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Relevant bibliographies by topics / "zajui"

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Dissertations / Theses
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Academic literature on the topic '"zajui"'

Author: Grafiati

Published: 5 June 2025

Last updated: 15 July 2025

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Journal articles on the topic ""zajui""

1

Shen, Grant Guangren. "Zaju and Kabuki in English: Directing in the Classical Styles." TDR/The Drama Review 45, no. 3 (2001): 134–48. http://dx.doi.org/10.1162/10542040152587169.

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Zaju, a Chinese theatre genre, has not been staged for 500 years. Kabuki has never been performed in English in Asia. In Singapore, a vigorously multicultural city, Shen directed English-language productions of zaju and kabuki. Are such productions “authentic”? What does authentic mean these days?

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2

Liu, Peijin. "Exploration of the Formation Path of Yuan Dynasty Zaju Music and Script System." Studies in Social Science & Humanities 2, no. 10 (2023): 15–21. http://dx.doi.org/10.56397/sssh.2023.10.03.

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As the first peak in the development of Chinese drama, Yuan Dynasty Zaju was influenced by various factors in its formation. The external structure of Yuan Dynasty Zaju includes the music system and the script system, both of which exhibit different inheritances of “existing forms.” The music system was selected based on musical forms such as daqu, changzhuan, and various palace tunes, while the script system evolved through continuous practical exploration based on the trial-and-error experiences of drama performance. In pursuit of artistic continuity, this study explores the formation path o

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3

Wang, Qian, and Qiong Yang. "Ritual, Legend, and Metaphor: Narratives of the Willow in Yuan Zaju." Religions 13, no. 1 (2022): 55. http://dx.doi.org/10.3390/rel13010055.

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Narratives of willow trees in Yuan zaju 雜劇, or variety play, largely come in three types, namely, the ritual performance of shooting willows; the deliverance of willow spirits by Lü Dongbin, one of the Eight Immortals of Daoism; and the use of the word willow to refer to women. The willow shooting ritual depicted in Yuan zaju was highly reminiscent of the willow shooting ritual popular throughout the Song (960–1279), Liao (916–1125), Jin (1115–1234), and Yuan (1271–1368) dynasties, with its conceptual origins traceable to the ancient shamanic belief in the willow as a sacred tree prevalent amo

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4

Wang, Yu. "On the Phenomenon of Guan Hanqing’s “Big Heroine” Zaju Creation." International Journal of Education and Humanities 16, no. 2 (2024): 312–14. http://dx.doi.org/10.54097/v3p74458.

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In this work, there are eighteen existing plays by Guan Hanqing, among which there is a noteworthy phenomenon of “big heroine” zaju creation. These women have a clear self-awareness and a strong personality of respecting themselves. They are very clear about what they want, and in order to grasp their own destiny, they can make every effort to fight for it, and in the process, they show a firm and persistent will. They are both intelligent and brave, planning and acting later, and are resolute and calm. The reason why Guan Hanqing’s zaju creation featured the portrayal of “big heroine” in grou

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5

Chang, Wenbo. "A Prince, the Literati, and the Emperor: Two Faces of One Shuihu Play by Zhu Youdun." East Asian Publishing and Society 14, no. 1 (2024): 5–36. http://dx.doi.org/10.1163/22106286-12341382.

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Abstract Zhu Youdun, the prince of Zhou and the grandson of the Ming founding emperor, wrote and published thirty-one zaju plays. While Zhu Youdun’s plays have been well-researched in drama scholarship, their publication, circulation, and textual variations emerging from transmission among different audiences are rarely studied. Situating Zhu Youdun’s zaju writing and publishing activities as part of Ming princely publishing, this paper examines and compares two editions of Black Whirlwind Li Spurns Riches Out of Righteousness as a case study, one the printed edition circulating mainly among l

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Carlitz, Katherine. "Yuan zaju zuojia de nüxing yishi." NAN NÜ 11, no. 1 (2009): 135–37. http://dx.doi.org/10.1163/138768009x12454916572002.

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7

Xiong, Jiayi. "The Research on the Folklore Terms of the Seasonal Festivals in the Dongjing Meng Hua Lu." International Journal of Education and Humanities 10, no. 3 (2023): 137–41. http://dx.doi.org/10.54097/ijeh.v10i3.12242.

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Dongjing Meng Hua Lu is an important document to study the social life of the Northern Song dynasty. But up to now, there are still many debates about the specific textual researches of relevant nominal words in this book. So, this paper makes further correction, supplement and textual research on the controversial folklore terms. This paper believes that in the folkloric words, the prototype of the word "Mo Hele" is Mahakala; the word "Jing" should have been omitted from the Zaju "Mulian Saving His Mother", which is actually the Zaju using the Buddhist classic of Mulian to show how to save hi

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양회석. "A Study on Guan Hanqing’s Sanqu & Zaju." Journal of Study on Language and Culture of Korea and China ll, no. 33 (2013): 303–29. http://dx.doi.org/10.16874/jslckc.2013..33.013.

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9

Lee, Bo-ram. "Food in the Yuan Zaju : Reflecting Mongolian Culture." Journal of Chinese Language and Literature 145 (April 30, 2024): 147–66. http://dx.doi.org/10.25021/jcll.2024.4.145.147.

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10

Комилова, Шахноза Туробуддиновна. "ХИТОЙ ЎРТА АСР АДАБИЁТИДА ДРАМАТУРГИЯНИНГ ТАРАҚҚИЁТИ". Oriental Renaissance: Innovative, educational, natural and social sciences 2, № 26 (2022): 391–95. https://doi.org/10.5281/zenodo.7335903.

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<em>Ушбу мақола доирасида хитой адабиётида драма жанрининг пайдо бўлишига таъсир кўрсатган ички ва ташқи омиллар масаласи акс эттирилган. XIII-XIV асрларда хитой драматургиясида шаклланган “сивень”, “цзацзюй” жанрларининг ўзига хос жихатлари хусусида сўз боради ва бу жанрининг ривожида ўз ўрнига эга бир қатор драматурглар ижоди хусусида фикр юритилган. Мақолада жанр нуқтаий назаридан ХVII-ХVIII  асрлар келиб драматургияда номлари келтирилган жанрлар билан бирга “чуанци” жанри пайдо бўлиши ва ривожланиши олиб борган тадқиқотлари асосида таъкидлаб ўтилди.

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Dissertations / Theses on the topic ""zajui""

1

譚達先 and Tat-sin Tam. "Folk literature and the Zaju (Northern drama) of the YuanDynasty, 1279-1368." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31232395.

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Zajul, Martina Maria [Verfasser]. "Biotechnologische Produktion von Basidiomyceten-Proteinen auf industriellen Nebenströmen zur Herstellung von Nahrungsmitteln / Martina Maria Zajul." Gießen : Universitätsbibliothek, 2018. http://d-nb.info/1150123761/34.

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Zajul, Martina [Verfasser]. "Biotechnologische Produktion von Basidiomyceten-Proteinen auf industriellen Nebenströmen zur Herstellung von Nahrungsmitteln / Martina Maria Zajul." Gießen : Universitätsbibliothek, 2018. http://d-nb.info/1150123761/34.

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Chen, Wen-Ting, and 陳文婷. "Mother Images in Yuan Zaju." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/05636182597908311320.

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碩士<br>國立中央大學<br>中國文學系<br>103<br>The study is “The Mother Images of Yuan Zaju”, which is based on ”Full Yuan Drama” edited by Jia-Luo Yang. The method used in this paper is known as “text reading”, include many different angles such as Chinese classical thoughts , perspective of sociology, family history and woman’s history. Research purpose is to rich the studies of Yuan Woman Image, and to shape the mother images concretely, knowing it’s uniqueness and innovations. By my research result, I found Yuan Zaju is the key watershed which made mother images from vague to concrete. We already knew

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Hsiang-Chun, Ko, and 柯香君. "A Research of Religious Zaju of Ming." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/29102781737216472028.

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碩士<br>淡江大學<br>中國文學系<br>90<br>Abstract: A binding relationship often exists between religion and drama. This is particularly true to traditional Chinese plays and dramas due to the complex socio-cultural environment of the Chinese society and to the fact that religion is indispensable to the Chinese people. This thesis is to provide an in-depth analysis on Za-ju, through an investigation of the socio-cultural environment and the playwrights’ personal experiences which manifested the work. The goal is not only to affirm the influential position of religious Za-ju of the Ming dynast

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Liao, Shu-Jiun, and 廖紓均. "The Zaju writing and its Collective Memory of Jiangnan Literati in Ming-Qing transition: The Study of Zaju sanji." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/ta88rr.

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碩士<br>國立臺灣大學<br>中國文學研究所<br>106<br>This study explores Zaju Sanji (雜劇三集) and the background of its compilation, including how it was edited, how the selected compositions were written, and how the collection presented the authors and editors’ reflection on their era. By investigating the time and regional background of Zaju Sanji, the collective memories behind the collection were observed. How the memories of the author were embodied in the composition, how readers are able to relate to the authors’ personal experience by reading the pieces, and how these memories expand externally into the co

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Yang, Yu-Feng, and 楊玉鳳. "The religion in Yuan Zaju─secularization of religion." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/dtq857.

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碩士<br>國立中央大學<br>中國文學研究所<br>94<br>Abstract In the Chinese history, Yuan Dynasty was a dynasty in which different religions thrived for its liberal attitude towards people’s spiritual beliefs. For the sake of political domination as well as social control, the ruler of Yuan Dynasty literally welcomed all kinds of religions, especially Buddhism and Taoism. This makes the dynasty become the golden age for many religions and their believers. Other than the support from the authority, the harsh social reality offered a perfect breeding ground for a variety of religious sects. Although the Mongol ini

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Chung, Wen-Ling, and 鐘文伶. "The Research of Love Zaju in Ming Dynasty." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/47224620251495080177.

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CHANG, HSIU-SHAN, and 張秀姍. "A Study of Tragic Characters in Yuan Zaju." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/z346a6.

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Chen, Yu-Miao, and 陳禹妙. "A Study of Yuan Yin and His Writing of Zaju." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/fm624u.

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碩士<br>東吳大學<br>中國文學系<br>102<br>Yuan Yin (1869-1930), also known as Yuan Zu Guang, he was born in Taihu County, Anhui Province. In 1894, Yuan Yin attained the degree of juren. In 1903, He attained the degree of jinshi. Yuan Yin was a Chinese writer, poet, playwright of the Qing Dynasty. When the First Opium War broke out, the Qing court was confronted by the aggression from abroad. The Qing court attempted to modernize its military and fend off threats to its sovereignty, but when the First Sino-Japanese War broke out, the Qing court lost the war. It demonstrated the modernizationthe of Chinese

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Books on the topic ""zajui""

1

David, Hawkes, ed. Liu Yi and the dragon princess: A thirteenth century zaju play. Chinese University Press, 2003.

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2

"Xi you ji za ju" ping zhu ben: Xiyouji zaju pingzhuben. Guizhou jiao yu chu ban she, 2018.

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3

Fu, Hongchu. Three Yuan Plays by Yang Zi. The Rowman & Littlefield Publishing Group, Inc., 2023. https://doi.org/10.5040/9781978732322.

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This is an English translation of three plays by Yang Zi—a Yuan dynasty playwright, court official, and ocean-shipping tycoon—with extensive annotations of the Chinese originals. The author conveys the way a Yuan zaju play was composed, especially in the use of its extrametrical characters. To help readers understand the unique position Yang Zi was in during the Yuan dynasty under the Mongol rule, the author also includes a detailed description of Yang Zi’s life and his family as an appendix. With a general introduction about the plays and their theatrical features, together with an individual

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Hawkes, David. Liu Yi and the Dragon Princess: A Thirteenth-Century Zaju Play by Shang Zhongxian. The Chinese University Press, 2003.

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Study on the Thematic, Narrative, and Musical Structure of Guan Hanqing's Yuan Zaju "Injustice to Dou'E". Lang Publishing, Incorporated, Peter, 2015.

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6

Kaiserliches Theater, Theater ohne Kaiser?: Die Gründung der Han-Dynastie in zaju-Stücken der Ming-Dynastie. Harrassowitz Verlag, 2014.

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7

Xing, Jian-Jun. Snow in midsummer: A translation and adaptation based on Guan Han-qing's Yuan Zaju : Dou-e Yuan. 2002.

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Ao, Yumin. Study on the Thematic, Narrative, and Musical Structure of Guan Hanqing's Yuan «Zaju, Injustice to Dou E». Lang AG International Academic Publishers, Peter, 2015.

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Xing, Jian-Jun. Snow in midsummer: A translation and adaptation based on Guan Han-qing's Yuan Zaju : Dou-e Yuan. 2002.

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Ao, Yumin. Study on the Thematic, Narrative, and Musical Structure of Guan Hanqing's Yuan «Zaju, Injustice to Dou E». Lang AG International Academic Publishers, Peter, 2015.

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Book chapters on the topic ""zajui""

1

Bauer, Wolfgang, and Wolfgang Kubin. "Li Xingdao: Bao daizhi zhi zuan huilan ji zaju." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15019-1.

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Zheng, Zhenduo. "Zajuci, a Literary Form Popularized in the Song and Jin Periods." In History of Chinese Folk Literature. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_7.

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Jiang, Lansheng. "Variant reduplication and four-character state adjectives in Yuan Zaju." In Language Contact and Change in Chinese, edited by Guangshun Cao and Hsiao-jung Yu. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110612981-005.

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Xu, Shuofang, and Qiuke Sun. "The Creation of Zaju Drama in the Middle and Late Ming Dynasty." In A History of Literature in the Ming Dynasty. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-2490-2_8.

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Sieber, Patricia. "Introduction Rewriting Early Chinese Zaju Song-Drama for Transnational, National, and Local Contexts." In Theaters of Desire. Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403982490_1.

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Zhao, Yishan, Rui Zhou, and Tian Yuan Tan. "Yuan Sanqu and Yuan Zaju." In A General Survey of Song-Poetry (<i>Sanqu</i>) of Yuan China (1260–1368). BRILL, 2025. https://doi.org/10.1163/9789004734531_007.

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"CHAPTER I ZAJU OF THE YUAN DYNASTY." In A General History of Chinese Art. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110790948-019.

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Chaoguan, Yang, and Stephen H. West. "10. Zaju from the Studio of Singing on the Wind." In A Topsy-Turvy World. Columbia University Press, 2023. http://dx.doi.org/10.7312/idem20896-012.

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Jing, Tan. "Translating Classical Chinese Drama: Comparative Study on the Formal Characteristics and Formal Equivalence of Yuan Zaju." In Research Highlights in Language, Literature and Education Vol. 1. Book Publisher International (a part of SCIENCEDOMAIN International), 2022. http://dx.doi.org/10.9734/bpi/rhlle/v1/2995c.

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"Making Up for a Loss: The Tragedy of Liang Shanbo and Zhu Yingtai in Modern Zaju." In "At the Shores of the Sky". BRILL, 2020. http://dx.doi.org/10.1163/9789004438200_021.

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Conference papers on the topic ""zajui""

1

Li, Yanhui. "The Similarities and Differences between Kunqu Zaju Opera and Zaju Chuanqi Opera." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.111.

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Peng, Zhen. "Analysis of the modern significance of the traditional Chinese theater Yuan Zaju (1271–1368)." In 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-11.

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China is an ancient civilization with a history of 5,000 years, with a long history and many ethnic groups. From the Han Dynasty to the middle of the Tang Dynasty, there were "baixi" (百戏) and "Can Jun xi" (参军)). During the Middle and late Tang Dynasty, opera was gradually formed. During the Song-Jin dynasties, opera developed rapidly and laid the foundation for the Yuan Ming Opera. This article, firstly, examines the historical and cultural background of the Yuan Zaju and analyzes the reasons for their popularity in feudal society; secondly, the plot structure of the Yuan Zaju has a linear cou

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Gao, Chenchen. "The Development of Song-dynasty Guanben Zaju and Chinese Popular Literature and Art." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.24.

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