Relevant bibliographies by topics / Zanny

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Zanny'

Author: Grafiati
Published: 24 April 2022

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Journal articles on the topic "Zanny"

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BRION-MEISELS, GRETCHEN, and ZANNY ALTER. "The Quandary of Youth Participatory Action Research in School Settings: A Framework for Reflecting on the Factors That Influence Purpose and Process." Harvard Educational Review 88, no. 4 (December 1, 2018): 429–54. http://dx.doi.org/10.17763/1943-5045-88.4.429.

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Youth participatory action research (YPAR) is a form of critical participatory action research that provides young people with opportunities to identify injustices in their current social realities, to gather and analyze data about these phenomena, and to determine actions that will begin to rectify their negative outcomes. A growing body of evidence suggests that YPAR projects improve outcomes for individual youth as well as the organizations/settings they act on. Despite this, the extent to which YPAR can and should be used in institutions that reproduce dominant cultural power dynamics remains a subject of debate. Building on recent studies that explore the tensions inherent in school-based YPAR projects, in this theoretical essay Gretchen Brion-Meisels and Zanny Alter put three fundamental tenets of YPAR—participation, purpose, and level of analysis—into conversation with each other. Illustrating their points using examples from an ongoing YPAR project that explores barriers to on-time graduation at an urban high school, they describe the ways in which these tenets are central to YPAR projects and identify several elements of schooling that complicate decision making around these fundamental ideas.
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Hallaq, Weal B. "On the Authoritativeness of Sunni Consensus." International Journal of Middle East Studies 18, no. 4 (November 1986): 427–54. http://dx.doi.org/10.1017/s0020743800030774.

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Sunni Islam recognizes four sources from and through which the laws governing its conduct are derived. These are the Qur'an, the Sunna of the Prophet, the consensus (ljmā') of the community and its scholars, and qiyās, the juridicological method of inference. The first two sources provide the jurist with the material from which he is to extract through qiyas and ijtihād (the disciplined exercise of mental faculty) the law which he believes to the best of his knowledge to be that decreed by God. Except for a relatively limited number of cases where the Qu'an and the Sunna offer already-formulated legal judgments, the great majority of furū' cases, which constitute the body of positive and substantive law, are derived by qiyas. Thus, qiyas may be used to “discover” the judgment of a new case provided that this case has not already been solved in the two primary sources. The process of legal reasoning which qiyas involves is charged with innumerable difficulties not the least of which is finding the circle of common similarity, the 'illa, between the original case in the texts and the new case which requires a legal judgment. Since finding the 'illa entails a certain amount of guesswork (zann) on the part of the jurist and since it is highly probable that the 'illa is extracted from a text which is not entirely reliable or a text capable of more than one interpretation, Sunni jurists deemed the results of qiyas to be probable (zannī). It is only at this point that consensus may enter into play in the legal process. Should Muslims, represented by their jurists, reach an agreement on the validity of a zanni legal judgment, such judgment is automatically transferred from the domain of juristic speculation to that of certainty (qat', yaqīn). Consensus then renders this judgment irrevocable, not to be challenged or reinterpreted by later generations. Furthermore, this judgment, being so irrevocable, acquires a validity tantamount to that of the Qur'an and the highly reliable traditions embodied in the Sunna of the Prophet. Thus, such a case with its established judgment becomes a precedent according to which another new legal question may be solved. It is only in this sense that consensus functions as a source of law, a source which is infallible.
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LIANG, AI-PING. "Zanna robusticephalica sp. nov. (Hemiptera: Fulgoromorpha: Fulgoridae) from China, with comments on some ultrastructural characters of the new species." Zootaxa 4338, no. 2 (October 24, 2017): 361. http://dx.doi.org/10.11646/zootaxa.4338.2.10.

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Zanna robusticephalica sp. nov. (Hemiptera: Fulgoromorpha: Fulgoridae: Zanninae: Zannini), representing the third species of the planthopper genus Zanna Kirkaldy, 1902 from China, is described and illustrated from Yunnan in southwestern China. Scanning electron micrographs of the antennal sensilla, rostral apex, hind tarsal segments, gonoplac and wax glands of the new species are provided. The generic diagnostic characters of Zanna are redefined and the autapomorphies are proposed to support the monophyly of the genus. A check-list of the Oriental Zanna species is included.
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Zanne, Amy E., David C. Tank, William K. Cornwell, Jonathan M. Eastman, Stephen A. Smith, Richard G. FitzJohn, Daniel J. McGlinn, et al. "Zanne et al. reply." Nature 521, no. 7552 (May 2015): E6—E7. http://dx.doi.org/10.1038/nature14394.

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Zanni, Manuel. "Author Spotlight: Manuel Zanni." Digestive Diseases and Sciences 66, no. 5 (February 11, 2021): 1441. http://dx.doi.org/10.1007/s10620-021-06850-5.

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Wolff‐Reichert, Barbara. "Zany and accurate." Physics Teacher 32, no. 1 (January 1994): 5. http://dx.doi.org/10.1119/1.2343883.

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Birkhead, Tim R. "Memories of Richard Zann." Emu - Austral Ornithology 110, no. 3 (September 2010): iii—iv. http://dx.doi.org/10.1071/muv110n3_pe.

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Pyzocha, Natasha J., Stephanie E. Chinchen, and Douglas M. Maurer. "Zany Over Zika Virus." Current Sports Medicine Reports 16, no. 2 (2017): 109–13. http://dx.doi.org/10.1249/jsr.0000000000000346.

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Bakri, Mubarak. "PRASANGKA DALAM AL-QUR’AN." Rausyan Fikr: Jurnal Studi Ilmu Ushuluddin dan Filsafat 14, no. 1 (August 15, 2018): 61–87. http://dx.doi.org/10.24239/rsy.v14i1.322.

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Prejudice is one of the causes of horizontal conflict in the society today. Starting from prejudice giving rise to excessive suspicion which led to slander and disharmony between one another. Through this article, the author discusses prejudice in the Koran as a source of solutions to all diseases, including prejudice as a social disease. The author uses thematic interpretations as a method in constructing the Qur'anic insights related to verses examining prejudice by taking the keyword az-zannu. Through this word, it is elaborated in depth the nature of az-zannu and its characteristics in the Qur'an, and how it relates to the az-zannu with its own prejudices. Finally, the author also describes the influence of prejudice in modern society today.
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Warren, K., C. Franklin, and C. L. Streeter. "Reply to Sobeloff and Zann." Social Work 44, no. 3 (May 1, 1999): 284–85. http://dx.doi.org/10.1093/sw/44.3.284.

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Dissertations / Theses on the topic "Zanny"

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Carreiro, Vivian de Aparecida Oliveira. "A Cultura Regional Roraimense na produção dos poetas : Devair, Fioroti, Eli Macuxi e Zanny Adairalba datada de 2008 a 2012." Universidade Federal de Roraima, 2014. http://www.bdtd.ufrr.br/tde_busca/arquivo.php?codArquivo=257.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Discutir a cultura e a regionalidade no campo literário, precisamente na poesia, além de possibilitar a construção de um conhecimento histórico e social, também pode configurar-se como ―representações‖ imagéticas do local, da região. No caso desta pesquisa, os objetos de análise foram poemas produzidos e publicados em redes sociais por três autores radicados no estado de Roraima entre os anos de 2008 e 2012 e a partir das análises verificar a incidência de elementos que pudessem ser representativos de uma construção simbólica de traços de uma possível representação da cultura regional roraimense. Adotamos como ponto de partida a discussão acerca de alguns movimentos literários do século XX, tais como: a Semana de Arte Moderna, o Concretismo, o Tropicalismo e a Poesia marginal com o intuito de compreender melhor a poesia publicada na internet; trabalhamos algumas relações pertinentes a esta pesquisa: o conceito de região, o regionalismo e a literatura e o local e o global e em seguida trouxemos a discussão sobre a relação da internet e a literatura como um novo campo para sua publicação e disseminação. Tivemos como guias precípuas para a realização das análises as leituras de Antonio Candido e Norma Goldstein. As análises nos mostraram que não há grandes semelhanças no modo de representar uma imagem da cultura regional roraimense entre os poetas selecionados para esta pesquisa daqueles que compõem o Roraimeira, no entanto mostra que há uma consciência histórica do papel exercido pelo movimento cultural Roraimeira como referência estética.
Discutir la cultura y la regionalidad en el campo literario, especialmente en la poesía, además de permitir la construcción de un conocimiento histórico y social, también puede configurarse como "representaciones" imaginéticas que ofrece el lugar, la región. En el caso de esta investigación, los objetos de análisis son los poemas producidos y publicados en las redes sociales por tres autores arraigados en el estado de Roraima entre los años 2008 y 2012, y a partir de sus análisis verificar la incidencia de elementos que podrían ser representativos de una construcción simbólica de rasgos de una posible representación de la cultura regional roraimense. Adoptamos como punto de partida la discusión sobre algunos movimientos literarios del siglo XX, como la Semana de Arte Moderna, el Concretismo, el Tropicalismo y la poesía marginal con el fin de entender mejor la poesía publicada en Internet; trabajamos algunas relaciones relevantes a esta investigación: el concepto de región, el regionalismo y la literatura, local y global, y a continuación trajimos la discusión sobre la relación entre la literatura y la Internet como un nuevo campo para su publicación y difusión. Tuvimos como guías precípuas para los trabajos de análisis las lecturas de Antonio Candido y Norma Goldstein. Los análisis de los poemas nos mostraron que no existe una gran similitud en la forma de representar una imagen de la cultura regional roraimense entre los poetas seleccionados para este estudio con los que componen el Roraimeira, sin embargo, muestra que existe una conciencia histórica del papel desempeñado por el Movimiento Cultural Roraimeira como un referente estético.
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Mucci, Isabella [UNESP]. "Circo Zanni e Linhas Aéreas: expressões da arte circense na cena contemporânea paulista." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/110344.

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Este trabalho apresenta um estudo sobre o circo contemporâneo no Brasil por meio da análise das trajetórias de duas companhias de circo atuantes em São Paulo, o Circo Zanni e a Companhia Linhas Aéreas. Através de estudo teórico, de levantamento histórico e da análise das obras destas duas companhias, a pesquisa procurou verificar as particularidades do circo contemporâneo e as similaridades e rupturas que este estabeleceu frente ao circo tradicional nos campos artístico, de sua produção, de seus mediadores e de sua recepção a fim de fornecer material para futuras análises e reflexões a respeito da arte do circo.
This study presents a research of the contemporary circus in Brazil by analyzing the trajectories of two circus companies working in São Paulo, Circo Zanni and Linhas Aéreas. Through theoretical study, historical survey and analysis of the works of these two companies, this research verifies the particularities of contemporary circus and its similarities and ruptures to traditional circus regarding the artistic field, their production, their mediators and their reception in order to provide material for future analysis and reflections concerning the art of the circus.
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Mucci, Isabella. "Circo Zanni e Linhas Aéreas : expressões da arte circense na cena contemporânea paulista /." São Paulo, 2013. http://hdl.handle.net/11449/110344.

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Orientador: Mario Fernando Bolognesi
Banca: Ermínia Silva
Banca:Daniele Pimenta
Resumo: Este trabalho apresenta um estudo sobre o circo contemporâneo no Brasil por meio da análise das trajetórias de duas companhias de circo atuantes em São Paulo, o Circo Zanni e a Companhia Linhas Aéreas. Através de estudo teórico, de levantamento histórico e da análise das obras destas duas companhias, a pesquisa procurou verificar as particularidades do circo contemporâneo e as similaridades e rupturas que este estabeleceu frente ao circo tradicional nos campos artístico, de sua produção, de seus mediadores e de sua recepção a fim de fornecer material para futuras análises e reflexões a respeito da arte do circo.
Abstract: This study presents a research of the contemporary circus in Brazil by analyzing the trajectories of two circus companies working in São Paulo, Circo Zanni and Linhas Aéreas. Through theoretical study, historical survey and analysis of the works of these two companies, this research verifies the particularities of contemporary circus and its similarities and ruptures to traditional circus regarding the artistic field, their production, their mediators and their reception in order to provide material for future analysis and reflections concerning the art of the circus.
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D'Antonio, Francesco. "De Janus aux Zanni : académisme et innovation dans le laboratoire théâtral génois (1574-1644)." Paris 8, 2005. http://www.theses.fr/2005PA082557.

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Zanni, Thomas [Verfasser], and Burkhard [Akademischer Betreuer] König. "Investigation of bioanalytical methodologies for the detection of different analytes / Thomas Zanni. Betreuer: Burkhard König." Regensburg : Universitätsbibliothek Regensburg, 2016. http://d-nb.info/1110148240/34.

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Yasry, Ahmad Zainy al [Verfasser]. "Coverings, correspondence, and noncommutative geometry / vorgelegt von Ahmad Zainy Al-Yasry." 2008. http://d-nb.info/1001716957/34.

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Books on the topic "Zanny"

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Baṭ, Muḥammad Yūnus. K̲h̲andah zann. Lāhaur: Gorā Pablisharz, 1996.

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Zany zoo. Brookfield, CT: Millbrook Press, 2000.

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ill, Munsinger Lynn, ed. Zany zoo. Boston: Houghton Mifflin Company, 2006.

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Anthony, Erin. Zany riddles. San Francisco, Calif: University Games, 2005.

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ill, Lenoir Jane 1950, ed. Zangy, the watchdog. Prairie Grove, Ark: Ozark Pub., 1997.

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Thawrat Zannū: Riwāyah. [Rabat?: s.n., 2004.

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Mike, Artell, and Harpster Steve ill, eds. Zany tongue-twisters. New York: Sterling Pub. Co., 2003.

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Theresa, Bebbington, and Scholastic Inc, eds. Scholastic zany miscellany. [New York, NY]: [Scholastic], 2008.

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Cole, Ronny M. Zany knock knocks. New York: Sterling, 1994.

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Thorpe, Kiki. Zuzu is Zany. New York, NY: Golden Books Publishing Co., 1999.

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Book chapters on the topic "Zanny"

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McGee, Brenda, and Debbie Keiser. "Zany Zones." In Reader's Theater... and So Much More! Grades 5-6, 31–35. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003237556-5.

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Voigts, Eckart. "Zany ‘Alternative Comedy’: The Young Ones vs. Margaret Thatcher." In British TV Comedies, 136–52. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137552952_9.

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Kitts, Thomas M. "The Wacky and Zany World of Flo & Eddie." In The Routledge Companion to Popular Music and Humor, 230–38. New York; London: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351266642-32.

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Leonetti, Francesca. "Angiola D’Orso ante lo cómico calderoniano: Amore, honore e potere." In Studi e saggi, 251–66. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.16.

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This contribution aims to offer a study of the Italian adaptation of the Calderonian comedy Amor honor y poder by Angiola D'Orsi, in which the mechanisms that have allowed the recreation of the semantics of comedy, complex and strongly rooted in the stereotyped formulas of every literary tradition, are highlighted. Art comedian, dramatist, translator and highly experienced actor-manager (capocomico), Angiola D'Orsi shows her ability to acclimate the Spanish opera to the new context of reception, through an operation of mediation and interpretation of the two ideological and dramatic systems. Through the comparative analysis of the figures carrying comedy, characterized by linguistic and character stereotypes, we examine the ways in which their dramatic and cultural redefinition is carried out, closely linked to Italian theatrical practice and in accordance with the traditional mask of Zanni.
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"The zanni." In Commedia Dell'Arte: An Actor's Handbook, 77–100. Routledge, 2002. http://dx.doi.org/10.4324/9780203408193-8.

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"Brighella, Zanni." In Commedia Dell'Arte, 167. Routledge, 2002. http://dx.doi.org/10.4324/9780203181737-36.

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"BE ZANY." In Zany, Zeal, Zest and Zing, 23–33. WORLD SCIENTIFIC, 2008. http://dx.doi.org/10.1142/9789812793515_0004.

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"The Zany." In Autumn Rhythm, 70–73. University of Arkansas Press, 1996. http://dx.doi.org/10.2307/j.ctv22zp3nh.44.

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"Magnico and Zanni." In The Venetian Origins of the Commedia dell'Arte, 47–74. Routledge, 2013. http://dx.doi.org/10.4324/9780203136881-10.

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"The Gothic Zany." In Techno-Magism, 78–101. Fordham University Press, 2022. http://dx.doi.org/10.2307/j.ctv239863t.6.

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Conference papers on the topic "Zanny"

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Strohecker, Carol. "What would Ce´zanne think?" In the third conference. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/317561.317584.

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