Relevant bibliographies by topics / Zen poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Zen poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Zen poetry"

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Qin, Si. "The ‘Making’ of Chinese Zen Poetry: Sam Hamill's The Poetry of Zen." Translation and Literature 32, no. 3 (2023): 354–72. http://dx.doi.org/10.3366/tal.2023.0562.

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The appreciation of Zen Buddhism in the mid-twentieth century led to a new exploration and tradition of Zen poetry translation. Many translators influenced by the American ‘Zen Boom’ were drawn to Chinese Zen poems during this time. However, translating Zen poetry is a complex art, and often shaped by the translator's personal experiences and qualities. Diverse perspectives exist on what constitutes Zen poetry, and selections for Zen anthologies hinge on the editor's perception. This paper centres on Sam Hamill's work in The Poetry of Zen, 2004, examining his selection and interpretation of cl
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Lihong, Zhu, and Wang Feng. "The Zen Relationship between Chinese Poetry and American Poetry." International Journal of Multicultural and Multireligious Understanding 6, no. 4 (2019): 92. http://dx.doi.org/10.18415/ijmmu.v6i4.952.

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Zen has become especially popular after 1950 and the Zen craze of East Asia not only has become a kind of belief but also a way of life in America. Many American writers introduce, advocate, and concentrate on their Zen, and even go to the East to learn Zen. They applied the ideology, content and allusions of Chinese Zen to their works, so they have a close relationship with Chinese Zen. This article aims to analyze the poems of Kenneth Rexroth, Anthony Piccione, Gary Snyder and James P. Lenfesty to explore the mysterious relationship between Chinese and American poetry. These poets imitate th
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Wu, Chenghao, and Haoyuan Zhang. "The Influence of Sino-Japanese Zen Communication on Five Mountain Poetry: A Case Study of Zekkai Chuushin." Communications in Humanities Research 21, no. 1 (2023): 132–41. http://dx.doi.org/10.54254/2753-7064/21/20231437.

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Five Mountain culture, a unique Sino-Japanese exchange, shaped Japan's development via Zen monks. These monks in China and Japan infused Zen's allure into Japan, initially captivating aristocrats and later the masses. As Five Mountain culture spread, it met the ruling party's needs, blending Chinese culture with local roots to form a distinct Japanese culture. Zen monks, especially Zekkai Chuushin, who studied in China, played pivotal roles. Zekkai Chuushin's Zen mastery, appreciation of Chinese customs, and study of Ming Dynasty calligraphy and poetry influenced the spread of Chinese culture.
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Pizza, Joseph. "Zen Closets." GLQ 30, no. 2 (2024): 181–203. http://dx.doi.org/10.1215/10642684-11029006.

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This article explores John Cage's “62 Mesostics re Merce Cunningham,” a love poem dedicated to the poet's longtime partner. Though scholars of Cage's writing and music tend to ignore the queer context in which his work was created, this study attempts to reconcile the poet's art with his life. As a homosexual couple in the postwar period, Cage and Cunningham observed a closeted silence throughout their lives together, preferring to refer to one another as collaborators rather than romantic partners or lovers. While such strategies were not uncommon, the couple's use of Zen philosophy to imbue
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L.T., Balakayeva, and Osmanova M.S. "Zen Buddhism in Japanese poetry." Journal of Oriental Studies 80, no. 1 (2017): 148–53. http://dx.doi.org/10.26577/jos-2017-1-820.

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Feng, Yi. "The Epiphany of Language: The Connotation of Zen-Taoism in Charles Bernstein's Echopoetics." boundary 2 48, no. 4 (2021): 163–83. http://dx.doi.org/10.1215/01903659-9382243.

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Abstract As a prominent representative figure of American Language poetry, Charles Bernstein has incorporated many themes concerning “nothingness” into his poetry. Contrary to the traditional Western philosophy that defines the concept of “nothingness” as meaninglessness and agnosticism, “nothingness” in Bernstein's poetics is endowed with profound poetic and aesthetic implications. Bernstein studied the works of Zen-Taoist philosophy in his early years. Understanding the Zen-Taoist connotations of “nothingness” is an important new dimension in interpreting Bernstein's echopoetics. Bernstein i
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盛, 钰. "“Paint” Zen from Poetry: On Philip Whalen’s Visual Poetry." World Literature Studies 03, no. 02 (2015): 43–52. http://dx.doi.org/10.12677/wls.2015.32008.

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Sul, Taesoo. "Sungchol’s Zen Poetry and William Blake." Journal of East-West Comparative Literature 46 (December 31, 2018): 125–42. http://dx.doi.org/10.29324/jewcl.2018.12.46.125.

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Kim,Mi-Seon. "Zen priest Joungho's realm of poetry." Journal of Korean Classical Chinese Literature 16, no. 1 (2008): 297–330. http://dx.doi.org/10.18213/jkccl.2008.16.1.010.

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Balaban, John. "Zen in Vietnamese Poetry and Politics." Translation Review 93, no. 1 (2015): 88–93. http://dx.doi.org/10.1080/07374836.2015.1138083.

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Dissertations / Theses on the topic "Zen poetry"

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Foxton, Nicholas. "Finding the space in the heart : primitivism, Zen Buddhism and deep ecology in the works of Gary Snyder." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363688.

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Schultz, Kelly J. "Toward Rangzen, through Rang and Zen: Contextualized Agency of Contemporary Tibetan Poet-Activists in Exile." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386339510.

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Ullyatt, Gisela. ""Bride of Amazement" : a Buddhist perspective on Mary Oliver's poetry / G. Ullyatt." Thesis, North-West University, 2013. http://hdl.handle.net/10394/9710.

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The thesis undertakes a Buddhist reading of Mary Oliver’s oeuvre. It seeks to fill a palpable lacuna in extant criticism of her work, which tends to adopt Romantic, Feminist, Ecocritical, and Christian viewpoints. Thus far, no criticism has offered a sustained reading of her work from a specifically Buddhist stance. The thesis is structured in five chapters. The introductory chapter is followed by a literature review. The next three chapters are devoted to the Buddhist themes of Mindfulness, Interconnection, and Impermanence respectively. Each chapter opens with detailed consideration of its r
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Araujo, Rodrigo Michell dos Santos. "Haikai do mundo haikai de mim : o nada na poesia de Paulo Leminski." Pós-Graduação em Letras, 2014. https://ri.ufs.br/handle/riufs/5750.

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Esta dissertação investiga a produção de haikais do poeta curitibano Paulo Leminski, tomando como corpus de análise sua produção das décadas de 1970 e 1980, período de maior intensidade artística, a partir das obras Caprichos e Relaxos (1983) e La vie en close (1994). A investigação será possível mediante a constituição - pelo caminho das críticas literárias brasileira e francesa, de Benedito Nunes a Maurice Blanchot - de um espaço interseccional em que (i) a obra literária possa se abrir para o mundo, reatando os liames com o real; (ii) a literatura e a filosofia possam dialogar, sem nenhuma
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Byrne, Christopher Ryan. "The moon is not the moon : non-transcendence in the poetry of Han-shan and Ryōkan." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98916.

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The Zen (Ch'an) poets Han-shan (circa 6th-9 thC.) and Ryokan (1758-1831) participate in literary activity, reclusion, and ordinary emotions in a manner that questions their typical image as models of transcendence. They participate in literary activity without attachment to either linguistic adequacy or a dualistic notion of "beyond words," and poetry serves as their mode of communication from reclusion. Reclusion is a context to realize the nature of the conventional world rather than a means of transcendence to an ultimate realm and is significant as a social and political act. Interpreted t
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McDonald, Timothy. "Mud and Ashes." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1013.

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The artist discusses the work in Mud and Ashes, his Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee, from March 28 to April 1, 2005. The exhibition marks a turning point in the artist’s work, occupying a beginning place as he completes his graduate career. The work consists of fifteen paintings and one sculptural installation. The paintings are on paper and employ local materials such as red clay, pollen, and beeswax along with traditional artist’s materials such as oil and charcoal. Fire and a power sander have also been used
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Couple, Amy. "Firewater." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1548080110950579.

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Pullinger, Mark. "The speaking world." Thesis, Loughborough University, 2011. https://dspace.lboro.ac.uk/2134/8953.

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Using a hybrid of poetry, creative prose, and critical prose, this thesis demonstrates a way in which we can rethink the natural world. Through a series of analyses and original verse and prose, using a reading premise derived from Zen Buddhist philosophy, it presents a vision of animal life and the natural world as philosophically nuanced and psychologically complex. It attempts to reposition the philosophical dominance over the natural world that humans have often considered their monopoly. All the poetry of the thesis engages and illustrates the main critical points outlined here. After an
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Xie, Dongni. "A Performance Guide to Wu Yiming's "A Poem Carved in Stone"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752372/.

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A Poem Carved in Stone, a work for piano solo by Washington DC-based Chinese composer Wu Yiming was composed in Spring 2020 and is dedicated to the author of this dissertation. The piece is inspired by the poetry of Han Shan, a recluse who lived during the Tang Dynasty (618-907 A.D.). His poetry is in Chan (Zen) tradition. Wu depicts the imagery and philosophy in Han Shan's poetry through highly complex rhythms, extreme sound effects and pitches, tone clusters, and extended piano techniques. This dissertation provides practical instructions for achieving these effects and executing the unconv
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Harmsworth, Thomas. "Gary Snyder's green Dharma." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:e4c2e123-0b71-45c9-8535-eb09ac8cfa15.

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Twentieth-century environmentalist discourse often laid the blame for environmental degradation on Western civilization, and presented the religious traditions of the East as offering an ecocentric antidote to Western dualism and anthropocentrism. Gary Snyder has looked to Chinese and Japanese Buddhism to inform his environmentalist poetry and prose. While Snyder often writes in terms of a dualism of East and West, he synthesizes traditional forms of Buddhism with various Western traditions, and his green Buddhism ultimately undermines more simplistic oppositions of East and West. The first ch
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Books on the topic "Zen poetry"

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Grigg, Ray. Zen brushpoems. C.E. Tuttle Co., 1991.

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Shinkichi, Takahashi. Poesía Zen. Verdehalago, 1994.

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Linssen, Robert. Living Zen. Grove Press, 1988.

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Ŭn, Ko. What?: 108 Zen poems. Parallax Press, 2008.

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Phongphaibūn, Naowarat. Yā hō̜m læ dō̜kmai rūang. Samnakphim Yā Hō̜m, 1991.

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Susan, Porterfield, and Stryk Lucien, eds. Zen, poetry, the art of Lucien Stryk. Swallow Press, 1993.

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Stryk, Lucien. Where we are: Selected poems and Zen translations. Skoob Books, 1997.

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Ikkyū. Wild ways: Zen poems of Ikkyū. Shambhala, 1995.

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Myreng, Svein. Plum poems. Parallax Press, 1999.

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Kodama, Misao. The Zen fool Ryōkan. Tuttle, 1999.

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Book chapters on the topic "Zen poetry"

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Ling, Chung. "Jane Hirshfield’s Poetic Voice and Zen Meditation." In American Modernist Poetry and the Chinese Encounter. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9780230391727_9.

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Langdell, Tim. "The Fox Sleeps in Plain Sight: Zen in the Poetry of W. S. Merwin." In Reading W.S. Merwin in a New Century. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13157-8_8.

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Wang, Keping. "Poetic Wisdom in Zen Enlightenment." In Chinese Culture of Intelligence. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-3173-2_7.

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Azambuja, Enaiê Mairê. "Zen subversion and planetary entanglement in E. E. Cummings's poetic experimentation." In The Zen of Ecopoetics. Routledge, 2023. http://dx.doi.org/10.4324/9781003358749-6.

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Navratil, Michael. "Stottern und treideln. Postsouveräne Poetik und politisches Schreiben bei Kathrin Röggla und Juli Zeh." In Kontemporär. Schriften zur deutschsprachigen Gegenwartsliteratur. Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-68051-3_19.

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Nehrlich, Thomas. "Juristendichtung. Zur Poetik von Literatur und Recht am Beispiel von Ferdinand von Schirach und Juli Zeh." In Kontemporär. Schriften zur deutschsprachigen Gegenwartsliteratur. Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-68051-3_20.

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Austin, James H. "Zen and the Daily-Life Incremental Training of Basho’s Attention." In Living Zen Remindfully. The MIT Press, 2016. http://dx.doi.org/10.7551/mitpress/9780262035088.003.0024.

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Davis, Bret W. "Zen and Language." In Zen Pathways. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197573686.003.0020.

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This chapter examines Zen’s stress on both the limits and expressive power of language. The intimate relation between sound and silence is presented in haiku by Matsuo Bashō and poetry by Rainer Maria Rilke. Paradoxically, a motto of Zen is “not relying on words and letters” or “not establishing words and letters,” and yet it has produced a vast body of literature, including kōans and kōan commentaries as well as poetry. On the one hand, Zen says that a linguistic teaching is merely a “finger pointing at the moon,” and yet, on the other hand, it affirms some uses of language as what Dōgen calls an “expressive attainment of the Way” (dōtoku). In order to resolve this paradox, the chapter turns in the end to Ueda Shizuteru’s understanding of Zen practice, and human existence in general, in terms of a ceaseless dynamic of “exiting language and exiting into language.”
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Austin, James H. "Basho, the Haiku Poet." In Living Zen Remindfully. The MIT Press, 2016. http://dx.doi.org/10.7551/mitpress/9780262035088.003.0022.

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"Appendix B On Wilderness Poetry during the Tang and Sung Periods." In Zen-Brain Reflections. The MIT Press, 2006. http://dx.doi.org/10.7551/mitpress/7348.003.0130.

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Conference papers on the topic "Zen poetry"

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Dyakonova, Elena. "THE “WAY OF POETRY” (UTA-NO MICHI) IN THE TREATISES OF MASTERS OF “LINKED VERSE”." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.38.

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The paper analyzes Sasamegoto (Whispered Conversations, 1463–1464), a treatise by Shinkei, the influential Buddhist poet and thinker of the Muromachi period (1392–1568). In this treatise on the collaborative poetry of “linked verse” (renga), the author addresses the category of the “Way” (michi) or the “Way of Poetry” (uta-no michi), which he interprets on the basis of ancient Chinese philosophers (Confucius and Lao Tze) and early Japanese authors of Zen school (e. g., Mujū Ichien, who wrote the Shasekishū — The Collection of Sand and Rocks, 13th century) and even endows it with a new meaning.
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Voytishek, E. E., A. V. Zinchenko, and Yao Song. "“Ten virtues of incense” in Buddhist Tradition of China and Japan." In IV Международный научный форум "Наследие". SB RAS, 2023. http://dx.doi.org/10.25205/978-5-6049863-7-0-10-30.

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This article is based on the text known as “Ten Virtues of Incense” (香十德 Xiang shí de) written during the Song dynasty (960–1279). In this text, the fundamental functions of incense, manifesting in everyday life and Buddhist ceremonies, are listed in a metaphorical form. This short text, consisting only of 40 Chinese characters, over time, has become one of the fundamental works of traditional Chinese and Japanese culture, exerting its influence on the Chan and Zen practices of Buddhist masters, as well as on the arts of tea and incense. The question of authorship adds extra intrigue to the ph
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Hou, Benta. "The Sectarian Characteristics of Rinzai-Zen Songgu Poetry in the Song Dynasty." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.129.

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"An Analysis of the Translation of Zen Poetry in Wang Wei’s Poems." In International Conference on Education, Management, Computer and Society. Scholar Publishing Group, 2021. http://dx.doi.org/10.38007/proceedings.0001821.

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Storozhuk, Alexander. "BAI JUYI AND ORIGINS OF THE NEW YUEFU." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.07.

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The first poetic cycle of 50 New Yuefu was written by Bo Juyi (白居易, 772–846) in 809 after the works of by his friend Li Shen (李紳, 772–846). Bo Juyi wrote it simultaneously with another great Tang poet Yuan Zhen (元稹, 779–831), and the new literary style has been known for centuries as Yuan-Bo (元白). Both of the poets shared the same attitude towards the role of letters in the society and aspired to implement their credo at the official posts they held. The origin of New Yuefu philosophy dates back at least to 806, when he together with Yuan Zhen created the illustrious political composition know
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Filatova, Anna Andreevna. "Semantics of Symbols in Poetry Z.N. Gippius." In All-Russian scientific and practical conference with international participation. Publishing house Sreda, 2024. http://dx.doi.org/10.31483/r-109918.

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Wen, Yanrong. "SOME NEW PROOFS OF BAI JUYI’S POETRY AND PROSE IN BAI’S CORPUS PRINTED BY NAWA DOUEN IN JAPAN." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.01.

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Japan has preserved many editions of Bai’s Corpus printed by Nawa Douen, which were proofread by ancient manuscripts in the early days of Edo, ncluding the proofread editions by Hayasi Razan in the Tokyo National Museum, by Tenkai in the Sonkeikaku bunko, by Housa bunko, and the editions of Waseda University, of Imperial Palace, and of Daito Bunka University. The proofreading of these ancient manuscripts can supplement and correct the friendship relationship between Bai Juyi and Han Yu, Yuan Zhen, Liu Sheng and Li Weijian. It can reproduce the original connotation of Bai Juyi’s poetry and pros
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Brocchi, Eduardo de Albuquerque, Felipe Sombra dos Santos, and Victor Loureiro Araújo. "SEPARAÇÃO ZN-FE DA POEIRA DE FORNOS ELÉTRICOS." In 62º Congresso anual da ABM. Editora Blucher, 2007. http://dx.doi.org/10.5151/2594-5327-0417.

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