Academic literature on the topic 'Zhang Guangquan le she'
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Journal articles on the topic "Zhang Guangquan le she"
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Grant, Beata. "Thirty Years of Dream-Wandering: Zhang Ruzhao (1900-1969) and the Making of a Buddhist Laywoman." Nan Nü 19, no. 1 (August 4, 2017): 28–63. http://dx.doi.org/10.1163/15685268-00191p02.
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Zhang Ruzhao (1900-69), also known as Zhang Shenghui, was ordained as a Buddhist nun, with the title Tiantai Master Benkong. In early life, Zhang established a reputation as a poet, and was actively engaged in many of the political and feminist movements of the 1920s. Disillusioned both politically and personally, she turned to Buddhism and reinvented herself as China’s premier female lay Buddhist scholar, writer and educator during the 1930s and 40s. From 1949, she took ordination as a Buddhist nun and was officially designated a lineage holder in the Tiantai lineage. She was persecuted severely during the early years of Cultural Revolution, and died in 1969. This study offers a historical overview of the life of this relatively unstudied twentieth-century Buddhist woman, with a special focus on a selection of autobiographical writings published in the early 1930s in which Zhang reflects, in both poetry and prose, on her first three decades of personal and emotional turmoil, and how they contributed to her decision to dedicate the second half of her life to the practice and propagation of Buddhism.
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Rubets, Maria Vladimirovna. "Zhang Dongsun`s epistemological theory." Orientalistica 4, no. 3 (October 12, 2021): 704–19. http://dx.doi.org/10.31696/2618-7043-2021-4-3-704-719.
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The article is a study on Zhang Dongsun’s “theory of epistemological pluralism” based on his book called “The Theory of Knowledge” (认识论). Zhang Dongsun was one of the first Chinese philosophers of the 20th century to create a holistic epistemological theory, and also one of the first intercultural philosophers. In the Russian scholarly literature, Zhang Dongsun’s “theory of epistemological pluralism” is under-researched. The article aims to give a detailed account of the epistemological theory of Zhang Dongsun as comes from his book “The Theory of Knowledge”. The article, which uses comparative and systematic approaches is also supported by a significant number of specialist works written both by Russian and foreign scholars. The author outlines the Zhang Dongsun theory regarding epistemological pluralism and his views on cosmology and the evolution theory. Equally, she presents the Zhang Dongsun views on the impact of culture on the phenomenon of knowledge. The author also considers the Western philosophical categories, which could have influenced the formation of Zhang Dongsun’s theory of epistemological pluralism.
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Moshchenko, Irina A. "The concept of “love” in the early works of Zhang Ailing (张爱玲 1920–1995)." Philological Sciences. Scientific Essays of Higher Education, no. 3 (May 2021): 59–67. http://dx.doi.org/10.20339/phs.3-21.059.
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This article presents a study designed to analyse the concept of love in the early work of chinese writer Zhang Ailing. The research reveals conceptual binary oppositions which are formed arround the core of the concept of love that is: ai (爱), qing (情) and lian (恋). The oppositions are the following: absurdity — conciseness; frivolous / pretense — serious / sincerity; material — spiritual / sacred; isolation — openness; selfishness — generosity; cowardice — courage; overseas — traditional. This ambiguity of the concept is the key to understanding how early works of Zhang Ailing differs from the previous literature tradition, which understands love as а supreme good. The research shows the transformation of the concept of love in the early work of Zhang Ailing. The writer confronts the tradition, she tries to destroy the romantic-sentimental attitude to love that was formed in Chinese literature in the first decades of the twentieth century. Breaking with the conventional image of “love above all” (恋爱之上), Zhang Ailing begins to build up her own world of love. She starts from the denying of romantic love and attachment, and only then tries to fit love into the social structure, to turn ordinary love into a social value equal to success in work, financial well-being, etc.
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Agenosov, Vladimir V. "Chinese associates of Y. Zamyatin: Zhang Tianyi and Lao She." Neophilology, no. 4 (2022): 759–71. http://dx.doi.org/10.20310/2587-6953-2022-8-4-759-771.
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We explore the dystopian novels of the 1930s by Chinese novelists Zhang Tianyi “Ghostland Diary” (1931) and Lao She “Cat Country” (1932). We give brief information about the specifics of the work of Chinese writers who are not known to a wide range of modern domestic readers and literary critics. We reveal the typological proximity of these works to the dystopian novel by Y.I. Zamyatin “We”. We identify the literary predecessors of the analyzed novels, the connection with the works of Russian, Chinese, and world literature. We note the role of criticism in the fate of authors and their creations. We designate traditional and innovative genre and style features of books. We analyze in detail the plot-compositional structure, figurative system, and ideological content of the novels. We consider an ironic description of various spheres of life: the party system, elections, the education system, wars, and the creative activity of decadent poets. The features of narration associated with the artistic functions of narrators are studied in detail. The synthetic nature of the novels, combining elements of several literary genres, is noted. We reveal that the form of hyperbolic generalization of modern realities, elements of satire and irony in the depiction of society gave the works a timeless and extraspatial character, taking them beyond the limits of Chinese reality. We form an idea of the genre-typological community of Zhang Tianyi and Lao She’s warning novels, exposing myths about the ideal society of the 20th century.
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Wang, Wenrong. "The Transformation of Chinese Women’s Identity in Hollywood Films—The Role of Zhang Ziyi as an Example." Art and Society 2, no. 1 (February 2023): 1–6. http://dx.doi.org/10.56397/as.2023.02.01.
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This article examines and compares Zhang Ziyi’s star identity and image in China and the West by using several films in which she acted that enjoyed fame on the international stage, such as Crouching Tiger, Hidden Dragon and Memoirs of a Geisha, as case studies. The evolution of her Asian female identity in American cinema is further analyzed by combing through her career development in Hollywood. At the same time, it is useful to describe her as a symbol of the Asian consumer market by examining how her cosmopolitan identity, described as a “modern woman”, is represented in advertisements or magazines for brands she represents. This paper seeks to reveal the development of Chinese female identity as revealed by the character of Zhang in Hollywood films. It finds that Zhang has shaped the Western perception of Chinese female immigrants with her outstanding performance through comparing her perceptions in the West and China. Moreover, her remarkable influence and identity symbol promote the localization of overseas brands in Asian markets.
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Lambert, Thomas E. "Short-Term Versus Long-Term Effects of the Louisville Enterprise Zone Incentives: A Response to Sumei Zhang." Economic Development Quarterly 34, no. 3 (June 6, 2020): 294–98. http://dx.doi.org/10.1177/0891242420929422.
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Zhang wrote that the Louisville enterprise zone (EZ) was more successful than what previous research showed and that variations in research design have led to conflicting or mixed reviews of many local economic development policies that are based on the EZ concept. She mentions a study and an article on the Louisville, Kentucky EZ and implies the time horizon used to evaluate it was too short. This Forum/Letter to the Editor points out that the Louisville EZ went through multiple transformations and expansions over its history from 1983 to 2003, and as noted in the first of two studies, the original zone showed virtually no progress from 1983 to 1990. Several other unpublished papers pointed out the same results when the original EZ and other parts of the expanded EZ were analyzed up to the last years of the 20th century. Finally, this Forum/Letter to the Editor argues that and provides reasons for the methodology employed by Lambert and Coomes as a superior way of analyzing the Louisville EZ when compared with the methods employed by Zhang. The main reason why Zhang showed success in the EZ is because she mostly evaluates it in its final form in the late 1990s after it had annexed many sections of Jefferson County, which were not as nearly economically disadvantaged as the original Louisville EZ established in 1983.
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Chang, Eileen. "Chinese Translation: A Vehicle of Cultural Influence." PMLA/Publications of the Modern Language Association of America 130, no. 2 (March 2015): 488–99. http://dx.doi.org/10.1632/pmla.2015.130.2.488.
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Translation played a central role in the life of Eileen Chang (Zhang Ailing, 1920-95). One of the most iconic figures in twentieth-century Chinese literature, Chang also wrote extensively in English throughout her career, which began in the early 1940s in Japanese-occupied Shanghai. She achieved fame quickly but fell into obscurity after the war ended in 1945. Chang stayed in Shanghai through the 1949 Communist revolution and in 1952 moved to Hong Kong, where she worked as a freelance translator and writer for the United States Information Service and wrote two anti-Communist novels in English and Chinese, The Rice-Sprout Song (1955) and Naked Earth (1956).
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Zhang, Ying. "Religion and Prison Art in Ming China (1368–1644)." Brill Research Perspectives in Religion and the Arts 3, no. 3 (April 23, 2020): 1–102. http://dx.doi.org/10.1163/24688878-12340009.
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Abstract Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368–1644), Ying Zhang introduces a few important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultural and economic accomplishments in the increasingly globalized early modern world. For scholars of Chinese religion and art, this era crystallizes the essential and enduring characteristics in these two spheres. Drawing on scholarship on Chinese philosophy, religion, aesthetics, poetry, music, and visual and material culture, Zhang illustrates how the prisoners understood their environment as creative and engaged it creatively. She then offers a literature survey on the characteristics of premodern Chinese religion and art that helps situate the questions of “creative environment” and “creative subject” within multiple fields of scholarship.
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SHEN, David Ta-Chun. "PF Merger would Do, too: A Reply to Zhang (1997)." Acta Linguistica Asiatica 1, no. 2 (October 20, 2011): 9–24. http://dx.doi.org/10.4312/ala.1.2.9-24.
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The analysis for the phenomenon that prepositions may or may not undergo the third tone sandhi in Mandarin in Zhang (1997) is reviewed. She considers that this phenomenon is short of sound coverage and couches her analysis in the framework of Optimality Theory (OT). However, upon scrutiny, Zhang’s analysis invites unnecessary questions. The postulation of two “constituent strength” constraints is with no foundation. It is difficult to grab the idea behind the constituent-strength concept even till now. Related to the concept, the non-specification of a prepositional phrase is not clear. Instead, the syntactic feature manifestation could mark a preposition’s uniqueness. In addition, the misuse of the Generalized Alignment and stipulations toward the evaluations in OT are spotted, too. My synthetic approach, based on the extant and developing knowledge about constituency, PF merger, and Shih’s (1997) foot formation, shows that for this phenomenon, no new device is needed.
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Yetty, Yetty, and Rosemary Rosemary. "Analysis Zhang Ailing’s Novel (Red Rose And White Rose) Image Of The Characters And Story Plot." Lingua Cultura 5, no. 1 (May 31, 2011): 47. http://dx.doi.org/10.21512/lc.v5i1.374.
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Zhang Ailing is a heterogeneous novel writer in China literature’s history. Almost of her life, she already wrote so many literature’s works. One of her famous novel is (Red Rose and White Rose). The story is describe the image of main figure’s character and his emotional. Writer wants use the characterization, complexity of personality and story plot these three aspect to analysis the novel’s figure looks, figure character and the story. This novel story is a complication relationship between the man and two women, red roses as her lover and white rose as her wife. About a man that in his standard life and emotional condition occur some contradiction. Writer use reference material and theory of novel writing to analysis Zhang Ailing (Red Rose and White Rose)‘s novel. The result of this analisys are the most important part in novel’s story is not only about the story plot but also the describtion of figure looks and characterization. Zhang Ailing in (Red rose and white rose) descbribtion is very spesific, the story become so interesting because of the Complementary of the figure looks, figure characterization and story plot, embraced each other, fully reflects the fictional reality of compromise and frustration.
Dissertations / Theses on the topic "Zhang Guangquan le she"
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YuBo, Lin, and 林裕柏. "The Research on Sub-contract relation ship - based on the example of socks manufactures in Zhang Hua She Tou." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/61046440991606830399.
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Hsueh, Yu-Chuan, and 薛玉娟. "He/She from the Sea: Images of Taiwanese Living in Shanghai Reflected in Zhang Yuan''s Works." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/27656957814381824901.
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碩士國立中興大學
台灣文學與跨國文化研究所
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The large population of Taiwanese living in Shanghai can be regarded as a special group of contemporary Taiwanese society. Most previous investigations on this group have focused on the aspects of political science, sociology and economics. This study deals with the perspective of literature, exploring the images of Taiwanese in Shanghai represented in Zhang Yuan’s novels, “To Cross the Border” and “It Takes Two to Tango”. After introducing the scope of this study in the first chapter, we discuss the historical background of Taiwanese moving westward to China, their work and life patterns, and also their family and marital relationships in the second chapter. The third chapter contains discussions on the relationships of competition and cooperation between Taiwanese and Chinese, by showing how Taiwanese try to interact with the local Chinese communities in Shanghai. The fourth chapter discusses the consciousness of homeland of a particular group of Taiwanese, who currently live in Shanghai but once studied in the US, as well as their conflicts and the process of adaptation under multi-cultural impacts. In the last chapter, I discuss the identity imagination within Taiwanese/Chinese groups respectively, and the identity and ethnic imagination between the two groups. In the moment of China’s rising, these Taiwanese in Shanghai, living in the cracks of the work and family and between Taiwan and China, constantly try to find their way of comfortable living. How to define their own position and how to observe and interact with the Chinese group can be a common lesson for Taiwanese in the future. Zhang Yuan’s novels about Taiwanese in Shanghai may be regarded as an extension of Shanghai writings appearing in contemporary Taiwanese literature, which help to make this special group of Taiwanese understood and remembered.
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Weng, hung-lin, and 翁宏霖. "Zhang Pu (1602-1641), the leader of Fu She in the late of Ming Dynasty and his thought of the governance." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/68069217239061861019.
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碩士國立成功大學
歷史學系碩博士班
94
Summary Although the late of Ming Dynasty is a time that the political situation is pressed from all sides, it is also the writers positively to form associations and discuss politics. In all of literary associations, the members of “ Fu She“ are the most, and make the influence deeply, but recently in the academic community, “ Fu She“ can still regard for the Dong Lin Tang's category. And they discuss it with subjective opinions by themselves so that creates“ Fu She“ can’t be separated from Dong Lin Tang. Because that, this article decided to study Jhang Pu’s the affiliation by discusses Jhang Pu's life story, the society influence and the thought of the governance, Then we can understand his contribution about the influence “ Fu She“ and the society, organizational structure of this club, and special value of the society. In the middle period of Ming Dynasty, the industry and commerce and the culture and education are blooming, so it cause the competition of the imperial examination is the worse and worse t day by day. For making a name for oneself, the literators unite other people to organize into the literary associations so they can learn each other, imitate and compose article. Duty this, Zhang Pu put the literary style idea in Suzhou like "value classics " and " restores the old” etc, follow out the management of the club and make the momentum to the top. However, Zhang Pu, a school successful candidate in the highest imperial examinations, was ever got instruction from Xu Kuangchi, but he fully suffered the attack by Wun Tiren and the emperor doubted him to form cliques until he died. As to Zhang Pu how to establish exalted position, this is a business with interior organizational structure. The Fu She becomes new literary association of the central committee directly because it is not the combination of literary associations. But is uniting many literary associations expands the participation of the imperial examination on business. Every literary association use “Fu She” together, but still held the originally the name and operation in each place. Then, every association was non-interference and Zhang Pu can just coordinated business all associations. Because “Fu She” has the explicit objective, the members’ list and special organization; it was different from not only with " Dong Lin Tang's " but also caused he can own the huge influence. Because every association is non- non-interference, Zhang Pu has the strict intelligence and the right to direct all literary associations, so as to achieve the expansion of the organization and the increase of admitting population of the imperial examination. This is also why Zhang Pu can affect the reason of the state affair by his status. In the aspect of Zhang Pu’s thought of the governance, various history events of the dynasties and the Confucian classics righteousness principles are the foundation to reform the social malpractice and to obtain the ancient knowledge. In addition Xu Kuangchi inspired Zhang Pu - "the word time may use" the idea", that gradually appear in the livelihood of the people economy, the disposition of the armament, the reformation of the literary style and the availability of the talented so on. As the thought of Zhang Pu’s governance focused on the current situation development, and avoiding resilience so it caused his idea not to be able gradually to carry out. Even though it is far from Huang Tsunghsi’s ideal and actually is unable effectively to carry out the reform idea the situation. But, because of Zhang Pu’s death, and his teacher and friend, Zhou Yan-Xu and Zhou Zhong’s illegal behavior, even recently in the academic community, “ Fu She“ can still regard for the Dong Lin Tang's category, so that Zhang Pu can bolt out of the strife of Dong Lin Tang and his ideal is lost by the time.
Books on the topic "Zhang Guangquan le she"
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cheng, Zheng gong. She hui bao zhang xue. Bei jing: Zhong yang guang bo dian shi ta xue chu ban she, 2004.
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Shujun, Han, ed. Zhongguo she hui bao zhang. Zhengzhou Shi: Henan ren min chu ban she, 2002.
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She hui bao zhang xue. 2nd ed. Ta lian: Dong bei cai jing ta xue chu ban she, 2015.
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ping, Tian cheng. She hui bao zhang zhi du jian she. Bei jing: Ren min chu ban she, 2006.
Find full textBook chapters on the topic "Zhang Guangquan le she"
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Zhang, Maggie. "Maggie Zhang." In Women Community Leaders and Their Impact as Global Changemakers, 275–79. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-2490-2.ch046.
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Having a chauvinist father who favored boys over girls, Maggie Zhang had chose not to obey the typical rules and life paths that set up by her father. Holding strong belief in women's strength and potential, she did not follow the stereotypical expectations set by society and others. In this chapter, Maggie shared personal stories over her ten-year journey improving women's empowerment initiatives in China, how she witnessed the rise of “she power” and “she economy” phenomenon, and how she eventually reconciled with her father, who then became one of her biggest supporters for women's empowerment.
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"Case study: The work of Zhang Peili and the Pond Association (Chi she)." In Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili. Bloomsbury Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350042001.0010.
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"42. She Is a True Student of China: On Reading Zhang Ailing on Reading." In The Columbia Sourcebook of Literary Taiwan, 254–55. Columbia University Press, 2014. http://dx.doi.org/10.7312/chan16576-098.
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Lau, Dorothy Wai Sim. "YouTubing Zhang Ziyi: Chinese female stardom in fan videos on video-sharing sites." In Chinese Stardom in Participatory Cyberculture, 107–29. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430333.003.0005.
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This chapter probes the celebrity image of Zhang Ziyi on YouTube, of which users negotiate her debatable appeal, as situated in the politics of cultural nationalism, by sharing and commenting on Zhang’s notoriety on the Web. This chapter outlines the trajectory of Zhang’s star-making: her international fame began with her performance in the martial arts epic Crouching Tiger, Hidden Dragon (2000); her English-speaking flair and her amourous encounters become a point of fan attention as she grows internationally well-known; she spoke broken English in front of press and public; her public personality is dogged by a series of quasi-sex scandals. This chapter, then, explains how these episodes give rise to viewers’ collective sympathy and antipathy of the star’s nationalistic presence. This chapter also postulates that Zhang’s hard work of improving her English, nevertheless, proves her upward mobility in global stardom. Taken together, the YouTube videos entail complexity of the star presence in ethnic, national and linguistic terms in the global visual circuit.
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Chen, Yuan-tsung. "Outside the Great Wall, by the Blue Danube." In The Secret Listener, 80–102. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197573341.003.0008.
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To advance her career, Yuan-tsung was obliged to demonstrate her loyalty to the Party by doing whatever it wanted her to do, and so in late 1950, she went to do land reform work in a poverty-stricken farming village, known as Dragon’s Village, outside the Great Wall in northwestern Gansu Province. Six months later, she returned to Beijing, and at a weekend party, an old Nankai schoolmate, Dora Zhang, introduced her to Jack Chen, an overseas Chinese who, along with his father, had been an early supporter of the Communists. At the party, they waltzed to the music of the “Blue Danube.” She was not as impressed by Chen’s political pedigree as by his library, which included banned works by writers like Marcel Proust and D. H. Lawrence. They talked about these “decadent writers” and fell in love.
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Pesaro, Nicoletta. "Another Type of ‘Old Tales Retold’." In Translating Wor(l)ds. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-311-3/005.
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This papers deals with Zhang Ailing’s (1920-1995) posthumous novel, Xiao tuanyuan 小团圆 (Little Reunions), written in the ’70s of the last century but completed just before her death, finally published only in 2009, which is an example of the continuous manipulation of the same narrative materials used in previous works, and re-presented here through a politics of self-translation and self-intertextuality. In translating this novel one is confronted with a complex “mosaic of quotations” as Kristeva says, and self-quotations, and is dragged into a forest of meanings derived from the juxtaposition of a variety of external ‘voices’ that mix up with the internal voice of the author. This Bachtinian or babelian quality of the novel, in other words its pluri- and interdiscursivity, challenges the translator, who is called not only to reconstruct the original sources of the allusions, but is also caught between the need of disambiguation and the respect of the intertextual connections implied by the text; he/she has also to cope with the deliberate narrative fragmentation adopted by Zhang.
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Pesaro, Nicoletta. "Xiao Hong: corpi in fuga." In Diaspore. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-238-3/006.
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Xiao Hong (1911-1942), original name Zhang Naiying, lived through the first half of the twentieth century, leaving behind the image of a socially engaged writer, sensitive to the issues connected to the people of her troubled homeland, in the North East of China. After an initial enthusiastic reception of her most representative novel, The Field of Life and Death (1935) in the literary arena, she was later neglected by Chinese critics, and excluded from the Maoist literary canon, as her fictional creatures and her works did not fit the optimistic spirit and the class consciousness requested to the intellectuals of the time. She was then re-discovered only in the 1980s, when both in China and the West her works have been re-read with a feminist or cultural studies approach. In this paper I explore the personal and literary forms of escape underpinning her figure and literary production. Exile, escape, uncertainty are the key words which can adequately describe Xiao Hong’s life and writing, in which, as Yan Haiping (2006, 136) states, one can find the sense of a ‘mobile violence’, due to her choices both as a woman (who revolted against her traditionally bound clan) and as a writer, who adopted a quite innovative, fragmented style combining personal memories and a crude and yet poetic realism. The literary practice which mainly expresses her constant escape from stereotypes, ignorance and conventional fetters is the representation of a dislocated female body subject to any kind of violence and humiliation: Xiao Hong’s ‘placeless bodies’ (Yan Haiping 2006, 146) are tangible marks of subjugation but also of resilience against a gendered destiny, which let her construct her literary and personal identity on a popular standpoint.
Conference papers on the topic "Zhang Guangquan le she"
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Agenosov, Vladimir Veniaminovich. "CHINESE ASSOCIATES OF E. ZAMYATIN: ZHANG TIAN-YI AND LAO SHE." In Дальневосточный фронтир. Исторический форум. Благовещенск: Амурский государственный университет, 2022. http://dx.doi.org/10.22250/9785934933990_272.
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