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Relevant bibliographies by topics / Yu family, of Chŏnju

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Academic literature on the topic 'Yu family, of Chŏnju'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Yu family, of Chŏnju"

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Rodionova, E. Yu., A. S. Sazhnev, A. A. Miroliubov, and S. Yu. Kustov. "Study of stridulatory organs in the family Heteroceridae (Insecta: Coleoptera)." Russian Entomological Journal 32, no. 1 (2023): 44–52. https://doi.org/10.15298/rusentj.32.1.05.

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Rodionova, E. Yu., Sazhnev, A. S., Miroliubov, A. A., Kustov, S. Yu. (2023): Study of stridulatory organs in the family Heteroceridae (Insecta: Coleoptera). Russian Entomological Journal 32 (1): 44-52, DOI: 10.15298/rusentj.32.1.05, URL: http://dx.doi.org/10.15298/rusentj.32.1.05

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Bang, Sang-keun. "Hong Yu-han's Family line and Life." Research Journal of Catholic Church History 17 (December 31, 2020): 109–53. http://dx.doi.org/10.35135/casky.2020.17.109.

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Bang, Sang-keun. "Hong Yu-han's Family line and Life." Research Journal of Catholic Church History 17 (December 31, 2020): 109–53. http://dx.doi.org/10.35135/casky.2020.17.109.

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Chen, Yu Zhen, and Yu Qing Guo. "Three new and two known free-living marine nematode species of the family Ironidae from the East China Sea." Zootaxa 4018, no. 2 (2015): 151–75. https://doi.org/10.11646/zootaxa.4018.2.1.

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Chen, Yu Zhen, Guo, Yu Qing (2015): Three new and two known free-living marine nematode species of the family Ironidae from the East China Sea. Zootaxa 4018 (2): 151-175, DOI: 10.11646/zootaxa.4018.2.1

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Storozhenko, S. Yu. "New Triassic Genus Of The Family Atactophlebiidae (Grylloblattida)." Far Eastern Entomologist 40 (December 31, 1997): 8. https://doi.org/10.5281/zenodo.10083454.

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Zhi, Peiyu. "Analysis of the Tragic Fate of "Lei Yu" from the Complex Character Relationships." Communications in Humanities Research 6, no. 1 (2023): 103–9. http://dx.doi.org/10.54254/2753-7064/6/20230135.

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"Lei Yu (Thunderstorm)" by Cao Yu presents the tragedy of Zhou Gong Guan, a feudal family in the Republican era, by characterizing different personalities, backgrounds and ethical relationships. As a dramatic work of considerable status in modern Chinese literature, "Lei Yu" contains many profound connotations. From its publication in 1934 to the present, "Lei Yu" has profoundly exposed the problems of the feudal family's autocratic and corrupt times through the meticulous and precise portrayal of its many characters' complex relationships and the gradual clarification of its historical past.

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HU, CHANGHAO, MIAN WEI, JIE LIU, and XIANG XU. "Asiopisinus gen. nov., a new genus of the family Theridiidae Sundevall, 1833 (Araneae, Theridiidae) from eastern Asia." Zootaxa 5660, no. 4 (2025): 475–504. https://doi.org/10.11646/zootaxa.5660.4.2.

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Based on morphological evidence and prior molecular phylogenetic results by Liu et al., a new genus, Asiopisinus gen. nov., is described from East Asia. The new genus comprises A. cheni sp. nov. (♂♀) as the type species, along with seven species transferred from Episinus Walckenaer, 1809: A. anfu (Liang, Liu, Yin & Yu, 2025) comb. nov., A. baoshanensis (Liu, Irfan & Peng, 2019) comb. nov., A. implicatus (Liang, Liu, Yin & Yu, 2025) comb. nov., A. nubilus (Yaginuma, 1960) comb. nov., A. ornithorhynchus (Liu, Agnarsson, Liu & Zhu, 2022) comb. nov., A. pseudonubilus (Liang, Liu, Y

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Gao, Xiaoying, Jarernchai Chonpairot, and Khomkrich Karin. "Life and Work of Zhang Baoying in Yu Opera in China." Journal of Management World 2025, no. 2 (2025): 221–32. https://doi.org/10.53935/jomw.v2024i4.906.

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The research objective of this paper is to explore the life, development stages, and works of Zhang Baoying in the context of Henan opera (Yu opera). It aims to outline Zhang Baoying's life, analyze the development stages of her artistic career, categorize her works, and explore the spirit embedded in her creations. Using qualitative research methods, specifically field investigations and literature review, this study focuses on analyzing the development stages of Zhang Baoying’s Yu opera career and her representative works from different stages. The data were collected and recorded using desc

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ZHANG, YUBO. "New replacement name for the genus Latitergum Yu, Ślipiński, Leschen, Ren & Pang, 2014 (Insecta: Coleoptera: Trogossitidae)." Zootaxa 4980, no. 2 (2021): 395–96. http://dx.doi.org/10.11646/zootaxa.4980.2.11.

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Yu, Ślipiński, Leschen, Ren and Pang (2014) established the trogossitid fossil genus Latitergum with the type species Latitergum glabrum Yu, Ślipiński, Leschen, Ren & Pang, 2014 from China (Jiulongshan Formation, Inner Mongolia). So far, this genus includes only type species and it is recorded only from China. It was used as a valid generic name in the family Trogossitidae (Insecta: Coleoptera).

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Legalov, Andrei, George Poinar, and Fernando Vega. "A New Species of the Genus Amberophytum Yu, Slipinski et Pang, 2019 (Coleoptera: Cerophytidae) from mid-Cretaceous Burmese Amber." Biosis: Biological Systems 3, no. 1 (2022): e005. http://dx.doi.org/10.37819/biosis.003.01.0096.

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This article describes and illustrates a new species of the genus Amberophytum Yu, Slipinski et Pang, 2019 of the family Cerophytidae from mid- Cretaceous Burmese Amber. The new species, A. maculatum s.n. differs from A. birmanicum Yu, Slipinski et Pang, 2019 in the smaller body size, shorter metatarsomere 1, and more convex body. A key to the species of the genus Amberophytum is presented.

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Dissertations / Theses on the topic "Yu family, of Chŏnju"

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Tang, Jun. "Zhe fu yu mian yan dang dai Hua bei cun luo jia zu de sheng chang li cheng /." Beijing : Zhongguo she hui ke xue chu ban she, 2001.

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Chen, Yu-Hsien. "(Re)-regulating care : employing foreign carers for older persons in Taiwan." Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/61134/1/Yu-Hsien_Chen_Thesis.pdf.

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The purpose of this research was to develop a theoretical understanding of the social phenomenon of the employment of foreign carers for older Taiwanese in households. Foreign carers were introduced into Taiwan in 1992 to address the care needs of the older population. By 2012, over 200,000 foreign caregivers from Indonesia, Philippines, and Vietnam were providing care in households in Taiwan. There has been little research on the interactions between and experiences of family employers, foreign carers and older persons receiving care. The theoretical framework brought together symbolic int

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Lu, Yu-Ying. "The impact of work-family conflict on working women in Taiwan : the effects of organizational support." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16536/1/Yu-Ying_Lu_Thesis.pdf.

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A cross-sectional survey was undertaken to examine the impact of organizational support on work-family conflict experienced by Taiwanese working women. A stress model of work and family interference was applied in the Taiwanese context; the current study examined whether the results of western studies of work-family conflict can be generalised to the Taiwanese population. The enactment of the Gender Equality of Employment Law in Taiwan in 2002 was a further impetus for the research. The study examined the effects of organizational family-friendly policies and cultural support of family respons

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Zhu, Jiangang. "Guo yu jia zhi jian Shanghai lin li de shi min tuan ti yu she qu yun dong de min zu zhi = Between the family and the state : an ethnography of the civil associations and community movements in a Shanghai lilong neighborhood /." online access from Digital dissertation consortium, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3066642.

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HUNG, YU-CHIEN, and 洪毓謙. "Family Memory--Yu-Chien Hung’s Creation Project." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/ms45fp.

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碩士<br>國立臺北教育大學<br>藝術與造形設計學系碩士班<br>106<br>I initiated this art project because of the concern that my grandfather passed away and that my family members are scattered all over the country. I conceived the importance of my family’s cohesion and cultural heritage of my hometown. This creation project explored the issue, related to the “Family Memory,” in order to promote family cohesion and highlight the importance of the hometown. Because of the geographical location of my hometown, I also engaged the history of Kinmen in my art works. As for the theme of the creations, I mainly depicted my

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Wu, Yu-Chin, and 吳妤芩. "“Transient Moment” memory about intergenerational family -The Statement of Wu Yu Chin." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/kk33pr.

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碩士<br>國立東華大學<br>藝術與設計學系<br>107<br>The author of this thesis grew up in a rural farming family. From childhood, she was influenced by the life of her elders, who worked in the cultivation of bamboo agriculture. Often, before it was even light outside, they would welcome the day and begin their work. To look back upon their lives up to this day is an important part of the author recollecting her childhood memories. These memories also bring up emotions that are hard to forget. The author is currently living and studying away from her hometown, and is being pulled away by distance. It is also dif

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Yu, Jui-Chen, and 于瑞珍. "The history imagery and family memories of Ling Yu''s poems." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/35231403188668392891.

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碩士<br>淡江大學<br>中國文學系碩士班<br>100<br>Ling Yu’s poems are mainly based on history, family and place. Her poems contain many historical events and allusions; therefore, the poems teem with a strong sense of history. Memories of family and affection for land are major topics inher poems as well. The images of family in her poems are highly symbolic. Lately, Ling Yu focuses her attention on the island. These poems explore the relationship between the island and its residents as well as the destiny of the island. Each topic is connected closely in Ling Yu’s anthologies. She presents subtle obser

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LEE, CHUN-CHI, and 李純祺. "Study of the thoughts of Zang Ying's family instructions-Cong Xun Zhai Yu as example." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/xhsj74.

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Tsai, Meng-Yu, and 蔡孟餘. "The Imprint of My Family--A Discourse on the Oil Painting Creative Works of Tsai Meng-Yu." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/zghr4d.

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碩士<br>南華大學<br>視覺與媒體藝術學系<br>104<br>This essay aims to unfold a working process and the final outcome for ‘The Imprint of My Family’. This project is originated from the assemblage of one’s own sentiments, emotions and experiences in family life; and through transforming those treasurable moments into art works by integrating people, events, and objects, this project reveals an inner impression towards memory and affection. The author explores the discourses on methodology and adopts the fashion of action research, in which praxis and theories are outlined in equal measure, to achieve an improve

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Lin, Chiufen, and 林秋芬. "The family relationship of elder veterans whose wives with mental illness hospitalized in Yu-Li Veteran Hospital." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/75140265030624732357.

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碩士<br>慈濟醫學院<br>社會工作研究所<br>88<br>Abstract The theme of this study is to explore the relationship among family members of elder veterans whose wives had been hospitalized in Yu-Li Veteran Hospital(YLVH) for long-term disposition. There are three aspects of the elder veterans’ family relationship：(1)their mate-choosing process and the family life before their wives were hospitalized in YLVH ；(2) the changing structure and different meaning of family after their wives had been hospitalized；(3) the marital relationship and parent-child relationship after their wives had been hospit

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Books on the topic "Yu family, of Chŏnju"

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Pangmulgwan, Chŏnbuk Taehakkyo, ред. 조선시대무덤과껴묻거리: Wanju Tunsal-li Chŏnju Yu Ssi sŏnsan punmyo chosa. Chŏnbuk Taehakkyo Pangmulgwan, 2000.

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Chinhŭngwŏn, Hanʼguk Kukhak, ред. Chŏnju Yu Ssi Sugokpʻa charyo ro pon Chosŏn hugi yangbanʼga ŭi saenghwalsang: 2004-yŏn munjung kitʻak tʻŭkpyŏlchŏn torok. Hanʼguk Kukhak Chinhŭngwŏn, 2004.

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Yu, Tong-sŏng. Suyu chi: Chŏnju Yu Ssi Sugokpʻa. Inmul Yŏnʼguso, 1992.

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Chŏnju Yi Ssi Chongsa Pogam P'yŏnch'anhoe. Chŏnju Yi Ssi chongsa pogam. Chŏnju Yi Ssi Chongsa Pogam P'yŏnch'anhoe, 2010.

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Yŏn'guwŏn, Han'gukhak Chungang, ed. Chŏnju Yi Ssi Tŏkch'ŏn'gunp'a chongt'aek Han'gŭl kanch'al. T'aehaksa, 2009.

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Mei, Zifang. Jiao yu yu jia ting. Yin shua zhe Da hui yin shua shi ye you xian gong si, 1987.

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Yongshan, Guan, and Li Huixian, eds. Jia ting yu shen fen: Family. Ming chuang chu ban she, 2014.

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Feng, Liutang. Qianlong yu Haining Chen ge lao. Shanghai shu dian, 1988.

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donor, Yu Yŏn-ik, and Kangwŏn Taehakkyo Chungang Pangmulgwan, eds. Manun Yu Yŏn-ik Sŏnsaeng kijŭng Ch'unch'ŏn Kohŭng Yu Ssi kajŏn charyo. Kangwŏn Taehakkyo Chungang Pangmulgwan, 2013.

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Irving, Howard H. Jia shi tiao jie: Shi yong yu Hua ren jia ting de li lun yu shi jian. Xianggang da xue chu ban she, 2005.

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Book chapters on the topic "Yu family, of Chŏnju"

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"The Sons of Sima Yu." In A Fourth-Century Daoist Family. University of California Press, 2020. http://dx.doi.org/10.2307/j.ctv1b742tf.7.

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"3) The Sons of Sima Yu." In A Fourth-Century Daoist Family. University of California Press, 2020. http://dx.doi.org/10.1525/9780520976030-012.

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Bryant, Shelly. "Yu Yuan: Staging a Family Drama." In The Classical Gardens of Shanghai. Hong Kong University Press, 2016. http://dx.doi.org/10.5790/hongkong/9789888208814.003.0006.

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"6. Yu Yuan: Staging a Family Drama." In The Classical Gardens of Shanghai. Hong Kong University Press, 2016. http://dx.doi.org/10.1515/9789888313983-007.

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"5. Lü Yu Returns the Silver and Brings about Family Reunion." In Stories to Caution the World. University of Washington Press, 2012. https://doi.org/10.1515/9780295801292-012.

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Wister, Owen. "Enter the Woman." In The Virginian, edited by Robert Shulman. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199554102.003.0006.

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“We are taking steps,” said Mr. Taylor. “Bear Creek ain’t going to be hasty about a schoolmarm.” “Sure,” assented the Virginian. “The children wouldn’t want yu’ to hurry.” But Mr. Taylor was, as I have indicated, a serious family man. The problem of educating...

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Kuzovkina, Tatiana. "Realms of the Youthful Biography of Yu. M. Lotman." In At the Crossroads of the East and the West: The Problem of Borderzone in Russian and Central European Cultures. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/4465-3095-3.07.

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The essay focuses on the dynamic interaction of different spatial topoi in the biography of Yu. M. Lotman. The study bears on Lotman’s letters tohis family between 1940 and 1946 –a time when Lotman was in the army. His interests in the field of science and various national cultures, his cognitive activity were generated by hishighly intellectual family. While serving in the army, Lotman was engaged in self-education and actively absorbed impressions of the foreign culture. The worldview of the young person during the war became the subject of reflection in the works of his later years. Lotman’

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Chao, Shi-Yan. "The Chinese Queer Diasporic Imaginary." In Queer Representations in Chinese-language Film and the Cultural Landscape. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462988033_ch01.

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Focusing on the theme of Chinese familialism, this chapter recasts the notion of “filiality,” foundational to the familial-kinship system, as a discursive formation, calling attention to the way filiality has been differently maneuvered by different regimes at different historical moments. Foregrounding the strengthened links between filiality and loyalty in the reinforced “family-state” discourse of martial law-era Taiwan, this chapter argues that the family-state discourse is pivotal to what I term the “Chinese queer diasporic imaginary,” symptomatic of the insoluble tension between Chinese

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Zou, Hongyan. "Natural Disaster and Trauma." In Western China on Screen. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474477857.003.0005.

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This chapter discusses how natural disaster (the 2018 Wenchuan earthquake) and the consequent traumatised memories have influenced cinematic representations of Chengdu and its adjacent areas. Feature films and documentaries proliferated after the earthquake, and ruins, heavy loss of life and local survivors’ troubled situations wrought by the disaster have dominated cinematic modern Chengdu. Moreover, with the catastrophic disaster’s ability of erasing physical spaces and producing traumatised experiences and memories, post-earthquake cinematic Chengdu becomes an optimal space for emotional re

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Brown, Christopher. "House Style." In Mapping Taiwanese Cinema, 2008-20. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781474478274.003.0006.

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This chapter investigates the mapping of interior space in a range of recent films that have opted to situate significant portions of their dramas in relatively confined living quarters: flats, apartments, and houses. At stake in films such as Exit (Chienn Hsiang, 2014), Black Sheep (Bon An, 2016), Sen Sen (Bon An, 2018), More Than Blue (Lin Hsiao-Chien, 2018) and Dear Ex (Hsu Yu-Ting & Hsu Chih-Yen, 2018) are commonly accepted notions of what the domestic and the familial entail. Preoccupied with the home as an unhealthy, ailing space, these films arguably rework a Taiwanese tradition of

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Conference papers on the topic "Yu family, of Chŏnju"

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Estejab, Bahareh, and Francine Battaglia. "A CFD Study of Existing Drag Models for Geldart A Particles in Bubbling Fluidized Beds." In ASME 2014 4th Joint US-European Fluids Engineering Division Summer Meeting collocated with the ASME 2014 12th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/fedsm2014-21134.

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In this study, seven drag models are examined to determine how they affect fluidization behavior of Geldart A particles of biomass and coal. Notwithstanding the notable number of numerical studies to find the best drag model for larger particles, there is a dearth of information related to drag models for finer Geldart A particles. Additionally, to our knowledge, these drag models have not been tested with a binary mixture of Geldart A particles. Computational fluid dynamics was used to model the gas and solid phases in an Eulerian-Eulerain approach to simulate the particle-particle interactio

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Ke, Lingyan. "Two Poets, One Moon: A Comparison of Su Shi and Samuel Taylor Coleridge." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8399.

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Only a few decades ago, Western scholars of comparative literature tended to argue that any English-Chinese comparison was “futile or meaningless” (Yu, 162). As this discipline evolves, however, this previous notion is being replaced by the perspective that “a glimpse of the otherness of the other can produce new perspectives on our own faces in the great mirror of culture” (Hayot, 90). My thesis contributes to this stream of innovation by bringing into comparison the function of the moon in Su Shi’s “Water Melody” and in Samuel Coleridge’s “Dejection: An Ode”, finding that in both poems, the

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Gogolevich, T. E. "САМОПОВРЕЖДАЮЩЕЕ ПОВЕДЕНИЕ СОВРЕМЕННЫХ МОЛОДЫХ ЛЮДЕЙ: ЧТО ЗА НИМ СТОИТ? ПРИМЕР ПОМОЩИ МЕТОДОМ ТЕРАПИИ ТВОРЧЕСКИМ САМОВЫРАЖЕНИЕМ (М.Е. БУРНО) В СЛУЧАЕ С САМОПОВРЕЖДЕНИЯМИ". У ПЕРВЫЙ МЕЖКОНТИНЕНТАЛЬНЫЙ ЭКСТЕРРИТОРИАЛЬНЫЙ КОНГРЕСС «ПЛАНЕТА ПСИХОТЕРАПИИ 2022: ДЕТИ. СЕМЬЯ. ОБЩЕСТВО. БУДУЩЕЕ». Crossref, 2022. http://dx.doi.org/10.54775/ppl.2022.87.78.001.

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The relevance of the topic is caused by the growth of non-suicidal self-injury behavior (NSSI) of young people in Russia (7.5-46.5% according to E.Lyubov, P.Zotov, G.Bannikova, 2019) against the backdrop of growing multifaceted stress. At the regional conference of the Samara region (April 2022), they talked about an even sharper increase in NSSI over the past 2 years. In my experience, there are different nosological groups of Russian patients aged 17-21. Among the reasons for self-harm, they noted: self-doubt, uncertainty about the future, changes in spiritual values, social pessimism, lack

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Скакова, И. В. "SIGNIFICANT-SYMBOLIC CULTURE OF MEDIEVAL TEMPLE BUILDERS: REPERTOIRE OF SIGNS ON THE BUILDING CERAMICS OF BYZANTINE GIENOS." In Проблемы сохранения объектов культурного наследия и новейшие цифровые технологии. Crossref, 2025. https://doi.org/10.54874/9785605334910.2025.1.08.

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Знаки и метки, оставленные на массовом строительном материале (каменные блоки, кирпичи, черепица), являются одной из наименее изученных символических систем древности и средневековья. Планомерное их изучение только начинается. Для средневековых храмов Армении строительные знаки были впервые суммированы А. Ю. Казаряном, для Семикаракорской крепости — В. С. и В. Е. Флёровыми, для средневекового Дербента — М. С. Гаджиевым. Но для уверенной интерпретации и понимания их символического значения по-прежнему не хватает данных. Особенно сложны для интерпретации знаки на строительной керамике, которые м

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