Relevant bibliographies by topics / Z004 Books. Writing. Paleography

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Academic literature on the topic 'Z004 Books. Writing. Paleography'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Dissertations / Theses on the topic "Z004 Books. Writing. Paleography"

1

MacAdams, Anneliese. "Any other mouth : writing the hybrid memoir." Thesis, University of Huddersfield, 2017. http://eprints.hud.ac.uk/id/eprint/32633/.

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This Ph.D. by Publication comprises my short story collection, Any Other Mouth, along with a reflective and critical exegesis, which examines what I have termed the hybrid memoir. The term describes memoiristic texts that contain significant transgressions from the conventional memoir genre. As well as discussing the definition and its implications, this exegesis demonstrates that Any Other Mouth represents an original contribution to knowledge in the way that it engages and experiments with the hybrid memoir form. In Part One, I define the term hybrid memoir, and explain why my definition dif
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2

Grindley, Carl James. "The life of a book : British Library manuscript additional 35157 in historical context." Thesis, University of Glasgow, 1996. http://theses.gla.ac.uk/1489/.

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This dissertation is an investigation into the social history of British Library Manuscript Additional 35157 (hereafter Add.35157), which is a late fourteenth-century copy of William Langland's alliterative poem Piers Plowman. Part one contains the text of the dissertation. In chapter 1 a general outline of the dissertation is provided and some bibliographical issues relating to the identification of Add.35157 are discussed. Chapter 2 proposes that the knowledge of a manuscript's provenance is itself a legitimate goal of research. Chapter 2 also provides a sample exercise in manuscript researc
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3

Ramdarshan, Bold Melanie. "Copyright in Scotland : is the Scottish publishing industry capitalising on its intellectual property?" Thesis, Edinburgh Napier University, 2012. http://researchrepository.napier.ac.uk/Output/5421.

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The aim of this study is to understand the operational practices of copyright exploitation and protection from the perspective of the Scottish publishing industry. The study begins with a historical overview of the development of copyright legislation in the United Kingdom, which helps to build a theoretical framework to understand copyright. The study then explores the contemporary publishing environment and details the progression of rights exploitation within the publishing industry. It analyses how the historical development of copyright informs contemporary practices, particularly the rol
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4

Lafone-Ward, Kate Alison. "An examination of the characteristics of disguised and traced handwriting." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5201/.

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There has recently been a lack of judicial confidence in the evidence provided by handwriting analysis which has highlighted the need for objective research to be conducted in this area. In response this study has examined the principles and practices of two of the field’s most complex areas of analysis: disguised and artificially assisted (traced) handwriting. Any claims and observations made in the literature have been reviewed and empirically tested. A body of controlled data was collected from sixty volunteers who produced samples of disguised handwriting and traced signatures. A rigorous
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5

Murray, Teresa Ann. "Thomas Morley and the business of music in Elizabethan England." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/1247/.

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Thomas Morley’s family background in Norwich and his later life in London placed him amongst the educated, urban, middle classes. Rising literacy and improving standards of living in English cities helped to develop a society in which amateur music-making became a significant leisure activity, providing a market of consumers for printed recreational music. His visit to the Low Countries in 1591 allowed him to see at first hand a thriving music printing business. Two years later he set out to achieve an income from his own music, initially by publishing collections of light, English-texted, mad
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6

Scott, Charlotte. "Shakespeare and the idea of the book." Thesis, University of Warwick, 2005. http://wrap.warwick.ac.uk/1198/.

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Shakespeare and the Idea of the Book is about the book in Shakespeare's plays; the book as an object, wherein the article may disclose narratives, corroborate stories, expose versions of reality and perspectives of presence; and the semiotic of the book, wherein the language of the book, of holding, touching, turning leaves, opening pages, reading, revealing and closing may simulate an idea of the body or mind in motion. This thesis is about how the metaphorical and material book appears on Shakespeare's stage, and how the physical and figurative presence of the book challenges the imaginative
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7

Kemp, Helen. "Collecting, communicating, and commemorating : the significance of Thomas Plume's manuscript collection, left to his Library in Maldon, est. 1704." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20651/.

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This thesis is about networks in seventeenth-century England: the making and re-shaping of networks of people and texts, and the ways in which they evolved and transformed. It focuses on the manuscripts collected by Dr Thomas Plume (1630-1704), vicar of Greenwich and archdeacon of Rochester, who left them with a substantial body of books and pamphlets to the Library he endowed in Maldon. They take the form of notebooks and papers complied by a number of different clergymen, in particular Dr Robert Boreman (d.1675) and Dr Edward Hyde (1607-1659), in addition to Plume. The significance of the re
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8

Creed, Wendy Elizabeth. "Dreaming in whispering groves : an inquiry into the reader's response to the book as a published physical object with reference to the rise of the eighteenth century novel, modern critical theory and the processes and technologies of production, transmission and reception." Thesis, University of Greenwich, 2002. http://gala.gre.ac.uk/8616/.

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Dreaming In Whispering Groves is an investigation into the production, transmission and reception of the book-as-object with specific reference to nine eighteenth century novels over four centuries: Robinson Crusoe; The Adventures Of The Count de Vinevil; Pamela; David Simple; Amelia; Betsy Thoughtless; Evelina; The Monk and The Italian. I examine the relationship between the reader, the book-as-text and the book-as-object, approaching my topic from the standpoint of a Reader Response and Rezeption-aesthetic critic. Adopting a multi-disciplinary approach, I draw upon Art, History, Literature,
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9

Kerry, Gilbert. "Letter-writing theory in the literary scene : Angel Day, The English Secretary, and authorship in early modern England." Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6282/.

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This thesis focuses on epistolary theory in early modern England. There are a few studies of Elizabethan and Jacobean letter-writing manuals to date, though scholars typically use chronological analyses of instructional texts printed between 1568-1640. However, the methodology of this dissertation departs considerably from earlier studies. Rather than study many texts chronologically, I focus on one: Angel Day’s The English Secretary. Day’s manual, printed nine times in fifty years, was the most popular of its time. I use these editions– many of them heavily revised – to trace developments of
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10

Maxwell, Sheila Kate. "Guillaume de Machaut and the mise en page of medieval French sung verse." Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/764/.

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The aim of this thesis is to examine what a study of the visual presentation of the fourteenth-century poet-composer Guilluame de Machaut's songs can tell us that studying them simply as pre-defined works cannot. This has involved two distinct, but related fields of enquiry. Firstly, I have developed of a way of considering the six manuscripts of Machaut containing what appear to be his complete works which focuses on the visual impact of each codex as a whole, from the materials used to the content it contains (text, images, music). This methodology, which draws on the works of such scholars
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Books on the topic "Z004 Books. Writing. Paleography"

1

Morison, Stanley. Early Italian writing-books: Renaissance to Baroque. Valdonega, 1990.

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2

Stanley, Morison. Early Italian writing-books: Renaissance to Baroque. David R. Godine, Publisher, 1990.

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3

Kiseleva, Li︠u︡dmila Ilʹinichna. Pisʹmo i kniga v Zapadnoĭ Evrope v srednie veka: Lekt︠s︡ii po latinskoĭ paleografii i kodikologii. Dmitriĭ Bulanin, 2003.

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4

Edit, Szántóné Balázs. Írástörténet és történelemtanítás. Tankönyvkiadó, 1986.

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5

1896-, Hu Yuzhi, ed. Shu de gu shi. Sheng huo, du shu, xin zhi san lian shu dian, 2012.

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6

Grafolingvistika srednjovjekovnih tekstova. Matica Hrvatska, 2007.

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7

(Russia), Gosudarstvennyĭ Ėrmitazh, ed. Ot beresty k bumage: Kniga Drevneĭ Rusi : katalog vystavki. Izd-vo Gosudarstvennogo Ėrmitazha, 2011.

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8

Pàstena, Carlo. Breve storia dei materiali scrittori dalle origini al XV secolo. 2nd ed. Regione siciliana, Assessorato dei beni culturali e ambientali e della Pubblica istruzione, 2001.

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9

Renzo, Rossi. The age of the book. Marshall Cavendish Benchmark, 2009.

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10

K, Englund Robert, and Peabody Museum of Archaeology and Ethnology., eds. The proto-elamite texts from Tepe Yahya. Peabody Museum of Archaeology and Ethnology, Harvard University, 1989.

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