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Academic literature on the topic 'Zee TV (Firm)'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Zee TV (Firm)"

1

Nefedova, Darya N. "Destiny of Indian Cinema in Russia." Journal of Flm Arts and Film Studies 8, no. 4 (2016): 66–74. http://dx.doi.org/10.17816/vgik8466-74.

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The relationship of domestic moviegoers to the works of Indian cinema has a complex and heterogeneous development history. The Soviet audience watched the first Indian movie back in the 1950s, which gave a powerful impetus to the formation of multifaceted contacts between Indian and Soviet film industry. As a result such films were shot as Journey Beyond Three Seas, Black Prince Adjouba, The Adventures of Ali Baba and the Forty Thieves, the famous My name is clown by Raj Kapoor, and others. However, a sympathy to the Indian cinema of the 1970-80s led to the formation of the stereotypes (frivol

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2

Lee, Hyun Jean. "When Attitudes Become Form in Encountering the Screen: Documented Photographs of Nam June Paik with Zen for Film and TV Buddha." Journal of Art Theory & Practice 38 (December 30, 2024): 83–105. https://doi.org/10.15597/jksmi.25083538.2024.38.083.

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3

Philomina and Tahmeena Nigar Sultana Kolar. "Evaluation of Satisfaction Levels of Women Journalists With Regards to the Consumption of OTT Contents: A Study of Karnataka." International Journal of Media and Communication Research 5, no. 1 (2024): 55–69. http://dx.doi.org/10.25299/ijmcr.v5i1.16085.

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In our everyday lifestyle we spend too much time in front of electronic gadgets. The vast range of development of media and visual entertainment is not a big thing for everyone and it’s widely accessible through mobile phones. The new form of media content spreading through the streaming services means OTT Platforms like Amazon Prime Video, Netflix, Voot, Zee5, and etc. availability of OTT Platforms is not a big thing because many streaming platforms give such a freemium option for their viewers. But one thing we all should be aware of is that some contents are released on OTT because they are

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4

Salih, Keskin, and Sırrı Yılmaz Süleyman. "MARKA REKABETLERİNDE TV VE İNTERNET REKLAMLARININ KARŞILAŞTIRMALI ANALİZİ." September 28, 2023. https://doi.org/10.5281/zenodo.8386522.

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<em>Reklam, ürün ve hizmetlerin tüketiciye sunulmasında etkili pazarlama iletişimlerinden birisi olarak kabul edilmektedir. Üretilen mal ve hizmetlerin tüketicilere aktarılması için firmalar reklamdan yararlanmaktadır. Günümüzde reklam firmaları yüksek rekabet ortamında ürünlerinin marka kimliğini ön plana çıkarmaktadır. İnsanların zihninde her marka farklı bir değer yargısına sahiptir. Tüketicilerin satın alma ilgisi bu değer yargılarına göre şekillenmektir. Markaların belirleyici noktası diğer markalardan ayı

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5

Ferrier, Liz, and Axel Bruns. "Editorial." M/C Journal 7, no. 6 (2005). http://dx.doi.org/10.5204/mcj.2456.

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   Globalisation is often identified as the pre-eminent push towards a global social order. Some see globalisation as an all encompassing and inevitable process towards an emerging “hyperglobal” world order (Held et al.); an “inexorable integration of markets, nation states and technologies to a degree never witnessed before” (Friedman); a world that has become a “single place” (Robertson). Some contend that this emergent global order signals the end of the nation state (Ohmae), while others argue it is a deliberate project of capitalism, imposing intense market forces on sta

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6

Warner, Kate. "Relationships with the Past: How Australian Television Dramas Talk about Indigenous History." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1302.

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In recent years a number of dramas focussing on Indigenous Australians and Australian history have appeared on the ABC, one of Australia's two public television channels. These dramas have different foci but all represent some aspects of Australian Indigenous history and how it interacts with 'mainstream' representations of Australian history. The four programs I will look at are Cleverman (Goalpost Pictures, 2016-ongoing), Glitch (Matchbox Films, 2015-ongoing), The Secret River (Ruby Entertainment, 2015) and Redfern Now (Blackfella Films, 2012), each of which engages with the past in a unique

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7

Varney, Wendy. "Homeward Bound or Housebound?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2701.

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   If thinking about home necessitates thinking about “place, space, scale, identity and power,” as Alison Blunt and Robyn Dowling (2) suggest, then thinking about home themes in popular music makes no less a conceptual demand. Song lyrics and titles most often invoke dominant readings such as intimacy, privacy, nurture, refuge, connectedness and shared belonging, all issues found within Blunt and Dowling’s analysis. The spatial imaginary to which these authors refer takes vivid shape through repertoires of songs dealing with houses and other specific sites, vast and distant

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8

Starrs, Bruno. "Hyperlinking History and Illegitimate Imagination: The Historiographic Metafictional E-novel." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.866.

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‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Linda Hutcheon in 1988, and which refers to the postmodern practice of a fiction author inserting imagined--or illegitimate--characters into narratives that are intended to be received as authentic and historically accurate, that is, ostensibly legitimate. Such adventurous and bold authorial strategies frequently result in “novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages” (Hutcheon, A Poetics 5). They can be so entertaining and

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Books on the topic "Zee TV (Firm)"

1

Z Factor: My Journey As the Wrong Man at the Right Time. HarperCollins Publishers, 2016.

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2

Z Factor. HarperCollins Publishers Limited, 2017.

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