Relevant bibliographies by topics / Yusuf Idris

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Yusuf Idris'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 April 2022

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Journal articles on the topic "Yusuf Idris"

1

Cohen, Dalya. "Innocence, By Yusuf Idris." Journal of Arabic Literature 19, no. 1 (January 1, 1988): 68–78. http://dx.doi.org/10.1163/157006488x00182.

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Boullata, Issa J., and Roger Allen. "Critical Perspectives on Yusuf Idris." World Literature Today 69, no. 2 (1995): 425. http://dx.doi.org/10.2307/40151337.

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Cobham, Catherine. "The Half Revolutionaries By Yusuf Idris." Journal of Arabic Literature 22, no. 1 (January 1, 1991): 38–46. http://dx.doi.org/10.1163/157006491x00034.

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Usmonovna, Sultanova Inobat. "Yusuf idris - An egyptian novellist reformer." ACADEMICIA: AN INTERNATIONAL MULTIDISCIPLINARY RESEARCH JOURNAL 11, no. 1 (2021): 998–1001. http://dx.doi.org/10.5958/2249-7137.2021.00169.5.

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Fahndrich, Hartmut, and Brigitta Ryberg. "Yusuf Idris (1927 - 1991). Identitatskrise und gesellschaftlicher Umbruch." Die Welt des Islams 34, no. 2 (November 1994): 311. http://dx.doi.org/10.2307/1570945.

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D.Т., Koptyleuova, and Akhmetbekova A.К. "Novels of Yusuf Idris: from realism to symbolism." Journal of Oriental Studies 81, no. 2 (2017): 160–66. http://dx.doi.org/10.26577/jos-2017-2-959.

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7

Carlson, Marvin. "The contribution of Yusuf Idris to Egyptian and World Comedy." Documenta 23, no. 3 (March 25, 2019): 225–30. http://dx.doi.org/10.21825/doc.v23i3.10369.

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8

Cachia, Pierre, and Sasson Somekh. "The Language of Fiction in the Works of Yusuf Idris." Journal of the American Oriental Society 106, no. 2 (April 1986): 384. http://dx.doi.org/10.2307/601634.

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Hajizadeh, Mahin, Razieh Rafiei, and Mohammad Pashaee. "Analyzing Women's Place in the Short Stories of Yusuf Idris." Journal of New Critical Arabic Literature 7, no. 12 (May 1, 2017): 1–22. http://dx.doi.org/10.29252/mcal.7.12.1.

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Somekh, Sasson. "The Function of Sound in the Stories of Yusuf Idris." Journal of Arabic Literature 16, no. 1 (January 1, 1985): 95–104. http://dx.doi.org/10.1163/157006485x00086.

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Dissertations / Theses on the topic "Yusuf Idris"

1

Soares, Luiz Gustavo da Cunha. "Se tivéssemos armas: duas estratégias narrativas diante da libertação nacional no Egito." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8159/tde-11042016-134005/.

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Este trabalho enfoca dois romances egípcios traduzidos para o inglês: City of Love and Ashes, de Yusuf Idris, escrito em 1955 e publicado em 1956, e War in the Land of Egypt, de Yusuf al-Qa\'id, escrito em 1975 e publicado em Beirute em 1978. Ao tematizar a libertação nacional no centro da ação do enredo, ambos veicularam críticas ao regime militar instalado após o golpe de junho de 1952, mas por caminhos distintos. Enquanto a obra de Idris apresenta um enredo otimista que dispensa o exército e assim constitui uma espécie de história alternativa, o texto de al-Qa\'id levanta um ataque frontal às instituições estatais do país, mas termina por reforçar sua presença e mandato. A comparação dos dois romances expõe a complexidade política crescente que a existência prolongada do exército no poder representou para a intelectual crítica egípcia.
This work focuses on two Egyptian novels translated to English: City of Love and Ashes, by author Yusuf Idris, written in 1955 and published in 1956, and War in the Land of Egypt, by Yusuf al-Qa\'id, written in 1975 and published in Beirut in 1978. By framing national liberation at the core of the plot\'s action, both have aired criticisms of the military regime implemented by the coup of June 1952, but through distinct paths. While Idris\' work present an optimistic plot that foregoes the army and thus constitutes a sort of alternative history, al-Qa\'id\'s text deploys a frontal attack on the state institutions of the country, but ends up reinforcing its presence and mandate. The comparison of these two novels exposes the growing political complexity that the prolonged existence of the army in power represented to the Egyptian critical intelligentsia.
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2

El-Sayyid, Atef Ahmed. "The influence of Brecht on contemporary Egyptian dramatists." Thesis, University of Exeter, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294453.

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Milton, Alexandria. "The short story as a language of demystified modernities : a study of Yusuf Idris' and Julio Cortazar's visualizing aesthetics." Thesis, SOAS, University of London, 2018. http://eprints.soas.ac.uk/30292/.

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This project takes the 'visualizing capacity of language' in the short story as a language unto itself, asserting the genre as text rather than a literature per se, conceived from within and in the service of an as-yet unrealized social reality in societies undergoing profound transition. It raises questions about the nature of textuality, and poses visuality as a language of textuality. A pervasive comparative approach in short story criticism locates its agency vis a vis the novel, which it situates as the literary embodiment of the modern world, considering modernity within a corresponding hegemonic framework. I frame the resulting problematics using John Berger's idea of 'mystification', whereby the short story and its discourses are obscured. This study questions whether articulating the short story's language as a visualizing text may contribute to a new understanding of the form and its place in society. It seizes on the textual dynamics of (in)visibility, a visually distilled aesthetics whose essence is located in sublanguages of visibility and invisibility, conveyed through a salient materiality at the intersection of form and language. The aesthetics that assert these ideas constitute examples of the method of reading the short story's visualizing aesthetics within their local and textual scenarios and offers a method of entering short story criticism through the local, rather than vice versa. I focus on two short story writers whose visualizing aesthetics are imbued with a legacy of ideas that encompass the short story's intimate relationship with discourses arising out of their regions' modernizing projects. For Yusuf Idris the trope is amara, a conceptual Arabic word that refers to the implicit knowledge of a populace. For Julio Cortázar, it is a self-referential mythopoesis as a form of resistance against hegemonic elements. Achieving these ideas aesthetically requires a 'prolonged struggle' to wrest the short story from its Eurocentric elements to inscribe it with the languages constitutive of an organic modernity. Ultimately, this study offers a method of reading the short story as a language of social concern rather than merely a conduit for such a language. It rethinks ideas connected to modernity, to the short story's situatedness as a world literature, and the complexities and contributions of Egyptian and Argentine/Latin American literature vis a vis postcolonial studies.
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4

Ryberg, Birgitta. "Yūsuf Idrīs : 1927-1991 /." Beirut ; Stuttgart : in Kommission bei F. Steiner, 1992. http://catalogue.bnf.fr/ark:/12148/cb35548387d.

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5

Lensink, Alan. "THE WRITERS IN THE ALLEY: STATE LEGITIMACY AND LITERATURE IN NASSER’S EGYPT, 1952-1967." 2011. http://hdl.handle.net/10222/14239.

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In 1952 Gamal Abdel Nasser and his clique of disaffected young officers launched ‘the Free Officer’s Coup,’ deposing the monarchy, overturning the parliamentary system, and launching a durable regime that defined the face of Egypt in the second half of the twentieth century. This thesis examines the relationship between Nasser and Egypt’s intellectuals, and takes preeminent writers Naguib Mahfouz and Yusuf Idris to reveal the social environment in which this relationship took place. The literary and historical evidence reveals a lively relationship of contestation, critique, accommodation, dependence, and acclamation. Promulgating reformist domestic policies and defiantly nationalist foreign policies, Nasser earned legitimization from intellectuals. His regime endeavored to establish hegemony over Egyptian civil society, an effort resisted and repulsed by intellectuals. Inspired by the most relevant theoretical literature on intellectuals, namely the work of Julien Benda, Antonio Gramsci, and Edward Said, this thesis reveals responsibilities and challenges faced by intellectuals everywhere.
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Books on the topic "Yusuf Idris"

1

Studies in the short fiction of Mahfouz and Idris. New York: New York University Press, 1992.

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2

Idrīs, Yūsuf. Dhikrayāt Yūsuf Idrīs! al-Haram [Cairo]: al-Markaz al-Miṣrī al-ʻArabī, 1991.

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3

Cohen-Mor, Dalya. Yūsuf Idrīs: Changing visions. Potomac, MD: Sheba Press, 1992.

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4

Cohen-Mor, Dalya. Yūsuf Idrīs: Changing visions. Potomac, Md: Sheba Press, 1992.

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5

Ṭulbah, Fuʼād. Yūsuf Idrīs wa-al-tābū. [Cairo]: Maktabat Miṣr, 1985.

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6

Ryberg, Birgitta. Yūsuf Idrīs (1927-1991): Identitätskrise und gesellschaftlicher Umbruch. Beirut: Orient-Institut der Deutschen Morgenländischen Gesellschaft, 1992.

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7

Ḍiyāf, Muḥsin Bin. Dirāsat Yūsuf Idrīs: Kātib al-qiṣṣah al-qaṣīrah : dirāsah. Tūnis: Dār Bū Salāmah, 1985.

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8

ʻAwf, ʻAbd al-Raḥmān Abū. Yūsuf Idrīs wa-ʻālamuh: Fī al-qiṣṣah al-qaṣīrah wa-al-riwāyah. al-Qāhirah: al-Hayʼah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1994.

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9

al- Uqṣūṣah al-ʻArabīyah wa-maṭlab al-khuṣūṣīyah: Majmūʻat Bayt min laḥm li-Yūsuf Idrīs unmūdhaj. [Tunis?: s.n.], 2006.

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10

Yusuf Idris. Maktabat Misr, 1986.

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Book chapters on the topic "Yusuf Idris"

1

Ismat, Riad. "Yusuf Idris & Zakaria Tamer." In Artists, Writers and The Arab Spring, 61–72. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-02668-4_7.

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"Farewell Yusuf Idris." In After the Nobel Prize 1989-1994, 216–17. The Gingko Library, 2020. http://dx.doi.org/10.2307/j.ctv14161w4.141.

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