Dissertations / Theses on the topic 'Yum Kax'
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Ip, Cheung-ming. "Cong zhong xue hui kao yue du neng li ping gu shi juan kan Xianggang gao zhong sheng yue du ce lüe de ying yong he fen xi." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B42554196.
Full textYe, Luona. ""Xin Yaxiya" yue kan nei wai Menggu yan jiu shu ping." Beijing : Zhong yang min zu da xue, 2007. http://anulib.anu.edu.au/anuonly/ebooks/chinese_thesis_030.pdf.
Full textHöfs, Carolina Carret. "Yu kan vertrouw mi : você pode confiar." reponame:Repositório Institucional da UnB, 2006. http://repositorio.unb.br/handle/10482/5519.
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Ao longo das duas últimas décadas, têm se tornado comum encontrar imigrantes brasileiros em Paramaribo, capital do Suriname. A paisagem urbana vem sendo modificada pela presença desses sujeitos, que imprimem não apenas marcas materiais - a diversidade comercial que se alastrou pela cidade é um exemplo disso - como também tornam sua língua e linguagem, seus costumes, práticas religiosas, festas e celebrações parte da dinâmica social surinamesa. No entanto, alguns conflitos são estabelecidos no contato com a sociedade surinamesa e sua estrutura plural etnicizada, o que torna a construção de uma identidade coletiva nos moldes aceitos e inteligíveis localmente um desafio para os brasileiros. Como desse conflito passam a construir sua identidade coletiva? Como incorporam valores caros a essa sociedade para que sejam reconhecidos enquanto partícipes dessa realidade social? Seria este um processo de reconhecimento e inserção possíveis?
Li, Xiujuan. "Cong zhong gu ru sheng zi zai Henan fang yan zhong de du yin kan "Zhong yuan yin yun" de yu yin ji chu /." View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202006%20LI.
Full textRibberström, Carl-Johan. "Kan kombinerade vapen förklara framgång på taktisk nivå?" Thesis, Försvarshögskolan, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:fhs:diva-9995.
Full textJansson, Erik. "Kombinerade vapen : hur det kan förklara taktisk framgång." Thesis, Försvarshögskolan, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:fhs:diva-9255.
Full textAreskoug, Max. "Hur kan kombinerade vapen skapa framgång på taktisk nivå? : en teoriprövande fallstudie av Robert Leonhards principer om kombinerade vapen." Thesis, Försvarshögskolan, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:fhs:diva-8656.
Full textYuan, Zushe. "Quan li yu zi you shi min she hui de ren xue kao cha /." Beijing : Zhongguo she hui ke xue chu ban she, 2003. http://books.google.com/books?id=oiY1AAAAMAAJ.
Full textDeng, Leping. "Zhongguo de huo bi xu qiu li lun yu shi zheng de kao cha /." Beijing : Zhongguo ren min da xue chu ban she, 1990.
Find full textLu, Yongsi. "Cong "xiao ben guan li tiao li" zheng lun kan quan li hua yu /." click here to view the abstract and table of contents, 2005. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b19816479a.pdf.
Full textSiu, King-wai. "Dating the extant version of the Kongzi Jiayu a linguistic and textual exploration = Jin ben"Kongzi jia yu" cheng shu nian dai xin kao: cong yu yan ji wen xian jiao du kao cha /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628636.
Full textChung, Ching-hong. "On the dating of Shangshu Kongzhuan : a linguistic perspective = Shang Shu Kong Zhuan shi dai xin kao : cong yu yan jiao du de kao cha /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?
Full textChen, Yu [Verfasser], and Kai [Akademischer Betreuer] Nagel. "Adding a comprehensive Calibration Methodology to an Agent-based Transportation Simulation / Yu Chen. Betreuer: Kai Nagel." Berlin : Universitätsbibliothek der Technischen Universität Berlin, 2013. http://d-nb.info/1031993746/34.
Full textPoon, Hon-fong. "Dating the extant version of Kongcongzi a linguistic exploration = Jin ben Kong cong zi cheng shu nian dai xin kao : cong yu yan jiao du de kao cha /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40987905.
Full textChao, Yu-Kai [Verfasser], and Christian [Akademischer Betreuer] Grimm. "Functional characterization of intracellular ion channels with the endolysosomal patch-clamp technique / Yu-Kai Chao ; Betreuer: Christian Grimm." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/1193924472/34.
Full textKao, Sophia Yu Min [Verfasser], Thomas [Akademischer Betreuer] Kirchner, and Lothar [Akademischer Betreuer] Ledderose. "Evadarstellung im Werk Gauguins : eine Auseinandersetzung mit Sünden und Tod / Sophia Yu Min Kao. Gutachter: Thomas Kirchner ; Lothar Ledderose." Frankfurt am Main : Univ.-Bibliothek Frankfurt am Main, 2015. http://d-nb.info/1069159905/34.
Full textLui, She-lin. "News magazines in the PRC in the new millennium : issues of constraint and performance Zhongguo xin wen zhou kan de jing ying zhuang kuang he yun zuo /." Click to view the E-thesis via HKUTO, 2001. http://sunzi.lib.hku.hk/hkuto/record/B31972536.
Full textXin, Yu [Verfasser], and Kay-Christian [Akademischer Betreuer] Emeis. "Nitrogen cycling in the northern Benguela Upwelling system based on the δ15N of chlorophyll pigment / Yu Xin. Betreuer: Kay-Christian Emeis." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2015. http://d-nb.info/1068931337/34.
Full textOgden, Melinda Anne. "Aktis Island houses and households : an ethno-archaeological study of the Ka:'yu:'k't'h home-base." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/52679.
Full textArts, Faculty of
Anthropology, Department of
Graduate
Kai, Yun [Verfasser], Ulrich [Akademischer Betreuer] Teubner, and Joachim [Akademischer Betreuer] Peinke. "Micro shock wave: a study of supersonic compressible flow with low Reynolds number by application of ultra short laser pulse and interferometry / Yun Kai ; Ulrich Teubner, Joachim Peinke." Oldenburg : BIS der Universität Oldenburg, 2018. http://d-nb.info/1162620870/34.
Full textLui, Mo-dock. "Cai Yuanpei's views on educational and political pursuits (1911-1927) Yi jiu yi yi nian zhi yi jiu er qi nian jian Cai Yuanpei dui jiao yu yu zheng zhi de kan fa /." Click to view the E-thesis via HKUTO, 1997. http://sunzi.lib.hku.hk/hkuto/record/B31215622.
Full textFu, Caiwu. "Jin dai hua jin cheng zhong de Hankou wen hua yu le ye, 1861-1949 yi han kou wei zhu ti de Zhongguo yu le ye jin dai hua dao lu de li shi kao cha /." Wuhan Shi : Hubei jiao yu chu ban she, 2005.
Find full textLu, Haohan. "Cong "Shang ye dian tai ming zui feng mi" ji "Ling hui shang shi chu jiao" shi jian, kan kuang jia jing zheng yu min cui zhu yi /." click here to view the abstract and table of contents, 2005. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b19816571a.pdf.
Full textLeung, Wai-ming. "The differences between the intended curriculum and implemented curriculum a subject-based case study on the C.E.E. Chinese language in Hong Kong : Jian yi ke cheng yu shi shi ke cheng de cha yi : Xianggang zhong xue hui kao Zhongguo yu wen ke ge an yan jiu /." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B31961782.
Full textLi, Jiaju. "Shanghai shang wu yin shu guan yu jin dai zhi shi wen hua de chuan bo he su zao (1897 zhi 1949) cong shu ji chu ban shi jiao du kao cha /." online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3066579.
Full textLam, Wai-man, and 林惠文. "Chinese writing performance of Hong Kong secondary school students with dyslexia problems in Chinese language subject of HKCEE = Xianggang du xie zhang ai xue sheng zai zhong xue hui kao Zhongguo yu wen ke de pian zhang xie zuo biao xian." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/211024.
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Education
Doctoral
Doctor of Education
Tse, Hue-ying. "The inheritance of modern Cantonese opera from traditional Chinese opera an examination of the different types of role in Tang Di-sheng's (1917-1959) scripts = Dang dai yue ju dui chuan tong xi qu zhi cheng chuan : cong Tang Disheng (1917-1959) ju ben kan xing dang yi shu de yi yi /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43085878.
Full textLin, Wei-Hsiang, and 林惟翔. "A Study of Yun-Song Yang's Theory of Kan-Yu." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/2vqk79.
Full text中國文化大學
史學系
107
Yun-song Yang’s theory, also known as "The Mountain Peak Method" or "The Jiangxi Method”, is used to evaluate the Feng-shui of an area based on its mountain topography. The theory implements four tools to determine the ideal location: dragon's finding, sand's observation, river direction and geomancy. The purpose of this thesis is to discuss the major works of Yun-song Yang, “HAN-LOONG JING”, “YI-LOONG JING”, “ZANG FA DAO ZHANG”. These three Kan-Yu will then be analyzed and applied to the mountain peak principle to attempt to solve the basic issues of the theory. “HAN-LOONG JING” is a method by which mountain topography can be evaluated. The method requires the identification of the dragon vein and the open direction of the river. By tracking from the Dragon’s Head, looking at the front and back sides of the mountain and observing the shape of the hole, the Dragon’s Nest can be found. The coffin can then be burrowed vertically into the underground hole. In other words, “HAN LOONG JING”, “YI-LOONG JING” and “ZANG FA DAO ZHANG” ,are a complete process to find a vein in which to put a coffin. This thesis is based on the "Literature analysis" from historiography. This paper probes into the meaning of the three original classics and gives meaning to the four chapters. Under the thinking of these four chapters, it restates and explains the knowledge of Kan-Yu. The main idea of “ZANG FA DAO ZHANG” is collecting Yin and Yang. In such consideration, we shall learn from the Chinese philosophy of Yi Jing and the theory of Qi for further discussion. In such re-statement of “HAN LOONG JING”, “YI-LOONG JING”, “ZANG FA DAO ZHANG”, it is concluded that: As noted in “HAN LOONG JING”, stars above the mountain outline the silhouette. Two words lead to the range: Dragon and God. Dragon is energy. God is spirit. According to this theory, it created and presented the nine stars of Mountain dragons on the ground. Mt. Kunlun is the original mine for nice star of mountain dragon, all the way from the plateau of Northwest China, and spread over the east like open branches of scattered leaves. The mountain dragon was divided into nine stars based on the momentum of each vein or canyon and gorge or river's open-way. Each star possessed a unique momentum and essence, which brought further change to the shape. Some of the mountain's shape is said to be filled with strong momentum but after encounters with the canyon or the open-exit of the river, its strong momentum weakened and split into smaller veins. For instance, the Wicked Star Lian Zhen turned into the Gloomy Star Ju Men and the branches combined into a true hole. Some mountain shapes have weaker momentums, such as Ruinous Star Po Jun and Abundance Star Lu Cun. These constellations were combined to make a new vein. Due to peeling and weakening momentum, mountains failing to build its true holes will require other starts to protect and reinforce (such as Zuo Fu and You Bi assists Intelligence Star Wen Qu). Thus, whether or not the nine-star mountain shape can build the true hole, it is not observed and judged by its outlook but instead by its stripping conversion, or with other stars’ blending dragons. Let the stars from sky see the Dragon's vein is the Qi of the mountains. This is the spirit of the mountains referred to in the previous theoretical concept. " The stars in the sky are shining down on the mountains, the God and Dragon find the Mountain range. God is the Spirit, the Dragon is Energy.” “YI-LOONG JING” contains a total of three parts: The first part, the middle part and the final part. The subject is studied for the identification of holes from the dragon's vein and mentioned the need to gather all the conditions of mountain-facing, river-facing and mountain-adjacent hole. However, its main theoretical basis is to find a place to gather Qi and the aforementioned conditions can collect all the Qi surrounded without leakage. Therefore, the turning point, swing point and a river clip from the Dragon vein would be the major location to gather Qi. The previously mentioned article teaches us how to find dragons at Guanxia and the two river's clips which track a dragon vein with many twists and turns. These are the big patterns of dragon vein for gathering Qi in conjunction with mountain-facing, river-facing and mountain-adjacent hole. Being wide and not dangerous, it is an all-around ideal place to gather Qi. The middle part is only a continuation of the first, but puts forward a more detailed method of differentiation. For instance, looking for the back of the mountain vein and entangled the river and mountain, searching the dragon’s head and tracking its back, and identifying male and female to evaluate the landscape. This is important as it all emphasize on finding the main vein in such complicated mountain veins. The next article, although we mention the true hole, the false hole and the strange hole, we still give examples of two parts, one is the big hole and the other is the big pattern. The dragon’s twists and turns around the looping point can knot the big wall bureau as seen in the capital Changan. The other part is the small pattern which pays attention to the leakage of Qi. Therefore it is said that the nipple hole is afraid of the wind blowing. If wind blows into it, people will be extinct. If the position of the hole is not right, it is like a malfunction of an acupuncture machine. Locating the position and settling down in the hole serves to preserve the right cavity of Qi, and is the same concept as the first part and the middle part which is to find a place for collecting Qi. From this theory we learn that YI-LOONG JING is a source of knowledge on collecting Qi. In order to invoke the concept of Qi in ZANG SHU, it probes into the theory of ZANG FA DAO ZHANG and is divided into two parts for studying. The first part involves finding and settling down in a hole with Qi which has alternation on both yin and yang present. The second part is the settling of the coffin. It must be taken from one of the four emblematic symbols “Si-Xiang” (Mai, Xi, Ku, Tu) and use a method from its four selections to have Qi from all sides. When all has come to the end, it is necessary to go through six stages to obtain a suitable burial place based on the previous concepts. This confirms that the knowledge system of ZANG FA DAO ZHANG is constructed under the alternation and Qi of Yin and Yang. From the above knowledge theory, “HAN-LOONG JING”, stars above the mountain outline the silhouette. Two words lead to the range: Dragon and God. Dragon is energy. God is spirit. The range of nine mountains require Qi to peel. This is the spirit of the mountain's vein. “YI-LOONG JING” locates the hole from the range to gather Qi. “ZANG FA DAO ZHANG” finds and settles the hole with Qi, which has alternation on both yin and yang present for the coffin. Therefore, the dragon vein runs with Qi and collects it for having Yin and Yang. Through the scope of Qi, this is the theoretical basis of the knowledge and study by Yun-song Yang. This thesis aims to clearly express the theory of Yun-song Yang and the original three classics. It also clarifies the knowledge of the theory of justice by exploring the content of righteousness and begin a discussion of other sectarian theories.
Shih, Hsiu-Chi, and 石秀琪. "The studies on preparation method of Tzu-Yun-Kao." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/52541046604542562303.
Full text中國醫藥學院
中國藥學研究所
85
"Tzu-Yun-Kao" is an traditional chinese medicine ointment prescription, consists of Arnebia Radix ,Angelica Radix , Oleum Sesame, Cera Flava and Adeps Suillus. This ointment have been used for suppurative skin disease such as eczema ,haemorrhoids, pimple,dermatophytosis, callus.A high-performance liquid chromatographic method using gradient elution was self-developed for the determination of shikonin , acetylshikonin and β,β''-dimethylacrylshikonin in Arnebia Radix and Tzu-Yun-Kao. Temperature that influence the extract efficacy of sesame oil on the Arnebia Radix was conducted. It was found the best condition for obtain the largest amount of previous three ingredients in in Arnebia Radix extract was kept the oil at 130-140℃. Factors involved temperature and heating time that influence on the quality of Tzu-Yun-Kao were examined. It revealed that at temperature 130-140℃ and heating time taking fifteen minutes being the best conditions for the preparation of Tzu-Yun-Kao. By comparison this product to commercial product , the contents of shikonin, acetylshikonin and β,β''-dimethylacrylshikonin in self- prepared Tzu-Yun-Kao were higher than commercial preduct by a factor of 4.4 times; 10.9 times, 5.1 times , respectively.
Chen, Shih-Huan, and 陳仕桓. "The Study of Li Ye’s “Qie Yun Kao” Phonological System." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/rpy86a.
Full textHuang-Rou-Jiun and 黃柔鈞. "Whole Origin Wang Ren Shiu 《Kan Miou Bu Chiue Chie Yun》the Whole Origin Wang Ren Shiu 《Kan Miou Bu Chiue Chie Yun》the Department's Whole Origin Wang Ren Shiu 《Kan Miou Bu Chiue Chie Yun》the Allied Method Analyze and Discuss." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/79656080488953183234.
Full text玄奘大學
中國語文學系碩博士班
96
The content of this thesis method includes: object, purpose, material, manage then system(establish first, principle, principle), step and conclusion.Anti- slice a department to unite is research 《Chie Yun》the department rhyme book sound of a character system of basic method, from Manchu Dynasty Chen Li established, is always all used.However the department unite of step, the but again hasn't been being in detail illustrated.This text with< Whole Origin Wang Ren Shiu 《Kan Miou Bu Chiue Chie Yun》the Department's Allied Method Analyze and Discuss is, department allied the object target at Tang. Wang Ren Shiu 《Kan Miou Bu Chiue Chie Yun》one book, want formerly person's department allied 《Chie Yun 》of the dialectical in experience pay a set of department allied method.Believing the consubstantial thing can be analytical in same way, want to make use of 《Chie Yun 》the department unite of experience dialectical pay 《Kan Miou Bu Chiue Chie Yun》department allied method, first essentials but settle each other of relatives relation.From a purpose, style all want through review phonic means, the function strengthened to rhyme, its rhyme number, the rhyme preface is together also close by, and affirm each other a department. Hence synthesize each parlance, and check it in actually do, the allied to department method does one pure.
Yeh, Kai-Yu, and 葉鎧瑜. "Distortion: Three-Dimensional Works Created by Yeh Kai-Yu." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/ucf3wa.
Full text南華大學
視覺與媒體藝術學系
103
The first motivation of this essay is to explore the meaning of existence. We human beings are keeping explore the value of life and the meaning of existence. To solving this problem, I pondered through art creation, creating my own meaning of life, wondering the value of existence. The following are the research methods of this essay. The first one, theoretical analysis method is collecting related articles of famous artists, art theories, art history record, getting the creation theory after analysis and summarization. The second one, quality analysis method is using diverse media in the creation to enhance the quality of the work. The third one, action research method is judging the work in a cautious way, trying to find the answer through repeat reflection. The following is the conclusion of the essay and the direction of creation. First, presenting the living experience to the audience through both the work and the process. Second, organizing related art creation theory and building the theoretical foundation of work. Third, using diverse art media to pursue innovation and establish personal creation style. Forth, combining of different media such as hair dressing and establishing the direction of future.
Yu, Kai [Verfasser]. "Statistical learning approaches to information filtering / von Kai Yu." 2004. http://d-nb.info/972296778/34.
Full textVerma, Sharad Kumar. "Radhakrishnan ka siksha darshan aur varthaman yug mein uski sarthakatha." Thesis, 1995. http://hdl.handle.net/2009/5888.
Full textWen, Tsang Di, and 臧蒂雯. "The interpretation about Chinese traditional aesthetics of Kao Yu-kung." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/64440921533928923072.
Full textKAN, CHIH-YU, and 甘志雨. "Armories of Ideas-An Artistic Statement of Kan Chih-Yu." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/73em7x.
Full text國立高雄師範大學
跨領域藝術研究所
105
Knowledge and ideas were often under severe restraint in Asia-Pacific area during Cold War. Them were forced to circulate in some obscure underground ways. Since 1980s, two bookstores, Tosan and Gerakbudaya, separately developed in Taiwan and Malaysia but similarly break through the restrains by publishing and book selling. They provided many books of critical thinking and plural values to intellectuals, connected different groups, became the “armories of ideas” in their society. In order to understand their practice in different cultures, histories, ideas and actions, this article describes the making of two short documentaries and an exhibition of these two bookstores through field research, interviews and filmmaking.
Tai-I, Huang, and 黃泰益. "Parallel bars Bhavsar kinematics case study －an example of Kao Yu Chen." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/08788158563915432174.
Full text國立臺灣師範大學
運動競技學系
98
Purpose: The purpose of this study is to compare the difference with the technical feature and the kinematics parameter. Method: A Redlake cameras (frequency of 250Hz, the shutter is 1/500sec) take a player by the implementation of the National Taiwan Normal University Bhavsar action of 2D images, and make digital imaging and motion analysis, to understand the impact of the completion of Bhavsar action important factor, as coaches and players during a training reference. Result: 1. Subjects in the implementation of Bhavsar, the highest score move center of gravity vertical speed of in the second position, and shoulder angle extension rate in the fourth position, and ankle joint level speed and center of gravity level speed in the sixth position fast then the lowest score move. 2. Successful group and defeat group movement when center of gravity peak position, the ankle joint level speed reaches the significant difference, other parameters were no significant differences. Conclusion: In second position stress press center of gravity position down to stored the elastic potential energy in muscle, in fifth position, shoulder quickly pulled up, and ankle while stepping down to opposite the direction and overturned of the original formation, the more quick swing the key to success for this action.
CHEN, YU-KAI, and 陳昱凱. "Shape as Formality –Description of Ready-Made Creation from Yu-Kai Chen." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/5xer6x.
Full text國立臺北教育大學
藝術與造形設計學系碩士班
105
This paper records the creation of the graduate school and the work is divided into two ranges:（1）Moving the landscape, through persistence of vision and dynamic relationship to change the landscape structure（2）Becoming the shape of the form, this subject at the research stage has continued to progress, while making use of creation to show the will and during the process of continuous reflection of the author's life experience and through random picking of materials such as wood, gypsum plate, rubble stone etc... and these items have their own inevitable factors and cannot be chosen selectively as unique modeling ingredients. So as to enable the author to have more creative experience, trying to deconstruct and then reconstruct the material into a three-dimensional shape. Finally, after re-building it into a three-dimensional tangible state, attempt to explore the possibility of exchange between the material structure and space. " Shape as Formality ", in this series of works, these materials will retain their damaged states, with unstable factors and in an unfinished state, which suggest a possible openness of the works and these obvious shapes give the viewers a stimulating vision. The painting works will be placed on the ground or presented independently at the exhibition, allowing the viewers to change the inertia of the paintings. This research topic is divided into five chapters for discussion: Chapter One starts with the introduction; Chapter Two discusses the creation of the academic foundation and takes Rosenberg and other artists' depicting styles as illustration examples to discuss the differences and extension of the creative methods; Chapter Three explores my own creative context; Chapter Four is about the appreciation of the introduction of the work; Chapter Five is about the conclusion, reviews and future prospects of the creation and discussion. Keywords: Form, organic shapes, sketch.
Wu, Shu-Zhen, and 吳淑真. "T''AI WAN KAO CHI CHIH YEH HSUEH HSI JIH PEN YU CHIAO YU I K''AO CH''A." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/38026072176892031683.
Full textThe, Yu-Kai [Verfasser]. "Analysis of ion channels with hidden Markov models / vorgelegt von Yu-Kai The." 2005. http://d-nb.info/976048744/34.
Full textKao, Yu-chuan, and 高玉娟. "SHADOWLANDS--I Think, I Miss A Research on the Drawing Creation of Kao Yu-Chuan." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/98546679416489101998.
Full text南華大學
視覺與媒體藝術學系
100
The material of thesis of my paper is my experience in the world, my life and history occure in the shadow and land and so my paper can be named as “shadowlands－I think,I miss.”through which I can make a reflexion on the action of my creation and on its courses, find its meaning and make a meditation on my life. I tell my story by pictures and works which can be divided into two: 1. demonstration, reflexion and correction of my paper; 2. analysis on the main construction of the paper, exploration of the know of my tacit. I try to explain the content of my art works by mean of the named method of action to research; action – reflexion and know. By this creation of art I think that I can finish three purposes: a. to show the technique by creation; b. to show my ego, my feelings and inner consciousness; c. to accept my self and discover the creation of art in such acception.
CHEN, FANGLING, and 陳芳玲. "Artist as Curator：The Curatorial within The Works of Chi Kai-Yuan, Hsu Chia-Wei, Chou Yu-Cheng." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/xumz8y.
Full text國立臺北藝術大學
藝術跨域研究所
106
What is “curatorial”? Is this term that frequently appears in books on curatorial studies mean the same as “curatorial”? The trendiness of using the term “curatorial” is the motivation behind this study, which attempts to explore the original meaning and context of the concept. Throughout the development of art, artworks have broken free from canvases, exhibition booths, and physical frameworks. From handheld pens, cameras, to integrating different subjects of knowledge, various methods of representation continue to expand, while displays have transformed from their original still modes to being more dynamic, changing from being in one place at one time to more extended periods and in multiple locations. In addition, as curatorial methods become increasingly comprehensive, more works have the possibility of being included in exhibitions. If current cognitions can no longer sufficiently satisfy the appetite of professional art audiences, only avant-garde works and displays that are more experimental, challenging, innovative, and have alternative qualities, are capable of attracting attention, is there a method that exists amid the gray area that can explain works such as these? Inspections of “curatorial” should certainly focus on exhibitions. However, this study is more interested in a more strategic, creative way of inspecting this “alternative creative method,” which led to the idea of “adopting curatorial as a creative method for artists.” Should this proposition be established, what does it entail?
Kao, Yu-Chieh, and 高瑀婕. "The Interpretation and Research of “Te Deum”byAnton Bruckner（1824-96）/Master’s Recital Yu-Chieh Kao Choral Conducting." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/35py9t.
Full text東吳大學
音樂學系
100
Musicologists describe the aesthetic schism among prominent in the second half of the 19th century and the music style is divided into two sides. One side is conservatives and the other is progressives. Bruckner’s musical style tends towards progressives. Until the last 15 years of his creating career his fame was spreading and his mature works were greeted by storms of enthusiasm everywhere. Te Deum, one of his dramatic works, and was composed during 1881-84. This work plays a key role in his Vienna age, which symbolizes a mature composer. This thesis is divided into five parts. The first chapter is an introduction of research purpose, contents and methods. The second chapter concentrates on the war of the Romantics and how it influences the musical style of Bruckner. And then will focuses on his bio-bibliography and the background of musical education, and also the features of secular and sacred choral works. The third chapter involves the development and expansion of Te Deum and the compositional background of the work. The fourth chapter is to discuss the interior of structures and the application of his composition according to “musical form, mode, harmony”, “melody, rhythm, texts”, “setting of vocal and orchestration”. The final chapter of this thesis focuses on performance practice and discusses the appropriate interpretation, which will enable us to understand the aroma of this work. Program: Ⅰ Renaissance Period Sicut cervus---------------G. P. da Palestrina O vos omnes------------------T. L. de Victoria Ave Maria--------------------Josquin des Prez Ⅱ A Ceremony of Carols----------Benjamin Britten Ⅲ Chinese Songs (Treble & Mixed Choir) My Love is Here--------Lyric by Zhi-Ming Hong Song by Xuan-Wen Zhang Snack Peddler Song--------------Lyric/Song by Ty-Zen Hsiao Returning to Homeland-----Lyric by Er-Yu Zhe Song by Ty-Zen Hsiao Chrysanthemum raised flower bed-----arr. by Yu-Chieh Kao Ⅳ A Little Jazz Mass---------------Bob Chilcott
Kao, Yu-Shin, and 高毓馨. "A Study for “The Little Sweep”, A Children's Opera, By Benjamin Britten / Master's Recital Yu-Shin Kao Choral Conducting." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/71115136018294246719.
Full text東吳大學
音樂學系
93
Benjamin Britten’s idea of creating an opera for children in “The Little Sweep” stemmed from his belief in the potential of children. The Little Sweep is a masterpiece of artistry, singing, and education. This opera is a wonderfully appropriate vehicle for both entertaining and educating young people in communities and schools. The purpose of this study is to explore “The Little Sweep” through an inquiry of its context and Britten’s compositional techniques. The first chapter is an introduction. The second chapter is a brief survey of Britten’s life, including a list of his works for children and, the examination of these works to address Britten’s purpose of musical education. The third chapter surveys the process of creating “The Little Sweep” and theatrical analyses. The fourth chapter presents four types of songs that Britten utilized in children chorales, audience participating songs, arias and, duets in the opera. Throughout all these four types of songs, we examine Britten’s consistent and unique techniques in composition. The fifth chapter is the conclusion of previous discussions, and a performance example of “The Little Sweep” by the researcher, which is brought to confirm the artistry and educational goal of the work once again. ***********************************************************Renaissance Vecchie letrose.....................A. Willaert (1490-1532) Parmi di star......................S. Cornet (c. 1520-1582) Chi la gagliarda.....................G. D. Nola (1510-1592) Contrapunto bestiale alla mente....A. Banchieri (1568-1634) Classical 《Sechs Notturni》.................W. A. Mozart (1756-1791) I. Luci cari, luci belle...........K. V. 346 II. Se lontan, ben mio, tu sei.....K. V. 438 III. Due pupille amabili...........K. V. 439 IV. Piu non si trovano.............K. V. 549 V. Ecco quell fiero istante........K. V. 436 VI. Mi lagnero tacendo.............K. V. 437 Romantic Ave Maria, op.12 ..................J. Brahms (1833-1897) Der 13 Psalm “Herr, wie lange”, op.27 ..J. Brahms Inno A Maria Vergine ............. F. Liszt（1811-1886） Contemporary The Deer Chase American folksong arr. by Norman Luboff (1917-1987) The Turtle Dove English folksong arr. by R. Vaughan Williams (1872-1958) Zion’s Walls Revivalist Song arr. by A. Copland (1900-1990)＆ G. Kopnen
Yu, Kaiming, and 余開明. "The Conversation Between The Mountains and The Town of Jinguashi—The Interpretation of The Art Work created by Yu Kai-Ming." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/13448862455251400427.
Full text華梵大學
工業設計學系碩士班
99
The Conversation Between The Mountains and The Town of Jinguashi －The Interpretation of The Art Work created by YU, Kai-Ming in June 2011 Abstract The painting art tends to be diversified as times change. After the Chinese traditional painting art was spread to Taiwan, the typical local style of the Taiwanese ink painting was resulted from the difference of customs, species and geography. When I was a student, I used to travel around to experience the beauty of the nature as well as to investigate the change of things and objects, especially for the clouds, mountains, water and stones. I feel more interested in the observation of them. From the observation, I learnt how to respect the nature and realize the spiritual of the ink painting starts from the thought of aesthetics and mix with the art behaviors that originated from elements of the nature. In love with the beauty of the Jinguashi landscape, I tried to explore many historical features and the landscape of the Jinguashi, such as the mountains range into dramatic valleys and peaks, the scenes of old houses and geography, the streets of the vertical and horizontal style, the strength of waterfalls, and the scenes of desolate mining area. By exploring the landscape, it would be much helpful to capture the real spiritual of ink paintings. After reflection by the inner spirit of modern ink painting, ink painting is not only the drawing of the real scene but also the interpretation of the inner spiritual by the mixture of western and oriental painting techniques and the evolution of drawing. It leads to the more space of creative arts and oriental-oriented ink painting. The context will be the reflection of theory and creative arts. By further research of the ink painting, the importance of real scenes and scenarios from the Jinquashi artworks express the beauty of the nature and the spiritual scenarios of the paintings, and the ink painting itself still has plenty rooms for exploration of future creative goal. keywords ink paiting artworks scenes,landscape scenes and scenarios chinkuashih
Liu, Yin-Ting, and 劉尹婷. "Research of surtzyh in Xu Shen''s "Shuowen Jiezi"－A comparison between Xu Xuan,Xu Kai and Duan Yu-cai." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/r487bn.
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