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Journal articles on the topic 'Zakes Mda'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Holloway, Myles. "AN INTERVIEW WITH ZAKES MDA." South African Theatre Journal 2, no. 2 (1988): 81–88. http://dx.doi.org/10.1080/10137548.1988.9687619.

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2

Mda, Zakes, and Elly Williams. "An Interview with Zakes Mda." Missouri Review 28, no. 2 (2005): 62–79. http://dx.doi.org/10.1353/mis.2006.0034.

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3

Sewlall, Harry. "Deconstructing Empire in Joseph Conrad and Zakes Mda." Journal of Literary Studies 19, no. 3-4 (2003): 331–44. http://dx.doi.org/10.1080/02564710308530335.

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4

Uwah, Chijioke. "Theatre as social critique in the South African political context: the plays of Zakes Mda." Acta Academica: Critical views on society, culture and politics 36, no. 1 (2004): 84–100. https://doi.org/10.38140/aa.v36i1.821.

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In the past few years, especially after independence, South African theatre has not been as critical of the political process as one would have expected, given its critical attitude towards the apartheid system. Zakes Mda’s plays, however, have to an extent fulfilled this role. This article investigates the critical nature of some of Zakes Mda’s plays produced before and after independence.

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5

Cloete, Nettie, and Richard Ndwayamato Madadzhe. "Zakes Mda: Shifting female identities inThe heart of redness." English Academy Review 24, no. 1 (2007): 37–50. http://dx.doi.org/10.1080/17535360712331393459.

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6

Gover, Daniel. "Turmoil and Reconciliation in Two Novels of Zakes Mda." Journal of the African Literature Association 6, no. 1 (2011): 72–78. http://dx.doi.org/10.1080/21674736.2011.11690170.

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7

Dr., Mrs. S. S. Nangare. "Reflection of Exploitation in Zakes Mda's The Heart of Redness." Criterion: An International Journal in English 16, no. 2 (2025): 1237–46. https://doi.org/10.5281/zenodo.15321395.

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<em>The Heart of Redness</em> by Zakes Mda explores not only the complexities of identity in post-apartheid South Africa but also reflects on the deep scars left by centuries of exploitation, colonialism, and apartheid. Exploitation has been a central theme in South African history, with its roots in colonial conquest, land dispossession, and economic marginalization.  Through a dual timeline and a series of well-crafted characters, Mda critiques how exploitation manifests in various forms- economic, political, social, and cultural. Central to this reflection is the character of Camagu, w

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8

Tse, Valery Anye. "Ethnicity, identity and the search for a new social order: A study of Zakes Mda's The Madonna of Excelsior and Arundhati Roy's The God of Small Things." African Social Science and Humanities Journal (ASSHJ) 3, no. 1 (2022): 1–13. https://doi.org/10.5281/zenodo.6584026.

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This research paper examines ethnicity and identity as represented in Zakes Mda’s The Madonna of Excelsior and Arundhati Roy’s The God of Small Things. In the reading of these novels one realises that the South African and Indian societies still face ethnic rivalry which has been a perennial problem from time immemorial. The bone of contention underlying this research is the fact that Zakes Mda and Arundhati Roy in their texts present societies fragmented by ethnic rivalry and identity crises which have hindered the effective evolution of these societies. This paper thus, seeks to

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9

Anye, Tse Valery. "Ethnicity, identity and the search for a new social order: A study of Zakes Mda’s The Madonna of Excelsior and Arundhati Roy’s The God of Small Things." African Social Science and Humanities Journal 3, no. 1 (2021): 1–13. http://dx.doi.org/10.57040/asshj.v3i1.94.

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This research paper examines ethnicity and identity as represented in Zakes Mda’s The Madonna of Excelsior and Arundhati Roy’s The God of Small Things. In the reading of these novels one realises that the South African and Indian societies still face ethnic rivalry which has been a perennial problem from time immemorial. The bone of contention underlying this research is the fact that Zakes Mda and Arundhati Roy in their texts present societies fragmented by ethnic rivalry and identity crises which have hindered the effective evolution of these societies. This paper thus, seeks to answer the f

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10

Gorak, Jan. "Nothing to Root for: Zakes Mda and South African Resistance Theatre." Theatre Journal 41, no. 4 (1989): 478. http://dx.doi.org/10.2307/3208009.

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11

Steinmeyer, Elke. "Chanting the song of sorrow: Threnody in Homer and Zakes Mda." Current Writing 15, no. 2 (2003): 156–72. http://dx.doi.org/10.1080/1013929x.2003.9678165.

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12

Coundouriotis, Eleni. "Dance of Life: The Novels of Zakes Mda in Postapartheid South Africa." Safundi 15, no. 1 (2014): 143–45. http://dx.doi.org/10.1080/17533171.2013.865422.

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13

Mnguni, Aaron. "TRANSLATION OF SELECTED ZAKES MDA'S PLAYS INTO THE ISINDEBELE LANGUAGE: PERSPECTIVES ON ACCURACY AND NATURALNESS." International E-Journal of Advances in Social Sciences (IJASOS) 10, no. 30 (2024): 415–19. https://doi.org/10.5281/zenodo.14552193.

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<strong>Abstract:</strong> Although the isiNdebele language has been listed as one of the official languages in the Republic of South Africa, it is still amongst the youngest of the twelve official languages. IsiNdebele language lags notably in aspects such as terminology, literature, translation projects, and general language use. The translation of selected Zakes Mda’s plays into the isiNdebele language, is a milestone in the history of this language, as it removes some barriers that prevent interaction and expression of ideas between the English and isiNdebele-speaking communities. In

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14

Lee, Hyang-mi. "All the Variations of Mourning in Zakes Mda’s Ways of Dying." Cogito 89 (October 31, 2019): 181–208. http://dx.doi.org/10.48115/cogito.2019.10.89.181.

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15

Visser, Irene. "A Creative Partnership: The Spiritual and the Sexual in Novels by Zakes Mda." Current Writing 24, no. 2 (2012): 127–37. http://dx.doi.org/10.1080/1013929x.2012.706909.

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16

Carbonieri, D. "Shifting Boundaries and Alterity in Postcolonial Fiction: The Madonna of Excelsior by Zakes Mda." Revista Scripta Uniandrade 11, no. 2 (2013): 24–41. http://dx.doi.org/10.18305/1679-5520/scripta.uniandrade.v11n2p24-41.

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17

Makoni, Brightman. "Mending The Broken Bridges: An Analysis of Familyhood in Zakes Mda’s Ways of Dying (1995)." February2021 7, no. 1 (2021): 31–48. http://dx.doi.org/10.24113/ijohmn.v7i1.218.

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This paper examines South African literature’s paradigm shift through Zakes Mda’s disruption of the dominant trope of apartheid by his focusing on black ordinary lives in Ways of Dying. The novel foregrounds the broken bridges of love and unity that used to link families before colonisation. Mda demonstrates how the rise of the city engendered the demise of the village where blacks lived as a unified community before migrating to the city whence they sink into individualism. The discussion focuses on family units during the period of death and dying to reveal broken links that happen to have a

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18

Butcher, Kenton. "Spatial Passing: The Revelation of Rural Blackness in Zakes MDA’s Cion." Callaloo 42, no. 2 (2024): 18–30. http://dx.doi.org/10.1353/cal.2024.a939148.

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Abstract: This essay explores the space between “Black” and “Appalachia” as a point of contact rather than separation. By doing so, it challenges the notion that Blackness and rurality are mutually exclusive terms and undermines the idea that isolation marks the Appalachian region in general. Drawing from rural Black studies and theorizations of identity passing to argue that “revelation” lies at the aesthetic and conceptual center of Black Appalachia, this essay analyzes the revelation of rural Blackness in a South African novel set in Appalachian Ohio: Cion by Zakes Mda. It argues that the d

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19

Oripeloye, Henri. "Postmodernist Mythic Sexual Narratives in Zakes Mda’s The Whale Caller." Matatu 48, no. 1 (2016): 49–60. http://dx.doi.org/10.1163/18757421-04801005.

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Zakes Mda’s The Whale Caller is easily identifiable as a narrative that projects the newness of South Africa in terms of literary transition. The radical shift in this novel resides in its preoccupation with the excessive passion a man has for a whale and this interest creates an unusual space for this work in contemporary African fiction; its mapping of perverted sexuality clearly sets it outside the mainstream of African prose narrative. In the universe of this socio-cultural text, the actions, characters, and signifiers are constructed to reflect a stasis of frustration or disjunction in th

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20

LANGMIA, FORTI ETIENNE. "From apartheid to Post-Apartheid: The Representational Trajectory to a Multiracial Nation in Nadine Gordimer’s None to Accompany Me, Andre Brink’s The Rights of Desire and Zakes Mda’s The Madonna of Excelsior." Advances in Social Sciences Research Journal 8, no. 5 (2021): 707–24. http://dx.doi.org/10.14738/assrj.85.10277.

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This article, which draws inspiration from the literary works of three South African writers, focuses on the two (amongst many) major historic periods in the life of the present-day nation described as post-apartheid South Africa. The two periods, evident in the works of Andre Brink, Zakes Mda and Nadine Gordimer under review, are the reign of apartheid and the transition to a democratic multiracial society built on the principles of equality and the respect of the rights and freedoms of South Africans. From both historical and literary standpoints, the transition to multiracialism is the outc

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21

Bonnet, Christophe. "Espaces urbains, espaces communautaires, espaces de violence : les géographies de Ways of Dying de Zakes Mda." Travaux de l'Institut Géographique de Reims 25, no. 99 (1998): 51–58. http://dx.doi.org/10.3406/tigr.1998.1367.

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22

Flockemann, Miki. "Traumas and transformations: Fictions which play with what “they say”, by Zakes Mda and Lindsey Collen." Journal of Literary Studies 20, no. 3-4 (2004): 248–64. http://dx.doi.org/10.1080/02564710408530356.

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23

McLaren, Joseph. "BOOK REVIEW: Mda, Zakes. THE HEART OF REDNESS: A NOVEL. New York: Farrar, Straus and Giroux, 2002." Africa Today 51, no. 3 (2005): 134–36. http://dx.doi.org/10.2979/aft.2005.51.3.134.

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24

Goyal. "Dance of Life: The Novels of Zakes Mda in Post-Apartheid South Africa by Gail Fincham." Research in African Literatures 44, no. 4 (2013): 168. http://dx.doi.org/10.2979/reseafrilite.44.4.168.

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25

Wenzel, Marita. "Appropriating space and transcending boundaries in The Africa House by Christina Lamb and Ways of Dying by Zakes Mda." Journal of Literary Studies 19, no. 3-4 (2003): 316–30. http://dx.doi.org/10.1080/02564710308530334.

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26

Henning, John. "Bombs, ghosts, devils: Mhudi and the new historicism." English in Africa 49, no. 2 (2022): 49–69. http://dx.doi.org/10.4314/eia.v49i2.3.

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This paper uses the vexed publication history of Sol Plaatje’s Mhudi to try to ‘read’ various aspects of the New Historicism – a school of historiographical thought recently evoked by Zakes Mda in his writing about the novel. Taking the alleged 1976 petrol bombing that is said to have unearthed Plaatje’s lost typescript, my essay suggests that the lingering disagreements in South African literary circles over issues of the ‘correct version’ of the text – disagreements, as we will see, that rage on in the collection of commemorative essays published in 2020 entitled Sol Plaatje’s Mhudi: History

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27

Bogdan, A. "THE GOSPEL AND THE GRIOT: MISSIOLOGICAL PERSPECTIVES ON STORYTELLING IN POST-APARTHEID SOUTH AFRICAN LITERATURE." SCIENTIFIC-DISCUSSION, no. 92 (September 6, 2024): 10–16. https://doi.org/10.5281/zenodo.13707971.

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This paper seeks the intersection of missiology and post-apartheid South African literature, focusing on how spiritual and religious themes are intricately woven into narratives that address the complex realities of a society transitioning from apartheid. Through a comparative analysis of secular and missiological interpretations of key literary works, the study reveals how literature serves not only as a medium for social critique but also as a powerful tool for theological reflection, contributing to both personal and collective processes of healing and reconciliation. By examining the roles

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28

Uwah, Chijioke, and Roy Muller. "The development of dramatic symbolism and satire in the plays of Zakes Mda on the realities of South Africa's political situation." Acta Academica: Critical views on society, culture and politics 35, no. 1 (2003): 154–66. https://doi.org/10.38140/aa.v35i1.783.

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This article examines Mda’s artistic development, specifically in his use of symbolism and satire, while considering reasons why he chose to use these devices. The analysis will cover the period from the seventies, when he wrote some of his earlier plays, to the nineties, when some of his unpublished plays were produced. This will be done with a view to establishing the continuity or otherwise of his use of these dramatic devices from his early days to the present.

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29

Nativel, Didier. "EQUAL EDUCATION, Amagama Engulukelo ! Life for Freedom. Writing Life Under Apartheid. Foreword by Zakes Mda. Muizenberg : Cover2Cover, 2016, 258 p. – ISBN 9781928346357." Études littéraires africaines, no. 43 (2017): 199. http://dx.doi.org/10.7202/1040945ar.

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30

Twalo, M. T. "Class politics in Mda’s Ways of dying." Literator 30, no. 3 (2009): 77–92. http://dx.doi.org/10.4102/lit.v30i3.88.

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Zakes Mda’s analysis and exposé of nationalist politics in “Ways of dying” reveal that the unitary vision that characterised the national liberation discourse suppressed some dissonances, contradictions and disunity around the question of class. Mda probes the ironies and contradictions of the liberation struggle and by so doing questions the meaning of freedom for the ordinary South Africans. He then scrutinises the role of the colonised and oppressed in delaying their own total liberation due to the camouflaged interests and motives of the nationalists that were not in the nation’s interest.

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31

Athiemoolam, Logamurthie. "Issues of Ethic-identity Crisis in Ngugi’s Matigari and Mda’s The Heart of Redness in the post-colonial era." International Journal of Language and Literary Studies 6, no. 2 (2024): 508–22. http://dx.doi.org/10.36892/ijlls.v6i2.1716.

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Postcolonial identity takes on various guises in the newly independent African states after the demise of colonialism. In considering these guises, this article examines the various manifestations of post-colonial identity crisis in a comparative study of Matigari by Ngugi wa Thiong’o (1998) and The Heart of Redness by Zakes Mda (2000). The characters in both novels depict two groups in African society during the post-colonial era; namely those who aspire to western values, culture, and beliefs and those who aim to revive their traditional African beliefs and culture. This identity crisis is f

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32

Banham, Martin. "Zakes Mda When People Play People: Development Communication through TheatreLondon: Zed Books, 1993. 250 p. ISBN 1-85649-199-4 (hbk), 1-85649-200-1 (pbk)." New Theatre Quarterly 9, no. 36 (1993): 398. http://dx.doi.org/10.1017/s0266464x0000840x.

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33

Bogdan, Andrei. "THEOLOGICAL REFLECTIONS IN POST-APARTHEID SOUTH AFRICAN FICTION: DAVID BOSCH'S MISSIOLOGICAL LEGACY." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 98 (February 22, 2025): 39–42. https://doi.org/10.5281/zenodo.14910858.

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The South Africa post-apartheid context in which missiology and literature intersect is an interesting and inspiring framework for which to observe theological topics that exist in today's fiction and that have shaped the narratives of reconciliation, identity, and social transformation. David Bosch, who in his book Transforming Mission: Paradigm Shifts in Theology of Mission assigned a different meaning to the term missiology, was the first to propose the significance of a contextual and dialogical approach to religion, a perspective that can be seen in the books of Zakes Mda, Phaswane Mpe, a

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34

Bogdan, Andrei. "Mission on the Margins Christianity, Social Justice, and Exclusion in Post-Apartheid Literature." DIALOGO 11, no. 2 (2025): 175–86. https://doi.org/10.51917/dialogo.2025.11.2.13.

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Social discourses on the theological nature of the message and mission as reflected in social exclusion reveal deep conflicts between the Church's role of "liberator of the oppressed" and its involvement in the systems of marginalization. This article explores the ethical imperatives of the Christian doctrine of hospitality, it investigates the points of contact between xenophobia as a system and racial identity as an existential reality, and it considers the Church's intervention on behalf of the marginalized from the perspectives of the actors of a theological perspective, namely liberation

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35

Plastow, Jane. "When People Play People: Development Communication Through Theatre. By Zakes Mda. London and New Jersey: Zed Books, 1993. Pp xii + 250. £32.95/$55 Hb; £14.95/$25 Pb." Theatre Research International 19, no. 3 (1994): 286–87. http://dx.doi.org/10.1017/s0307883300006891.

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36

Balme, Christopher. "Zakes Mda: When People Play People: Development Communication through Theatre. (Johannesburg: Witwatersrand University Press; London: Zed Books, 1993). xi + 250 pages, Hb. £ 32.95, Pb. £ 14.95. ISBN 1-85649-200-1." Matatu 15-16, no. 1 (1996): 307–11. http://dx.doi.org/10.1163/18757421-90000199.

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37

Paasche, Karin Ilona. "The Linguistics of Literature in Education: African Literature in African Universities." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 9 (2017): 65–74. http://dx.doi.org/10.18844/prosoc.v2i9.1086.

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Teaching African Literature - the English text - would seem to be a replicable skill across continents and countries. Experience shows that understanding texts depends less on the lecturerâ€™s skills and more on student perceptions. Since the inventions of the Gutenberg Press and subsequently of â€œOral Manâ€ the story of Africa has been the story about Africa. Linda Tuhiwai Smith (2012) speaks of deliberate attempts â€œto destroy every last remnant of alternative ways of knowing and living, to obliterate collective identities and memories and to impose a new orderâ€ on the colonized. Educat

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38

Bogdan, Andrei. "DIGITAL DISCIPLESHIP IN POST-APARTHEID SOUTH AFRICAN LITERATURE: TECHNOLOGY AND THE EVOLVING MISSION OF THE CHURCH." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 101 (April 2, 2025): 81–85. https://doi.org/10.5281/zenodo.15124747.

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The relation between digital technology and religious talk in the post-apartheid South African literary leaves a digital theology that is on the move, where the Church is at the same time redefining its mission as part of a digital world. In Ways of Dying as narrated by Zakes Mda, the technical divide that is responsible for the increase of socio-economic inequalities is examined through the angles that tackle the Church's responsibility in digital inclusion. Similarly, Disgrace, a novel written by J.M. Coetzee, studies concepts of exile, loss and redemption in the new South Africa, a place wh

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39

Chalaye, Sylvie. "« La Route » de Zakès Mda, sous l'arbre mécanique..." Africultures 71, no. 2 (2007): 209. http://dx.doi.org/10.3917/afcul.071.0209.

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40

Ndumiwe, Elishafati J. "Unyambuaji wa Kitenzi na Athari Zake katika Usimbaji wa Mada na Fokasi katika Sentensi za Kiswahili." Journal of Linguistics and Language in Education 16, no. 2 (2022): 20–38. http://dx.doi.org/10.56279/jlle.v16i2.2.

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Mada na fokasi ni viambajengo vya sentensi za Kiswahili kwa mkabala wa kipragmatiki. Mada hutokea kabla ya kitenzi ilhali fokasi hutokea mara baada ya kitenzi. Hata hivyo, unyambuaji wa kitenzi husababisha upanguaji, uongezaji au uondoaji wa viambajengo vya kabla au baada ya kitenzi. Kwa hiyo, lengo la makala haya ni kupambanua athari za unyambuaji wa kitenzi katika usimbaji wa mada na fokasi katika sentensi za Kiswahili. Data za makala haya zilikusanywa kwa kutumia mbinu ya upitiaji wa nyaraka kutoka kitabu cha Maendeleo ya Uhusika kilichoandikwa na Khamis (2008). Data ya utafiti huu imechamb

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41

Verbeeten, F. H. M. "New Public Management bij Nederlandse overheids- en non-profit organisaties: stand van zaken." Maandblad Voor Accountancy en Bedrijfseconomie 79, no. 1 (2005): 19–24. http://dx.doi.org/10.5117/mab.79.10825.

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Veel overheidsorganisaties hebben in de afgelopen jaren (elementen van) New Public Management (NPM) ingevoerd. Op dit moment is echter nog onduidelijk in hoeverre overheidsorganisaties bepaalde NPM-instrumenten strategische planning, prestatiemeting en -beloning) gebruiken. De resultaten van dit onder werkgevers van studenten van het Public Governance MBA van Universiteit Nyenrode uitgevoerd onderzoek suggereren dat de missie en doelstellingen van Nederlandse overheids- en non-profit organisaties duidelijk zijn geformuleerd, maar dat zij moeite hebben met het meetbaar maken van hun doelstellin

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42

Verbeeten, F. H. M. "New Public Management bij Nederlandse overheids- en non-profit organisaties: stand van zaken." Maandblad Voor Accountancy en Bedrijfseconomie 79, no. (1) (2005): 19–24. https://doi.org/10.5117/mab.79.10825.

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Veel overheidsorganisaties hebben in de afgelopen jaren (elementen van) New Public Management (NPM) ingevoerd. Op dit moment is echter nog onduidelijk in hoeverre overheidsorganisaties bepaalde NPM-instrumenten strategische planning, prestatiemeting en -beloning) gebruiken. De resultaten van dit onder werkgevers van studenten van het Public Governance MBA van Universiteit Nyenrode uitgevoerd onderzoek suggereren dat de missie en doelstellingen van Nederlandse overheids- en non-profit organisaties duidelijk zijn geformuleerd, maar dat zij moeite hebben met het meetbaar maken van hun doelstellin

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43

Mwangosi, Gerephace. "Kiswahili Katika Taathira ya Kihistoria na Mielekeo ya Kisiasa kama Lugha ya Kufundishia." Mkwawa Journal of Education and Development 2, no. 1 (2018): 34–48. http://dx.doi.org/10.37759/mjed.2018.2.1.3.

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Makala hii inahusu Kiswahili katika taathira ya kihistoria na mielekeo ya kisiasa kama lugha ya kufundishia elimu ya juu hapa nchini Tanzania. Makala hii inaeleza mambo yanayosababisha mielekeo tofauti ya watu kuhusu upokezi na matumizi ya lugha ya Kiswahili kama lugha ya kufundishia elimu ya juu nchini Tanzania ili kushurutishaukubalifu wake. Baadhi ya masuala yanayochunguzwa ni yale yanayotiliwa shaka kuhusu uwezo wa lugha ya Kiswahili kumudu na kukidhi harakati za mahitaji ya kufundishia elimu ya juu, pamoja na kupitisha teknolojia mpya inayoinukia katika nyanja za sayansi nateknolojia. Aid

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44

Njeru, Mary K., John M. Kobia, and Dorcas M. Musyimi. "Usawiri wa Motifu za Kimazingira Katika Tamthilia ya Kiswahili: Tathmini ya Majira ya Utasa (Arege, 2015)." East African Journal of Swahili Studies 5, no. 1 (2022): 151–60. http://dx.doi.org/10.37284/jammk.5.1.699.

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Suala la kuongezeka kwa viwango vya halijoto na mabadiliko ya tabianchi limeibua mijadala ya kitaifa na kimataifa. Kwa msingi huu, kazi mbalimbali za kifasihi zimebuniwa kwa kuangazia uharibifu wa mazingira asilia na athari zake na mwito wa kuhifadhi mazingira. Makala hii ilikusudia kuchunguza jinsi motifu za kimazingira zilivyosawiriwa katika tamthilia ya Majira ya Utasa (Arege, 2015). Msisitizo ulikuwa kuangazia jinsi mwandishi wa tamthilia teule amesawiri motifu za kimazingira ili kuonyesha uharibifu wa mazingira pamoja na matatizo yanayotokana na uharibifu huo. Hii ni kwa sababu fasihi huw

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Adolph, Editha, and Simon Chipanda. "Mkakati wa Tafsiri Mkopo wa Istilahi za Kiingereza katika Kiswahili na Athari zake: Uchanganuzi wa Vidahizo Teule vya Kamusi ya Biolojia, Fizikia na Kemia." Journal of Kiswahili and Other African Languages 2, no. 1 (2024): 1–9. http://dx.doi.org/10.58721/jkal.v2i1.404.

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Makala hii inachunguza mkakati wa tafsiri mkopo wa istilahi za Kiingereza katika Kiswahili na athari zake kwa kuangazia uga wa biolojia, fizikia na kemia kupitia vidahizo teule vya Kamusi ya Biolojia, Fizikia na kemia (2012). Azma kuu ya uchunguzi huu ni kutathmini mchango wa tafsiri mkopo wa msamiati wa Kiingereza katika suala zima la kukuza lugha ya Kiswahili. Kwa mujibu wa makala hii eneo hili halijapewa aula miongoni mwa mada mbalimbali za tafsiri zilizokwishachunguzwa. Hii imemuhamasisha mtafiti kulishughulikia eneo hili. Data ya makala hii ilikusanywa uwandani katika idara na taasisi zil

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Liana, Dimbu Sammy, John Kobia, and Allan Mugambi. "Muwala katika Vikatuni vya Shujaaz: Mtazamo wa Kiuchanganuzi Makinifu wa Diskosi." East African Journal of Swahili Studies 5, no. 1 (2022): 196–214. http://dx.doi.org/10.37284/jammk.5.1.759.

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Vikatuni vina wajibu muhimu katika aushi ya vijana ulimwenguni. Huenda ndio sababu Karne ya 21 imeshuhudia ongezeko la tafiti kuhusu vikatuni. Kumekuwepo na tafiti nyingi kuhusu muwala katika uwanja wa kiusomi. Tafiti za awali zilijikita kwenye muwala katika makala, magazeti, tasnifu, vitabu na vikatuni. Hata hivyo, hakuna utafiti kuhusu muwala katika vikatuni wa Shujaaz. Makala hii inalenga kuziba pengo hili. Utafiti huu ni kueleza namna muwala ulivyokuzwa katika diskosi ya vikatuni vya Shujaaz. Diskosi hii ni jarida linalowasilishwa kupitia msimbo wa Sheng ambalo hulenga vijana kuanzia umri

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47

Mwangi, Jackson Ndung’u. "Changamoto Zinazowakumba Vijana katika Tamthilia ya Kitumbua Kimeingia Mchanga." East African Journal of Swahili Studies 5, no. 2 (2022): 69–77. http://dx.doi.org/10.37284/jammk.5.2.959.

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Katika ulimwengu wa sasa, kuna mabadiliko chungu nzima yanayoshuhudiwa duniani yanasababishwa na masuala anuwai kama vile maendeleo ya kiteknolojia pamoja na utandarithi yanayoathiri pakubwa maisha ya vijana. Nchini Kenya, vijana wana umuhimu wa kipekee kwani wanatekeleza majukumu muhimu sana katika kukuza uchumi wa nchi. Isitoshe, idadi ya vijana kote ulimwenguni imeendelea kuongezeka kila uchao na imepiku ile ya wazee. Kwa hivyo, ni nyema kujadili changamoto zinazowakabili na kupendekeza hatua za kukabiliana nazo. Lengo la utafiti huu lilikuwa ni kuchanganua changamoto zinazowakumba vijana p

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48

Mutua, John Musyoka, Justus Kyalo Muusya, and Gerald Okioma Mogere. "Fasihi ya Kigereza: Uhakiki wa Riwaya ya Haini (Shafi, 2003) kwa Mtazamo wa Ki-Foucault." East African Journal of Swahili Studies 6, no. 1 (2023): 154–64. http://dx.doi.org/10.37284/jammk.6.1.1215.

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Makala hii inakusudiwa kutalii jinsi gereza ilivyotumiwa kama msingi wa kuendeleza maudhui katika riwaya ya Haini ya Shafi Adam Shafi. Aidha, inapania kudhihirisha jinsi maudhui ya jamii ya kigereza yanavyobainika kuambatana na sifa zinazotambuliwa na Michael Foucault ambaye ni mwasisi wa nadharia ya Ki-Foucault inayoongoza uhakiki huu. Aghalabu msanii wa fasihi huchota malighafi yake kutokana na jamii anamokulia pamoja na tajriba yake inayoongozwa na ubunifu wake. Pia, matukio na asasi mbalimbali za jamii hutoa mchango mkubwa katika kuendeleza maudhui katika fasihi ya Kiswahili. Gereza ni moj

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Magambo, Emilly, Fred Simiyu, and Felix Orina. "Dhima ya futuhitandao katika kukabiliana na masuala ya afya ya akili miongoni mwa wakenya." Eastern Africa Journal of Kiswahili (EAJK) 4, no. 1 (2025): 12–22. https://doi.org/10.51317/eajk.v4i1.741.

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Kiswahili Fasihi kupitia utambuzi na tanzu zake tofauti tofauti, tangu jadi, imekuwa na majukumu mahususi ya kutekeleza katika jamii. Kama utanzu mojawapo wa fasihi simulizi, futuhi imetumika pakubwa katika vyombo vya habari kama vile televisheni na redioni kuwafurahisha na kuwachekesha watazamaji na wasikilizaji. Hata hivyo, katika siku za hivi karibuni, futuhi imechukua mkondo tofauti katika uwasilishaji wake. Hii ni kwa sababu ya njia mpya ya mawasiliano ya teknolojia ya kisasa ambayo imezua mitandao ya kijamii kama vile Facebook, TikTok, Twitter, Instagram na YouTube. Mbinu mpya za kitekno

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"Ways of writing: critical essays on Zakes Mda." Choice Reviews Online 47, no. 07 (2010): 47–3637. http://dx.doi.org/10.5860/choice.47-3637.

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