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Books on the topic 'Yvonne Rainer'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

1934-, Rainer Yvonne, and Rosenwald-Wolf Gallery (Philadelphia, Pa.), eds. Yvonne Rainer: Radical juxtapositions 1961-2002. University of the Arts, 2002.

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2

Renard, Johanna. Un ennui radical: Yvonne Rainer, danse et cinéma. De l'incidence éditeur, 2022.

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3

Bregenz, Kunsthaus, and Museum Ludwig, eds. Yvonne Rainer: Raum, Körper, Sprache = Space, body, language. Kunsthaus Bregenz, 2012.

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4

1962-, Folie Sabine, Glasmeier Michael 1951-, and Kunsthalle Wien, eds. Eine barocke Party: Augenblicke des Welttheaters in der zeitgenössischen Kunst : Dinos und Jake Chapman, Wim Delvoye, Ulrike Grossarth, Yvonne Rainer, Sam Taylor-Wood, Paul Thek. Kunsthalle, 2001.

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5

Sichel, Berta M. 14 artistas: Leandro Katz, Lorraine O'Grady, Teresa Serrano, Hanne Nielsen y Birgit Johnsen, Lotty Rosenfeld, Dana Levy, Marta Chilindron, Valie Export, Germaine Dulac, Yvonne Rainer, Wolf Vostell, Jeremy Blake, Ulrike Ottinger, But Barr. Athenaica, Ediciones Universitarias, 2017.

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6

Rainer, Yvonne. Films of Yvonne Rainer. Indiana University Press, 1989.

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7

Rainer, Yvonne. Films of Yvonne Rainer. Indiana University Press, 1989.

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8

Poems by Yvonne Rainer. Badlands Unlimited, 2012.

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9

The films of Yvonne Rainer. Indiana University Press, 1989.

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10

Yvonne Rainer: Work 1961-73. Primary Information, 2019.

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11

Banes, Sally, Charles Atlas, NoIl Carroll, et al. Yvonne Rainer: Radical Juxtapositions 1961-2002. The University of the Arts, 2003.

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12

Radical juxtaposition: The films of Yvonne Rainer. Scarecrow Press, 1994.

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13

Being watched: Yvonne Rainer and the 1960s. MIT Press, 2007.

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14

Being Watched Yvonne Rainer And The 1960s. MIT Press (MA), 2011.

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15

The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci. Yale University Press, 2016. http://dx.doi.org/10.37862/aaeportal.00130.

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16

Revisions: Essays by Apollo Musagète, Yvonne Rainer, and Others. No Place Press, 2020.

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17

Wood, Catherine. Yvonne Rainer: The Mind is a Muscle (One Work). Afterall Books, 2007.

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18

Yvonne Rainer: The Mind is a Muscle (One Work). Afterall Books, 2007.

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19

The concrete body: Yvonne Rainer, Carolee Schneemann, Vito Acconci. 2016.

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20

Noble, Kathy. Yvonne Rainer : Remembering a Dance: Parts of Some Sextets, 1965/2019. Lenz Press, 2024.

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21

Denken gegen das Denken: Produktion, Technologie, Subjektivität bei Sol LeWitt, Yvonne Rainer und Hélio Oiticica. b-books, 2007.

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22

Radical bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955-1972. University of California Press, 2017.

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23

Figures de l'attention: Cinq essais sur la spatialité en danse : Xavier Le Roy, Yvonne Rainer, Olga Mesa, Boris Charmatz, Merce Cunningham. Presses du réel, 2013.

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24

Burt, Ramsay. The Politics of Speaking about the Body. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.16.

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This chapter argues that some of the more radical developments in theatre dance initiated by Steve Paxton, Yvonne Rainer, Deborah Hay, and others in the 1960s and 1970s were supported by problematically dualistic ways of speaking and writing about “the body.” By valuing the rational “mind” over the supposedly irrational “body,” the normative hierarchy was inverted. The chapter discusses the way in which this concern with “the body” in minimalist performances by Yvonne Rainer became political in the context of protests against the Vietnam War. The new sensitivity to corporeality that emerged fr
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25

Porton, Richard. Film and the Anarchist Imagination. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043338.001.0001.

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Hailed since its initial release, this book offers the authoritative account of films featuring anarchist characters and motifs. The book delves into the many ways filmmakers have portrayed anarchism's long traditions of labor agitation and revolutionary struggle. While acknowledging cinema's predilection for ludicrous anarchist stereotypes, the book focuses on films that, wittingly or otherwise, reflect or even promote workplace resistance, anarchist pedagogy, self-emancipation, and anti-statist insurrection. The book ranges from the silent era to the classics Zero de Conduite and Love and An
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26

Elbe, Martin, ed. Die Gesundheit des Militärs. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748907459.

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The health of the military is of central importance both from an internal perspective as well as in terms of a state’s response capacities. This anthology looks at these issues in five chapters: Starting from the basics of health in the military (saluto genesis, differential health promotion, the instrumentality of military medicine), the various contributions it contains deal with the daily challenges of staying healthy in the military (the function and expectations of the members of the organisation, concepts to ensure one’s health, food in the military, inclusivity and aspects of sexual har
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27

Hardt, Yvonne. Pedagogic In(ter)ventions. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.5.

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This chapter investigates how working with Yvonne Rainer’s “Continuous Project–Altered Daily” in a dance educational setting gears the attention toward the importance of context, corporeal and group knowledge, and the specific skills of reenacting the scores of performances of avant-garde dance. Thus, the chapter not only allows for a wider theorization of working with the past as a performative practice, but also rereads common interpretations of Rainer’s work that so far have predominantly focused on the anti-institutional aspects; thus the chapter focuses on revealing the productive, highly
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