Relevant bibliographies by topics / Yuan, Zhen

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Yuan, Zhen'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Yuan, Zhen"

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Dainian, Zhang. "THE HISTORICAL SIGNIFICANCE OF FENG YOULAN'S ZHEN YUAN LIU SHU." Journal of Chinese Philosophy 21, no. 3-4 (1994): 283–301. http://dx.doi.org/10.1111/j.1540-6253.1994.tb00690.x.

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Dainian, Zhang. "The Historical Significance of Feng Youlan’s Zhen Yuan Liu Shu." Journal of Chinese Philosophy 21, no. 3-4 (1994): 283–301. http://dx.doi.org/10.1163/15406253-0210304009.

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Smith, Richard J. "Fathoming the Changes: The Evolution of Some Technical Terms and Interpretive Strategies in Yijing Exegesis." Journal of Chinese Philosophy 40, no. 5 (2013): 146–70. http://dx.doi.org/10.1163/15406253-04005013.

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This essay maps the changing contours of Yijing (Classic of Changes, aka Changes) exegesis, focusing in particular on certain specialized terms that deal with the related problems of “knowing fate” (zhiming ) and “establishing fate” (liming ). Among the concepts to be discussed (listed alphabetically in pinyin transliteration) are hui , ji , jiu , li , li , lin , wang , heng , wujiu , xiong , yong , yuan , and zhen .
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Chao, Xue-lin, Shu-zhen Jiang, Jian-wen Xiong, et al. "Erratum to: Changes of Serum Insulin-like Growth Factor-2 Response to Negative Symptom Improvements in Schizophrenia Patients Treated with Atypical Antipsychotics." Current Medical Science 40, no. 5 (2020): 997. http://dx.doi.org/10.1007/s11596-020-2256-3.

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The article “Changes of Serum Insulin-like Growth Factor-2 Response to Negative Symptom Improvements in Schizophrenia Patients Treated with Atypical Antipsychotics”, written by Xue-lin CHAO, Shu-zhen JIANG, Jian-wen XIONG, Jin-qiong ZHAN, Bo WEI, Chun-nuan CHEN, Yuan-jian YANG was originally published electronically on the publisher’s internet portal on June 2020 without open access. With the author(s)’ decision to opt for Open Choice, the copyright of the article is changed to © The Author(s) 2020 and the article is forthwith distributed under a Creative Commons Attribution 4.0 International License (https://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.
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Huihui, Li, Wang Jing, Zhen Shuang, and He Siyun. "A catering economic survey of steamed dishes in Wuhan based on big data of Meituan application." E3S Web of Conferences 253 (2021): 02030. http://dx.doi.org/10.1051/e3sconf/202125302030.

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The origin, quantities distribution and different market positioning of steamed dishes stores in Wuhan were analyzed based on the big data of Meituan application. By April 2020, there were a total of 230 steamed dishes restaurants in Wuhan, mainly distributed in Hongshan district (63), Jianghan district (47) and Wuchang district (35). Now the largest steamed dishes restaurant chains was "Zhen Kungfu" originated from Cantonese cuisine while "Liuyang steamed dishes” and "Zhen Liuji" restaurants were in the second place which came from "Home of steamed dishes in China". All of them were rapidly expanding in the form of Chinese fast-food chains in recent years and located either near the business district or the airport/station. On the contrary, "Mianyang three streamed dishes" restaurants with regional characteristics was few and scattered. It had not yet formed a scale with its unclear product positioning. A survey of consumers' preference showed that about 22% of consumers chose steamed dishes when eating out. With the increase of age, more and more people would opt for steamed dishes. Half of consumers over 40 chose steamed dishes. On the other hand, there were double peaked at 20 Yuan and 45 Yuan per person in consumers’ psychological prices. These results would provide reference for the development of "Mianyang three streamed dishes" and Wuhan catering economy.
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Chan, Timothy Wai Keung. "A Tale of Two Worlds: The Late Tang Poetic Presentation of The Romance of the Peach Blossom Font." T'oung Pao 94, no. 4 (2008): 209–45. http://dx.doi.org/10.1163/008254308x385879.

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AbstractThis article examines late Tang poetic representations of the early fifth-century tale of Liu Chen and Ruan Zhao's romance with divine maidens at a Shangri-La-like peach blossom font. Shi poems by such poets as Liu Yuxi (772-822) and Yuan Zhen (779-831), and a group of Huajian ("among the flowers") ci poems under the tune "Nüguanzi" ("The Daoist Priestess") by Wen Tingyun (ca. 812-866) and others, reveal the exploration of the old tale as a rich source of allegorical tropes. In particular, the late Tang poets consistently revitalize the Liu-Ruan tale's bifurcation between the immortal and the mortal worlds, a division between "two worlds" that enabled them to express a range of different meanings at different levels, for example in politics or when talking of love affairs. Cet article s'intéresse aux représentations chez les poètes de la fin des Tang du récit (remontant au début du ve siècle) de l'idylle entre Liu Chen et Ruan Zhao et de jeunes immortelles à une source aux pêchers évoquant le paradis terrestre. Les poèmes shi de Liu Yuxi (772-822) ou Yuan Zhen (779-831), ainsi qu'un groupe de ci "parmi les fleurs" (huajian) sur l'air de la "prêtresse taoïste" (Nüguanzi) par Wen Tingyun (ca. 812-866) et d'autres, montrent qu'on trouvait dans ce vieux récit une riche source de tropes allégoriques. En particulier, les poètes de la fin des Tang se sont systématiquement appliqués à revivifier le thème de la bifurcation entre le monde des immortels et celui des mortels sur laquelle repose l'histoire de Liu et Ruan. Cette division entre deux mondes leur permettait d'exprimer des contenus à des niveaux variés, par exemple dans le domaine politique ou dans celui des relations amoureuses.
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Joon yon Hwang. "A Study about the Types of Interpretations of ‘Yuan Heng Li Zhen’ in the Book of Changes." Journal of Ethics 1, no. 76 (2010): 195–217. http://dx.doi.org/10.15801/je.1.76.201003.195.

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Shields, Anna M. "Defining Experience: The "Poems of Seductive Allure" (Yanshi) of the Mid-Tang Poet Yuan Zhen (779-831)." Journal of the American Oriental Society 122, no. 1 (2002): 61. http://dx.doi.org/10.2307/3087653.

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Li, Ruoxi. "Research on the Similarities between the Plot of Ji Chun Tai and Content of Sichuan Opera." Theory and Practice in Language Studies 8, no. 8 (2018): 1064. http://dx.doi.org/10.17507/tpls.0808.21.

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Ji Chun Tai is the masterpiece of Sichuan dialect on late Qing Dynasty, composed of 40 vernacular short stories. It is divided into four parts, namely, Yuan Ji, Heng Ji, Li Ji, and Zhen Ji. Each part contains ten short stories. The author of Ji Chun Tai is a literator from Zhong Jiang who failed in imperial examination System in late Qing Dynasty. There are a large number of Sichuan Opera elements in those forty vernacular short stories. Generally speaking, the plot of Ji Chun Tai is full of ups and downs, together with relatively concentrated conflicts, which reflects the characteristics of Sichuan opera. Besides, the thought of persuasion and punishment, strong superstitious color, and detective story in Ji Chui Tai are combined together to reflect the characteristics of Sichuan Opera.
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WANG, TZI-CHENG. "Wu Zhen's poetic inscriptions on paintings." Bulletin of the School of Oriental and African Studies 64, no. 2 (2001): 208–39. http://dx.doi.org/10.1017/s0041977x0100012x.

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Research to date on the Yuan Dynasty painter Wu Zhen (1280–1354) has concentrated on his paintings, but his poetic inscriptions on paintings have been relatively neglected, even though they are of a high standard. This article seeks to redress the balance by focusing on Wu Zhen's poetic inscriptions on paintings by his own hand and those of past masters, and argues that inscriptions and colophons are an essential key to understanding Chinese literati art. It examines the literary functions of Wu Zhen's poetic inscriptions, and includes an exploration of the depiction of objects, the narrative, discursive and symbolic aspects, the lyrical qualities, and the expansion of time, space and vision of the paintings, as well as the relationship between the two media, in order to appreciate their wholeness.
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Dissertations / Theses on the topic "Yuan, Zhen"

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Zhu, Sicong. "Poetic feeling in a thatched pavilion attributed to the Chinese Yuan artist Wu Zhen." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/4983.

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In this thesis, I explored the visual and textual connotations of the handscroll painting Poetic Feeling in a Thatched Pavilion attributed to the Chinese Yuan dynasty artist Wu Zhen, and discussed this piece of work in terms of its relation to the long history of Chinese literati painting.
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Chau, Wai-kwan. "Empress Qi and Late Yuan politics Qi huang hou yu Yuan mo zheng zhi /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31786352.

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Fung, Yiu-shing. "Zheng Guanying's (1841-1923) ideas of parliamentary reform as expounded in his Shengshi Weiyan Zheng Guanying "Sheng shi wei yan" zhong de yi yuan gai ge si xiang /." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/hkuto/record/B31951971.

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Zhang, Shifei. "Shanghai ai zheng zi zhu zu zhi yan jiu zu yuan can yu, she hui zhi chi he she hui xue xi de zeng quan xiao guo /." online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3025931.

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Leung, Sze-lok, and 梁思樂. "A study on the locations of capitals and the planning of administrative districts in the Tang, Song and Yuan dynasties = Tang, Song, Yuan san zhao guo du xuan zhi yu zheng qu gui hua yan jiu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196084.

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In the discipline of Historical Geography, capital location and planning of administrative districts are crucial issues. Since they have often been considered as two separate topics, attention, if any, has scarcely been paid to the relationship between them. The capital of China was transferred eastwards from Chang’an in the Tang dynasty to Kaifeng in the Song dynasty and then to Dadou in the Yuan dynasty, a critical transitional period in Chinese history which spanned three dynasties and seven hundred plus years. The way how administrative districts were planned changed with these transfers. This research investigates the relationship between the location of capitals and the planning of administrative districts with reference to these three dynasties. This thesis is comprised of eight chapters. The first one is an introduction, which briefly discusses how Confucianism sees the relationship between the location of capitals and the planning of administrative districts. This chapter also includes a literature review, research methodologies and the significance of this research. What follows is an elucidation of the Centre Theory (Juzhonglun居中論), which is concerned with the location of the capital. The chapter will probe into how the theory came into being, its significance, where the centre of ‘the world’ (tianxia天下) was, and look into how this theory was influential as a factor in determining the location of the capital before the Tang dynasty. The third chapter explains the locations of the capitals in the three dynasties with reference to the Centre Theory. It was found that the location of the capitals in the three dynasties accorded with the principles of the Centre Theory, despite the fact that the territory, the river system that transported grain to the capital, and the idea of ‘the world’ in the eyes of the ruler were all different in the three dynasties. The fourth chapter explores the relationship between the capital and the jingji (the capital city and its environs京畿), including the area of the jingjiin the Tang, Song, and Yuan dynasties, the evolution of the jingji system, and the significance of setting up the jingji. Chapter five is a study on the relationship between the location of the capital city and the sub-capital. The sub-capital, which was complementary in nature, was usually not far away from the capital city and would move with the transfer of the capital. Whilst the sixth chapter examines the relationship between the location of the capital and the establishment of higher administrative districts, chapter seven analyses the relationship between the location of the capital and the distribution of prefectures and counties. With the relocation of the capital from Chang’an to Dadou, these seven hundred plus years witnessed a gradual clustering of prefectures and counties in the east. The last chapter is a generalisation of how the planning of administrative districts transformed with the transfer of capital cities from the Tang to Yuan dynasties.
published_or_final_version
Chinese
Doctoral
Doctor of Philosophy
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Lai, Ka-chun Ken. "Shangdong Clan families and Chinese politics in the sixth century China Shandong da zu yu gong yuan liu shi ji Zhongguo zheng zhi /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31642822.

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Chou, Shizhen. "Hong wu zheng yun : its relation to the Nanjing dialect and its impact on Standard Mandarin /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487598303840284.

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Wong, Man-kin. "Cong duo yuan zhu yi de guan dian kan ying de de yi yi : dui Wo'erze (Michael Walzer) zheng yi li lun de chan shi /." View abstract or full-text, 2003. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202003%20WONGM.

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Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2003.
Includes bibliographical references (leaves 119-123). Also available in electronic version. Access restricted to campus users.
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Wang, Xiaoning. "Zhongguo gao deng yuan xiao zhu fang zheng ce : Beijing Qing hua da xue ge an yan jiu = Housing policy in China's higher education institutes : a case study of Tsinghua University in Beijing /." click here to view the abstract and table of contents, 1998. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17040747a.pdf.

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Li, Fuli. "A stress and coping perspective on creativity : a reward for creativity policy as a stressor in organizations = Cong ya li he ying dui de jiao du li jie chuang xin : zu zhi chuang xin jiang li zheng ce zuo wei yi zhong ya li yuan / Li Fuli." access full-text access abstract and table of contents, 2009. http://libweb.cityu.edu.hk/cgi-bin/ezdb/thesis.pl?phd-mgt-b30082468f.pdf.

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Thesis (Ph.D.)--City University of Hong Kong, 2009.
"Submitted to Department of Management in partial fulfillment of the requirements for the degree of Doctor of Philosophy." Includes bibliographical references (leaves 158-173)
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Books on the topic "Yuan, Zhen"

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Yuan qu ju zhen: Yuan qu ju zhen. Shanghai gu ji chu ban she, 1996.

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Zhaoxun, Li, ed. Yuan yang zhen. Chun feng wen yi chu ban she, 1985.

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Yuan yang zhen. Song guo wu chu ban she, 2003.

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Yuan yang zhen. Fei xiang wen hua shi ye you xian gong si, 2002.

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Yuan Zhen zhuan. Ningxia ren min chu ban she, 1985.

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Shujianpiaolingke. Xie zhen yuan. s.n., 1985.

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Zhaoxun, Li, ed. Yuan yang zhen. Chun feng wen yi chu ban she, 1985.

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Yuan Zhen ping zhuan. Henan ren min chu ban she, 2008.

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Fa hai zhen yuan. Hua wen chu ban she, 2012.

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Ban sheng zhen yuan. Di zhen chu ban she, 2011.

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Book chapters on the topic "Yuan, Zhen"

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Kubin, Wolfgang. "Feng Youlan: Zhen yuan liu shu." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11494-1.

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"Sending Old Poems to Yuan Zhen." In Brocade River Poems. Princeton University Press, 1987. http://dx.doi.org/10.1515/9781400884018-069.

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"16. Poetry and Literati Friendship: Bai Juyi and Yuan Zhen." In How to Read Chinese Poetry in Context. Columbia University Press, 2018. http://dx.doi.org/10.7312/cai-18536-022.

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Arnold, Dana. "3. A global art history?" In Art History: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198831808.003.0003.

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Are the practices of Western art history appropriate for the study of art from cultures outside its geographical boundaries and conventional timeframe? The bias in this interpretation of the subject opens up the questions of the importance of the canon in art history and how we view non-figurative, primitive, and naive art. ‘A global art history?’ considers a range of different examples of artistic practice from around the world, including the sculpture of the Dogon people of Mali and the calligraphy of Wu Zhen, who was active during the Yuan Dynasty (1271–1368). It also discusses what is meant by the ‘primitive’ arts of Oceania, Africa, and North and South America.
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TAI, Yew Seng. "The Official Capital Ship of Yuan Dynasty and Yang Shu: Chinese Navigation in the Indian Ocean Before Zheng He." In China's One Belt One Road Initiative. IMPERIAL COLLEGE PRESS, 2016. http://dx.doi.org/10.1142/9781783269303_0003.

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Conference papers on the topic "Yuan, Zhen"

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Ye, Hu, Yanmei Zhang, Han Ding, and Lingzhi Zhang. "The Discussion about Qu Yuan Who Used 'ZHEN' to Call Himself from The Songs of Chu of the Warring States." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.80.

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"Hua Zhang Zheng Yuan Qiao-yan Wen." In 2007 IFIP International Conference on Network and Parallel Computing Workshops (NPC 2007). IEEE, 2007. http://dx.doi.org/10.1109/npc.2007.78.

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Li Shen. "An analysis on building craft in Yin Zao Fa Yuan: To “Ti Zhan” as example." In 2011 International Conference on Multimedia Technology (ICMT). IEEE, 2011. http://dx.doi.org/10.1109/icmt.2011.6003371.

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