Relevant bibliographies by topics / Zen influence

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Zen influence'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Zen influence"

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Et al., Phramaha Surachai Phutchu. "Influence of Zen Buddhism on Buddhadasa Bhikkhu." Psychology and Education Journal 58, no. 1 (January 29, 2021): 1563–71. http://dx.doi.org/10.17762/pae.v58i1.947.

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Zen is one of Mahayana Buddhism which is propagated in China, Korea, Japan, Vietnam, and many counties in the West. In Thailand Zen was known widespread because of Buddhadasa Bhikkhu’s translated works. Furthermore, he has studied and applied its teachings for developing Thai society through establishing Suan Mokkhabalarama. There is the center of study and practice the Dhamma which reflects the concept of Zen, such as Spiritual Theater, Curved Stone Court, Natural Uposatha, Dhamma Ships, Avalokiteshavara Bodhisattva’s Statue, and Nalike Pond. These places are strongly influenced by Dhamma puzzle of Koan and Zen garden arrangement which emphasize the cultivation of wisdom, living simple and in harmony with nature. In the term of Dhamma teaching Buddhadasa Bhikkhu mixes the principle of Theravada and Zen teachings properly, that is the principle of working with empty mind.
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Obremski, K., P. Wojtacha, P. Podlasz, and M. Żmigrodzka. "The influence of experimental administration of low zearalenone doses on the expression of Th1 and Th2 cytokines and on selected subpopulations of lymphocytes in intestinal lymph nodes." Polish Journal of Veterinary Sciences 18, no. 3 (September 1, 2015): 489–97. http://dx.doi.org/10.1515/pjvs-2015-0064.

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Abstract The aim of this study was to characterize the immune response taking place in ileocecal lymph nodes (ICLN) in control (n=15) and zearalenone (ZEN)-treated (n=15) pigs. The experiment was carried out over 42 days; a dose of 0.1 mg kg−1 feed day−1 of ZEN was administered to the animals. The dose used in the experiment was at a level where no adverse effects are observed (NOAEL) in the ovaries, uterus and vagina. ICLN samples for analysis were collected on the 14th, 28th and 42nd day of the experiment. The analysis of cytokine concentration in the tissues showed that pigs treated with ZEN had an increased level of cytokines produced by helper Th1 lymphocytes (IL-2, IL-12 and IFN-γ) on the 28th day of the experiment. The level of cytokines produced by helper Th2 lymphocytes (IL-4 and IL-10) was characterized by a statistically non-significant upward trend, as compared with the control group. Flow cytometry showed a linear decrease in the percentage of CD21+ B, CD2+ T and CD4+CD8- T cells and an increase in the percentage of CD8+CD4- and TCRγδ + T cells in pigs treated with ZEN. Both ZEN and α-ZEL (α-zearalenone) concentrations increased over time in the liver, but only ZEN concentration increased in ICLN. The results obtained demonstrate that a NOAEL concentration of ZEN shifts the immune response in pig ICLN towards Th1/Th17, probably with a simultaneous activation of M1 macrophages. Moreover, we observed an increase in humoral cytokine secretion; this can be explained by a negative feedback loop and a phenotypic switch of macrophages from M1 to M2, as well as a switch of immune response from Th1 to Th2 type. ZEN can therefore influence the process of cytokine secretion and the percentage of lymphocytes in ileocecal lymph nodes.
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Gajęcka, Magdalena, Michał S. Majewski, Łukasz Zielonka, Waldemar Grzegorzewski, Ewa Onyszek, Sylwia Lisieska-Żołnierczyk, Jerzy Juśkiewicz, Andrzej Babuchowski, and Maciej T. Gajęcki. "Concentration of Zearalenone, Alpha-Zearalenol and Beta-Zearalenol in the Myocardium and the Results of Isometric Analyses of the Coronary Artery in Prepubertal Gilts." Toxins 13, no. 6 (June 2, 2021): 396. http://dx.doi.org/10.3390/toxins13060396.

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The carry-over of zearalenone (ZEN) to the myocardium and its effects on coronary vascular reactivity in vivo have not been addressed in the literature to date. Therefore, the objective of this study was to verify the hypothesis that low ZEN doses (MABEL, NOAEL and LOAEL) administered per os to prepubertal gilts for 21 days affect the accumulation of ZEN, α-ZEL and β-ZEL in the myocardium and the reactivity of the porcine coronary arteries to vasoconstrictors: acetylcholine, potassium chloride and vasodilator sodium nitroprusside. The contractile response to acetylcholine in the presence of a cyclooxygenase (COX) inhibitor, indomethacin and / or an endothelial nitric oxide synthase (e-NOS) inhibitor, L-NAME was also studied. The results of this study indicate that the carry-over of ZEN and its metabolites to the myocardium is a highly individualized process that occurs even at very low mycotoxin concentrations. The concentrations of the accumulated ZEN metabolites are inversely proportional to each other due to biotransformation processes. The levels of vasoconstrictors, acetylcholine and potassium chloride, were examined in the left anterior descending branch of the porcine coronary artery after oral administration of ZEN. The LOAEL dose clearly decreased vasoconstriction in response to both potassium chloride and acetylcholine (P < 0.05 for all values) and increased vasodilation in the presence of sodium nitroprusside (P = 0.021). The NOAEL dose significantly increased vasoconstriction caused by acetylcholine (P < 0.04), whereas the MABEL dose did not cause significant changes in the vascular response. Unlike higher doses of ZEN, 5 μg/kg had no negative influence on the vascular system.
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Panahi, Siamak, Farnaz Cheraghifar, and Shima Talebian. "An Investigation on Painting and Imagery in Zen." Modern Applied Science 12, no. 9 (August 27, 2018): 200. http://dx.doi.org/10.5539/mas.v12n9p200.

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This research considers painting and imagery in Zen as an art and its objective is to introduce the influence of Zen on visual arts. The term “Zen” is derived from Sanskrit and it means “thinking”. In China and India, Zen Buddhism is known as “Liberated Way of Life” and is strongly influenced by Taoism. It is said that Zen began with an allusion, as one day, instead of preaching, Buddha appeared with a flower in his hand when one of his followers received his speechless message. That was when Zen, with its Indian Dhyāna root meaning meditation, was born.The research method here is descriptive and analytical with emphasis on inductive approach (checking samples and providing theory).The resulted process concludes that Zen imagery includes seven principles: asymmetry, purity, stamina, naturalness, deepness, richness and quietism, however; peace or quietism is the concept taken into consideration more than other ones.
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Jakimiuk, Ewa, Justyna Radwińska, Maciej Woźny, Andrzej Pomianowski, Paweł Brzuzan, Paweł Wojtacha, Kazimierz Obremski, and Łukasz Zielonka. "The Influence of Zearalenone on Selected Hemostatic Parameters in Sexually Immature Gilts." Toxins 13, no. 9 (September 6, 2021): 625. http://dx.doi.org/10.3390/toxins13090625.

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Vascular toxicity induced by xenobiotics is associated with dysfunctions or damage to endothelial cells, changes in vascular permeability or dysregulation of the vascular redox state. The aim of this study was to determine whether per os administration of zearalenone (ZEN) influences selected hemostatic parameters in prepubertal gilts. This study was performed on female gilts divided into a control group which received placebo and an experimental group which received ZEN at a dose of 5.0 µg·kg−1 b.w. × day−1. On days 14, 28 and 42, blood samples were collected from the animals for analyses of hematological, coagulation and fibrinolysis parameters, nitric oxide, von Willebrand factor antigen content and catalase activity. The results demonstrated that the treatment of gilts with ZEN at a dose below no observable adverse effect level did not affect the primary hemostasis and the blood coagulation cascade. However, ZEN could have temporarily affected the selected indicators of endothelial cell function (increase of von Willebrand factor, decrease of nitric oxide levels) and the oxidative status plasma (decrease of catalase activity) of the exposed gilts. In summary, these results suggest that the adaptive response to ZEN-exposure can induce a transient imbalance in the vascular system by acting on vascular endothelial cells.
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Yoon, Yang-Ho. "An Influence of Zen Ideology on Contemporary Art." Journal of Korean Seon Studies 24 (December 31, 2009): 203. http://dx.doi.org/10.22253/jkss.2009.12.24.203.

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Cieplińska, Katarzyna, Magdalena Gajęcka, Michał Dąbrowski, Anna Rykaczewska, Sylwia Lisieska-Żołnierczyk, Maria Bulińska, Łukasz Zielonka, and Maciej T. Gajęcki. "Time-Dependent Changes in the Intestinal Microbiome of Gilts Exposed to Low Zearalenone Doses." Toxins 11, no. 5 (May 24, 2019): 296. http://dx.doi.org/10.3390/toxins11050296.

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Zearalenone is a frequent contaminant of cereals and their by-products in regions with a temperate climate. This toxic molecule is produced naturally by Fusarium fungi in crops. The aim of this study was to determine the influence of low zearalenone doses (LOAEL, NOAEL and MABEL) on the intestinal microbiome of gilts on different days of exposure (days 7, 21 and 42). Intestinal contents were sampled from the duodenal cap, the third part of the duodenum, jejunum, caecum and the descending colon. The experiment was performed on 60 clinically healthy gilts with average BW of 14.5 ± 2 kg, divided into three experimental groups and a control group. Group ZEN5 animals were orally administered ZEN at 5 μg /kg BW, group ZEN10—10 μg ZEN/kg BW and group ZEN15—15 µg ZEN/kg BW. Five gilts from every group were euthanized on analytical dates 1, 2 and 3. Differences in the log values of microbial counts, mainly Escherichia coli and Enterococcus faecalis, were observed between the proximal and distal segments of the intestinal tract on different analytical dates as well as in the entire intestinal tract. Zearalenone affected the colony counts of intestinal microbiota rather than microbiome diversity, and its effect was greatest in groups ZEN10 and ZEN15. Microbial colony counts were similar in groups ZEN5 and C. In the analysed mycobiome, ZEN exerted a stimulatory effect on the log values of yeast and mould counts in all intestinal segments, in particular in the colon, and the greatest increase was noted on the first analytical date.
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KASAI, Akira. "The Influence of Hakuin-zen on the Martial Arts." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 43, no. 1 (1994): 180–83. http://dx.doi.org/10.4259/ibk.43.180.

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Hessenberger, Sabine, K. Botzi, C. Degrassi, P. Kovalsky, C. Schwab, D. Schatzmayr, G. Schatzmayr, and J. Fink-Gremmels. "Interactions between plant-derived oestrogenic substances and the mycoestrogen zearalenone in a bioassay with MCF-7 cells." Polish Journal of Veterinary Sciences 20, no. 3 (September 26, 2017): 513–20. http://dx.doi.org/10.1515/pjvs-2017-0062.

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Abstract Human and animal diets may contain several non-steroidal oestrogenic compounds which originate either from plants (phytoestrogens) or from fungi that infect plants (mycoestrogens such as zearalenone (ZEN)). Phytoestrogens may compete with ZEN in binding to the oestrogen receptor β and thereby may counteract the oestrogenic activity of ZEN. Using a modified version of the E-screen assay, plant-derived oestrogenic substances were tested for their proliferative or anti-proliferative effect on oestrogen-dependent MCF-7 cells. The samples were additionally tested for their ability to influence the oestrogenic activity of ZEN (1 μM). Among the individual substances tested, 8-prenylnaringenin had the strongest effect, as cell proliferation was increased by 78% at the lowest concentration (0.23 μM), and by 167% at the highest concentration (29.4 μM). Coumestrol (5.83 μM) increased cell proliferation by 39%, and genistein (370 μM) by 61%, respectively. Xanthohumol and enterolactone did not stimulate cell proliferation significantly. In the co-incubation experiments with ZEN, none of the single substances was able to decrease the oestrogenic activity of ZEN. Only for 8-prenylnaringenin (14.7 and 29.4 μM) was a trend towards an increase in the ZEN-induced cell proliferation up to 72% observed. In conclusion, with the exception of 8-prenylnaringenin, no substantial interaction between phytoestrogens and the mycotoxin ZEN could be detected using a bioassays with MCF-7 cells.
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KASAI, Akira. "The Early Modern Influence of Takuan's Ken zen ichinyo Thought." Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 62, no. 1 (2013): 179–85. http://dx.doi.org/10.4259/ibk.62.1_179.

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Dissertations / Theses on the topic "Zen influence"

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Tam, Ekman Pui-chuen. "The influence of Zen-Taoism on Thomas Merton's view of contemplation." Thesis, University of Ottawa (Canada), 2001. http://hdl.handle.net/10393/6327.

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This doctoral dissertation studies the relationship between the development of Merton's view of contemplation and Merton's extensive interest in and writings on Zen and classical Taoism. It aims to show that Merton's later view of contemplation is influenced by his appropriation of the teachings of Zen-Taoism. The opening chapter of the dissertation explores the origin, the extent, and the reasons for Merton's interest in Zen and classical Taoism. It explains how Merton's interest in Zen-Taoism grew enormously in the mid 1950s. Zen-Taoism became one of his chief areas of interest between 1959 and 1968, during the last ten years of his life. The second chapter analyzes the content of Merton's writing on classical Taoism, particularly The Way of Chuang Tzu. The chapter indicates that The Way of Chuang Tzu consists of 62 passages chosen from the standard version of the Chuang Tzu. Merton's version of the Chuang Tzu reflects his personal appropriation of the teachings of Master Chuang. The third chapter studies Merton's writings on Zen, including Mystics and Zen Masters, Zen and the Birds of Appetite, and a number of other essays. The chapter shows how Merton's understanding of Zen is informed by the writings of Suzuki, Hui-neng, and other Chinese Zen Masters of the Southern school. Chapter four begins to explore the development of Merton's understanding of contemplation. It investigates Merton's foundational knowledge of contemplation by attending to his references to the works of Etienne Gilson, Jacques Maritain, Thomas Aquinas, Augustine of Hippo, and John of the Cross. Chapter five examines Merton's early view of contemplation by studying mainly three pieces of his early works, which were written in between 1999 and 1958: What Is Contemplation?, Seeds of Contemplation, and The Ascent to Truth. Chapter six studies Merton's later writings on contemplation, which were written in between 1959 and 1968. These writings betray a substantially different way of understanding contemplation, one which contains a number of new emphases and elements not found in the early writings. Chapter seven further explores the scope of the influence of Zen-Taoism on Merton's later view of contemplation. It focuses on several areas of change in the later writings and investigates the extent to which those changes are influenced by Zen-Taoism. The last chapter of this dissertation evaluates Merton's later view of contemplation. It points out that Merton's later view of contemplation reflects a more ecumenical attitude. (Abstract shortened by UMI.)
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Zeng, Xi. "Zen aesthetic: development and influence in culture and contemporary painting of China, Japan and USA = La estética Zen: desarrollo e influencia en la cultura y la pintura contemporánea de China, Japón y EE. UU." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/463011.

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No other form of Oriental philosophy has had such a widespread, positive effect on culture and international contemporary painting as Zen Aesthetic. Owing to the birth of Zen Buddhism in China, its extraordinary boom and influence is evident in all aspects of society and Chinese culture. Especially painting with brush-tipped ink, it led to the development of a particular spirit or aesthetic, known worldwide as Zen, which has not stopped propagating since Zen Buddhism in the 16th century crossed the sea to reach Japan. Once there, it fecundated the native culture and motivated the development of an aesthetic with distinct Zen peculiarities, to such an extent that it took root in everyday life and was projected in different spheres of cultural life and creativity. This trend of Zen Aesthetic has long been recognized as the essence of Oriental aesthetics due to the fusion of Buddhism, Taoism and Confucianism, overcoming geographical limitations and cultural differences, becoming one of the most active and distinctive leading thought in the twentieth century. Once it was introduced to the United States by Soyen Shaku in Chicago in 1893, it soon became an admired and applied trend in the different cultural spheres of the country, and in particular it was followed closely by several painters, to such an extent that it was felt in contemporary painting both in the United States and in the same places of its origin. That is to say, China and Japan. Despite its impact, the Zen Aesthetic phenomenon and in particular its influence in culture and contemporary painting has not been thoroughly investigated. Also, there are many gaps, which is why we have explored its thematic research. The theme of typology required a panoramic approach or focus, for the simple reason that Zen Aesthetic can hardly be understood in contemporary painting without knowing its origins, cultural development and influence, as well as the geographic trajectory or international centers of propagation of Zen Aesthetic. In spite of its apparent amplitude, the author tried in the first place to compile as much documentation as possible or more understanding that explains the expansion of the Zen phenomenon at the intercontinental level, without forgetting their critical interrelations, to understand the extraordinary influence of this aesthetic movement and spirituality in Occidental contemporary painting. Also, within Oriental contemporary painting, such as any rebound effect or return to their places of origin. While the author has investigated as far as possible, the causes and their development from China to the United States, through Japan, the investigation has not forgotten the European continent. Indeed, in the thesis there are different European references, although their arrival in Europe came after the United States, through D. T. Suzuki around 1936, so it seemed convenient to leave this part of the research on the European continent for a new occasion due to its breadth, complexity, and stylistic derivations. The real Zen can hardly be understood without entering into the direct experience or life of the world that revolves around the principles of Zazen. In this regard, the two research centers that have contributed significantly to the development of this study are the Dongshan Monastery and the Shatou Cultural Center. Firstly, the author has been allowed to perform a three-month immersion period in Zen Buddhism meditation. And then, it has been fundamental to consult the documentary sources of Zen Buddhism and its different practices, such as Taiji, calligraphy, and painting as a method of meditation that is engaged in research, with the aim of seeking inner peace without any other secular purpose. The thesis is structured in twelve large sections with a series of chapters and sub-chapters within each. In the introduction, the research approach is presented, which is the specific typology of the panoramic thesis of critical compilation and the thematic justification, as well as the motivation of the thesis title. Although there are many publications on Zen Aesthetic, the author considers that the particular theme of seeking the motives of its cultural and pictorial influence in the contemporary world of the three countries China, Japan, and the United States is unprecedented. In addition to fundamentally exposing the different objectives and their diachronic, comparative, analytical, and critical methodology, the introduction ends with a large interrelated organization chart of the various parts of the configurator system of the influence of Zen aesthetics in contemporary painting from China, Japan and the United States.
Ninguna otra forma de filosofía oriental ha tenido un efecto positivo tan extendido en la cultura y en la pintura contemporanea internacional como la estética Zen. Gracias al nacimiento del budismo Zen en China y su extraordinaria auge e influencia en todos los aspectos de la sociedad y la cultura china, en especial la pintura con tinta a punta de pincel, hizo que se desarrollara en paralelo un espíritu o estética particular, conocida mundialmente por Zen, que no ha parado de propagarse desde que, en el siglo XVI, el budismo Zen cruzara el mar para llegar a Japón. Una vez allí, fecundó la cultura autóctona y motivó el desarrollo de una estética con particularidades propiamente Zen, hasta tal punto que arraigó en la vida cotidiana y se proyectó en distintos ambitos de la vida cultural y de la creatividad. Esta corriente de estética Zen ha sido reconocida desde hace mucho tiempo como la esencia de la estética oriental debido a la fusión del budismo, el taoísmo y el confucianismo, llegando a superar las limitaciones regionales y las diferencias culturales, convirtiéndose en una de las más activas y distintivas, líder en el siglo XX, una vez ya introducida en EE.UU. de América por Soyen Shaku en 1893 en la ciudad de Chicago. Pronto se convertiría en una tendencia admirada y aplicada en los distintos ambitos culturales del país, y en particular seguida de cerca por varios pintores, hasta tal punto que se hizo sentir en la pintura contemporánea tanto de EE.UU, como en los mismos lugares de su origen, es decir de China y Japón. A pesar de su impacto, el fenómeno estético Zen y en particular su influencia cultural y en la pintura contemporánea, no ha sido investigada en profundidad, y existen bastantes lagunas, razón por la cual nos hemos planteado su investigación temática. Una temática de esta tipología requería un planteamiento o enfoque panorámico, por la sencilla razón de que difícilmente se puede entender la estética Zen en la pintura contemporánea, sin conocer sus orígenes, su desarrollo e influencia cultural, así como la trayectoria geográfica o centros internacionales de propagación de la estética Zen. A pesar de su aparente amplitud, intentamos en primer lugar compilar la mayor documentación posible o más destacada que explica la expansión del fenómeno Zen a nivel intercontinental, sin olvidarnos de sus interrelaciones de modo crítico, para entender la extraordinaria influencia de dicho movimiento estético y espiritual en la pintura contemporánea occidental y asimismo oriental, como efecto rebote o retorno a sus lugares de origen. Si bien hemos investigado en la medida de lo posible las causas y su desarrollo desde China hasta EE.UU, pasando por Japón, no nos hemos olvidado del continente europeo. Efectivamente, en el transcurso de la tesis aparecen distintas referencias y referentes europeos, aunque su llegada a Europa se produjo después de EE.UU, a través deD.T. Suzuki en torno de 1936, por lo que nos ha parecido conveniente dejar esta parte de la investigación del continente europeo para una nueva ocasión, dadas su amplitud, complejidad y derivaciones estilfsticas. Difícilmente se puede entender el verdadero Zen sin en- trar en la vivencia o experiencia directa del mundo que gira entorno de los principios del Zazen. En este sentido, caben destacar los dos centros de investigación que han contribuido sobremanera al desarrollo de esta investigación: el Monasterio de Dongshan y el Centro Cultural de Shatou. El primero, nos ha permitido efectuar un período de inmersión de tres meses en la meditación del budismo Zen. En cuanto al segundo, ha sido fundamental para consultar las fuentes documentales del budismo Zen y sus diferentes practicas, como el Taiji, la caligrafía y la pintura como un metodo de meditación que se ocupa en la investigación, con el objetivo de buscar la paz interior sin ningún otro propósito secular.
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Nakagori, Ryuji. "Matisse : le degré zéro de la couleur ou l'influence du zen." Valenciennes, 2000. https://ged.uphf.fr/nuxeo/site/esupversions/faeaad33-3224-45c8-9d0c-903ad1262d4e.

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On sait qu'Henri Matisse est un des plus grands orientalistes de nos jours. Depuis la révélation de la couleur par l'estampe japonaise au moment de la formation de son style fauve, l'art oriental n'a cessé de contribuer à l'abstraction radicale du pionnier de l'art moderne. Cette recherche a pour objet de faire la lumière sur l'influence de l'art de l'Extrême-Orient dans son art. D’une manière générale, ses engagements pour l'art de l'Extrême-Orient se marquent dans la simplicité de l'expression, et par la place donnée aux vides dans ses dessins calligraphiques et découpages. Je pense que cette caractéristique remarquable qu'attribue l'artiste à san-sui, style du paysage traditionnel chinois et japonais, se rattache à sa conception transcendantale de l'espace visuel, en tant que résurgence de sa conception de la création artistique, qui implique l'identification avec la nature. Nous reconsidérons ainsi la dynamique du système de la représentation sous-jacente de la composition plate du tableau par rapport à la métaphysique qu'il prête à "l'Orient", par la recherche de la couleur pure. Cela élucidera l'influence de l'art de l'Extrême-Orient qui ne se réduit pas aux exotismes orientaux, et propose une autre perspective pour resituer la conception de l'Orient dans l'histoire de l'art moderne.
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Filliot, Philippe. "L'éducation spirituelle ou l'autre de la pédagogie : essai d'approche laïque de la relation maître-élève-savoir dans les spiritualités de l'Orient et de l'Occident : yoga, sagesses chinoises, bouddhisme zen, christianisme." Paris 8, 2007. http://octaviana.fr/document/126275815#?c=0&m=0&s=0&cv=0.

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Cette thèse se propose de jeter des ponts entre deux champs séparés – voire opposés – celui de l’enseignement laïque contemporain, et celui des grandes traditions spirituelles, souvent ignorées dans la recherche en Sciences de l’éducation. Certains signes du temps invitent pourtant à œuvrer à de nouvelles alliances, en dépassant ce clivage. En faisant le détour par les spiritualités – en particulier orientales et extrême-orientales – il s’agit d’essayer de voir sous un angle inédit les questions qui se posent dans l’éducation et, par ce biais, penser autrement la pédagogie. Les domaines de recherche, dans une optique multiréférentielle, portent sur quatre voies envisagées à travers une lecture pédagogique: le yoga, les sagesses chinoises, le bouddhisme zen et, enfin, la direction de conscience dans le christianisme. Notre hypothèse est qu’il y a dans ces spiritualités – à la fois dissemblables et cohérentes – une « philosophie de l’éducation » à part entière, même si elle ne se nomme pas telle, et qui reste à mettre à jour. Dans ce dehors de l’univers scolaire, comment caractériser la relation triangulaire maître-élève-savoir, que l’on peut considérer avec Jean Houssaye comme un invariant de tout enseignement ? Peut-on dégager, au-delà des spécificités historiques et culturelles, un modèle de pensée propre à ce que nous appelons « l’éducation spirituelle » ? Comment, enfin, transposer au sein de la laïcité des éléments de spiritualité pour une éducation de notre temps ? Ce dernier questionnement constituera l’enjeu de toute notre recherche
This thesis is willing to provide links between two separated – even opposed- fields : the field of contemporary lay teaching and the field of great spiritual traditions, often ignored in the research for education sciences. Some signs of the times are, indeed, leading us to work for new alliances, and thus, go beyond this ideological rift. By taking the way of spiritualities (particularly eastern and far-eastern ones) the matter in hand is to try to see the questions about education from a different angle and thus thinking pedagogy differently. Research developments, in a multi-referential way, concern four ways, considered from a pedagogic point of view: yoga, Chinese wisdoms, zen Buddhism, and Christian religion. Our hypothesis is that there is, in this spiritualities which are in the same time dissimilar and coherent, a specific philosophy of education -even though there is no such philosophy yet – that remains to be updated. Outside scholarship, how can we define the triangular relationship between the teacher, the pupil, and knowledge; which we can considerer, like Jean Houssaye does, as an unvarying fact of every teaching ? Can we identitfy, beyond historic and cultural specificities, a new way of thinking, which would be characteristic of what we call spiritual education ? Finally, how can we transpose some spiritual elements within secularism, in order to have an education of our time ? This last questioning will be the stake of our research
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Aubry, Hélène. "Postmodernité et bouddhisme zen japonais : d'une sémiotique de lieux, le cas du jardin sec Ryôan-ji." Doctoral thesis, Université Laval, 1991. http://hdl.handle.net/20.500.11794/33546.

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Les phénomènes de polysémie et de transcodage des corpus culturels établissent une structure d'argumentation dialectique. Le transculturel et le transhistorique deviennent là des axes centraux dans l'application du pragmaticisme des systèmes en expansion et dans la coexistence des métadiscours actuels et anciens. Le criticisme du métasavoir sur la pluralité des dispositifs hypertextuels permet ainsi une double lecture, celle de la postmodernité et celle de la proto-philosophie bouddhique. De là, on convient d'une réversibilité historique, du structuralisme et du post-structuralisme comme lieux d'une confrontation de la fonction critique des modèles textuels. La postmodernité (fin des années 60 et début des années 70) indique alors, par la mise en place d'une prolifération des figures-discours, le statut des actes langagiers par rapport à une homologie des styles et des genres. On y note un questionnement soutenu des assises d'une grammaire visuelle pluraliste dont, entre autres, un arrêt sur le concept de champ élargi dans les discours critiques de R. Krauss sur l'installation. En fait, les définitions d'une syntaxe du lieu et de la praxis du landscape-gardener seraient comme les deux pôles d'une économie esthétique au fondement même de cette praxis installative.
Les conditions particulières du transhistorique réalisent encore une forme de consensus de l'historia entre les passages de frontière d'un tel corpus historique pluraliste et des séquences d'argumentation, dont notamment l'inclusion de modèles stratégiques. D'où l'intégration possible des champs de la postmodernité et de la proto-philosophie bouddhique japonaise, qui rejoignent un processus de montage et de démontage des ruines textuelles, en regard d'une dialectique opératoire de conformité et de non-conformité du sens. L'histoire du code, la protophilosophie et l'esthétique bouddhiques zen japonaises entre les 12e et 15e siècles, supposent ainsi une rhétorique et un métalangage dont les règles du savoir véhiculent des paramètres langagiers paradoxaux. Les kôans évoquent à cet égard un encodage communicationnel du texte qui exige une réceptivité de l'entendement hétérodoxe d'après les modèles langagiers performatifs. L'analyse du métasystème bouddhique japonais permet alors une validation critique des corpus textuels afin d'établir une spéculation hypothétique quant aux agrégats interprétatifs.
Le corpus textuel de cette recherche vise principalement les positions de Toshihiko Izutsu, Abe Masao, Martin Colcutt, Hebert V. Guenter, Chung-Ying Cheng, Philip Yampolsky, Robert D. Baird, Tom J.F. Tillemans; ainsi que celles de certains philosophes tels que Nishida Kitaro, Hisamatsu Shin'ichi, Hajime Nakamura, Jacques Masui, T.P. Kasulis, Sung Bae Park, David Appelbaum, et David E. Shaner. Dans ce contexte d'érudition, les approches méthodologiques et théoriques de Roland Barthes, Julia Kristeva, Linnart Mail, Ryôji Nakamura, René de Ceccaty et Gilles Deleuze sont aussi prises en considération comme valeurs d'interprétation de certaines problématiques soulevées en cours d'analyse.
En outre, l'étude d'un concept, celui de vide par exemple, soit le sunyata, réfère tant aux discussions sur la valeur symbolique du dispositif zérologique en psychanalyse, qu'à la mise en forme d'un espace de non représentation. Car dans l'état de crise actuelle du discours occidental, le statut même du silence comme de l'éthique remet en cause la conception du logocentrisme européen. En sémiotique des lieux, l'étude du jardin sec, le Ryôan-ji, serait en conséquence un tel recoupement synthétique de la tradition du système esthético-philosophique bouddhique zen japonais et des théories postmodernes. Cette grammaire in situ intervient sur des praxis actuelles en histoire de l'art: soit, a priori, sur les postulats du musicologue Daniel Charles dans ses «Gloses sur le Ryôan-ji» et au niveau du corpus critique sur l'oeuvre de John Cage.
C'est dans ce contexte que la philosophie cosmogonique et l'oeuvre «Atlas Eclipticalis» de Cage se définissent sémiotiquement avec le structuralisme, une logique triadique et une architecture des théories du jardin, ainsi qu'une application du corpus peircéen sur la trichotomie du signe. Là, un archétype topologique, le ma (1'espace-temps), permet de circonscrire les paramètres discursifs et cognitifs clés actualisés par l'architecte d'avant-garde, Arata Isozaki. Dans le modèle du jardin Ryôan-ji plus particulièrement, le fondement des propriétés cosmologiques comme valeur hypothétique du lieu architectural, concernerait dès lors hic et nunc les relations céleste/terrestre, diurne/nocturne, dans la redéfinition pragmatique d'une grammaire in situ.
Montréal Trigonix inc. 2018
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Huang, Mu-Ching. "La couleur de la vacuité : analyse de l'esthétique zen du style cinématographique de Yasujiro Ozu." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100145.

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Il existe deux approches, culturelle et cinématographique, dans les recherches sur Ozu. En réponse au conflit entre les deux, nous proposons de retourner plus profondément aux idées essentielles du bouddhisme Zen qui affectent la culture et l’esthétique traditionnelles japonaises, pour obtenir un nouveau regard sur la richesse et la profondeur de son cinéma. Le style du « ni s’attacher ni quitter » d’Ozu vient de la pensée bouddhiste « La couleur même est la vacuité. » « Couleur » signifie « phénomène », le bouddhisme affirme que dans l’univers de vacuité, tout phénomène est changeant et temporaire, à savoir impermanent. Dans notre recherche, nous analyserons comment Ozu nous permet d’apercevoir et de comprendre la réalité de l’impermanence de l’univers et de la vie, à travers l’arrangement d’éléments du vide et du plein, et nous inspire à chérir la compagnie des émotions humaines dans la vie impermanente. Nous constaterons que c’est juste l’interpénétration entre le vide et le plein, entre l’absence et la présence, qui fait naître dans le cinéma d’Ozu une tension qui nous touche. Et son cinéma est pour ainsi dire une manifestation de « la couleur de la vacuité »
There are two approaches, cultural and cinematographic, in the study of Yasujiro Ozu’s films. In response to the conflict between the two, and to view the richness and depth of Ozu’s works from a new perspective, I propose to return to Zen Buddhism ideas, which are deeply rooted in Japanese culture and aethetics. Ozu’s style of “neither attaching nor quitting" comes from the Buddhist idea that "Color is Emptiness”. "Color" means "phenomenon"; Buddhism asserts that in the universe of Emptiness, all phenomena are changeable and temporary, namely, impermanent. In my research, I will analyze how Ozu, by arranging elements of emptiness and fullness, reveals to us that impermanence is the reality of universe and life, and inspires us to cherish our companies in the impermanent life. We will find that it is the interpenetration of emptiness and fullness, of absence and presence, which give rise to the tension in Ozu’s films. And these films are the manifestation of “the Color of Emptiness”
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Nishino, Ayako. "L'Influence du théâtre Nô sur la synthèse des arts de Paul Claudel." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040058.

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Pendant son séjour diplomatique au Japon de 1921 à 1927, Paul Claudel a rencontré le nô, une forme du théâtre traditionnel. Le dramaturge catholique, issu de la sphère symboliste, découvre dans le nô ce qu’il imaginait pour une nouvelle forme de la « synthèse des arts », c’est-à-dire l’union parfaite entre la Poésie, la Musique et la Danse, imprégnée de spiritualité. A l’aide d’une approche à la fois génétique, historique et comparatiste, notre thèse s’attache à étudier comment il interprète le nô et comment il s’en inspire dans sa propre création. Nous analysons d’abord la manière originale dont il comprend le nô, en adaptant une double perspective, histoire de la réception du nô en Occident depuis XVIe siècle et esthétique dramatique de l’auteur. Son originalité peut être dégagée par la comparaison avec la conception japonaise du nô authentique et par la confrontation avec la vision de ses prédécesseurs occidentaux ; contrairement à ces derniers, il passe sous silence le kyôgen, farce qui accompagne le nô ; son attitude vis-à-vis du bouddhisme est ambiguë ; son essai sur le nô a de grandes qualités littéraires. Ensuite, nous étudions le processus de l’assimilation de la philosophie orientale dans son univers, à la lumière d’un adage de Zeami, fondateur du nô, cité dans le Journal de Claudel. Enfin, nous démontrons qu’il utilise des apports du nô, d’une part dans ses pièces écrites au Japon, telle La Femme et son ombre (1922), et d’autre part, dans son « oratorio dramatique », genre inauguré en 1927 : le nô est sublimé dans son univers chrétien. Claudel cosmopolite, comprend le nô, puis le métamorphose en fonction de ses propres convictions esthétiques et spirituelles
France's Ambassador to Japan from 1921 to 1927, Paul Claudel discovered there the Noh theatre which stems from a medieval performing tradition. The Catholic dramatist and symbolist poet found in the Noh what he had imagined as a new form of “synthesis of arts’’, which was for him a perfect union of Poetry, Music and Dance, open to spirituality. Our method is genetic, historic and comparative in studying his understanding of the Noh, which is a source of inspiration for him. We have adopted a double perspective: first of all we study the history of the reception of the Noh in the Western world from the 16th century onward, and combine this type of investigation with literary considerations about the dramatist's aesthetics. The originality of our poet’s vision appears in comparison with the authentic Japanese conception of the Noh plays and the interpretation of his Western predecessors. For unlike these European specialists, his silence about the Kyôgen, a comic sketch played in a Noh performance, is surprising; his attitude to Buddhism is ambiguous; his essay about the Noh has a specific literary quality. The adage of Zeami, founder of the Noh, quoted in the Claudel's Journal, throws light on the process of assimilation by his Catholic vision of oriental philosophy. Finally, we show the impact of the Noh on his plays written in Japan, like La Femme et son ombre (1922), and on his “dramatic oratorio,” a genre inaugurated in 1927. The Noh is sublimated in his Christian world. Claudel, a cosmopolitan author who aims at universality, after having penetrated the world of the Noh, integrates it in his creative practice, according to his own aesthetic and spiritual conviction
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Roadcup, Alisa Miriam. "Thomas Merton's theology of the self as influenced by Christian mysticism and Zen Buddhism." Theological Research Exchange Network (TREN), 2003. http://www.tren.com.

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Mesquita, Josà Bruno Rego de. "INFLUENCE OF IRRIGATION, NITROGEN DOSES AND POTASSIUM APPLIED BY CONVENTIONAL AND METHOD FOR FERTIRRIGATION IN MAIZE." Universidade Federal do CearÃ, 2014. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=15845.

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Conselho Nacional de Desenvolvimento CientÃfico e TecnolÃgico
In the Northeastern Brazil, particularly in the Cearà state, irrigated agriculture contributes significantly to agricultural production: fruit, vegetable and grain crops. The Maize (corn) culture, traditional in the Region, has great socio-economic importance, being the most cultivated by small, medium and large farmers, contributing to the generation of employment and income, keeping workers from migrating. The experiment was conducted in the experimental area of the EstaÃÃo AgrometeorolÃgica (agrometeorological station) of the Universidade Federal do CearÃ. The soil of the region is sandy red yellow podzolic. The experiment was carried out with AG-1051 hybrid maize. Localized drip irrigation was used in the experiment. The said experiment was performed through 2011 and 2012. The total acreage in each year was 602 m2, divided into three parts for installing each of the three (sub) experiments. The first (sub) experiment consisted in applying several irrigation levels based on Penman-Monteith EvapoTranspiration parametrized by FAO, corresponding to treatments: Li30, or 30% PMETo; Li60, or 60% PMETo; Li90, or 90% PMETo; Li120, or 120% PMETo; Li150, or 150% PMETo and Li180, or 180% PMETo. The experimental design was that of randomized blocks, with six treatments and five blocks (replicates). The second experiment consisted of evaluating the effects of different N doses, conventionally applied and applied by fertigation. The treatments were divided into F0 and C0 = 0.0 kg ha-1 (control); F45 = 45 kg ha-1 (fert); C45 = 45 kg ha-1 (conv); F90 = 90 kg ha-1 (fert); C90 = 90 kg ha-1 (conv); F180 = 180 kg ha-1 (fert); C180 = 180 kg ha-1 (conv). The third experiment consisted of evaluating the effects of different doses of K, conventionally applied and applied by fertigation. The treatments were divided into F0 and C0 = 0.0 kg ha-1 (control); F15 = 15 kg ha-1 (fert); C15 = 15 kg ha-1 (conv); F30 = 30 kg ha-1 (fert); C30 = 30 kg ha-1 (conv); F60 = 60 kg ha-1 (fert); C60 = 60 kg ha-1 (conv). The experimental design in the second and third (sub) experiments was that of randomized blocks in a 2x4 factorial arrangement with eight treatments and four replicates. Irrigation levels showed significant effects on the following variables: Corn cob with and without husks, thousand grain weight and productivity in both years, all adjusting to the second degree polynomial model. The irrigation level that maximized the yield of corn (maize) was estimated to be 124.2% of PMETo, for the climatic conditions of 2012. Regarding the nitrogen dose and its form of application, it was observed that fertigation was superior to conventional fertilization, and the variables Corn cob with and without husks and productivity showed significant effects for the application form and Nitrogen dose. The dose of nitrogen fertilizer that maximized the Maize (or corn) productivity was estimated at 123.2 kg ha-1. However, relatively to the K dose and its form of application, it was observed that the conventional fertilization did not differ from fertigation, in the two years evaluated. However, the K doses were statistically different for following the variables: Corn cob with and without husks and productivity. Conventionally applied, the K dose which maximized the crop yield was 82.0 kg ha-1 for the cultivation conditions of 2011.
Na regiÃo Nordeste, particularmente no CearÃ, a agricultura irrigada contribui bastante com a produÃÃo agrÃcola: frutas, hortaliÃas, olerÃcolas e grÃos. A cultura do milho, muito tradicional na RegiÃo, apresenta grande importÃncia socioeconÃmica, sendo a mais cultivada por pequenos, mÃdios e grandes agricultores, contribuindo para a geraÃÃo de emprego e renda e para fixaÃÃo do homem no campo. O experimento foi conduzido na Ãrea experimental da EstaÃÃo AgrometeorolÃgica da Universidade Federal do CearÃ. O solo da regiÃo à um argissolo vermelho amarelo de textura areia franca. O experimento foi com o milho hÃbrido AG-1051. O sistema de irrigaÃÃo utilizado nos experimentos foi do tipo localizado por gotejamento. Os trabalhos foram conduzidos em dois anos agrÃcolas (2011 e 2012). A Ãrea total cultivada em cada ano foi de 602 m2, dividida em trÃs subÃreas, para instalaÃÃo de cada um dos trÃs experimentos. O primeiro experimento consistiu na aplicaÃÃo de lÃminas de irrigaÃÃo com base na ETo de Penman-Monteith (EToPM) parametrizada pela FAO, correspondendo aos tratamentos: Li30 â 30% EToPM; Li60 â 60% EToPM; Li90 â 90% EToPM; Li120 â 120% EToPM; Li150 â 150% EToPM e Li180 â 180% EToPM. O delineamento experimental utilizado foi em blocos ao acaso, composto de seis tratamentos e cinco blocos (repetiÃÃes). O segundo experimento consistiu em avaliar diferentes doses de N aplicadas de forma convencional e por fertirrigaÃÃo. Os tratamentos foram divididos em: F0 e C0 â 0,0 kg ha-1 (controle); F45 â 45 kg ha-1 (fert); C45 â 45 kg ha-1 (conv); F90 â 90 kg ha-1 (fert); C90 â 90 kg ha-1 (conv); F180 â 180 kg ha-1 (fert); C180 â 180 kg ha-1 (conv). O terceiro experimento consistiu em avaliar diferentes doses de K aplicadas de maneira convencional e por fertirrigaÃÃo. Os tratamentos foram divididos em: F0 e C0 â 0,0 kg ha-1 (controle); F15 â 15 kg ha-1 (fert); C15â 15 kg ha-1 (conv); F30 â 30 kg ha-1 (fert); C30 â 30 kg ha-1 (conv); F60 â 60 kg ha-1 (fert); C60 â 60 kg ha-1 (conv). O delineamento experimental utilizado no segundo e terceiro experimentos foi em blocos ao acaso, em arranjo fatorial 2x4 com oito tratamentos e quatro repetiÃÃes. As lÃminas de irrigaÃÃo apresentaram efeito significativo para as variÃveis: massa da espiga com e sem palha, massa de mil grÃos e produtividade nos dois anos agrÃcolas, ajustando-se ao modelo polinomial do segundo grau. A lÃmina de irrigaÃÃo que maximizou a produtividade do milho foi estimada em 124,2% da EToPM, para as condiÃÃes climÃticas do cultivo realizado em 2012. Em relaÃÃo à dose de N e sua forma de aplicaÃÃo, observou-se que a fertirrigaÃÃo foi superior à adubaÃÃo convencional, e que as variÃveis: massa da espiga com e sem palha e produtividade apresentaram efeitos significativos para a forma de aplicaÃÃo e dose de N. A dose do adubo nitrogenado que maximizou a produtividade do milho foi estimada em 123,2 kg ha-1. JÃ, para a dose de K e sua forma de aplicaÃÃo, observou-se que a adubaÃÃo convencional nÃo diferiu da fertirrigaÃÃo, nos dois anos avaliados. Entretanto, as doses de K foram estatisticamente diferentes para as variÃveis: massa da espiga com e sem palha e produtividade. Na forma convencional, a dose de potÃssio que maximizou a produtividade da cultura foi de 82,0 kg ha-1, para as condiÃÃes de cultivo em 2011.
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Abbas, Zein [Verfasser]. "Influence of quercetin on Ochratoxin A toxicokinetics and toxicity in F344 rats / Zein Abbas." Kiel : Universitätsbibliothek Kiel, 2014. http://d-nb.info/1058586645/34.

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Books on the topic "Zen influence"

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Hoover, Thomas. Zen culture. London: Arkana, 1989.

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Hoover, Thomas. Zen Culture. London: Routledge, 1988.

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Moore, Abd al-Hayy. Zen rock gardening. Philadelphia, Pa: Running Press, 1992.

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Zen interiors. London: Pavilion, 1999.

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Lee, Vinny. Zen interiors. London: Pavilion, 2002.

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Gutiérrez, Fernando G. El zen y el arte japonés. Sevilla: Guadalquivir Ediciones, 1998.

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Zen in the art of the tea ceremony. New York: E.P. Dutton, 1988.

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Zen in the art of the tea ceremony. New York, N.Y., U.S.A: Arkana, 1993.

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Zen and the art of needlecraft. Avon, MA: Adams Media, 2005.

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French, Hal W. Zen and the art of anything. Columbia, S.C: Summerhouse Press, 1999.

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Book chapters on the topic "Zen influence"

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Augsten, H., and D. Michel. "Influence of boron on nitrate reductase activity in roots of Zea mays." In Fundamental, Ecological and Agricultural Aspects of Nitrogen Metabolism in Higher Plants, 159–64. Dordrecht: Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-009-4356-8_21.

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Didenko, S. Y., O. V. Golik, and V. V. Pozdniakov. "12. Influence of gamma radiation on maize (Zea mays) starch granules morphology." In Mutagenesis: exploring novel genes and pathways, 239–50. The Netherlands: Wageningen Academic Publishers, 2014. http://dx.doi.org/10.3920/978-90-8686-787-5_12.

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Hernández, L. E., R. Carpena-Ruiz, and A. Gárate. "Influence of cadmium on the NO 3 − assimilation of two cultivars of Zea mays." In Progress in Nitrogen Cycling Studies, 207–12. Dordrecht: Springer Netherlands, 1996. http://dx.doi.org/10.1007/978-94-011-5450-5_34.

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Thoms, K., and B. Sattelmacher. "Influence of nitrate placement on morphology and physiology of maize (Zea mays) root systems." In Plant Nutrition — Physiology and Applications, 29–32. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-0585-6_5.

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Mladenova, Y. I. "Influence of salt stress on primary metabolism of Zea mays L. seedlings of model genotypes." In Genetic Aspects of Plant Mineral Nutrition, 209–14. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-2053-8_32.

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Jungk, A., C. J. Asher, D. G. Edwards, and D. Meyer. "Influence of phosphate status on phosphate uptake kinetics of maize (Zea mays) and soybean (Glycine max)." In Plant Nutrition — Physiology and Applications, 135–42. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-0585-6_23.

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Di Leo, Antonella, Santina Giandomenico, Lucia Spada, Nicola Cardellicchio, Francesco Paolo Buonocunto, Eliana Esposito, Luciana Ferraro, Laura Giordano, Alfonsa Milia, and Crescenzo Violante. "The offshore environmental impact by Sarno river in Naples bay (South-West Italy)." In Proceedings e report, 392–401. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.39.

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The goal of this work has been to establish the influence of the Sarno river on the present sedimentation in the Naples bay continental shelf by evaluating organic matter contribution and pollution. Sediments samples were collected, by van Veen grab, in 71 stations located offshore the Sarno river between Vesuvian and Sorrento Peninsula coasts. The characteristics of the surface sediments were analysed to highlight spatial trends in the (i) granulometry (grain-size); (ii) total nitrogen, organic carbon and total phosphorus; (iii) metal content (Hg, Cd, Pb, As, Cr, Cu, Ni, Zn, Fe and Mn).
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Romaniuk, N. D., G. M. Buchko, N. M. Buchko, and O. I. Terek. "Influence of zeastimulin and laser irradiation on the contents of mineral elements in Zea mays L. seedlings." In Plant Nutrition, 176–77. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/0-306-47624-x_85.

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Kuchenbuch, R. O., and K. T. Ingram. "Quantification of root growth of young corn plants (Zea mays L.) at a transparent surface under the influence of soil bulk density." In Plant Nutrition, 584–85. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/0-306-47624-x_283.

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Levine, Gregory P. A. "Zen Influence, Inherence, and Denial." In Long Strange Journey. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824858056.003.0007.

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Centering on the work and reception of the composer John Cage, famous for his “indeteminant” works, Yoshihara Jirō and his “Circle works,” and the filmmaker Ozu Yasujirō’s Tokyo Story, this chapter examines the twining postwar rhetorical patterns of Zen influence, Zen inherence, and Zen denial as they inform interpretation of works of postwar art produced by artists in the West and Japan. Contrary to certain practitioner narratives, at times beguiled by hagiography and inclined towards grand narratives, the chapter suggests a grittier sensibility that reflects the rhetorical tussles that emerged contemporaneously and have since continued. Doing so, it points again to the multifarious nature of Zen in the postwar period, including those forms espoused by the avant-garde and its advocates, as well as the parallax effect of affirmative orientalist reception in the West of Japanese artists—praised when their work looked Zen, otherwise dismissed as derivative of New York School artists.
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Conference papers on the topic "Zen influence"

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Guan, Jia-qing, and Qui-wen Shi. "Notice of Retraction: The influence of zen on the gardens and landscape." In 2009 IEEE 10th International Conference on Computer-Aided Industrial Design & Conceptual Design. E-Business, Creative Design, Manufacturing. (CAID&CD 2009). IEEE, 2009. http://dx.doi.org/10.1109/caidcd.2009.5374875.

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Matsuo, Y., S. Shinmura, and K. Ono. "Influence of sintering atmosphere on MN-ZN ferrites." In IEEE International Magnetics Conference. IEEE, 1999. http://dx.doi.org/10.1109/intmag.1999.837466.

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Serag-Eldin, M. A. "Influence of site on thermal design of a two floor ZEH in the desert." In 2010 3rd International Conference on Thermal Issues in Emerging Technologies Theory and Applications (ThETA). IEEE, 2010. http://dx.doi.org/10.1109/theta.2010.5766406.

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Yizong, Huang, and Hao Xiaowei. "The Influence of Red Mud, Bone Char and Lime on Uptake and Accumulation of Pb, Zn and As by Maize (Zea mays) Planted in Contaminated Soil." In 2012 Third International Conference on Digital Manufacturing and Automation (ICDMA). IEEE, 2012. http://dx.doi.org/10.1109/icdma.2012.218.

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Schlegl, T. "The Influence of Surface Preparation on Zn-Diffusion Processes in GaSb." In THERMOPHOTOVOLTAIC GENERATION OF ELECTRICITY: Sixth Conference on Thermophotovoltaic Generation of Electricity: TPV6. AIP, 2004. http://dx.doi.org/10.1063/1.1841918.

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Burachevskaya, M. V., T. M. Minkina, T. V. Bauer, V. N. Petukhova, and P. D. Pogonyshev. "INFLUENCE OF REABSORPTION PROCESSES ON THE EXTRACTION OF HEAVY METALS FROM THE SOIL." In STATE AND DEVELOPMENT PROSPECTS OF AGRIBUSINESS Volume 2. DSTU-Print, 2020. http://dx.doi.org/10.23947/interagro.2020.2.327-329.

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The article studies the process of readsorption, which reduces the completeness of extraction of heavy metals (for example, Zn and Pb) from the soil. Studies have shown that under static conditions of extraction with an acetate-ammonium buffer, it is not possible to completely extract the studied elements. Under dynamic conditions, however, metal extraction is more efficient and the effect of readsorption on metal extraction is significantly reduced.
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"Carbon Sequestration Potential of Fodder Maize (Zea Mays L.) Influenced by Manure Treatment Techniques." In International Conference on Food, Agriculture and Biology. International Institute of Chemical, Biological & Environmental Engineering, 2014. http://dx.doi.org/10.15242/iicbe.c614509.

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Shwetha, M., and B. Eraiah. "Influence of holmium ions (Ho3+) on the physical and optical properties of zin clithium phosphate glasses." In PROF. DINESH VARSHNEY MEMORIAL NATIONAL CONFERENCE ON PHYSICS AND CHEMISTRY OF MATERIALS: NCPCM 2018. Author(s), 2019. http://dx.doi.org/10.1063/1.5098676.

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Qin, Pei, Xiao Hu, and Y. C. Chan. "Influence of diamond additions on lead-free Sn-Zn-Bi solder-alloys." In 2012 4th Electronic System-Integration Technology Conference (ESTC). IEEE, 2012. http://dx.doi.org/10.1109/estc.2012.6542091.

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Yang, Z., C. Yu, Y. J. Bi, G. W. Feng, and J. Lie. "Influence of Galvannealing Temperature on Fe-Zn Coating Properties of GA DP590." In The 2nd International Conference on Advanced High Strength Steel and Press Hardening (ICHSU 2015). WORLD SCIENTIFIC, 2016. http://dx.doi.org/10.1142/9789813140622_0042.

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Reports on the topic "Zen influence"

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Matafonov, P. V. INFLUENCE OF WATER HIGH TEMPERATURES ON ZOOBENTHOS OF THE SHALLOW SALT LAKE ZUN-TOREY IN THE SMALL-WATER PERIOD. «Академия Естествознания», 2018. http://dx.doi.org/10.18411/1996-3955-2018-11-99-102.

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Sklyarchuk, V., p. Fochuk, I. Rarenko, Z. Zakharuk, O. F. Sklyarchuk, A. E. Bolotnikov, and R. B. James. Influence of the thickness of a crystal on the electrical characteristics of Cd(Zn)Te detectors. Office of Scientific and Technical Information (OSTI), August 2015. http://dx.doi.org/10.2172/1224185.

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