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Relevant bibliographies by topics / Zimbabwe Culture

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Journal articles

Academic literature on the topic 'Zimbabwe Culture'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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Journal articles on the topic "Zimbabwe Culture"

1

Mabuto, Kudzai, and Umali Saidi. "Locating the nihilistic culture within Zimdancehall in contemporary Zimbabwe." DANDE Journal of Social Sciences and Communication 2, no. 2 (2018): 57–74. http://dx.doi.org/10.15641/dande.v2i2.46.

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A fusion of the Caribbean, African American and Zimbabwean music genres into the infamous glocalized Zimdancehall music has dulled the significance of other traditionalist Zimbabwean music genres. Dancehall culture has caused much controversy in Zimbabwean society, being blamed for the country’s increase in crime, violence and believed to encourage misogynistic attitudes among Zimbabwean youths through its negative themes. Using appraisal and dramatism theories the article shows the existential crisis the youth in Zimbabwe face due to economic as well as other social forces and thus align them

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2

Bessant, Leslie, and Oyekan Owomoyela. "Culture and Customs of Zimbabwe." International Journal of African Historical Studies 36, no. 1 (2003): 159. http://dx.doi.org/10.2307/3559336.

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3

Saidi, Umali. "BaTonga Culture: A Rich Heritage." DANDE Journal of Social Sciences and Communication 2, no. 1 (2017): 45–60. http://dx.doi.org/10.15641/dande.v2i1.40.

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There is a tendency in which so called ‘developed’ ethnic groups, given their economic, political and social advantage placing them at the ‘center’, are the chanters of development even for the groups considered to be at the periphery. Ironically, in heritage terms, so called marginalized groups have had much of their heritage less contaminated by forces of modernity as has been the case with much of the BaTonga culture. This article explores the BaTonga culture and heritage as the Zimbabwean aquaculture from which its consumption, preservation and use can benefit other ethical groups in the c

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4

Huffman, Thomas N. "Ritual Space in the Zimbabwe Culture." Ethnoarchaeology 6, no. 1 (2014): 4–39. http://dx.doi.org/10.1179/1944289013z.0000000008.

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5

Zimuto, Jilson. "The impact of Facebook on Zimbabwean University students: Culture dilution or Pedagogical?" INTERNATIONAL JOURNAL OF MANAGEMENT & INFORMATION TECHNOLOGY 3, no. 3 (2013): 26–31. http://dx.doi.org/10.24297/ijmit.v3i3.1748.

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The study sought to establish consumer attitudes towards the effect of one Social Network Site (SNS), Facebook on culture dilution or pedagogical potential among university students. This has been necessitated by a plethora of unique social interactions in this era of technological affordances. Many SNSs are in use: Facebook, MySpace, Cyworld, Bebo, WhatsUp, LinkedIn, ChatOn, Opera Mini, Twitter and other new forms keep on emerging. However, of interest Facebook was used in this study because it is impacting the ways in which university students use the Internet. Technology has mediated commun

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6

Chigora, Farai, and Promise Zvavahera. "“Culture” a Panacea for Brand Survival: Feasibility Analysis of Zimbabwe Tourism Destination." Business and Management Horizons 3, no. 2 (2015): 45. http://dx.doi.org/10.5296/bmh.v3i2.8545.

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The study investigated culture as one the strategies that can be used to enhance survival of Zimbabwe tourism brand. This is because like other African tourism destinations, Zimbabwe is rich in unique traditional culture but failing to improve its global tourism brand identity. The study was based on a mixed methods research design combining both quantitative and qualitative approaches in collecting data from respondents. The qualitative method was used to find out the most crucial variables that contribute to culture identity in Zimbabwe tourism destination. This was done through in-depth int

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7

Maundeni, Zibani. "State culture and development in Botswana and Zimbabwe." Journal of Modern African Studies 40, no. 1 (2002): 105–32. http://dx.doi.org/10.1017/s0022278x01003834.

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This article makes two major claims. The first is that independent Botswana was able to generate and sustain a type of developmental state because of the presence of an indigenous initiator state culture that was preserved by the Protectorate state and was inherited by the post-colonial state elites. The second is that the non-emergence of the developmental state in post-colonial Zimbabwe is explained by the presence of a non-initiator indigenous state culture which was preserved by the Rhodesian colonial state and was inherited by the post-colonial state elites. The article briefly reviews th

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8

Chirikure, Shadreck, Munyaradzi Manyanga, A. Mark Pollard, Foreman Bandama, Godfrey Mahachi, and Innocent Pikirayi. "Zimbabwe Culture before Mapungubwe: New Evidence from Mapela Hill, South-Western Zimbabwe." PLoS ONE 9, no. 10 (2014): e111224. http://dx.doi.org/10.1371/journal.pone.0111224.

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9

Mukwende, Tawanda. "An archaeological study of the Zimbabwe Culture capital of Khami, southwestern Zimbabwe." Azania: Archaeological Research in Africa 52, no. 1 (2016): 132. http://dx.doi.org/10.1080/0067270x.2016.1261812.

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10

Mlambo, Alois, Maurice T. Vambe, and Abebe Zegeye. "The culture of crisis and crisis of culture in Zimbabwe." African Identities 8, no. 2 (2010): 89–91. http://dx.doi.org/10.1080/14725841003785112.

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