Journal articles: 'Zevi'

1

Sharp, Dennis. "Bruno Zevi: 1918–2000." Architectural Research Quarterly 4, no. 2 (June 2000): 103–5. http://dx.doi.org/10.1017/s1359135500002554.

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Garnica González-Bárcena, Julio. "Bruno Zevi en la España de 1950: una Storia dell’architettura cargada de futuro." ZARCH, no. 10 (July 20, 2018): 178–93. http://dx.doi.org/10.26754/ojs_zarch/zarch.2018102940.

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En diciembre de 1950 el arquitecto italiano Bruno Zevi publica la primera edición del libro “Storia de l’architettura moderna”, una obra escrita a continuación, y en buena medida en contra, de las otras “historias” de la arquitectura moderna aparecidas hasta entonces. La publicación, que despierta el interés inmediato de arquitectos, críticos e historiadores de la arquitectura, coincide en el tiempo con la aparición de la figura de Zevi en la España de los años 50. En septiembre de 1949 se publica en el Boletín de Información de la Dirección General de Arquitectura su primer artículo en español: el texto de su conferencia “La arquitectura orgánica frente a sus críticos”. Un año después, en mayo de 1950, Bruno Zevi participa en el Ciclo de conferencias organizado en Barcelona por el Colegio de Arquitectos, donde realiza dos intervenciones centradas en la crisis del racionalismo arquitectónico y la actualidad de la arquitectura italiana, al tiempo que de la mano de sus colegas locales “descubre” la obra de Gaudí, cuya arquitectura –una imagen a color de un banco del Park Güell– acabará ocupando la portada de su decisiva “Storia de l’architettura moderna”. Con la recuperación operativa de una figura entonces prácticamente inédita dentro del complejo fin-de-siecle europeo, Zevi establece uno de los más firmes precedentes de una “arquitectura orgánica” destinada a superar los límites de la primera modernidad.

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Capitel, Antón. "La Tercera Generación, o algunos de los cantos de cisne del Movimiento Moderno." ZARCH, no. 10 (July 19, 2018): 26–43. http://dx.doi.org/10.26754/ojs_zarch/zarch.2018102928.

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Los arquitectos del año 1918, tienen concomitancias importantes, pero hay también entre ellos notables diferencias. Utzon ejerció siempre el organicismo, en distintas versiones del mismo. Fue referencia de Zevi en el organicismo exacerbado de la Ópera de Sídney. Sáenz de Oíza caminó desde la recuperación racionalista como “vanguardia”, hacia alguna arquitectura próxima al Team 10, y acabó en el organicismo de “Torres Blancas” y el Banco de Bilbao. Rudolph fue personal y ecléctico. Recibió una atención extraordinaria de Zevi en relación a su obra más celebrada, la Escuela de Arquitectura de Yale. Van Eyck, figura básica del Team 10, criticó las secuelas de los maestros del Movimiento Moderno y trató de llevar a la arquitectura a la historia, la ciudad y la antropología. Pero su brillante obra alcanzó valores más independientes. Todos, Zevi incluido, representaron lo mejor de la arquitectura de su tiempo, aunque también el final del Movimiento Moderno y no caminos para el futuro.

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4

Popkin, Richard H. "Three English tellings of the Sabbatai Zevi story." Jewish History 8, no. 1-2 (March 1994): 43–54. http://dx.doi.org/10.1007/bf01915907.

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Martínez, Raúl Martínez. "Bruno Zevi, the continental European emissary of Geoffrey Scott’s theories." Journal of Architecture 24, no. 1 (January 2, 2019): 27–50. http://dx.doi.org/10.1080/13602365.2018.1527383.

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6

Halperin, David J. "Women and the Messianic Heresy of Sabbatai Zevi 1666–1816." Journal of Modern Jewish Studies 12, no. 3 (November 2013): 540–42. http://dx.doi.org/10.1080/14725886.2013.856193.

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7

ŚLIWA, Aleksandra. "IT TECHNOLOGIES IN ARCHITECTURE AND SPACE REPRESENTATION. BRUNO ZEVI METHODS REVISED." Architecture, Civil Engineering, Environment 12, no. 3 (2019): 35–40. http://dx.doi.org/10.21307/acee-2019-034.

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8

Chevalier, Yves. "Leyb Ben Oyzer, La beauté du Diable. Portrait de Sabbataï Zevi." Archives de sciences sociales des religions, no. 160 (December 30, 2012): 118. http://dx.doi.org/10.4000/assr.24238.

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9

Gottreich, Emily Benichou. "OF MESSIAHS AND SULTANS: SHABBATAI ZEVI AND EARLY MODERNITY IN MOROCCO." Journal of Modern Jewish Studies 12, no. 2 (July 2013): 184–209. http://dx.doi.org/10.1080/14725886.2013.796156.

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10

Caygill, Howard. "The Apostate Messiah: Scholem, Taubes and the Occlusions of Sabbatai Zevi." Journal for Cultural Research 13, no. 3-4 (July 2009): 191–205. http://dx.doi.org/10.1080/14797580903101136.

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11

Ghia, Maria Clara. "A lightning bolt. The activity of Bruno Zevi in post-war Italy." ZARCH, no. 10 (July 20, 2018): 166–77. http://dx.doi.org/10.26754/ojs_zarch/zarch.2018102939.

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This essay focuses on Bruno Zevi’s working period immediately after Second World War, coming back to Italy after his stay in London and in the USA. He starts right away his impressive attempt of popularizing contemporary architecture through “Metron”, the first magazine to be printed in Italy after the war, from 1945 to 1954. In this crucial phase he founded the APAO (Association for Organic Architecture), he contributed to the editing of the Manuale dell'Architetto (an handbook with all the new construction and ready-assembly techniques), he published Verso un'architettura organica (1945), Saper vedere l'architettura (1948) and Storia dell'architettura moderna (1950), he curated the first Frank Lloyd Wright exhibit in Italy and he greatly contributed to the spreading of modern architecture and urbanism all around the country. Zevi also paying special attention to social issues, raised the question of inner spaces where man lives and where the collective theme is expressed, and stressed the need of shaping the building in the name of human use and enjoyment.

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Ovando Grajales, Fredy. "Frank Lloyd Wright según Bruno Zevi: crónica de dos proyectos editoriales (1947-1979)." Bitácora Arquitectura, no. 43 (March 13, 2020): 94. http://dx.doi.org/10.22201/fa.14058901p.2020.43.72954.

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Entre toda su vasta producción editorial, Bruno Zevi dedicó dos libros en exclusiva a Frank Lloyd Wright, el primero en 1947 y el segundo en 1979. Ambos fueron traducidos al español y forman parte importante de la historiografía de la arquitectura moderna en el contexto hispanohablante. Generalmente considerados como un mismo libro que sólo evolucionó a lo largo del tiempo, la revisión de sus procesos editoriales y de sus contenidos demuestra lo contrario. Explicar la historia de cada uno de ellos y comparar sus argumentos es el objetivo del presente escrito.

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13

Baer, Marc David. "Women and the Messianic Heresy of Sabbatai Zevi 1666-1816 (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 31, no. 2 (2013): 177–79. http://dx.doi.org/10.1353/sho.2013.0012.

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14

Gordis, Daniel H. "DAVID ZEVI HOFFMANN ON CIVIL MARRIAGE: EVIDENCE OF A TRADITIONAL COMMUNITY UNDER SIEGE." Modern Judaism 10, no. 1 (1990): 85–103. http://dx.doi.org/10.1093/mj/10.1.85.

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15

Adagio, Noemí. "La crítica operativa entre la historia y el proyecto." A&P Continuidad 4, no. 6 (March 6, 2018): 78–85. http://dx.doi.org/10.35305/23626097v4i6.27.

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La “crítica operativa” fue un término acuñado por Manfredo Tafuri en 1968 para representar la relación instrumental de la historia con el proyecto. En este artículo se presentan de modo sintético las tensiones, analogías y discontinuidades en los enfoques más o menos normativos y/o prescriptivos. Se podría ejemplificar el tema con historiadores de diversas nacionalidades, sin embargo, aquí se tratan particularmente los argumentos de Giulio Carlo Argan y Bruno Zevi, referentes ineludibles de la “escuela romana”. Además se hace mención a debates en torno al rol de la historia en situaciones artísticas y culturales diversas. Todo ello para defender el valor crítico indiscutible de la historia, especialmente en la formación del arquitecto.

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16

López-Bahut, Emma. "La lectura de Jorge Oteiza de «Saber ver la Arquitectura» a través de sus reflexiones dibujadas: influencia en sus trabajos arquitectónicos." EGA. Revista de expresión gráfica arquitectónica 21, no. 28 (September 29, 2016): 114. http://dx.doi.org/10.4995/ega.2016.6051.

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En el año 1953 Jorge Oteiza lee el libro Saber ver la Arquitectura de Bruno Zevi, dibujando y anotando reflexiones en su ejemplar, conservado en su biblioteca personal. Esta lectura le influye directamente en sus trabajos que estaba realizando en la arquitectura, bien en el interior, como en la Cámara de Comercio de Córdoba, o bien en la fachada exterior, como en la Basílica de Aránzazu. A partir de su análisis, se establece que esta lectura es uno de los punto clave en la evolución de la relación del escultor con la arquitectura, que le lleva a la compresión del espacio como material común, permitiéndole avanzar en ambas disciplinas.

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17

Wang, Zhenbao, Sevgi Erdogan, and Frederick W. Ducca. "Evaluating the Efficacy of Zero-Emission Vehicle Deployment Strategies: The Maryland Case." Sustainability 11, no. 6 (March 22, 2019): 1750. http://dx.doi.org/10.3390/su11061750.

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This study aimed to develop a model to estimate the impacts of zero-emission vehicle (ZEV) adoption on CO2 emissions and to evaluate efficacy of ZEV deployment strategies in achieving greenhouse gas (GHG) emission reduction goals. We proposed a modeling scheme to represent ZEVs in four-step trip-based travel demand models. We then tested six ZEV scenarios that were a cross-combination of three ZEV ownership levels and two ZEV operating cost levels. The proposed modeling scheme and scenarios were implemented on the Maryland Statewide Transportation Model (MSTM) to analyze the impacts of different ZEV ownership and cost combinations on travel patterns and on CO2 emissions. The main findings were the following: (1) A high-ZEV ownership scenario (43.14% of households with ZEVs) could achieve about a 16% reduction in statewide carbon dioxide equivalent (CO2Eq) emissions from 2015 base year levels; and (2) CO2Eq emissions at a future year baseline (2030) (the Constrained Long-Range Plan) level dropped by approximately 11% in low-ZEV ownership scenarios, 17% in medium-ZEV ownership scenarios, and 32% in high-ZEV ownership scenarios. The high-ZEV ownership results also indicated a more balanced distribution of emissions per unit area or per vehicle mile traveled among different counties.

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18

Stampfer, Shaul. "Women and the Messianic Heresy of Sabbatai Zevi: 1666-1816 - By Ada Rapoport-Albert." Religious Studies Review 38, no. 2 (June 2012): 110. http://dx.doi.org/10.1111/j.1748-0922.2012.01608_13.x.

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19

Fan, Wenbo, Sevgi Erdogan, Timothy F. Welch, and Frederick W. Ducca. "Use of Statewide Models as a Decision Tool for Zero-Emission Vehicles Deployment." Transportation Research Record: Journal of the Transportation Research Board 2628, no. 1 (January 2017): 78–86. http://dx.doi.org/10.3141/2628-09.

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Under worldwide environmental stress, zero-emission vehicles (ZEV) are rapidly coming to market. However, it is not clear how such vehicles reduce vehicular emissions at a spatially explicit level, which is crucial for developing specific policies. This study proposed a quantitative approach to estimate the effectiveness of ZEVs in reducing emissions to support investment decisions promoting the use of ZEVs. The approach uses existing statewide travel demand and mobile emission models in an integrated framework. Scenarios are designed to measure the emissions reduction effects of ZEVs at different spatial scales (statewide, county, and roadway) and characteristics (densely and sparsely populated counties) and with various levels of market penetration and driving range limits. Results show significant spatial differentiation of the impact of ZEV deployment from county to roadway levels. Offering greater spatial detail and new insights on decision-making processes, this study described an integrated tool for identifying effective strategies for ZEV implementation.

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20

Lozano, Rosina. "Review: Speaking American: Language, Education, and Citizenship in Twentieth-Century Los Angeles by Zevi Gutfreund." Southern California Quarterly 101, no. 4 (2019): 472–75. http://dx.doi.org/10.1525/scq.2019.101.4.472.

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21

Schwartz, Adam. "Review: Speaking American: Language Education and Citizenship in Twentieth-Century Los Angeles, by Zevi Gutfreund." California History 97, no. 2 (May 1, 2020): 133–35. http://dx.doi.org/10.1525/ch.2020.97.2.133.

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22

Leitão, Lúcia. "Arquitetura, uma expressão fantasística do desejo | Architecture, a phantasmatic expression of desire." Oculum Ensaios 18 (February 22, 2021): 1. http://dx.doi.org/10.24220/2318-0919v18e2021a4803.

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Eminentemente teórico, o objetivo deste ensaio é refletir sobre a dimensão imaterial da arquitetura. O ponto de partida é o texto de Joseph Rykwert “On Adam’s house in Paradise”, no qual o autor postula uma casa para a alma. Uma promessa, tanto quanto uma memória, em suas palavras, situada no Paraíso. Do que fala Rykwert? Como e em que medida a cabana primitiva se fez memória e como essa memória instaura uma promessa? A que demandas essa promessa deve atender? De que natureza seria essa memória inextinguível? Tendo como referências a Teoria da Arquitetura (Zevi) e a Psicanálise (Freud e Winnicott), trabalha-se, ao longo do texto, com a hipótese de que a arquitetura, para além de sua materialidade, seria um elemento substitutivo de algo definitivamente perdido, uma criação fantasmática do desejo –conforme definido pela psicanálise –, produzida pela ilusão de restabelecimento de algo impossível de ser encontrado.

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23

Granata, Elena, and Carolina Pacchi. "Č possibile riformare le scuole di architettura in Italia?" TERRITORIO, no. 49 (July 2009): 153–65. http://dx.doi.org/10.3280/tr2009-049023.

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- The crisis of architectural schools in Italy and the profound uncertainty running through practices and the teaching of architectural and planning disciplines has roots which date back a long time. If we re-read today some of the texts and public actions of some of the greatest Italian architects or critics of architecture such as Giovanni Michelucci, Giancarlo De Carlo, Leonardo Benevolo and Bruno Zevi, in dissent with the scientific and academic communities to which they belonged, it is hard not to grasp, with the benefit of hindsight, the lucidity of their intellectual positions and the urgency of their arguments. Four episodes are presented which allow us to return to the issue of training architects in their relationship with the professional dimension and also with society and to consider more generally the crisis of inherited models of university education, which no longer seem able to meet the challenges of today.

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Abramson, Glenda. "The Wound of Memory: Uri Zevi Greenberg's "From the Book of the Wars of the Gentiles"." Shofar: An Interdisciplinary Journal of Jewish Studies 29, no. 1 (2010): 1–21. http://dx.doi.org/10.1353/sho.2010.0048.

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Zečević, Nikola. "Interpretations of the activities of Sabbatai Zevi and the Crypto-Jewish Dönmeh community in the Balkans." Kultura, no. 158 (2018): 134–47. http://dx.doi.org/10.5937/kultura1858134z.

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Quesada López, Fernando. "Templo. Máquina. Caravana. El teatro y la ciudad en la Italia del siglo XX." Cuaderno de Notas, no. 19 (July 31, 2018): 43. http://dx.doi.org/10.20868/cn.2018.3816.

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Resumen Entre 1965 y 1975 se produjo en Italia un debate muy intenso en torno a la arquitectura teatral, el edificio del teatro y su papel urbano, social y político. Se articuló alrededor de tres términos que suponen tres modos de relación entre el edificio teatral y la ciudad: el templo, la máquina y la caravana. Aquel debate, de una riqueza inusitada, quedó completamente al margen de la historiografía de la arquitectura italiana y europea, a pesar de su intensidad y de la importancia de todos sus protagonistas para la cultura arquitectónica del siglo XX. Muchos de los arquitectos, críticos e historiadores del momento intervinieron en este debate con propuestas de concurso no construidas, opiniones o análisis rigurosos. Uno de los más activos fue Guido Canella, con una amplia carrera como arquitecto de teatros y erudito de la cultura teatral, que además organizó en 1965 un curso de proyectos en el Politecnico di Milano, acompañado de conferencias, mesas de debate y actuaciones de grupos de la vanguardia internacional. Todo este material fue reunido en una publicación que inauguró este debate, y a la que todos sus protagonistas se refirieron en algún momento. Además de Guido Canella, otras personalidades como Bruno Zevi, Maurizio Sacripanti, Constantino Dardi, Mario Manieri-Elia y Manfredo Tafuri, intervinieron marcando un filón cultural que sigue estando completamente olvidado hoy día.AbstractBetween 1965 and 1975 there was a very intense debate in Italy about the theatrical architecture, the theatre building and its urban, social and political role. It was articulated around three terms that assume three ways of relation between the theatrical building and the city: the temple, the machine and the caravan. That debate, of an unusual wealth, was completely absent from the official historiography of Italian and European architecture, despite its intensity and the importance of all its protagonists for the architectural culture of the twentieth century. Many of the most prominent architects, critics and historians intervened in this debate with unbuilt competition proposals, opinions or rigorous analysis. One of the most active was Guido Canella, with a broad career as theatre architect and a scholar of theater culture himself. He organized a design studio at the Politecnico di Milano in 1965, accompanied by lectures, panel discussions and group performances by international avant-garde artists. All this material was gathered in a publication edited by Guido Canella that inaugurated this debate, called The Theatrical System in Milan, and to which all protagonists referred at some point of their respective interventions. In addition to Guido Canella, other personalities such as Bruno Zevi, Maurizio Sacripanti, Constantino Dardi, Mario Manieri-Elia and Manfredo Tafuri, intervened marking a cultural reef that remains widely forgotten today.

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Stetter, Jack. "Spinoza and Judaism in the French Context: The Case of Milner’s Le Sage Trompeur*." Modern Judaism - A Journal of Jewish Ideas and Experience 40, no. 2 (May 1, 2020): 227–55. http://dx.doi.org/10.1093/mj/kjaa004.

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Abstract Jean-Claude Milner’s Le sage trompeur (2013), a controversial recent piece of French Spinoza literature, remains regrettably understudied in the English-speaking world. Adopting Leo Strauss’ esoteric reading method, Milner alleges that Spinoza dissimulates his genuine analysis of the causes of the persecution and survival of the Jewish people within a brief “manifesto” found at the end of the Tractatus Theologico-Politicus (TTP), Chapter 3. According to Milner, Spinoza holds that the Jewish people themselves are responsible for the hatred of the Jewish people, and that the engine of their longevity is the hatred they engender. Additionally, claims Milner, Spinoza covertly insinuates that the solution to this persistent state of hatred consists in the mass apostasy of the Jewish people under the leadership of a Sabbatai Zevi-like figure. This article presents the Milner–Spinoza controversy to the English-speaking public along with the larger context of French-language scholarship on Spinoza’s relation to Judaism. While refuting Milner’s reading of Spinoza, I simultaneously clarify relevant elements of Spinoza’s discussions of Judaism in the TTP, such as Spinoza’s examination of Jewish identity and the nature of divine election, Spinoza’s understanding of the causes of national hatred, and Spinoza’s appeals to Portuguese, Spanish, Chinese, and Turkish political history.

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Rios Perez, Mario. "Zevi Gutfreund. Speaking American: Language Education and Citizenship in Twentieth-Century Los Angeles. Norman: University of Oklahoma Press, 2019. 308 pp." History of Education Quarterly 60, no. 4 (November 2020): 678–81. http://dx.doi.org/10.1017/heq.2020.57.

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Scarrocchia, Sandro. "The Italian Memorial At Auschwitz: An Approach Through Conservation Theory." Images 6, no. 1 (2012): 119–29. http://dx.doi.org/10.1163/18718000-12340009.

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Abstract According to Bruno Zevi, the Italian Memorial housed at Block 21 of the Auschwitz concentration camp is among the most significant works of contemporary architecture. Recently, it has become the focus of a political and cultural conflict that is itself worthy of study. The memorial was designed as a post-war symbol of the anti-Fascist movement. It is thus heavily influenced by the politics of the Resistance, which characterized the First Republic and influenced the Italian Constitution. However, this sort of politics is incompatible with the post-Berlin-Wall narrative that the Museum of Auschwitz on the international level, along with various Italian governments on the national level, have decided to promote in the twenty-first century. Yet the Italian Memorial is an integral part of the World Heritage UNESCO site at Auschwitz, and its removal or transfer elsewhere, besides constituting a loss for Italian cultural identity, would also vitiate and downgrade the history of Auschwitz. This study looks at the memorial in terms of the discipline of conservation, applying principles elaborated by the Vienna School (Alois Riegl and Max Dvořák) to show how new exhibitions for the pavilions threaten to transform Auschwitz from a monument and historical document into a museum-style fairground, and to reveal the political motivation behind claims of the Memorial’s contemporary irrelevance.

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Kriegel, Maurice. "Leyb ben Oyzer La beauté du diable. Portrait de Sabbataï Zevi. éd. et trad. par N. Weinstock, Paris, Honoré Champion, 2011, 269 p." Annales. Histoire, Sciences Sociales 67, no. 3 (September 2012): 853–55. http://dx.doi.org/10.1017/s0395264900007617.

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Stefek, Jakub. "The ethnical factor in european literature for the organ in the 19th and the first half of the 20th centuries based on works by british, italian and Jewish Composers." Notes Muzyczny 1, no. 15 (June 21, 2021): 43–55. http://dx.doi.org/10.5604/01.3001.0014.9689.

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The article presents examples of the emphasised ethnical factor in works belonging to the European organ literature of the 19th and the first half of the 20th centuries, found in pieces written by British, Italian and Jewish composers. In case of British composers, significant were the proposals of Ralph Vaughan Williams, who primarily saw folk songs as the tool for expressing a national style. Among the composers who wrote music inspired by traditional songs or quoting them directly (which was an important novelty in the British organ literature) were: Cecil Armstrong Gibbs, Percy Whitlock, Cyril Bradley Rootham, Geoffrey Turton Shaw, Harold Carpenter Lumb Stocks, and more. The influence of national elements on Italian organ literature is not as strong but it seems justified to assume that some composers might have been influenced by the romanità myth which identified the features of the Italian nation with the ideas allegedly drawn from the traditions of ancient Rome. These composers were Giuseppe Corsi and Alfredo Casella. It is worth paying attention to the phenomenon of writing organ masses which preceded the popularisation of that myth. In this context, composers of Jewish organ music attempted to emphasise the ethnical factor in their works in the clearest, most consequent and most comprehensive ways possible. Abraham Zevi Idelsohn summed up their ideological programme, indicating that music meant for being performed in synagogues, including Jewish organ music, should be based on traditional melodies and scales, at the same time using tonal harmonic systems, which was supposed to allow for introducing prayerful atmosphere and concentration of the audience as well as understanding it properly. This group of composers included Louis Lewandowski, David Nowakowski, Arno Nadel, and others.

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García de Albéniz, Imanol Carlos. "La iglesia de barrio." Actas de Arquitectura Religiosa Contemporánea 2, no. 2 (October 30, 2013): 172–77. http://dx.doi.org/10.17979/aarc.2011.2.2.5070.

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Aspectos generales. La imagen de la parroquia. Bruno Zevi escribía ya en los años anteriores al Concilio: El edificio religioso, ¿se integra orgánicamente en el tejido urbano o lo rechaza? La configuración del templo cristiano ¿de qué manera refleja la realidad del tejido urbano en el que surge? La cuestión se reduce a un problema de expresión hacia el exterior, habida cuenta de que las variables formales y volumétricas provengan de conductas litúrgicas y proyectuales. Es por ello que el tema de la adecuación de la presencia de la parroquia en el barrio por medio del material –y por supuesto de la forma- abre un nuevo debate, que deambula entre lo que se llega a considerar un perfil industrial que no siempre agrada, la pretendida o disimulada –aceptada o rechazada- monumentalidad del templo, y en definitiva, la inmersión de la imagen de la iglesia urbana dentro del entorno urbano.Imagen industrial. Con el desarrollo de las vanguardias arquitectónicas la imagen del templo se desprende de los signos condicionados por los estilos, y como consecuencia, busca nuevos ámbitos de expresión. Debido al universalismo que se busca para la arquitectura moderna, se llega a considerar en determinados ámbitos teóricos anular la diferenciación entre edificios religiosos y profanos.De barrio. Esta nueva iglesia en la ciudad necesita una figuración explícita. Esto es debido a que, con el fin de que el discurso ritual sea claro, el signo ha de expresar su significado simbólico más hondo. En definitiva, la cuestión acerca de la imagen urbana del templo se mantiene como un debate vivo, dependiente de la posterior y progresiva mengua en la creación de parroquias en las décadas venideras, como la siempre cambiante apreciación de la dialéctica y los discursos del lenguaje arquitectónico.

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Ling, Roger. "F. Zevi (Ed.), Pompei 79: Raccolta di studi per il Decimonono Centenario Dell'eruzione Vesuviana. Naples: Macchiaroli, 1984. Pp. 304, 208 illus. (incl. plates (16 col.), text figs., plans)." Journal of Roman Studies 75 (November 1985): 272–74. http://dx.doi.org/10.2307/300688.

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Grig, Lucy. "Roman History." Greece and Rome 62, no. 2 (September 10, 2015): 237–41. http://dx.doi.org/10.1017/s001738351500011x.

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Let's start at the very beginning: that is, at the beginning of the history of Rome. This latest volume of the Oxford Readings in Classical Studies makes a clear case for the virtue of reprinting old articles even in an age of supposedly wide digital availability. An obvious virtue here is the fact this collection includes no fewer than seven articles that have been translated into English for the first time. In making this collection, the editors hope to show the continuing lively debate on the nature of the ancient historiographical tradition. Rather than taking a particular editorial line, the collection includes scholars with differing views as to the reliability of this tradition when it comes to early Roman history. That being said, it is not surprising that scholarship that aims wholeheartedly to uphold the historicity of the traditional accounts is definitely outnumbered by studies demonstrating instead the construction of historiographical tradition(s). Nonetheless, Andrea Carandini begins the collection by arguing once more for the congruence of the archaeological evidence and the literary tradition. The articles that follow vary somewhat in approach and in degrees of scepticism – for instance, Fausto Zevi admits a historical core to stories about Demoratus and the Tarquins, whereas Michael Crawford is forthright in his rejection of historicity in the earliest list of Roman colonies. The editors have taken the helpful decision to focus rather more on ‘stories’ than individual authors and this certainly helps shape a thought-provoking collection that can be read with profit rather than just put on the shelf for future reference. In particular, the editors’ suggestion that this volume could profitably be given to students in place of a single ‘authoritative’ version of the history of early Rome, so that they can see that there are indeed different ways of ‘doing’ ancient history, is persuasive. Finally, any selection of papers is, of course, subjective but an article focusing rather more particularly on non-literary historical traditions might have rounded out the picture more fully.

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Bruun, Christer. "Studying inscriptions old and new from Ostia - MIREILLE CÉBEILLAC-GERVASONI, MARIA LETIZIA CALDELLI and FAUSTO ZEVI, ÉPIGRAPHIE LATINE (Armand Colin, Paris2006). Pp. 334, figs. 88. ISBN 2-200-21774-9." Journal of Roman Archaeology 21 (2008): 433–36. http://dx.doi.org/10.1017/s1047759400004712.

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Glinert, Lewis. "Menahem Zevi Kaddari and Shim'on Sharvit (ed.): Studies in the Hebrew language and the Talmudic literature. Dedicated to the Memory of Dr. Menahem Moreshet. [Hebrew]. Ramat-Gan: Bar-Ilan University Press, 1989." Bulletin of the School of Oriental and African Studies 53, no. 3 (October 1990): 585. http://dx.doi.org/10.1017/s0041977x00152097.

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Rosadini, Charles V., Jeffrey D. Gawronski, Daniel Raimunda, José M. Argüello, and Brian J. Akerley. "A Novel Zinc Binding System, ZevAB, Is Critical for Survival of Nontypeable Haemophilus influenzae in a Murine Lung Infection Model." Infection and Immunity 79, no. 8 (May 16, 2011): 3366–76. http://dx.doi.org/10.1128/iai.05135-11.

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ABSTRACTNontypeableHaemophilus influenzae(NTHI) is a Gram-negative bacterial pathogen that causes upper and lower respiratory infections. Factors required for pulmonary infection by NTHI are not well understood. Previously, using high-throughput insertion tracking by deep sequencing (HITS), putative lung colonization factors were identified. Also, previous research indicates that secreted disulfide-dependent factors are important for virulence ofH. influenzae. In the present study, HITS data were compared with an informatics-based list of putative substrates of the periplasmic oxidoreductase DsbA to find and characterize secreted virulence factors. This analysis resulted in identification of the “zinc bindingessential forvirulence” (zev) locus consisting ofzevA(HI1249) andzevB(HI1248). NTHI mutants ofzevAandzevBgrew normally in rich medium but were defective for colonization in a mouse lung model. Mutants also exhibited severe growth defects in medium containing EDTA and were rescued by supplementation with zinc. Additionally, purified recombinant ZevA was found to bind to zinc with high affinity. Together, these data demonstrate thatzevABis a novel virulence factor important for zinc utilization ofH. influenzaeunder conditions where zinc is limiting. Furthermore, evidence presented here suggests that zinc limitation is likely an important mechanism for host defense against pathogens during lung infection.

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ÅžAHÄ°N, AyÅŸe, and Aytekin FIRAT. "BÄ°REYLERÄ°N HEDONÄ°K TÃœKETÄ°M DAVRANIÅžLARINA SOSYAL MEDYANIN ETKÄ°SÄ°." TURKISH JOURNAL OF MARKETING 3, no. 2 (August 19, 2018): 127–42. http://dx.doi.org/10.30685/tujom.v3i2.37.

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GÃ¼nÃ¼mÃ¼zde bireylerin ekonomik davranÄ±ÅŸlarÄ±ndan, iletiÅŸim ÅŸekillerine kadar hayatlarÄ±na etki eden teknoloji, internet, sosyal medya gibi faktÃ¶rler, bireylerin tÃ¼ketim davranÄ±ÅŸlarÄ±nda da deÄŸiÅŸimlere neden olmuÅŸ, tÃ¼ketim kavramÄ± farklÄ± ÅŸekillerde yorumlanmaya baÅŸlanmÄ±ÅŸtÄ±r. Bu kavramlardan biri olan hedonik tÃ¼ketim, fiziksel ihtiyaÃ§larÄ± karÅŸÄ±lamak iÃ§in yapÄ±lan tÃ¼ketimin aksine duygularÄ± doyurmak, haz almak amacÄ±yla yapÄ±lan tÃ¼ketimi, tÃ¼ketimden zevk almayÄ± ifade etmektedir. GÃ¼nÃ¼mÃ¼zde bireylerin duygusal tatminini saÄŸlayan bir baÅŸka faktÃ¶r sosyal medyadÄ±r. Sosyal medya aracÄ±lÄ±ÄŸÄ±yla kendini rahat ifade edebilen bireyler giderek zamanlarÄ±nÄ± daha fazla sosyal medyada geÃ§irmeye baÅŸlamÄ±ÅŸ, bu durum tÃ¼ketime bakÄ±ÅŸ aÃ§Ä±larÄ±nÄ± etkilemiÅŸtir. Bu durumda Ã§alÄ±ÅŸmanÄ±n amacÄ±, sosyal medyanÄ±n hedonik tÃ¼ketim davranÄ±ÅŸlarÄ±na etkisinin olup olmadÄ±ÄŸÄ±nÄ± saptamaktÄ±r. AraÅŸtÄ±rmada kolayda Ã¶rnekleme yÃ¶ntemi kullanÄ±lmÄ±ÅŸtÄ±r. Hedonik tÃ¼ketim ve sosyal medya ile ilgili iki Ã¶lÃ§ek kullanÄ±larak oluÅŸturulan anket MuÄŸla ilinde 18 yaÅŸ ve Ã¼zeri bireylere uygulanmÄ±ÅŸtÄ±r. AraÅŸtÄ±rma sonuÃ§larÄ±na gÃ¶re sosyal medyada geÃ§irilen sÃ¼re ile hedonik tÃ¼ketim davranÄ±ÅŸÄ± arasÄ±nda pozitif yÃ¶nlÃ¼ bir iliÅŸki olduÄŸu, sosyal medyanÄ±n hedonik tÃ¼ketim davranÄ±ÅŸlarÄ± Ã¼zerinde etkisinin olduÄŸu gÃ¶rÃ¼lmÃ¼ÅŸtÃ¼r.

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Takıcak, Müjdat. "Constructivist Approach in Ottoman Mathematics Education: Salih Zeki." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 1 (February 5, 2021): 378–423. http://dx.doi.org/10.17762/turcomat.v12i1.281.

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In this study, it is aimed to determine whether the mathematics education approach of Salih Zeki, one of the late Ottoman mathematicians, has a constructivist character. For this purpose, 6 geometry textbooks written by Salih Zeki at middle school level were examined. Document analysis method was used in the research. In order to determine whether the textbooks have a constructivist character, 11 criteria have been determined and books have been analyzed based on these criteria. According to the results obtained, 6 geometry textbooks written by Salih Zeki have a constructivist character.

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Arslan, Umut Tümay. "Sublime yet ridiculous: Turkishness and the cinematic image of Zeki Müren." New Perspectives on Turkey 45 (2011): 185–213. http://dx.doi.org/10.1017/s0896634600001357.

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AbstractThis paper scrutinizes anxieties of national identity in Turkey through the image of Zeki Müren in three films, Beklenen Şarkı, Kırık Plak, and Son Beste. In these films the image of Zeki Müren is articulated as the ridiculous sublime. His image always tells two stories simultaneously: construction and collapse of national identity. Through an analysis of Müren's early films, the paper shows, how anxieties about the formation of Turkish citizenship and about modernity are substantiated in his image. This analysis is carried out in the following steps: I, first, explain how the films chosen here construct the feeling of we-ness and national imaginary by virtue of Classical Turkish music and the voice of Zeki Müren. I show that the image of Zeki Müren in these films tells the story of the national subject being interpellated or hailed by Turkishness and argue that Zeki Müren's image exposes the “speculary” structure of Turkishness. Examining the construction, completeness, and integrity of Turkish national identity the paper continues to explore its collapse, incompleteness, and disintegration–that is, the dimension of “beyond interpellation.” Put differently, I analyze how the feeling of we-ness collapses and explore the pleasure and torment produced through the relationship between social power and the subject. With the help of these two axes of exploration, I show how the torment as well as the pleasure of subjection, the desire to be recognized as well as the fear of not being recognized is the text of Zeki Müren's image in these films.

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Ersoy Cak, Seyma. "In the light of postmodern indicators Zeki Müren’s musical careerPostmodern göstergelerin ışığıda Zeki Müren’in müzikal yaşamı." International Journal of Human Sciences 12, no. 2 (October 21, 2015): 950. http://dx.doi.org/10.14687/ijhs.v12i2.3214.

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There has been important differences in gender structure, musical and socio-cultural structure in shifting from Ottoman period towards republican years with the effect of modernization. While heterosexual gender structure is strengthened with Turkish modernization, existence of both female and made soloist caused people of third gender to be forgotten both in the sense of voice and as appearance. People of third gender, forgotten due to modern life were recalled by the ‘nostalgic’ connotations of postmodernism. Zeki Müren was considered through postmodern case due to his sociological characteristic and analyzed as a postmodern subject. The study is based on the life of Zeki Müren during 1931-1996 and findings which evaluate his art and stage life as the actor of Post-republican modernization movements in Turkey and process of social and musical change and indicator intersexual postmodern compounds. Zeki Müren is an important example in tradition to become popular with his pioneering behaviors in performance stage and show elements through mass media in 1950-80 during transformation of Turkish maqam music. Zeki Müren who combines tradition with contemporary succeeded in being a phenomenon with his eclectic performance set up in his repertory, costume and stage exercises. Gender readings in which Zeki Müren is related with köçek and tavşan which are the figures of Ottoman period entertainment life characterize the postmodern case. When the artistic life of Zeki Müren – as the subject of postmodern case- is analyzed, the element of difference comes into prominence generally. His movies, gender discourses, media relations can be regarded over the concept of irony. His appearance/image being androgenous, his gender being ambiguous, his pluralist representation with soloist, composer, film actor, poet, designer sides and homosexual identity, his eclectic structure with his repertory and costumes were related with postmodern status. Historical period evaluated in the study in which qualitative methods are applied were regarded in two main sections in artistic life of Müren, being periods of 1950-60 and 1970-80. In this sense, postmodern concepts and gender theories were referred within Zeki Müren biography prepared by using historical methodology, his stage life, costumes, repertory and movies and recounted on musical and socio-cultural basis of Turkey. Apart from written (literature study, periodical and newspaper surveys), visual (photographs which have media coverage and found in Zeki Müren Museum) and audio (published records and CD) resource inspections; interviews and repertory detections were also made in the study. ÖzetOsmanlı döneminden cumhuriyet yıllarına geçişte, modernleşmenin etkileri ile toplumsal cinsiyet kurgularında, müzikal ve sosyo-kültürel yapıda oldukça önemli farklılıklar söz konusu olmuştur. Heteroseksüel cinsiyet yapısının Türkiye modernleşmesi ile kuvvetlendirildiği yıllarda, müzikal anlamda erkek ve kadın solistlerin mevcudiyeti ara-cinslerin gerek ses, gerekse görünüm anlamında unutulmasını sağlamıştır. Modern dünya ile unutulan ara-cinsler postmodernizmin ‘nostaljik’ çağrışımları ile geri gelmiştir. Zeki Müren, sosyolojik niteliği sebebi ile postmodern durum üzerinden ele alınmış ve postmodern bir özne olarak incelenmiştir. Araştırmanın içeriği, Türkiye’de Cumhuriyet sonrası modernleşme hareketleri ile toplumsal ve müzikal değişim sürecinin aktörü ve cinsiyetler arası postmodern bileşimlerin bir göstergesi olarak Müren’in sanat ve sahne yaşamını değerlendiren bulgulara dayanmaktadır. Zeki Müren, Türk makam müziğinin dönüştüğü 1950-80 yılları arasında kitle iletişim araçlarının vasıtasıyla icra, sahne ve şov unsurlarına getirdiği öncü tavır ile geleneğin popülerleşmesinde önemli bir örnek teşkil etmektedir. Gelenek ile günceli birleştiren Zeki Müren, repertuar, kostüm ve sahne çalışmalarında kurguladığı eklektik gösteri tavrı ile fenomen olmayı başarmıştır. Zeki Müren’in, Osmanlı dönemi eğlence yaşamının figürleri köçek ve tavşan ile ilişkilendirildiği cinsiyet okumaları da postmodern durumu nitelemektedir.Postmodern durumun öznesi olarak Zeki Müren’in sanat yaşamı incelendiğinde genel anlamda farklılık unsuru ön plana çıkmaktadır. Sinema filmleri, cinsiyet söylemleri, medya ilişkileri ironi kavramı üzerinden ele alınabilmektedir. Görünüm/imajının androjen olması, cinsiyetinin belirsizliği, solist, besteci, film aktörü, şair, desinatör gibi yönleri ve homoseksüel kimliği ile çoğulluk temsiliyeti, repertuar ve kostümleri ile eklektik yapısı postmodern durum ile ilişkilendirilmiştir. Tarihsel metodolojilerden yararlanılarak hazırlanan Zeki Müren biyografisi, sahne yaşamı, kostümleri, repertuarı ve filmleri dahilinde postmodern kavramlara ve toplumsal cinsiyet teorilerine atıfta bulunularak, Türkiye’nin müzikal ve sosyo-kültürel yapısı tabanında anlatılmıştır. Çalışmada yazılı (literatür çalışması, dönemsel süreli yayın ve gazete taraması), görsel (basında yer alan ve Zeki Müren Müzesi fotoğrafları) ve işitsel (yayınlanmış plak ve CD) kaynak incelemelerinin yanı sıra derinlemesine görüşmeler ve repertuar tespitleri yapılmıştır.

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Karabacak, Esra. "Cyprus in Turkish Poetry İbrahim Zeki Burdurlu and Arif Nihat Asya the Impact of Cyprus." SHS Web of Conferences 66 (2019): 01030. http://dx.doi.org/10.1051/shsconf/20196601030.

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Ibrahim Zeki Burdurlu and Arif Nihat Asya, who worked as teachers in Cyprus, expressed their impressions of Cyprus and shared the problems faced by the Turkish Cypriots. Ibrahim Zeki Burdurlu has a very soft expression. When history and Cyprus come together, the values of a literature teacher extending from Namık Kemal to Gazi Kemal are expressed. Arif Nihat Asya was a teacher in Cyprus and wrote poems similar to that of İbrahim Zeki Burdurlu. Probably the indifference of the measure and the occasional immeasurability, which are among the elements of Burdurlu's poetry, have aroused influence in Turkish Cypriot poetry. In the meantime, although the understanding of populist poetry nurtured the understanding of easy-to-write poetry, it was effective in Burdurlu's poems. In this study, Cyprus, Ibrahim Zeki Burdurlu and Arif Nihat Asya's poems in post-Republic Turkish poetry will be examined comparatively with example poems by completing them especially in terms of using language. [1–4].

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Lopez Jaramillo, Oscar, Rhian Stotts, Scott Kelley, and Michael Kuby. "Content Analysis of Interviews with Hydrogen Fuel Cell Vehicle Drivers in Los Angeles." Transportation Research Record: Journal of the Transportation Research Board 2673, no. 9 (May 8, 2019): 377–88. http://dx.doi.org/10.1177/0361198119845355.

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Hydrogen fuel cell vehicles (HFCVs) are zero-emission vehicles (ZEVs) and their widespread adoption may help to mitigate some of the issues arising from fossil-fuel usage in the transportation sector. Only in recent years have these vehicles become available for purchase or lease in the United States, and only within the State of California. In 2018, nearly 5,500 HFCVs had been sold or leased in California, supported by a developing refueling infrastructure there. This population represents a unique opportunity, as previous studies on HFCV adoption have largely employed hypothetical stated preference surveys distributed to likely adopters. Seeking to investigate the real experiences of actual adopters from their own perspectives, semi-structured interviews were conducted with 12 early adopters of HFCVs in the Los Angeles metropolitan area. Thematic content analysis of these interviews was conducted to identify the prevalence of factors deductively derived from published literature. All respondents considered lifetime cost of vehicle ownership, engaged in comparison shopping, and assessed the adequacy of the refueling infrastructure by various geographical criteria. Environmental concerns motivated many respondents to pursue HFCV adoption, though only if it made financial sense. Respondents chose HFCVs over battery electric vehicles after consideration of range, refueling time, and cost. Early HFCV adopters consistently cast their adoption of the technology as a contribution to a diverse ZEV marketplace. Strategies for the promotion of HFCV technology must account for this range of variation in early-adopter motivations, concerns, and behaviors which might complicate targeted HFCV promotion strategies.

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Nonnis, David, and Carlo Pavolini. "Epigrafi in contesto: il caso di Ostia - M. CÉBEILLAC GERVASONI, M. L. CALDELLI e F. ZEVI, EPIGRAFIA LATINA. OSTIA: CENTO ISCRIZIONI IN CONTESTO (Edizioni Quasar, Roma 2010). Pp. 324, figs. 100. ISBN 978-88-7140-443-1. EUR 28." Journal of Roman Archaeology 26 (2013): 575–88. http://dx.doi.org/10.1017/s1047759413000445.

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Yao, G. D., and C. L. Kuo. "A method of quantitative phase analysis using reference samples with absent phases." Powder Diffraction 8, no. 1 (March 1993): 25–28. http://dx.doi.org/10.1017/s0885715600017693.

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X-ray diffraction quantitative phase analysis is a technique widely used in materials science and engineering research. The method proposed by Zevin [L. S. Zevin, J. Appl. Cryst. 10, 147 (1977)] has proven very useful in practice because standards or pure crystalline phases are not needed, but, Zevin only described the case ofnsamples, each of which contain different concentrations of the samenphases. An extension of this method, in which the reference samples could contain less phases than the analyzed sample is proposed in this paper. The absence of phases in reference samples is not arbitrary but depends on certain conditions. The conditions required to solve the equations are discussed in detail using the concepts of the set theory, and the results of confirmation experiments agree well with the theory.

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Mugnai, Niccolò. "MIREILLE CÉBEILLAC-GERVASONI, NICOLAS LAUBRY and FAUSTO ZEVI (EDS), RICERCHE SU OSTIA E IL SUO TERRITORIO. ATTI DEL TERZO SEMINARIO OSTIENSE (Collection de l’École française de Rome 553). Rome: École française de Rome, 2019. Pp. 412, illus. isbn 9782728313327. €69.00." Journal of Roman Studies 110 (March 4, 2020): 254–56. http://dx.doi.org/10.1017/s0075435820000465.

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KELEŞ, Ali. "Bidemat - Zeki Öğretim Sistemi." Journal of Turkish Studies 12, Volume 12 Issue 6 (January 1, 2017): 547–64. http://dx.doi.org/10.7827/turkishstudies.11547.

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Duin, Renzo S. "The Wrath of Zemi." Journal of Skyscape Archaeology 4, no. 1 (August 3, 2018): 82–104. http://dx.doi.org/10.1558/jsa.33650.

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Drawing on more than twenty years of research and long-term in-depth field experience in the Neotropics, this article argues for an indigenous methodology for predicting the arrival of hurricanes in the Caribbean. The archaeological site under study is Anse à la Gourde on Guadeloupe (French West Indies), here discussed in conjunction with a theoretical underpinning in Indigenous Amazonian cosmologies and ethnoastronomy. The conceptualisation for this study goes back to an experience that the author had during archaeological field school in 1995, and it is through a paradigm-shifting "dwelling perspective" that the author has been able to make sense of his original perceptions. During the further development of this innovative hypothesis on hurricane prediction by the Indigenous Peoples of the Caribbean prior to the arrival of Christopher Columbus emerged an alternative hypothesis for a momentous dividing moment in Caribbean archaeology, namely the end of the Saladoid around AD 800.

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Venâncio, S. A., T. F. Gutierres, B. J. M. Sarruf, and P. E. V. Miranda. "Oxidação direta do etanol no anodo de PaCOS." Matéria (Rio de Janeiro) 13, no. 3 (September 2008): 560–68. http://dx.doi.org/10.1590/s1517-70762008000300015.

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Neste estudo, foram desenvolvidos eletrodos eletrocatalisadores, a base de céria e Cu, para a oxidação direta de etanol em pilhas a combustível de óxido sólido (PaCOS). Um método alternativo, desenvolvido por Gortes et al [1], foi aplicado para a produção do composto Cu-CeO2-ZEI (zircônia estabilizada com 8% mol de ítria). Inicialmente, foi preparado um suporte poroso de ZEI, a partir de uma suspensão cerâmica contendo pó de ZEI, amido de milho e dispersante aplicada por serigrafia sobre uma das faces do eletrólito denso de ZEI, sendo, posteriormente, calcinada para eliminação dos compostos voláteis e em seguida sinterizada. Na outra face do eletrólito, foi aplicado o catodo multifuncional constituído de um material compósito de La0,8Sr0,2MnO3+δ/ Zr2O3-Y2O3, sendo a primeira camada constituída por um filme de catodo funcional de LSM/ZEI (50/50% em massa) e a segunda, de catodo de LSM puro (La0.8Sr0.2MnO3). Sobre o suporte poroso de ZEI, foram realizadas sucessivas impregnações com solução aquosa de nitrato de céria. Em seguida, da mesma maneira, foram realizadas impregnações com solução aquosa de nitrato de cobre, até obter a concentração desejada, em peso, para cada elemento. O suporte poroso foi caracterizado quanto à microestrutura por microscopia eletrônica de varredura, através da análise de superfície e de fratura, onde foi observada a estrutura porosa formada com o uso das partículas de amido. A quantidade, a morfologia e a distribuição espacial dos elementos foram analisadas por espectroscopia de dispersão de energia (EDS), com mapeamento, mostrando a concentração de Céria, Cobre e ZEI em todo o volume do anodo. A adequação ao uso dos combustíveis etanol e hidrogênio na pilha La0,8Sr0,2MnO/ZEI/Cu-CeO2-ZEI foi analisada através do desempenho eletroquímico quanto ao potencial, em circuito aberto, a densidade de corrente e a densidade de potência.

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Balistreri, Alexander E. "Turkey’s Forgotten Political Opposition: The Demise of Kadirbeyoğlu Zeki Bey, 1919–1927." Die Welt des Islams 55, no. 2 (September 1, 2015): 141–85. http://dx.doi.org/10.1163/15700607-00552p01.

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This article encourages a reevaluation of the role of Anatolian Muslim merchants and notability in the Turkish nationalist movement after World War I. It offers the political career of Gümüşhane merchant Kadirbeyoğlu Zeki Bey (1884–1952) as one step toward such a reevaluation. Zeki is known to historians of Turkey for his seemingly unusual opposition: For a time, he was the only independent member of parliament under the Turkish single-party regime. Zeki was also one of the few outspoken opponents in parliament of abolishing the caliphate. But an examination of the reasons for Zeki’s persistent opposition shows that his background and platform were far from unique. This article first pinpoints the origins of Zeki’s political mobilization in the polarized environment of post-World-War-I Anatolia and explains his initial success in the Turkish nationalist movement. It then charts Zeki’s step-by-step alienation from this movement, from the Erzurum Congress to the last Ottoman parliament. Finally, it details Zeki’s “last hurrah”, the second Turkish parliament, where he championed causes dear to Anatolian Muslim merchants and notability: economic liberalism, social conservatism, civilian rule, and anti-authoritarianism. Zeki owed his initial success to his partisan neutrality and ties to the Ottoman social system, but the quickly changing dynamics of the Turkish nationalist movement soon made his opposition, and that of nationalists with a similar background, untenable.

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Journal articles on the topic 'Zevi'

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