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Dissertations / Theses on the topic 'Yue qiu'

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1

Lee, Hak Keung. "Man hua hui yue : "Shanghai man hua" shi qi Ye Qianyu de zuo pin ji qi shou zhong, 1928-1930 /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20LEE.

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Xiong, Jiawei. "Zhen jiu zhi liao tong jing de qu xue gui lü tan tao /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b19987055a.pdf.

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Yan, Caiqin. "17 shi ji zhong qi zhi19 shi ji chu yue nan hua yi yan jiu(1640-1802)." Xiamen : Xiamen da xue, 2007. http://anulib.anu.edu.au/anuonly/ebooks/chinese_thesis_031.pdff.

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Wong, Jum-sum James. "The rise and decline of cantopop a study of Hong Kong popular music (1949-1997) = Yue yu liu xing qu de fa zhan yu xing shuai : Xianggang liu xing yin yue yan jiu (1949-1997) /." Click to view the E-thesis via HKUTO, 2003. http://sunzi.lib.hku.hk/hkuto/record/B31057330.

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5

Ma, Fengzhi. "Zhongguo cheng shi xia gang shi ye pin kun fu nü qiu zhu he shou zhu jing yan de xu shu fen xi." online access from Digital Dissertation Consortium access full-text, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3241049.

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6

Ting, Lai-na. "The poetry of Yu Guangzhong during his stay in Hong Kong (1974-1985) Yu Guangzhong ju Gang shi qi (1974-1985) shi ge yan jiu /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41004668.

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7

Wu, Tsz Wing. "Li Yu gai bian ju yan jiu : jian lun wen ren chuan qi yu shi min wen xue zhi rong he /." View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202006%20WU.

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8

Dung, Chau-hung. "Poetics of Ye Xie and of the Lingnan master poet trio a comparative study = Ye Xie yu ling nan san jia shi lun bi jiao yan jiu /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4098767X.

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Yip, Chui-lin. "Women's movement in Tianjin during the May Fourth era Wu si shi qi Tianjin fu nü yun dong /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31641453.

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10

Ping, Ping. "Cong "da er quan" de zu zhi dao zi chan zhuan yong xing de zu zhi Guangzhou yi jia ji qi zhi zao ye guo you qi ye de zu zhi bian qian /." online access from ProQuest databases, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/pqdiss.pl?3052138.

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Lo, Kwing-hang. "A model of modern Chinese native enterprise a case study of the Jung family, 1895-1922 = Jin dai zhong guo min zu qi ye de fan ben : Rong jia qi ye fa zhan zhuang kuang (1895-1922 nian) /." Click to view the E-thesis via HKUTO, 1985. http://sunzi.lib.hku.hk/hkuto/record/B31948601.

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12

Sheng-Bin, Lin. "Mei "美" (le Beau), comme clef de compréhension de la pensée confucéenne". Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040194.

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La pensée de Confucius se centre sur le Ren. Pour beaucoup de sinologues, le Lun-yu n'est rien d'autre qu'un traité d'éthique et de morale. D'autres, y voient le développement d'une vision esthétique du monde. Mais de ces deux concepts, y en a-t-il un qui soit plus fondamental que l'autre dans l'élaboration et la structure de la pensée confucéenne? Ma recherche commencera par une étude approfondie de certains textes originaux du Lun-Yu où apparaît plus clairement la sensibilité esthétique de Confucius, et sur lesquels je me propose de m'appuyer pour montrer comment l'esthétique peut s'offrir c
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梁婉清. "歐陽子文學批評研究 = Research of literary criticism of Ao Ieong Chi". Thesis, University of Macau, 2004. http://umaclib3.umac.mo/record=b1636191.

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Ng, Wai-yip. "Impact of climatic change during little ice age on agricultural development in north China, 1600-1650 Xiao bing qi qi hou bian qian yu Hua bei nong ye fa zhan : 1600-1650 nian jian de guan cha /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43209397.

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Tse, Hue-ying. "The inheritance of modern Cantonese opera from traditional Chinese opera an examination of the different types of role in Tang Di-sheng's (1917-1959) scripts = Dang dai yue ju dui chuan tong xi qu zhi cheng chuan : cong Tang Disheng (1917-1959) ju ben kan xing dang yi shu de yi yi /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43085878.

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Ming, Kay-chuen. "The development and decline of modern Chinese private enterprise a case study of the Shanghai textile industry, 1895-1937 = Zhongguo jin dai min ban qi ye zhi fa zhan yu shuai luo : 1895-1937 Shanghai mian fang zhi gong ye ge an yan jiu /." Click to view the E-thesis via HKUTO, 1985. http://sunzi.lib.hku.hk/hkuto/record/B31948650.

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Chen, Shengluo. "Zhongguo guo you qi ye de chan quan bian ge yu dang de ling dao = The change of property rights in state-owned enterprises and the party leadership /." click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15941176a.pdf.

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Zhang, Lijuan. "Ti zhi zhuan xing yu guo you qi ye gong ren fen hua de duo chong luo ji = Institutional transformation and the multi-facet logic of differentiation of state-owned enterprise workers /." View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?SOSC%202006%20ZHANG.

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Zhu, Jiangang. "Guo yu jia zhi jian Shanghai lin li de shi min tuan ti yu she qu yun dong de min zu zhi = Between the family and the state : an ethnography of the civil associations and community movements in a Shanghai lilong neighborhood /." online access from Digital dissertation consortium, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3066642.

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JU, CHEN YI, and 陳邑如. "International situation and the rise of Wu Yue in the late Chun Qiu period." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/18419295210502731754.

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碩士<br>玄奘大學<br>中國語文學系碩士在職專班<br>98<br>The occasion of the Chun Qiu and the Warring States period is a great ancient society have changed their age, royal atelectasis, vassal state hegemony , in this period, there were some usurpations, killing emperors, and endless of attacks& wars. therefore, to protect the Zhou Dynasty, made strong " Revere the Emperor "," Expel the Barbarians "slogan, using the strength of great powers to maintain peace, the weak are participating alliance for mutual self-protection. Armaments of the Central Plains region will maintain peace for about 40 years, from The state
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Chiu, Yen-Ju, and 邱彥儒. "Narrative Research on “Fu Yue”in the Pre-Qin Dynasty." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/80896472601075044156.

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碩士<br>國立暨南國際大學<br>中國語文學系<br>103<br>This dissertation studies on “Fu Yue”, focuses on how it was being presented in various narrative texts in Pre-Qin period. Fu Yue is a capable minister in Yin Gao Zong’s governance. There are many records found in ancient documents on Fu Yue, however some of the narrations were found too simplified and unable to provide sufficient evidence and explanations on certain unsolved issues. This problem was solved while the bamboo manuscripts in Warring States collected by Tsinghua University (Vol.3) published in 2012. This bamboo manuscript comprised of 3 chapters,
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LIANG, CHIUNG-WEN, and 梁瓊文. "The Application of Percussion Tunes in Jingju : Case Studies on “Da Zi Qu Pai”, “Hun Pai Zi”, “Gan Pai Zi”, and “Qi Yue Qu Pai”." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/baqfuz.

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碩士<br>國立臺灣藝術大學<br>戲劇學系表演藝術碩士班<br>107<br>As one type of Chinese opera, Jingju (also known as Beijing opera) is a performing art with high artistic value. With elements from the fields of drama, literature, music, dance, etc., the performing presentation of Jingju is delivered through its multiple techniques in singing, reading, making, and playing/hitting. The leading drummer in the music band of Jingiu is not just an ordinary drummer but also the conductor of the band, who is in charge of the music playing, and at the same time the director of the play, who directs the acting of the actors/act
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Ko, Mei-erh, and 柯美而. "The Research of SU QU JI in Qing Dynasty”Xiao Feng Can Yue”." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/ve2pwd.

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Chen, Shih-Huan, and 陳仕桓. "The Study of Li Ye’s “Qie Yun Kao” Phonological System." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/rpy86a.

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"Xi'an shi bian qian hou he kang zhan chu qi Shanxi guo tong qu qing nian yun dong." Xi'an : Shanxi ren min chu ban she, 1989. http://books.google.com/books?id=tqg3AAAAMAAJ.

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Hsieh, Chia-Hua, and 謝佳樺. "A Study on Typeface of Tangram to Create Pictogram : Ting Yue Shan Fang Qi Qiao Shu Pu's Case." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/985qz7.

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碩士<br>國立雲林科技大學<br>視覺傳達設計系<br>105<br>The purpose of the research is devoted to the Qiqiao Typeface style of YAN Heng’s Ting Yue Shan Fang Qi Qiao Shu Pu(1892). The research explores the tangram old books of the Qing dynasty in order to discuss the first creation of tangram typeface that emerged in 1800s. The time of 1860s witnesses a great number of tangram typefaces stylistically designed by tangram graph. This continues to exist until 1890s, the time when Ting Yue Shan Fang Qi Qiao Shu Pu was published, which adopts tangram style to print the Typefaces of this book. This proves that tangram i
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Lee, Yu-Huai, and 李予懷. "The Yun and Qu of dining from Yuan Hongdao's works." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/52688359388049385516.

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碩士<br>臺北市立大學<br>中國語文學系<br>103<br>In the late Ming Dynasty, it was an era with prosperous economic and commercial tradings. Within the abundant cultural activity, a unique aspect toward life was generated, which we refer to as “Yun and Qu”. Yuan Hongdao is therefore a significant Gongan school litterateur represent the magnificent culture in the late Ming Dynasty. The research paper aims to present the perspective of Yun and Qu embedded in the food culture from Yuan Hongdao’s works. Followed by the review of four dimensions of “aesthetic conception”, “dining observation”, literature theory”, an
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Lin, WeiWen, and 林威妏. "A Bibliographical Study on the Taoistic Scripture " Yun ji qi qian "." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/36290415516421531262.

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Wang, Pei-Ting, and 王佩婷. "The study of Tang Yun Zou “Qi Jian Shi San Xia”." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/28537657968350147216.

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碩士<br>銘傳大學<br>應用中國文學系碩士班<br>99<br>Chivalrous novels prevails over the Qing Dynasty.There is a continuity function in " Qi Jian Shi San Xia "among these chivalrous novels. " Qi Jian Shi San Xia " receives the characteristic from Tang Chuanqi swordsman novel, later creates the future generations of martial arts, has an extremely important position. Author Tang Yunzhou lived in Chaotic times, so he involved himeself in writing the knight, and highly praises Taoist, therefore there is much Taoism in this book. In the ”Qi Jian Shi San Xia”. The plot is complex and character is plenty. So it goes to
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Hsu, Chih-Cheng, and 徐智城. "The Realization and Interpretation of Tao-Chu〈Da Bei Qi Yun Zhen〉." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/6292y4.

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Yang, Su-Tso, and 楊仕哲. "The Concepts of Astronomy and Calendar in "Nei-Jing" Yun-Qi Theory." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/61926271656359846273.

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碩士<br>中國醫藥學院<br>中國醫學研究所<br>86<br>"Nei-Jing" Yun-Qi theory is full of astronomical terms. In order to understand them, the learning of ancient Chinese astronomy is necessary. Thus, the purpose of this study is to establish a basic understanding of ancient Chinese astronomical concepts in the Yun-Qi theory. At first, the time and origin of the Yun-Qi theory are discussed and followed by a systemic search of astronomical terms in the theory. Secondly, a basic description of the ancient Chinese astronomical concepts is demonstrated. The same approach is applied to astronomical c
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Hung, Wan-hsin, and 洪婉馨. "Artists in wartime: A case study of Pang Xin-qin, Wang Zi-yun, and Wu Zuo-ren." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/s83swj.

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碩士<br>國立中央大學<br>藝術學研究所<br>104<br>The 7th July 1937 marks the beginning of the eight-years long Sino-Japanese war, which engaged the whole nation into a struggle of survival. Many national art schools were forced to move westward with the government. Some artists were induced to paint frontier regions of China, and their work constituted a particular genre in modern Chinese painting. At the same time, rules normally followed by the art world were challenged: autonomy of art, or art for art’s sake, was pushed away to a secondary concern under the concern for military, political and social priori
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Hou, In-xuan, and 侯吟璇. "A Study of the Qin-ding Xie-yun Hui-ji(Collected Works on Adapting Rhyming by Government Ordinance)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/37605411641915453731.

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碩士<br>世新大學<br>中國文學研究所<br>99<br>A Study of the Qin-ding Xie-yun Hui-ji(Collected Works on Adapting Rhyming by Government Ordinance) is the rhyme book which Emperor Qianlong of the Qing Dynasty commanded the officials of Si Ku Quan Shu Hall to compile it. They collected a lot of Xie-yun materials from Chin Dynasty to Ming Dynasty. The materials can be divided into two categories, rhyme patterns and annotations. The former are special rhymes of authors in all the past dynasties; the latter are annotations on ancient books. Qin-ding Xie-yun Hui-ji was completed in Ching Dynasty. About three quarte
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YAU, CHEE SZE, and 徐詩堯. "The Study of Contemporary Yangqin Compositions, on the cases of Mi, Yun and Qu." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/82262960405302453681.

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Tseng, Mei-Chun, and 曾美純. "Confirmation of fan-chieh doublets for Qie-yun system rimes books by observing structure of Chu Ao's fan-chieh." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/22954389141852903703.

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Wang, Yu Chi, and 王友琦. "A Study of Xie He's Aesthetics of Chinese Painting: on Rhythmic Vitality (Qi-Yun-Sheng-Dong)." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/374jp4.

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CHEN, YA-ZHU, and 陳雅竹. "Artistic Spirit With " Qi Yun Sheng Dong” In The RIA Website Through Color Cultural And Creation Performance." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/99901705269391107688.

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碩士<br>醒吾技術學院<br>資訊科技應用研究所<br>100<br>Works of art by the creator of the rich beauty of the soul and ingenious form to create a wonderful outcome, the final arrow point to the pursuit of "beauty". In contrast, the Chinese artistic spirit - "Vivid", "qi" a symbol of vitality, a sense of movement, "Yun" harmony, rhythm, rhythm, both called the "charm" of life endless, Allied, with the rhythm, and rhythm through people with time and space and between people and objects. The "color" is the people's emotional expression, and use color to represent the stage of adulthood, marriage, aboriginal jew
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wen, tung yen, and 童灔雯. "The transformation of Taiwanese Opera from 1950's to 1970's --Take " Chia-I Gui-Qiu-Yun Opera Company " and " Tai-Cho Lun Wen Ha Opera Company " as subject of discussion." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/10839151259421023558.

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碩士<br>國立花蓮教育大學<br>民間文學研究所<br>94<br>Chia-I Gui-Qiu-Yun Opera Company, established during the 1950’s, was renamed as the Zhong-Le-Yue Opera Company around 1954. It was one of the better organized companies in southern Taiwan, representative of the contemporary theater formation. At the time, the Opera Company had won championships in local competitions for at least four consecutive years. During the emerging period of radio Ke-Zai-Xi (Taiwanese Opera), Zhong-Le-Yue (originally Gui-Qiu-Yun), with its outstanding performance, emerged among numerous companies to win the broadcast right from the pub
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WANG, HUI-LIN, and 王慧琳. "Analysis of the Evolution of the Different Horsewhip Postures on Stage of the Chinese Opera “Zhaojun Leaves the Country” ---Based on the Versions Performed by Peking Opera Stars Xiao-Yun Shang, Zheng-Qiu Gu, Hai-Ming Wei, Rui-Lan Tang." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/3u76mf.

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碩士<br>國立臺灣藝術大學<br>舞蹈學系<br>103<br>Opera is a treasure of Chinese culture. The performance of the Chinese Opera is presented primarily through singing and dance movements. This research was designed to investigate the importance of the role dance movement plays in Chinese Opera, and analyze the evolution of the different horseship postures on stage of Kun Opera and Beijing Opera versions “Zhaojun Leaves the Country.” The evolution of the different horsewhip postures on the stage, and the impact on the interpretation of the role of dance drama were expected to provide a reference of creation for
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Liu, Wei-Chi, and 劉瑋琦. "An Inquiry into the Pottery Sculptures of Ye and Jin Yang of the Eastern Wei Northern Qi Dynasty." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/77988x.

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碩士<br>東吳大學<br>歷史學系<br>96<br>Abstract The Eastern Wei Nortern Qi Dynasty has two capitals,晉陽and鄴城.Emperor Gao goes and returns these two places every year. But discovered from the tomb that, pottery sculptures in 河北磁縣and 山西太原. The Eastern Wei Nortern Qi Dynasty to present the region style. Therefore this article positive is buried as a funerary object the pottery sculptures from晉陽with 鄴城 area tomb in to carry on the discussion, understood affects these two area tomb to be buried as a funerary object the pottery sculptures the modeling style. Furthermore, these two areas are buried as a funera
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Lin, Yang-Cheng, and 林洋成. "The Antioxidative Ability and Applications in Cosmetics of Supercritical Carbon Dioxide Extraction of Ye-Yuan-Qi-Bao-Dan." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/57560309197461494919.

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碩士<br>國立屏東大學<br>應用化學系碩士班<br>103<br>Carbon dioxide in a supercritical state under both gas and liquid properties. It has a high solubility and high diffusivity. After extraction of the residual solvent evaporated to carbon dioxide gas. So use this method as sample extraction method. Today cosmetics not only moisturize the skin, modified appearance, but also has to slow skin aging and modification skin functions. Which causes skin aging, free radicals cause oxidative damage to important factors, ultraviolet radiation produces free radicals, but also cause photoaging. So the purpose of this study
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Chu, Chia-Hsin, and 屈家信. "A Study of the correlation between Huangdi Neijing Yun-Qi theory and the weather performance, as well as swine and avian epidemic diseases over the past two decades in Taiwan." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/dx72xn.

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Ye, Xiao-qi [Verfasser]. "Carbohydrate concentration and tolerance in three riparian plant species from the Three Gorges Reservoir region exposed to long-term submergence / vorgelegt von Xiao qi Ye." 2010. http://d-nb.info/1003820190/34.

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"時代、地域與戲曲生產: 清初李玉戲曲研究". 2012. http://library.cuhk.edu.hk/record=b5549011.

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本論文為地域文學視野下的李玉研究。李玉(1611? - 1711後),字玄玉,蘇州派、中國戲曲史上之代表作家。上世紀二十年代以來,李玉研究於前人學者的筆耕下已取得豐碩的成績。然而當「現實精神」、「教化指向」與「平民色彩」一再成為研究蘇州派的關鍵詞,地域元素之於作家的影響仍有待爬梳。本論文追溯了「地」於李玉戲曲生產,即意念生成、形諸創作、再現場上的過程中,所飾演之各種角色;亦探討了李玉與當地文化、觀眾間千絲萬縷的互動與反饋。<br>論文共分為七章。第一章梳理了李玉研究的發展脈絡,提出了個人的關注問題與研究視野。論文第二章結合蘇州的科舉文化、家班文化、「市隱」文化,對李玉的生平行事與交遊進行重讀,指出「久居蘇州」可謂重省其創作的重要鑰匙。第三至六章從作家生平考察,轉移至文本細續。第三章結合「一人永占」四劇(《一捧雪》、《人獸關》、《永團圓》、《占花魁》)探討地緣於李玉早期創作的痕跡,以觀照作家日後的發展脈絡。第四章探討李玉代表作《清忠譜》中,身份認同與歷史書寫的問題,重新審視了「蘇州」於劇中所鋪演的著名歷史事件──明天啟六年的「開讀之變」,以及歷史循環發展中所扮演的角色。第五章追蹤了蘇州士人黃向堅萬里尋親復歸蘇州後的事態發展(1653 1661),繼而討論當地民眾的情感力量如何轉化為作家編寫傳奇《萬里圓》的資源。論文第六章具有李玉接受史研究的性質,以《萬里圓.打差》為個案分析,從橫向
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