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Dissertations / Theses on the topic 'Zen poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Foxton, Nicholas. "Finding the space in the heart : primitivism, Zen Buddhism and deep ecology in the works of Gary Snyder." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363688.

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2

Schultz, Kelly J. "Toward Rangzen, through Rang and Zen: Contextualized Agency of Contemporary Tibetan Poet-Activists in Exile." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386339510.

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3

Ullyatt, Gisela. ""Bride of Amazement" : a Buddhist perspective on Mary Oliver's poetry / G. Ullyatt." Thesis, North-West University, 2013. http://hdl.handle.net/10394/9710.

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The thesis undertakes a Buddhist reading of Mary Oliver’s oeuvre. It seeks to fill a palpable lacuna in extant criticism of her work, which tends to adopt Romantic, Feminist, Ecocritical, and Christian viewpoints. Thus far, no criticism has offered a sustained reading of her work from a specifically Buddhist stance. The thesis is structured in five chapters. The introductory chapter is followed by a literature review. The next three chapters are devoted to the Buddhist themes of Mindfulness, Interconnection, and Impermanence respectively. Each chapter opens with detailed consideration of its r

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4

Araujo, Rodrigo Michell dos Santos. "Haikai do mundo haikai de mim : o nada na poesia de Paulo Leminski." Pós-Graduação em Letras, 2014. https://ri.ufs.br/handle/riufs/5750.

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Esta dissertação investiga a produção de haikais do poeta curitibano Paulo Leminski, tomando como corpus de análise sua produção das décadas de 1970 e 1980, período de maior intensidade artística, a partir das obras Caprichos e Relaxos (1983) e La vie en close (1994). A investigação será possível mediante a constituição - pelo caminho das críticas literárias brasileira e francesa, de Benedito Nunes a Maurice Blanchot - de um espaço interseccional em que (i) a obra literária possa se abrir para o mundo, reatando os liames com o real; (ii) a literatura e a filosofia possam dialogar, sem nenhuma

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5

Byrne, Christopher Ryan. "The moon is not the moon : non-transcendence in the poetry of Han-shan and Ryōkan." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98916.

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The Zen (Ch'an) poets Han-shan (circa 6th-9 thC.) and Ryokan (1758-1831) participate in literary activity, reclusion, and ordinary emotions in a manner that questions their typical image as models of transcendence. They participate in literary activity without attachment to either linguistic adequacy or a dualistic notion of "beyond words," and poetry serves as their mode of communication from reclusion. Reclusion is a context to realize the nature of the conventional world rather than a means of transcendence to an ultimate realm and is significant as a social and political act. Interpreted t

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6

McDonald, Timothy. "Mud and Ashes." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1013.

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The artist discusses the work in Mud and Ashes, his Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee, from March 28 to April 1, 2005. The exhibition marks a turning point in the artist’s work, occupying a beginning place as he completes his graduate career. The work consists of fifteen paintings and one sculptural installation. The paintings are on paper and employ local materials such as red clay, pollen, and beeswax along with traditional artist’s materials such as oil and charcoal. Fire and a power sander have also been used

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7

Couple, Amy. "Firewater." Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami1548080110950579.

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8

Pullinger, Mark. "The speaking world." Thesis, Loughborough University, 2011. https://dspace.lboro.ac.uk/2134/8953.

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Using a hybrid of poetry, creative prose, and critical prose, this thesis demonstrates a way in which we can rethink the natural world. Through a series of analyses and original verse and prose, using a reading premise derived from Zen Buddhist philosophy, it presents a vision of animal life and the natural world as philosophically nuanced and psychologically complex. It attempts to reposition the philosophical dominance over the natural world that humans have often considered their monopoly. All the poetry of the thesis engages and illustrates the main critical points outlined here. After an

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9

Xie, Dongni. "A Performance Guide to Wu Yiming's "A Poem Carved in Stone"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1752372/.

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A Poem Carved in Stone, a work for piano solo by Washington DC-based Chinese composer Wu Yiming was composed in Spring 2020 and is dedicated to the author of this dissertation. The piece is inspired by the poetry of Han Shan, a recluse who lived during the Tang Dynasty (618-907 A.D.). His poetry is in Chan (Zen) tradition. Wu depicts the imagery and philosophy in Han Shan's poetry through highly complex rhythms, extreme sound effects and pitches, tone clusters, and extended piano techniques. This dissertation provides practical instructions for achieving these effects and executing the unconv

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10

Harmsworth, Thomas. "Gary Snyder's green Dharma." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:e4c2e123-0b71-45c9-8535-eb09ac8cfa15.

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Twentieth-century environmentalist discourse often laid the blame for environmental degradation on Western civilization, and presented the religious traditions of the East as offering an ecocentric antidote to Western dualism and anthropocentrism. Gary Snyder has looked to Chinese and Japanese Buddhism to inform his environmentalist poetry and prose. While Snyder often writes in terms of a dualism of East and West, he synthesizes traditional forms of Buddhism with various Western traditions, and his green Buddhism ultimately undermines more simplistic oppositions of East and West. The first ch

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11

Tu, Tsung-lan, and 杜宗蘭. "The life of Xie Zen (1495-1575) and his poetic theories." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31221798.

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12

Zhu, Sicong. "Poetic feeling in a thatched pavilion attributed to the Chinese Yuan artist Wu Zhen." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/4983.

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In this thesis, I explored the visual and textual connotations of the handscroll painting Poetic Feeling in a Thatched Pavilion attributed to the Chinese Yuan dynasty artist Wu Zhen, and discussed this piece of work in terms of its relation to the long history of Chinese literati painting.

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13

de, Zan Michael [Verfasser], and Inka [Akademischer Betreuer] Mülder-Bach. "Fontanes Fauna : die Poetik der Tiere in den Gesellschaftsromanen Theodor Fontanes / Michael de Zan ; Betreuer: Inka Mülder-Bach." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1225682541/34.

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De, Zan Michael [Verfasser], and Inka [Akademischer Betreuer] Mülder-Bach. "Fontanes Fauna : die Poetik der Tiere in den Gesellschaftsromanen Theodor Fontanes / Michael de Zan ; Betreuer: Inka Mülder-Bach." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1225682541/34.

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15

Lino, Marina Merces. "Desprendimento de poeira no recobrimento de sementes de milho." Universidade Federal de Pelotas, 2013. http://repositorio.ufpel.edu.br:8080/handle/prefix/3101.

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Submitted by Maria Beatriz Vieira (mbeatriz.vieira@gmail.com) on 2016-10-10T16:48:11Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) dissertacao_marina_merces_lino.pdf: 614871 bytes, checksum: 629d363950ed3f6e6621bbb11976f007 (MD5)<br>Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2016-10-11T21:25:58Z (GMT) No. of bitstreams: 2 dissertacao_marina_merces_lino.pdf: 614871 bytes, checksum: 629d363950ed3f6e6621bbb11976f007 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry in

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Pacheco, Katie. "The Buddhist Coleridge: Creating Space for The Rime of the Ancient Mariner within Buddhist Romantic Studies." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/937.

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The popularization of academic spaces that combine Buddhist philosophy with the literature of the Romantic period – a discipline I refer to as Buddhist Romantic Studies – have exposed the lack of scholarly attention Samuel Taylor Coleridge and The Rime of the Ancient Mariner have received within such studies. Validating Coleridge’s right to exist within Buddhist Romantic spheres, my thesis argues that Coleridge was cognizant of Buddhism through historical and textual encounters. To create a space for The Rime within Buddhist Romantic Studies, my thesis provides an interpretation of the poem th

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17

LI, MEI-HUA, and 李美華. "A Zen reading of Emily Dickinson's poetry." Thesis, 1989. http://ndltd.ncl.edu.tw/handle/68590302175052886404.

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18

Hung, Ya-Wen, and 洪雅文. "A Study of Wang An-Shih's Zen Poetry." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/50079826076232914390.

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19

Ing, Tu Jaou, and 杜昭瑩. "The Study of Wang Wei''''s Zen Poetry." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/84237818875273313498.

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20

Huang, Hsiu-Chin, and 黃秀琴. "The Interactive Influence within Poetry and Zen in Tang Dynasty." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/55602823174779475933.

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21

Liao, Tan-Miao, and 廖丹妙. "The Impact of Zen Buddhism on Poetry in the Sung Dynasty." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/33741507406223817818.

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碩士<br>南華大學<br>文學研究所<br>90<br>Zen Buddhism spread widely and had a tremendous impact on poetry in the Sung Dynasty. Intellectuals who enthusiastically practiced Zen Buddhism acted as a bridge between poetry and Zen Buddhism and an active medium to bring the two disciplines together. The interaction between poetry and Zen Buddhism, two very disparate disciplines, had the historical and social backgrounds as its extrinsic catalysts and compatible characteristics as its intrinsic catalysts. On the basis of the compatibility between poetry and Zen Buddhism, poetry in the Sung Dynasty extensively

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22

RUI-I, Wang, and 王瑞益. "Research on the Tea Culture and Theory of Zen in Huang Shan Gu poetry." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/9a9mhj.

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碩士<br>國立嘉義大學<br>中國文學系研究所<br>106<br>This thesis will explore the theme of "The Tea Culture and Theory of Zen in Huang Shan Gu poetry.” The author has divided this thesis into five chapters; the contents of each chapter are summarized as follows: The first chapter, "Introduction," explains the motivation and purpose of this thesis, the research scope, methods and steps, and the research results. The second chapter, "Introduction to the Background of the Life and Zen of Shan-Gu Huang,” has three sections: In the first section, the author will note the life experience and academic origin of Shan

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23

Jia-JingChen and 陳嘉璟. "A Research on Nature Poetry by Scholars and Zen Monks in the Northern Song Dynasty." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/68861520324493655873.

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博士<br>國立成功大學<br>中國文學系碩博士班<br>100<br>Abstract This study aims to explore the nature poetry of three scholars—Wang An-Shi, Su Tung-Po, and Huang Ting-Jian—and some Zen monks in the Northern Song Dynasty. The miscellaneous Zen concepts in their poetry were based on Daoism, Neo-Daoism, and Zen Buddhism, especially of the Qingyuan and Nanyue schools. These poems deliberate on the existence (bhava) of self-nature. While removed from power, these scholars were able to experience wild nature and visited Buddhist forest monasteries. In the gardens of their residences, they were also able to experi

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24

Robinson, Irma Chávez Poey Delia. "El budismo zen, el yin yang y la ecología en la obra de Alberto Blanco." 2004. http://etd.lib.fsu.edu/theses/available/etd-07072004-214100.

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Thesis (Ph. D.)--Florida State University, 2004.<br>Advisor: Dr. Delia Poey, Florida State University, College of Arts and Sciences, Dept. of Modern Languages and Linguistics. Title and description from dissertation home page (viewed Oct. 2004). Includes bibliographical references.

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25

Shen, Hsuan-chuan, and 沈軒銓. "Beyond the rhyme in zen The Poetry of the Wang Chuan Anthology from Wang Wei in Visual Design." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/78762641766909822831.

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碩士<br>國立雲林科技大學<br>視覺傳達設計系碩士班<br>99<br>Beyond the rhyme in zen Implications and rhyme, the meaning of Words, by the content of classical poetry, the poetry inherent in the conception, graphic design application to show the situation in the atmosphere of poetic images, the author from the literature about the relevance of poetry and Zen, found the poems of Wang Wei Chuan focus on modern society with the current relationship with each other correspondence, due to financial turmoil in many modern lifestyle, people seeking change from the luxurious to meet the spiritual level and then begin simple

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26

Ulman, Vít. "Proměny poezie japonských středověkých zenových mnichů." Doctoral thesis, 2019. http://www.nusl.cz/ntk/nusl-408169.

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in English The main topic of this thesis is the co-called Five Mountains literature (Gozan bungaku), a collection of literary works by Japanese medieval Zen monks written in literary Chinese. This dissertation thesis focuses predominantly on the development of themes and stylistic characteristics of poetry by Gido Shushin and Zekkai Chushin. The focus lays on the stylistic and thematic differences between the works of the aforementioned poets, on the ongoing secularization of the poetic production of the Zen monks and on the influence they exerted over the later generations. Their literary con

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27

AN, TOH HOCK, and 卓福安. "The Study on Wang Shi Zen Poetic Theory." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/89847452999038044194.

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28

LIN, YU-JU, and 林友如. "Study on Chinese Poetry of Zhang Zhen Xiang." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/04806848744970006996.

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碩士<br>國立雲林科技大學<br>漢學應用研究所<br>104<br>Zhang Zhen Xiang(1896-1972) was born in Dapi township,Yunlin County.His grandfather and father were scholars.He had studied in Min Xiong elementary school.His teachers,Mr.Shi,Mr.Lin,andMr.hong taught him,so he had a basis of writing.After World War Ⅱ,he was elected as the first mayor of Dapi toenship,seving for his folks. Zhang Zhen Xiang wrote many articles.Most of them are describing the scenery.His works was published in many booksand magazines.He is one of the famous poets.He wrote 1500 poems.His sons collected them and published his book”San Xiu Yuan Po

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29

Sun, Yulan, and 孫玉蘭. "A study on the romantic poetry in “Odes of Zeng” of “ the Book of Odes”." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/16689677207005631505.

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碩士<br>玄奘大學<br>中國語文學系碩士在職專班<br>100<br>Abstract “The book of Odes” which has been passed for many generations was the product of the Spring and Autumn Period and was also known as the earliest poetry collection in the Chinese history. Among all the odes, “Odes of Zeng” stands out others and even attracts many scholars to study by its historical researches, cultural background, traditions, and the profound meaning of poetry. Based on love and passion, the romantic poems in “Odes of Zeng” have a special style which surrounded by the topics of love, relations, and marriage. These odes create di

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30

Jian, Jun-An, and 簡俊安. "The Cultural Resistance of Taiwanese Dotors of Poets-Discussion over the realist poetry written by Zeng Guei-Hai,Jiang Zih-De,Jheng Jong-Ming,and their styles." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/88729913693197737974.

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碩士<br>國立臺北教育大學<br>台灣文學研究所<br>94<br>Abstract The Resistance of Taiwanese doctors to the Nationalist Party, Guomindang’s coercive ruling after WWII was identical to that of Jiang Wei Shuei, Lai He and others against Japanese colonization. Many doctors died, were put in jails, or were under long-term surveillance in the process of the 228 Event, country-cleansing campaign, appeasement, and white terror. Those surviving the process were mostly forced to become silent and quiet. This phenomenon lasted for about 30 years old until the influential “Formosa Incident” took place. Doctors who c

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31

張政偉. "The differences compared among Dai zhen,Duan Yu-cai and Cheng huan of “Two-Nan” in “Book of Poetry”." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/76281147976705643181.

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碩士<br>國立暨南國際大學<br>中國語文學系<br>89<br>This thesis has four chapters. Dai zhen,Duan Yu-cai and Cheng huan were famous scholars in Chin Dynasty. Especially Dai zhen was the leader in the domain.After the collection and analysis among the studies of Dai zhen,Duan Yu-cai and Cheng huan,this essay declares the truth of their generations in “Book of Poetry” ,and correct some errors in the of the study about “Book of Poetry”. In addition ,it is also an important purpose to do the complete comparison and careful evaluation among the 25 poems in “Two-Nan”.

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32

Polláková, Petra. "Východoasijská kaligrafie a české umění po roce 1948." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-415375.

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My dissertation thesis seeks to explore some specific social aspects of the dialogue between traditional Chinese art and thinking and Czech art scene after the February1948, when the Communist party took power in former Czechoslovakia. I am mainly interested in the problematic of inspiration from traditional Chinese calligraphy and Daoist philosophy on Czech painting, visual poetry and literature in the 1950s and 1960s. I will argue that the appropriation of selected Chinese philosophical and artistic themes helped Czech artists, working under the communist repression, to express their innermo

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33

Hudcová, Zuzana. ""Všechno je lehounké a vše je nahoře a nejvýše je tanec slonů". Metafory pohybu v díle Vladimíra Holana." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-296822.

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The purpose of the thesis is to deal with a writings of Vladimir Holan as a thematic unity, where the motifs are transformed. The metamorphosis depend on a time, when they have been written in. Our used method of his writings is in a chronological order. This thesis is focused on the motif of a movement and his metamorphosis in poetry of Vladimir Holan. The aim is to penetrate the problems of the movement as a physical activity and approached the movement as a confirmation of existence on a basis of Patočka's phenomenological phylosophy. Other chapters pay attention to analysis of motifs of mo

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ROLNÍKOVÁ, Eliška. "Klíčová motivika české dekadentní a parnasitní lyriky." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-55259.

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The subject of this thesis is a characterisation of key motivic units in lyrical works of Jaroslav Vrchlický and Jiří Karásek ze Lvovic, thus it explores Czech parnassian and decadent poetry of the end of 19th century. It observes and traces literal, esthetical and thought shifts of both authors from the aspect of various motives usage. The thesis is divided into five chapters, each of them dealing with one specific motivic unit. The chapters are: 1. Motives of woman, body and sexuality. 2. Motives of dream, imaginary and escape. 3. Motives of dying, disease and decay. 4. Motives of depressive

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