Relevant bibliographies by topics / Yuan Shikai

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Yuan Shikai'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Yuan Shikai"

1

Young, Ernest P. "Yuan Shikai: A Reappraisal." Chinese Historical Review 26, no. 1 (January 2, 2019): 90–92. http://dx.doi.org/10.1080/1547402x.2019.1583932.

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KOJI, HIRATA. "Britain's Men on the Spot in China: John Jordan, Yuan Shikai, and the Reorganization Loan, 1912–1914." Modern Asian Studies 47, no. 3 (October 1, 2012): 895–934. http://dx.doi.org/10.1017/s0026749x12000455.

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AbstractIn this paper I examine British policy towards the Yuan Shikai government in China between 1912 and 1914 through a consideration of the role of Britain's ‘men on the spot’ in China (i.e. British diplomats and bankers resident there). In doing so, I synthesize two bodies of literature that rarely interact: British imperial history and work by China historians. Three main elements shaped British policy in China: first, British policy-makers were determined to support Yuan Shikai's consolidation of power in China; second, in the making of its China policy, the Foreign Office relied heavily on Britain's men on the spot; and, finally, these men were anxious about the vulnerability of the Yuan Shikai government and were therefore manipulated to a certain extent by Chinese politicians. I suggest that British policy-makers were reacting to, rather than controlling, Chinese politics and that in this period collaboration with British imperialism was a rational choice for the Yuan Shikai government.
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Zenghui, Xu. "Yuan Shikai and the Tongcheng School." Chinese Studies in History 51, no. 2 (April 3, 2018): 133–46. http://dx.doi.org/10.1080/00094633.2018.1496751.

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Weigelin-Schwiedrzik, Susanne. "Book review: Yuan Shikai: A Reappraisal." China Information 34, no. 2 (July 2020): 305–7. http://dx.doi.org/10.1177/0920203x20927568i.

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Lam, Tong. "Policing the Imperial Nation: Sovereignty, International Law, and the Civilizing Mission in Late Qing China." Comparative Studies in Society and History 52, no. 4 (October 2010): 881–908. http://dx.doi.org/10.1017/s0010417510000496.

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On 15 August 1902, a battalion of Chinese police officers under the command of Superintendent Zhao Bingjun marched into city center of Tianjin and toward the Yamen Complex, the ceremonial site where the Eight Power Alliance was handing back the city to Governor General Yuan Shikai after two years of occupation following the Boxer Uprising. As they approached the complex, allied officials and commanders, standing with Yuan Shikai and his entourage under a “Friendship Forever” banner, were shocked and dismayed. As one of the preconditions for its resumption of the control of the city, the Qing government had agreed to the allied demand that its troops would not enter the vicinity of Tianjin, and some allied officials had even thought that Yuan would be compelled to beg the allied forces to stay and continue to maintain law and order. Yuan Shikai's sudden show of forces was a slap in their faces and potentially a violation of an international agreement. “What is the meaning of this?” asked an allied representative with raised voice. “Look carefully. These are not troops,” Yuan replied with a smirk, “They are policemen.” Not knowing what to do, allied officials pointed fingers at each other, blaming the stupidity of those who had designed the agreement. “It is not we who are stupid,” one said, “It is Yuan Shikai who is so cunning.”
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Harrison, Henrietta. "Patrick Fuliang Shan. Yuan Shikai: A Reappraisal." American Historical Review 125, no. 1 (February 1, 2020): 213–14. http://dx.doi.org/10.1093/ahr/rhz638.

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Polit, Jakub. "Pożegnanie z łotrem? Yuan Shikai w świetle nowych badań." Prace Historyczne 147, no. 3 (2020): 505–27. http://dx.doi.org/10.4467/20844069ph.20.028.12482.

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Parting with a villain? Yuan Shikai in light of new research Yuan Shikai, the military strongman of late Qing Empire, talented administrator and reformer, crucial figure during the 1911 (Xinhai) Republican Revolution, president with dictatorial power and, finally, a self-proclaimed emperor, is the most controversial figure of 20th-century China. After his death during the civil war that his actions provoked, historiography (communist and non-communist) portrayed Yuan as traitor and chief villain. In following years Yuan was almost unanimously denounced by Soviet (S.L. Tikhvinsky, O. Nepomnin) and Western (L. Sharman, E. Hummel) historiography. His first biography, written by Jerome Ch’en in 1960, fully upheld this portrait. Significant studies (1968 and 1977) of Ernest P. Young, based on important primary sources, went unnoticed at the time. It was also the case with Stephen McKinnon’s volume on Yuan as brilliant Qing official in Tianjin and Beijing between 1901 and 1908. During the two last decades of the 20th century some smaller studies changed this unfavorable portrait. In the eyes of Marie-Claire Bergère, Madleine Ch’i, Luke Kwong and Henerietta Harrison, Yuan appears as a far-sighted statesman and defender of Chinese raison d’état. The last biography written by Patrick Fuliang Shan portrays Yuan as an extremely power-hungry and astute politician and as a conservative reformer and modernizer, at the same time. His political failure was both his personal tragedy and a catastrophe of the Chinese nation.
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Büttner, Clemens. "Yuan Shikai: A Reappraisal by Patrick Fuliang Shan." Twentieth-Century China 45, no. 1 (2020): E—3—E—5. http://dx.doi.org/10.1353/tcc.2020.0003.

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Fang, Qiang. "Yuan Shikai: A Reappraisal by Patrick Fuliang Shan." China Review International 24, no. 2 (2017): 137–40. http://dx.doi.org/10.1353/cri.2017.0024.

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Hickman, John. "Yuan Shikai: A Reappraisal by Patrick Fuliang Shan." Journal of Global South Studies 36, no. 2 (2019): 427–29. http://dx.doi.org/10.1353/gss.2019.0028.

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Dissertations / Theses on the topic "Yuan Shikai"

1

Chow, Lai-wah Lourdes. "Sino-American relationship during the presidency of Yuan Shih-K'ai : perception and reality /." [Hong Kong : University of Hong Kong], 1987. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12368076.

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DiMarco, Francesco. "Reframing Yuan Shikai: The Institutional, Rhetorical, and Religious Foundations of the Monarchical Attempt, 1915-1916." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1494098076311169.

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Li, Liming. "Cong gong jiang dao yi shu jia : Qing mo yi lai Guangdong Shiwan tao ci cong ye yuan de shen fen di wei jian gou /." View abstract or full-text, 2005. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202005%20LI.

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Chan, Man-Hon, and 陳文瀚. "The Beliefs and Practices of Yuan Shikai." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/568g7t.

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碩士
國立政治大學
歷史學系
106
Abstract Yuan Shikai was a member of the Newly Created Army who rose to fame during the late Qing dynasty and became a powerful government official with both military and political influences over new policies and systems of the Qing dynasty. However, Yuan’s ethnic identity as Han Chinese had affected his credibility status among royal Manchurian members. Following the death of the Empress Dowager Cixi, Yuan was forced to resign, using “foot disease” as a pretext. The inability of the Qing government to subdue the uprisings of the Xinhai Revolution created an opportunity for Yuan re-enter the power game and forge strong ties with members of the Qing government and the Chinese Revolutionary Party. Yuan had played a significant role in the transition from the Qing Dynasty to the Republic of China, but since then, the Republic of China plunged into a political quagmire resulting from constant tensions between Yuan’s leading party and the Chinese Revolutionary Party. This prompted Yuan to become an emperor, after which he was faced with widespread criticism and eventually died from uremia. The objective of this paper was to examine the situations and environment faced by Yuan Shikai and interpret his political beliefs and how he actualized these beliefs. As an imperative character of the late Qing dynasty to the early years of the Republic of China, Yuan Shikai is both highly representative and significant in reflecting the thoughts and beliefs of the people of his generation. A systematic exploration of Yuan’s personal beliefs facilitates restoring the primitive state of history to effectively portray the true image of this key historical character.
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"Politics and Patronage: A Re-examination of Late Qing Dynasty Porcelain, 1850-1920." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53711.

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abstract: ABSTRACT Art historians typically consider Chinese porcelain a decorative art, resulting in scholars spending little time analyzing it as a fine art form. One area that is certainly neglected is porcelain produced during the late 19th and early 20th century during the late Qing dynasty (1644–1911) into the early Republic period (1912–1949). As the Qing dynasty weakened and ultimately fell in 1911, there was a general decline in the quantity of porcelain produced in China. Due to this circumstance, porcelain of this era has not received the detailed analysis, characterization of styles, comprehension of themes, and understanding of patronage evident in other periods of Chinese porcelain production. Ultimately, limited research has been conducted to establish the styles associated with late dynastic porcelain into the early Republic’s establishment. This dissertation utilizes a new perspective that considers the patronage of the Empress Dowager Cixi (1835-1908) as a high point of late dynastic porcelain. Concrete documentation establishes that motifs were appropriated from Cixi’s painting, suggesting a direct connection between schools of painting and the imagery selected for porcelain during her reign. The porcelain Cixi influenced directly guided the porcelain produced during the Hongxian era (1915-1916), making Cixi’s patronage the key turning point from dynastic porcelain to early Republic porcelain. Utilizing predominately British collections, this study identifies the styles, symbols, and themes associated with porcelain of the 19th and 20th century, elevating late dynastic and early Republic wares to the status of fine art.
Dissertation/Thesis
Doctoral Dissertation Art History 2019
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Hui, Chen Ching, and 陳靜慧. "Study of Yuan Mei''s Suiyan Shidan." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/55904762450049403878.

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碩士
淡江大學
中國文學系碩士在職專班
96
Yuan Mei''s Suiyuan Shidan may be considered the most important dietary books in traditional China, and the most important reference book for modern chefs. There are five chapters in this study. Chapter one is introduction including motivation, purpose and the other scholarship’s studies. Chapter two is the literature review about dietary history to understand how the dietary literature informed in the past. Many dietary books are published in Ming and Chiang dynasty. Suiyuan Shidan is one of the important book. Chapter three is the common of Yuan Mei , the Suiyuan Shidan author, about the introduction and versions to know the writing background. Chapter four is the content of Suiyuan Shidan. Shi-Chi sheet and Jiae sheet are the most important parts in this book, the cooking theory and the dietary concept. Analysis more than 300 recipes according to food kinds and cooking methods. Chapter five is conclusion. Combine the theory of dietary culture and the practice of life application to create the life beauty practice of the Suiyuan Shidan.
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Jiang﹐Jhih-zong and 江志宗. "A Case study of Shijia Zhen Li Yuan Beiguan Music Club in Taichung." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/f6u7ry.

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碩士
國立臺北藝術大學
傳統音樂學系碩士班
105
Beiguan is a music genre and a form of popular culture often heard in traditional feasts like weddings and funerals. It was by chance that Mr. Jiang Jen-Ji from an amateur club, founded “Zhen-Li-Yuan” or the Beiguan Professional group in Shijia, Taichung in order to revive the spirit of Li Yuan, Despite of the inheritance of the old club historical relic, performance, taboo, and the Beiguan technique. This paper has made a comparison between “Zhen-Li-Yuan” in Shijia, Taichung and “ Li-Chuen-Yuan” in Changhwa based on the Ritual Refined songs. It has found a possible origin connection between the two. This study is composed of three parts. The first part describes the buildings and historical development as well as the background of the club, including the development of the Beiguan professional gtoup or Zhen-Li-Yuan, which consists of family members. There are also records of competition with Beiguan Xhan Yuan faction in the Central Taiwan district. The second part discusses the various instruments and cultural relics from “Zhen-Li-Yuan” and explores the link to its former club along with the change and development that occurred due to market demand. The last part details performances/events, club taboos and ceremonies in the development of “Zhen-Li-Yuan”, which are closely related to folk culture and religious taboos. This study has found a symbolic significance in many taboos relating to “Zhen-Li-Yuan”, and some of these led to a cohesive integration of the group and management of its members. Through comparing, “Fuyangge” and “Xingshimi”, the performance documentations of these two Ritual Refined songs from Zhen-Li-Yuan and Li-Chuen-Yuan, we could find a possible relationship of transmission from master to disciple between these two clubs. It is hoped that this study may provide future researchers with a more comprehensive understanding of Shijia, Taichung’s “Zhen-Li-Yuan” and attract wider attention to Beiguan art in order to revitalize Beiguan culture.
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Lai, Liang-Yin, and 賴亮吟. "Yuan Mei’s Suiyuan Shidan and the Dietary Culture of the Jiangnan Region during the High Qing Period." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/16895551063257888337.

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碩士
東吳大學
歷史學系
97
This thesis is intended to explore the historical background and its cultural implication of the recipe entitled Suiyuan Shidan, composed by the famous scholar Yuan Mei (1716-1797) of the Qing Dynasty. The first chapter deals with the tradition and development of Chinese recipes. In the second chapter, it is to discuss Yuan Mei’s thinking and his life style with an attempt to better understand his dietary taste and the formulation of the recipe. The last chapter aims at the social background reflected in the recipe SuiyUan Shidan, and its impact on the Chinese dietary culture and the writing of dietary literature after the period of the High Qing.
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Books on the topic "Yuan Shikai"

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Han, Zuo. Yuan Shikai. Taibei: Tian y"uan chu ban she, 1987.

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Yuan Shikai. Beijing Shi: Tuan jie chu ban she, 1998.

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Han, Zuo. Yuan Shikai. Taibei: Tian yuan chu ban she, 1987.

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Han, Zuo. Yuan Shikai. Xianggang: Dong xi wen hua shi ye chu ban gong si, 1988.

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Fang, Ke. Yuan Shikai. Beijing: Min zu chu ban she, 2003.

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Yuan lai Yuan Shikai. Xianggang: Zhonghua shu ju (Xianggang) you xian gong si, 2004.

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Huo, Bilie. Yuan Shikai zhuan. Taibei Shi: Guo ji wen hua shi ye you xian gong si, 1988.

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Yuan Shikai zhuan. Tianjin Shi: Bai hua wen yi chu ban she, 2003.

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Yuan Shikai, Yuan Kewen, Yuan Jialiu. Shijiazhuang Shi: Hebei jiao yu chu ban she, 2002.

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Chuanan, Qin, ed. Luan shi Yuan Shikai. Beijing: Zhong yang bian yi chu ban she, 2013.

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Book chapters on the topic "Yuan Shikai"

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Ko, Humphrey. "Yuan Shikai and His Cement Corporation: The Flight of State Power." In The Making of the Modern Chinese State, 67–93. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-2660-7_4.

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Wong, Aida Yuen. "Monarchist Ambition in China’s New Republic: Illustrated Manual of Dress for Ritual Sacrifice for Yuan Shikai’s Presidency." In Fashion, Identity, and Power in Modern Asia, 69–89. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97199-5_4.

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"The Residency of Yuan Shikai." In Tradition, Treaties, and Trade, 128–63. BRILL, 2008. http://dx.doi.org/10.1163/9781684174676_007.

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Bandeira, Egas Moniz. "The 22 Frimaire of Yuan Shikai." In Planting Parliaments in Eurasia, 1850–1950, 150–87. Routledge, 2021. http://dx.doi.org/10.4324/9781003158608-6.

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"Yuan Shikai and ‘Commercial Warfare’ in Korea." In Tradition, Treaties, and Trade, 197–230. BRILL, 2008. http://dx.doi.org/10.1163/9781684174676_009.

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Kam, Tan See. "Warlords, History, and the Democratic Dream." In Tsui Hark's Peking Opera Blues. Hong Kong University Press, 2016. http://dx.doi.org/10.5790/hongkong/9789888208852.003.0003.

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This chapter explores the film’s historical situatedness in terms of specific events in China: the Wuhan uprising (1911), the Xinhai Revolution, the development of the Chinese Republic (1912), the Revolutionary Alliance’s Kuomintang, the elections of 1913, the Republican dream of electoral democracy and warlordism. Leaders, like Yuan Shikai and in particular Sun Yat-sen, alongside fictionalized entities such as the two warlords, General Tsao (Cao) and General Tun (Duan), and the revolutionary fervor, democratic reforms and dreams, monarchist revivalism and revolutions which variously went along with them, are central to reading the film’s fiction-historical continuum (set in Peiping 1913) and for rethinking and reimagining the Chinese democratic dream of the Republican period. The result is that Peking Opera Blues generally demonstrates that any envisioned Chinese democracy was, then, and most especially now for contemporary Hong Kong, still elusive.
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"The man who died twice – Wangfujing – a literary traveller – the end of the Qing – Morrison and Yuan Shikai – a sad coda – Palm Sunday in Sidmouth." In Long Peace Street. Manchester University Press, 2021. http://dx.doi.org/10.7765/9781526158741.00027.

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"Yuan Shikai’s Foreign Model for China." In China’s Local Councils in the Age of Constitutional Reform, 1898–1911, 37–52. BRILL, 1995. http://dx.doi.org/10.1163/9781684173013_004.

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