Relevant bibliographies by topics / Yuan drama (zaju)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Yuan drama (zaju)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Yuan drama (zaju)"

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Zhao, Xiaohuan. "Love, Lust, and Loss in the Daoist Nunnery as Presented in Yuan Drama." T’oung pao 100, no. 1-3 (November 24, 2014): 80–119. http://dx.doi.org/10.1163/15685322-10013p03.

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Most studies of either Daoist influences and features or love and romance in Yuan drama concentrate on the male-dominated theme of deliverance (dutuo) or center on the “scholar-beauty” or “scholar-courtesan” romantic relationship, with little attention given to Daoist women involved in love affairs or marriage arrangements. This article aims to bring to light life and love in the Daoist nunnery as featured in Yuan drama, by focusing on transgressive Daoist nuns longing for secular life and sensual love and on lay women whose marriages are arranged by Daoist nuns. Four zaju plays have been selected for textual and thematic analysis, namely, Yuanyang bei (The Mandarin-Duck Quilt), Wangjiang ting (The River-viewing Pavilion), Nüzhen guan (The Cloister of Female Daoists), and Zhuwu ting qin (Listening to the Zither from a Bamboo-Thicketed Cottage). La majorité des études consacrées, suivant les cas, aux influences et aux éléments taoïstes ou aux intrigues romantiques dans le théâtre Yuan, se concentrent soit sur le thème masculin de la délivrance (dutuo), soit sur les idylles entre “lettrés et beautés” ou “lettrés et courtisanes”. En revanche on s’est peu intéressé aux exemples de femmes taoïstes impliquées dans des relations amoureuses ou dans des négociations matrimoniales. Cet article cherche à mettre en évidence la vie et l’amour dans les couvents taoïstes tels que les donne à voir le théâtre Yuan en évoquant des nonnes poussées à transgresser les règles par leur désir de vie laïque et d’amour sensuel et des femmes laïques dont le mariage est arrangé par des nonnes. Quatre pièces de zaju ont été choisies pour une analyse textuelle et thématique : Yuanyuan bei (La couverture aux canards mandarins), Wangjiang ting (Le pavillon donnant sur le fleuve), Nüzhen guan (Le couvent taoïste) et Zhuwu ting qin (Écouter la cithare dans la chaumière).
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2

김광영. "The Study on Buddhist Drama of Yuan Zaju - By the Point with the Unity of Three Religion." Journal of Chinese Cultural Studies ll, no. 37 (August 2017): 55–76. http://dx.doi.org/10.18212/cccs.2017..37.003.

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Vetrov, Viatcheslav. "CLASSICAL CHINESE DRAMA (YUAN ZAJU) IN THE LIGHT OFGEN KAN ZATSUGEKI NO KENKYŪ元刊雜劇の 研究(STUDIES ON THE YUAN ZAJU PLAYS PRINTED IN THE YUAN): SOME NOTES ON THE PRESENT-DAY STATE OF RESEARCH." Monumenta Serica 59, no. 1 (December 2011): 503–25. http://dx.doi.org/10.1179/mon.2011.59.1.026.

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김광영. "The Study on 「Journey to the West」 Drama of Yuan Zaju — About Image of Character of Tang Seng XuanZang." Journal of Chinese Cultural Studies ll, no. 39 (February 2018): 149–72. http://dx.doi.org/10.18212/cccs.2018..39.007.

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Kim, Kwang-young. "The Comparitive Study on 〈Poetry of Datang San Zang Sutra〉 And 〈Journey to the West〉 drama of Yuan Zaju - Focusing on Comicality." JOURNAL OF CHINESE HUMANITIES 72 (August 31, 2019): 307–22. http://dx.doi.org/10.35955/jch.2019.08.72.307.

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Dissertations / Theses on the topic "Yuan drama (zaju)"

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譚達先 and Tat-sin Tam. "Folk literature and the Zaju (Northern drama) of the YuanDynasty, 1279-1368." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31232395.

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Hsieh, Juite, and 謝睿德. "The Use of the “Triadic Repetitive Conduct” and the “Triadic Discrete Things” in Yuan Drama (Yuan zaju)." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/52748109521366496090.

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Wang, Shih-Pe, and 汪詩珮. "A Rediscovery of the Study of the Yuan Northern Drama through Thirty Zaju Printed in the Yuan Dynasty." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/74462749112608955086.

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博士
國立清華大學
中國文學系
94
The aim of this dissertation is to provide a rediscovery of the study of the Yuan Northern Drama through the subtle analysis of the Yuankan zaju sanshizhong (Thirty zaju printed in the Yuan Dynasty). The Introduction proposes three submerged problems from the study of Yuan zaju, of which most important is to correct the flaw of treating Yuanqu xuan editions of late-Ming period as the research texts of the Northern Drama. For a comparably historical truth, our study should rely mostly on the Yuan editions. Chapter One focuses on the study of editions and printing culture, beginning with categorizing thirty plays by their editorial features, solving the puzzle of the printing location, and ending with deducing the probable readers and publishing purpose. Chapter Two reexamines the format of Yuan zaju by using these thirty Yuan editions as examples, including its textual structure, the characters the actors had played, and the End Titles. I found the format of Yuan zaju full of diversity and flexibility, not as the general idea of the simplified and standardized style which actually was “unified” by the late-Ming literati. Chapter Three is not just a discussion of the theater art of Yuan zaju. Through the observation on actors’ performance, playwrights and their possible writing motives, theatrical occasions and the audience, I try to present the dynamic and continuous relations and influences of the above factors, which also show the way of dissemination and reception of the Yuan drama, learning more or less how the theater as a social context. The final brief conclusion also provides a short case study of Yuan xiwen, revealing the impact of Yuan zaju on the contemporary xiwen, which can develop as a potential research perspective and as a complementary point of this dissertation.
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Hsin, Tsai Hsin, and 蔡欣欣. "A Study of the Development of Acrobatics and Chinese Drama from Pre-Chin Jiaodi to Yuan Zaju." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/53382010834048749421.

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"The Frustrations of Heaven's Fragrance: An Analysis and Translation of Guan Hanqing's Qian Dayin zhichong Xie Tianxiang." Master's thesis, 2011. http://hdl.handle.net/2286/R.I.9109.

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abstract: This thesis examines the play Qian Dayin zhichong Xie Tianxiang, written by the Yuan dynasty (1271-1368) playwright Guan Hanqing (c.1225-1302). The first chapter of this paper provides brief background information about northern style Yuan drama (zaju) as well as a plot summary and notes about the analysis and translation. Through a close reading of the play, I hope to illustrate how the play's complicated ending and lack of complete resolution reveals why it has received relatively little attention from scholars who have previously discussed other strong, intelligent female characters in Guan Hanqing's plays. The second chapter of this thesis includes translation of the play that is comprised of a wedge preceding the four acts. Before each act of the play is a critical introduction and analysis of the act to follow. Although many of Guan Hanqing's plays have been translated into English, this play has never been translated.
Dissertation/Thesis
M.A. Asian Languages and Civilizations 2011
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6

"Playing Roles: Literati, Playwrights, and Female Performers in Yuan Theater." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53777.

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abstract: This dissertation investigates how Yuan zaju drama reshaped Chinese culture by bridging the gap between an inherently oral tradition of popular performance and the written tradition of literati, when traditional Chinese political, social, cultural structures underwent remarkable transformation under alien rule in the Yuan. It focuses on texts dated from the thirteenth to the fifteenth century by literati writers about playwrights and performers that have been treated by most scholars merely as sources of bio-bibliographical information. I interpret them, however, as cultural artifacts that reveal how Yuan drama caused a shift in the mentality of the elite. My study demonstrates that Yuan drama stimulated literati thought, redefined literati self-identity, and introduced a new significance to the act of writing and the function of text. Moreover, the emergence of a great number of successful female performers challenged the gendered roles of women that had been standardized by the traditional Confucian patriarchal system. This careful uncovering of overlooked materials contributes to a better understanding of the social and cultural world of early modern China.
Dissertation/Thesis
Doctoral Dissertation East Asian Languages and Civilizations 2019
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Books on the topic "Yuan drama (zaju)"

1

Study on the Thematic, Narrative, and Musical Structure of Guan Hanqing's Yuan Zaju "Injustice to Dou'E". Lang Publishing, Incorporated, Peter, 2015.

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