry in this text can give direction about relationships between young men and women. In this text, we can see that poems direct all audiences through observing the movements of objects in nature, can observe the essence of the formation of relations between men and women. Pract

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Chitta, Ranjan Gond. "Reclaiming Identity and Resistance: A Critical Analysis of Jacinta Kerketta's The Weapons in My Hands, If Only Tamarind Were Not Sour, and Jamuni, Who Are You After All?" Literary Enigma 1, no. 4 (2025): 41–45. https://doi.org/10.5281/zenodo.15454701.

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Abstract   The poems "The Weapons in My Hands", "If Only Tamarind Were Not Sour!", and "Jamuni, Who Are You After All?" by Jacinta Kerketta offer profound insights into the struggles faced by marginalized communities in India, particularly the tribal populations. Kerketta, a member of the Oraon tribe from Jharkhand, India, uses her poetry to voice the anguish, resistance, and resilience of tribal people. In "The Weapons in My Hands", Kerketta explores the themes of land alienation, cultural identity, and resistance, symbolizing the ongoing fight for survival and dignity through the imager

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