Dissertations / Theses on the topic 'Zimbabwean (English)'

Thesis (PhD)-- Stellenbosch University, 2013.
ENGLISH ABSTRACT: My thesis is on the literary imagining of the city in Zimbabwean literature that emerges as a re-visioning and contestation of its colonial and postcolonial manifestations. Throughout the seven chapters of the thesis I conduct a close reading of literary texts engaged in literary (re)creations of the city. I focus on texts by selected authors from 1949 to 2009 in order to trace the key aspects of this city imagining and their historical situatedness. In the first chapter, I argue the case for the inclusions and exclusions that are evident. In this historical span, I read the Zimbabwean canon and the city that is figured in it as palimpsests in order to analyse (dis)connections. This theoretical frame brings out wider relationships and connections that emerge in the (re)writing of both the canon and city. I adopt approaches that emphasise how spaces and temporalities ‗overlap and interlace‘ to provoke new ways of thinking about the city and the construction of identity. I argue for the country-city connection as an important dynamic in the various (re)imaginings of the city. Space is politicized along lines of race, ethnicity, gender and class in regimes of politics and aesthetics of inclusion and exclusion that are refuted by the focal texts of the thesis. I analyse the fragmentation of rural and urban space in the literary texts and how country and city house politico-aesthetic regimes of domination, exclusion and marginalisation. Using tropes of the house, music and train, I analyse how connections in the city are imagined. These tropes are connected to the travel motif found in all the chapters of the thesis. Travel is in most of the texts offered as a form of escape from the country represented as a site of essentialism or nativism. Both settlers and nationalists, from different ideological positions, invest the land and the city with symbolic political and cultural values. Both figure the city as alien to the colonised, a figuration that is contested in most of the focal texts of the thesis. Travel from the country to the city through halfway houses is presented as a way of negotiating location in new spaces, finding new identities and contending with the multiple connections found in the city. The relentless (un)housing in Marechera‘s writing expresses a refusal to be bounded by aesthetic, nationalist and racial houses as they are constructed in the city. In Vera‘s fiction, travel – in multifarious directions and in a re-racing of the quest narrative in Lessing – becomes a critical search for a re-scripting of gender and woman‘s demand for a right to the city. The nomadism in Vera‘s fiction is re-configured in the portrayal of the marginalised as the parvenus and pariahs of the city in the fiction of Chinodya and Tagwira. In the chapter on Chikwava and Gappah, in the contexts of spatial displacement and expansion, the nationalist nativist construction of self, city and nation comes under stress. I interrogate how ideologies of space shape politico-aesthetic regimes in both the country and the city throughout the different historical phases of the city. In this regard I adopt theoretical approaches that engage with questions of aesthetic equality as they relate to the contestation of spatial partitioning based on categories of race, gender and class. In city re-imaginings this re-claiming of aesthetic power to imagine the city is invoked and in all the texts it emerges as a reclaiming of the right to the city by the colonised, women, immigrants and all the marginalised. I adopt those approaches that lend themselves to the deconstruction of hegemonic figuration, disempowerment and silencing of the marginalised, especially women, in re-imagining the city and their identities in it.
AFRIKAANSE OPSOMMING: My tesis se onderwerp is die literêre voorstellings van die stad in Zimbabwiese letterkunde wat ontstaan as ‗n herverbeelding van en teenvoeter vir beide koloniale en postkoloniale manifestasies. Regdeur die sewe hoofstukke van die tesis voer ek deurtastende interpretasies van literêre tekste aan, wat die stad op nuwe maniere uitbeeld. My fokus val op tekste deur geselekteerde skrywers van 1949 tot 2009 ten einde die sleutelelemente van hierdie proses van stadverbeelding en die historiese gesitueerdheid daarvan te ondersoek. In die eerste hoofstuk bied ek die argument aan betreffende die voor-die-hand liggende in- en uitsluitings van tekste. Deur hierdie historiese strekking lees ek die Zimbabwiese kanon en die stad wat daarin figureer as palimpseste, ten einde die (dis-)konneksies te kan analiseer. Hierdie teoretiese beraming belig die wyere verhoudings en verbindings wat na vore kom in die (her-) skrywe van beide die kanon en die stad. Ek gebruik benaderings wat benadruk hoe ruimtes en tydelikhede oormekaarvloei en saamvleg om sodoende nuwe maniere om oor die stad en oor identiteitskonstruksie te besin, aanmoedig. Ek argumenteer vir die stad-platteland konneksie as ‗n belangrike dinamika in die verskillende (her-)voorstellings van die stad. Ruimte word só verpolitiseer met betrekking tot ras, etnisiteit, gender en klas binne politieke regimes asook ‗n estetika van in- en uitsluiting wat deur die kern-tekste verwerp word. Ek analiseer verder die fragmentasie van landelike en stedelike ruimtes in die literêre tekste, en hoe die plattelandse en stedelike ruimtes tuistes bied aan polities-estetiese regimes van dominasie, uitsluiting en marginalisering. Die huis, musiek en die trein word gebruik as beelde om verbindings in die stad te ondersoek. Hierdie beelde sluit aan by die motif van die reis wat in al die hoofstukke manifesteer. Die reis word in die meeste tekste gesien as ‗n vorm van ontsnapping uit die platteland, wat voorgestel word as ‗n plek van essensie-voorskrywing en ingeborenheid. Beide intrekkers en nasionaliste, uit verskillende ideologiese vertrekpunte, bekleed die platteland of die stad met simboliese politieke en kulturele waardes. Beide verbeeld die stad as vreemd aan die gekoloniseerdes; ‗n uitbeelding wat verwerp word in die fokale tekste van die studie. Reis van die platteland na die stad deur halfweg-tuistes word aangebied as metodes van onderhandeling om plek te vind in nuwe ruimtes, nuwe identiteite te bekom en om te leer hoe om met die stedelike verbindings om te gaan. Die onverbiddelikke (ont-)tuisting in die werk van Marechera gee uitdrukking aan ‗n weiering om deur estetiese, nasionalistiese en rassiese behuising soos deur die stad omskryf en voorgeskryf, vasgevang te word. In die fiksie van Vera word reis – in telke rigtings en in die her-rassing van die soektog-motif in Lessing – ‗n kritiese soeke na die herskrywing van gender en van die vrou se op-eis van die reg tot die stad. Die nomadisme in Vera se fiksie word ge-herkonfigureer in uitbeelding van gemarginaliseerdes as die parvenus en die uitgeworpenes van die stad in die fiksie van Chinodya en Tagwira. In die hoofstuk oor Chikwava en Gappah word die nasionalistiese ingeborenes se konstruering van die self, stad en nasie onder stremmimg geplaas in kontekste van ruimtelike verplasing en uitbreiding. Ek ondervra hoe ideologieë van spasie vorm gee aan polities-estetiese regimes in beide die platteland en die stad regdeur die verskillende historiese fases van die stad. In hierdie opsig maak ek gebruik van teoretiese benaderings wat betrokke is met vraagstukke van estetiese gelykheid met verwysing na kontestasies oor ruimtelike verdelings gebaseer op kategorieë van ras, gender en klas. In herverbeeldings van die stad word hierdie reklamering van die estetiese mag om die stad te verbeel, bygehaal in al die tekste as herklamering van die reg tot die stad deur gekoloniseerdes, vroue, immigrante en alle gemarginaliseerdes. Ek maak gebruik van benaderings wat hulself leen tot die dekonstruksie van hegemoniese verbeelding, ontmagtiging en die stilmaak van gemarginaliseerdes, veral vroue, in die herverbeelding van die stad en hul plek binne die stadsruimte.

This study investigates short stories published in South Africa and in Zimbabwe before the turn of the twenty-first century. The short story as a genre provides a more accessible and shorter means of viewing literary trends after the official end of the hostilities of apartheid and colonialism. Because of their brevity and specific focus, these short stories from many voices allow a glimpse of different arenas affecting contemporary reality. Post-independence stories reveal that in the process of navigating or directing hope after independence, people are sometimes left bereft as disenchantment with politics sets in, leaving people to search for hope in areas of their everyday lives such as marriage, birth and friendship. But because their lives are also fraught with conflict, hate and betrayal, hope may remain uncertain and prospects frightening. Chapter One embarks on a brief historical and political background of South Africa and Zimbabwe. This chapter also conceptualizes the issues of hope and disillusionment in the South African and Zimbabwean socio-historical contexts. Chapters Two and Three analyze selected stories from South Africa and Zimbabwe, respectively, focusing on issues with which the writers are preoccupied, especially how they explore hope and disillusionment. The analyses of the stories in these two chapters are structured chronologically depicting events in the stories. Thus the study creates its own narrative of South African and Zimbabwean life towards the new millennium. These two chapters discuss how meanings, significances and ramifications of the post-colonial community are negotiated and re-negotiated in selected stories, highlighting the challenges and engagements with hope and disillusionment dramatized in short prose fiction. Chapter Four will undertake to conclude with comparisons of the selected stories, discussing the implications of the study for South African and Zimbabwean contemporary societies at the turn of the twenty-first century. Granted, it is always difficult to generalize about a society from such highly individual, personal stories. But my study suggests that at the turn of the twenty-first century in South Africa, disillusionment is beginning to displace the heady expectation many felt at the 1994 election. And perhaps even more unlikely, given the current crisis, Zimbabwean stories from recent years show people hopefully waiting for the new millennium, a dawning of new, unpredictable possibilities.

Includes bibliographical references.
The major aim of this study is to analyse how Zimbabwean literary voices across the racial divide explore the land-identity conundrum that is hotly contested in the aftermath of Zimbabwe's post-2000 land occupations and other redistribution processes. It aims to interrogate how the selected fictional narratives depict both long-held views and emerging perspectives on Zimbabwe's land question. Further, the study examines the land realities that the writers depict with a view to promoting national dialogue. The latter aims to promote greater social cohesion, peace and oneness that are critical for more sustainable human development in post-independence Zimbabwe.

Thesis (PhD)-- Stellenbosch University, 2013.
ENGLISH ABSTRACT: The last decade in Zimbabwe was characterised by an unprecedented economic and political crisis. As the crisis threatened to destabilise the political status quo, it prompted in governmental circles the perceived 'need‘ for political containment. The ensuing attempts to regulate the expressive sphere, censor alternative historiographies of the crisis and promote monolithic and self-serving perceptions of the crisis presented a real danger of the distortion of information about the situation. Representing the crisis therefore occupies a contested and discursive space in debates about the Zimbabwean crisis. It is important to explore the nature of cultural interventions in the urgent process of re-inscribing the crisis and extending what is known about Zimbabwe‘s so-called 'lost decade‘. The study analyses literary responses to state-imposed restrictions on information about the state of Zimbabwean society during the post-2000 economic and political crisis which reached the public sphere, with particular reference to creative literature by Zimbabwean authors published during the period 2000 to 2010. The primary concern of this thesis is to examine the efficacy of post-2000 Zimbabwean literature as constituting a significant archive of the present and also as sites for the articulation of dissenting views – alternative perspectives assessing, questioning and challenging the state‘s grand narrative of the crisis. Like most African literatures, Zimbabwean literature relates (directly and indirectly) to definite historical forces and processes underpinning the social, cultural and political production of space. The study mainly invokes Maria Pia Lara‘s theory about the ―moral texture‖ and disclosive nature of narratives by marginalised groups in order to explore the various ways through which such narratives revise hegemonically distorted representations of themselves and construct more inclusive discourses about the crisis. A key finding in this study is that through particular modes of representation, most of the literary works put a spotlight on some of the major talking points in the political and socio-economic debate about the post-2000 Zimbabwean crisis, while at the same time extending the contours of the debate beyond what is agreeable to the powerful. This potential in literary works to deconstruct and transform dominant elitist narratives of the crisis and offering instead, alternative and more representative narratives of the excluded groups‘ experiences, is made possible by their affective appeal. This affective dimension stems from the intimate and experiential nature of the narratives of these affected groups. However, another important finding in this study has been the advent of a distinct canon of hegemonic texts which covertly (and sometimes overtly) legitimate the state narrative of the crisis. The thesis ends with a suggestion that future scholarly enquiries look set to focus more closely on the contribution of creative literature to discourses on democratisation in contemporary Zimbabwe.
AFRIKAANSE OPSOMMING: Die afgelope dekade in Zimbabwe is gekenmerk deur ‗n ongekende ekonomiese en politiese krisis. Terwyl die krisis gedreig het om die politieke status quo omver te werp, het dit die ‗noodsaak‘ van politieke insluiting aangedui. Die daaropvolgende pogings om die ruimte vir openbaarmaking te reguleer, alternatiewe optekenings van gebeure te sensureer en ook om monolitiese, self-bevredigende waarnemings van die krisis te bevorder, het 'n wesenlike gevaar van distorsie van inligting i.v.m. die krisis meegebring. Voorstellings van die krisis vind sigself dus in 'n gekontesteerde en diskursiewe ruimte in debatte aangaande die Zimbabwiese krisis. Dit is gevolglik belangrik om die aard van kulturele intervensies in die dringende proses om die krisis te hervertolk te ondersoek asook om kennis van Zimbabwe se sogenaamde 'verlore dekade‘ uit te brei. Die studie analiseer literêre reaksies op staats-geïniseerde inkortings van inligting aangaande die sosiale toestand in Zimbabwe gedurende die post-2000 ekonomiese en politiese krisis wat sulke informasie uit die openbare sfeer weerhou het, met spesifieke verwysing na skeppende literatuur deur Zimbabwiese skrywers wat tussen 2000 en 2010 gepubliseer is. Die belangrikste doelwit van hierdie tesis is om die doeltreffendheid van post-2000 Zimbabwiese letterkunde as konstituering van 'n alternatiewe Zimbabwiese 'argief van die huidige‘ en ook as ruimte vir die artikulering van teenstemme – alternatiewe perspektiewe wat die staat se 'groot narratief‘ aangaande die krisis bevraagteken – te ondersoek. Soos met die meeste ander Afrika-letterkundes is daar in hierdie literatuur 'n verband (direk en/of indirek) met herkenbare historiese kragte en prosesse wat die sosiale, kulturele en politiese ruimtes tot stand bring. Die studie maak in die ondersoek veral gebruik van Maria Pia Lara se teorie aangaande die 'morele tekstuur‘ en openbaringsvermoë van narratiewe aangaande gemarginaliseerde groepe ten einde die verskillende maniere waarop sulke narratiewe hegemoniese distorsies in 'offisiële‘ voorstellings van hulself 'oorskryf‘ om meer inklusiewe diskoerse van die krisis daar te stel, na te vors. 'n Kernbevinding van die studie is dat, d.m.v. van spesifieke tipe voorstellings, die meeste van die letterkundige werke wat hier ondersoek word, 'n soeklig plaas op verskeie van die belangrikste kwessies in die politieke en sosio-ekonomiese debatte oor die Zimbabwiese krisis, terwyl dit terselfdertyd die kontoere van die debat uitbrei verby die grense van wat vir die maghebbers gemaklik is. Die potensieel van letterkundige werke om oorheersende, elitistiese narratiewe oor die krisis te dekonstrueer en te omvorm, word moontlik gemaak deur hul affektiewe potensiaal. Hierdie affektiewe dimensie word ontketen deur die intieme en ervaringsgewortelde geaardheid van die narratiewe van die geaffekteerde groepe. Nietemin is 'n ander belangrike bevinding van hierdie studie dat daar 'n onderskeibare kanon van hegemoniese tekste bestaan wat op verskuilde (en soms ook openlike) maniere die staatsnarratief anngaande die krisis legitimeer. Die tesis sluit af met die voorstel dat toekomstige vakkundige studies meer spesifiek sou kon fokus op die bydrae van kreatiewe skryfwerk tot die demokratisering van kontemporêre Zimbabwe.

Includes bibliographical references.
The thesis - which locates itself at the interface between linguistic and literary studies - explores the possibility of developing a ‘Marxist- stylistic’ method of text interpretation, which primarily proceeds from Althusserian Marxist Criticism, but which also incorporates salient elements of Critical Discourse Analysis. In construction of the method, the thesis first investigates the need for Althusserian Marxist criticism to be mediated, and more specifically, the areas in which this mediation is required. The thesis then crosses over to the field of Critical Discourse Analysis where it identifies relevant theoretical and methodological resources that are capable of mediating the ‘gaps’ identified in Althusserian Marxist criticism. The construction of the Marxist stylistic method is then effected through the transfer of germane theoretical and methodological resources from Critical Discourse Analysis to Althusserian Marxist criticism. The distinctive properties of the emergent Marxist-stylistic method are delineated before the method is practically applied to the interpretation of at least four fictional texts – all written and set in Zimbabwe. The key outcome of the thesis is that a distinctive method of text interpretation, which meaningfully separates itself from Althusserian Marxist criticism, on the one hand, and Critical Discourse Analysis, on the other, emerges. The thesis concludes with a reflection on the application of the method and makes some suggestions for further research and development in the area herein labelled as ‘Marxist stylistics.’

This study examines an increasingly common distance learning context: where tertiary level and English-medium DE courses are produced, tutored and examined in one country but studied by learners in other countries and who have English as an additional language. Empirical work is drawn from a case-study of agricultural extension officers in disparate parts of Zimbabwe undertaking a professional development course which is produced and mainly tutored in the distant UK. This long-distance cross-cultural writing relationship between academics and students serves as a basis for the examination of difficulties created by taken-for-granted educational practices embedded in the course structure and materials, particularly in relation to language and academic literacy. The study examines contemporary debates around internationalised learning, including cultural and linguistic imperialism and the desirability of locally-produced courses, and provides an insight into black Zimbabwean perspectives on them. It explores a variety of contextual issues including the wider significance of DE in a southern African context, gendered learning patterns, the linguistic repertoire of the students and their academic literacy background. Drawing on grounded theory, discourse analysis, literacy as social practice and genre theories,this overseas research aims to provide the UK course producers with insight into some of the particularities of the Zimbabwean learning context and some of the learning and teaching resources which exists beyond their control and ambit. It is hoped that more multi-faceted image of some of their learners may help course producers consider more closely the differences and commonalities between course participants; it may challenge the normative pedagogy embedded in the course and prompt the producers to consider appropriate responses;it may raise the policy question of how to establish, within an asymmetrical donor-recipient situation, a north-south academic relationship of an emancipatory kind. These aims spring from the conviction that as we move towards globalised educational contexts, dominated by market leaders, significant changes and improvements in educational practice are more likely to come about as a result of an emerging reflexivity on the part of the course producers. Learners and importers of course may not have much influence over such decisions.

This study examines selected works by four white female Zimbabwean writers: Alexandra Fuller, Lauren Liebenberg, Bryony Rheam and Lauren St John, in light of the controversy over the spate of white memoirs which followed the violent confiscation of white farms in Zimbabwe from 2000 onwards. The controversy hinges on the notion that white memoir writers exploit the perceived victimhood of white Zimbabweans in the international sphere, and nostalgically recall a time of belonging – as children in Rhodesia – which fails to address the fraught colonial history which is directly related to the current political climate of the country. I argue that such critiques are too generalised, and I regard the selected texts as primarily critical of the values and lifestyles of white Rhodesians/Zimbabweans. The texts I have selected include a range of autobiographical and fictional writing, or memoirs and pseudo-memoirs, and I focus on form as a medium enabling an exploration of identity. The ways in which these authors conform to and adapt particular narratives of becoming is examined in each chapter, with a particular focus on the transition from innocence to experience, the autobiography, and the Bildungsroman. Gender is a recurring point of interest: in each case the female selves/protagonists are situated in terms of the family, which, in reflecting social values, is a key site of conflict. In regard to trends in white African writing, I explore the white African (farm) childhood memoir and the confessional mode. Ultimately I maintain that while the texts may be classified as white writing, as they are fundamentally concerned with white identity, and therefore evince certain limitations of perspective and form, including clichéd tendencies, all the writers interrogate white identity and the fictional texts more self-reflexively deconstruct tropes of white writing.

Thesis (PhD)--Stellenbosch University, 2015
ENGLISH ABSTRACT: This thesis undertakes a comparative reading of post-colonial literature written in English in Botswana, Namibia and Zimbabwe to bring into focus the similarities and differences between fictional representations of poverty in these three countries. The thesis explores the unique way in which literature may contribute to the better understanding of poverty, a field that has hitherto been largely dominated by scholarship that relies on quantitative analysis as opposed to qualitative approaches. The thesis seeks to use examples from selected texts to illustrate that (as many social scientists have argued before) literature provides insights into the ‘lived realities’ of the poor and that with its vividly imagined specificities it illuminates the broad generalisations about poverty established in other (data-gathering) disciplines. Selected texts from the three countries destabilise the usual categories of gender, race and class which are often utilised in quantitative studies of poverty and by so doing show that experiences of poverty cut across and intersect all of these spheres and the experiences differ from one person to another regardless of which category they may fall within. The three main chapters focus primarily on local indigence as depicted by texts from the three countries. The selection of texts in the chapters follows a thematic approach and texts are discussed by means of selective focus on the ways in which they address the theme of poverty. Using three main theorists – Maria Pia Lara, Njabulo Ndebele and Amartya Sen – the thesis focuses centrally on how writers use varying literary devices and techniques to provide moving depictions of poverty that show rather than tell the reader of the unique experiences that different characters and different communities have of deprivation and shortage of basic needs.
AFRIKAANSE OPSOMMING: Hierdie tesis onderneem ‘n vergelykende studie van post-koloniale letterkunde in Engels uit Botswana, Namibië en Zimbabwe, om sodoende die ooreenstemmings en verskille tussen letterkundige uitbeeldings van armoede in hierdie drie lande aan die lig te bring. Die tesis ondersoek die unieke manier waarop letterkunde kan bydra tot ‘n beter begrip van armoede, ‘n studieveld wat tot huidiglik grotendeels op kwantitatiewe analises berus, in teenstelling met kwalitatiewe benaderings. Die tesis se werkswyse gebruik voorbeelde uit gelekteerde tekste met die doel om te illustreer (soos verskeie sosiaal-wetenskaplikes reeds aangevoer het) dat letterkunde insig voorsien in die lewenservarings van armoediges en dat dit die breë veralgemenings aangaande armoede in ander (data-gebaseerde) wetenskappe kan illumineer. Geselekteerde tekste uit die drie lande destabiliseer die gewone kategorieë van gender, ras en klas wat normaaalweg gebruik word in kwantitatiewe studies van armoede, om sodoende aan te toon dat die ervaring van armoede dwarsdeur hierdie klassifikasies sny en dat hierdie tipe lewenservaring verskil van persoon tot persoon ongeag in watter kategorie hulle geplaas word. Die drie sentrale hoofstukke fokus primêr op lokale armoede soos uitgebeeld in tekste vanuit die drie lande. Die seleksie van tekste in die hoofstukke volg ‘n tematiese patroon en tekste word geanaliseer na aanleiding van ‘n selektiewe fokus op die maniere waarop hulle armoede uitbeeld. Deur gebruik te maak van ‘ die teorieë van Maria Pia Lara, Njabulo Ndebele en Amartya Sen, fokus hierdie tesis sentraal op hoe skrywers verskeie literêre metodes en tegnieke aanwend ten einde ontroerende uitbeeldings van armoede te skep wat die leser wys liewer as om hom/haar slegs te vertel aangaande die unieke ervarings wat verskillende karakters en gemeenskappe het van ontbering en die tekort aan basiese behoefte-voorsiening.

Thesis (PhD)-- Stellenbosch University, 2012.
ENGLISH ABSTRACT: This study considers a lexicographical intervention in the acquisition and use of English in Zimbabwe. English is the country’s sole official language. This means that it dominates all the other languages in the country in terms of prestige and usage in the high status domains such as government, media, law, education, etc. English is learnt as a compulsory subject throughout the education system up to the General Certificate of Ordinary Level (‘O’ Level) and used as medium of instruction from the fourth grade upwards. The annual national pass rate of around 33% and less than 10% for some schools in this subject has been recorded in recent years. An ‘O’ Level certificate is considered complete if is has registered five ‘O’ Level subjects including English. This means that without an ‘O’ Level English pass, learners have no chance to proceed to the General Certificate in Education Advanced Level (‘A’ Level) or tertiary education, and their chances of getting employment in the public service are limited, if not non-existent. In the mainstream scholarship on language policy and language planning in the country, this situation has resulted in advocating that indigenous languages, particularly Shona and Ndebele, be developed and elevated to the official status currently enjoyed by English. Far from being against the development and status elevation of indigenous languages, this study proposes a lexicographical intervention in the acquisition and use of English as one of the necessary mechanisms that may mitigate some problems associated with this language. It is argued that the problem with English is not simply that it is a language of foreign origin, to be explicit, the language of the former colonial master. Rather, the problem is that the majority of Zimbabweans are not competent enough to function in this language. Of course, this may be related to the fact that many Zimbabweans have to learn it as an additional language since it is not an indigenous language and thus linguistically and culturally distant from the native languages of its learners. Dealing with the field of lexicography, this dissertation considers an intervention with respect to those problems that may be addressed by the consultation of dictionaries. The availability, use and user-friendliness of English dictionaries are investigated in view of the characteristics of Zimbabweans as additional language learners of English, their situations in which lexicographically-relevant problems occur and the subsequent information needs. In doing this, the theory of learners’ lexicography (Tarp 2004; 2004a; 2008) is used. Firstly, it is established that dictionaries are scarce commodities in Zimbabwe, with a very limited range of dictionaries being available for Zimbabweans to buy. Secondly, dictionaries are not actively used in the learning and use of English within the school system, except in the former Group A schools which are elitist in nature. Curriculum developers, teachers, assessors and learners are not very clear about the role of dictionaries within the school system. Thirdly, the dictionaries that are used are not appropriate for the learners who consult them, with advanced learners’ dictionaries dominating the limited presence even at primary schools. Notwithstanding this poor background, it is generally accepted that appropriate dictionaries, despite the fact that there is a general lack of awareness of the differences between dictionaries, may address some of the problems associated with English, especially within the education system. Should this happen, the learners will develop a dictionary culture and regard dictionaries as utility products which they may rely on later in their academic and professional careers in which English continues to be dominant. A model of lexicographical intervention in the acquisition and use of English in Zimbabwe is therefore formulated. This is done against the above background and also the history of both English and Zimbabwean lexicography. English lexicography now sees English dictionaries being produced in a host of countries other than Britain, America, Australia and New Zealand, where English is a native language. This is mainly because of the dominant role that English has acquired in those countries such as South Africa. However, Zimbabwean lexicography has thus far focused on mother-tongue dictionaries in Shona and Ndebele, the main reason being the need to develop these formerly marginalised languages. Accordingly, the proposed model seeks to expand the scope of Zimbabwean lexicography. This is not just for the sake of expanding. On the contrary, in the research it is observed that the dictionaries constituting the envisaged lexicographical intervention have to be produced in Zimbabwe in order for them to effectively address the local needs regarding this language. For example, lemma selection, paraphrases of meaning, illustrative examples and data contained in the outer texts have to be linguistically and culturally relevant, taking into cognisance the native languages and cultures of the target users. It is observed that if the proposed model is to be successfully implemented, local publishers will need to play an important role, while curriculum developers, assessors, teachers and learners have to be lexicographically educated. At present, local publishers with international affiliations distribute externally-motivated dictionaries (Gouws 2005). Where dictionaries are used, no serious consideration is given regarding the appropriateness of the dictionaries. Any available dictionary is purchased regardless of its user-friendliness. Unfortunately this results in a situation where users fail to extract the best from the dictionaries and end up being disillusioned about the usefulness of dictionaries as utility tools. Some of the dictionaries found at schools are just locked in safe cabinets in headmasters’ offices while learners continue experiencing problems that could be solved by appropriate dictionaries. Accordingly, with lexicographical pedagogy, and further research on specific aspects of the model, a lexicographical intervention in the acquisition and use of English in Zimbabwe is considered a worthwhile enterprise.
AFRIKAANSE OPSOMMING: Hierdie studie beskou 'n leksikografiese tussenkoms in die verwerwing en gebruik van Engels in Zimbabwe. Engels is die land se enigste offisiële taal. Dit beteken dat dit al die ander tale in die land oorheers wat betref prestige en gebruik in die hoërstatusterreine soos die regering, media, reg, opvoeding, ens. Engels word as 'n verpligte vak geleer dwarsdeur die opvoedingstelsel tot by die Algemene Sertifikaat van Gewone Vlak ('O'-vlak) en gebruik as onderrigmedium vanaf die vierde graad en hoër. Die jaarlikse nasionale slaagsyfer van rondom 33% en minder as 10% vir sommige skole in hierdie vak is in onlangse jare waargeneem. 'n 'O'-vlaksertifikaat word as volledig beskou indien dit vyf 'O'-vlakvakke insluitende Engels geregistreer het. Dit beteken dat sonder die slaag van Engels op 'O'-vlak leerders geen kans het om voort te gaan na die Algemene Sertifikaat in Opvoedkunde Gevorderde Vlak ('A'-vlak) of tersiêre onderwys nie, en hul kanse is beperk, indien nie niebestaande nie, om werk in die openbare diens te kry. In die hoofstroomvakkundigheid betreffende taalpolitiek en taalbeplanning in die land het hierdie situasie daartoe gelei dat bepleit word dat die inheemse tale, veral Sjona en Ndebele, ontwikkel en verhef word tot die offisiële status wat tans deur Engels geniet word. Verre van teen die ontwikkeling en statusverheffing van die inheemse tale te wees, stel hierdie studie 'n tussenkoms in die verwerwing en gebruik van Engels voor as een van die noodsaaklike meganismes wat sommige probleme wat verband hou met hierdie taal, kan versag. Daar word geredeneer dat die probleem met Engels nie eenvoudig is dat dit 'n taal van vreemde herkoms, om dit onomwonde te stel, die taal van die vroeëre koloniale baas is nie. Die probleem is eerder dat die meerderheid Zimbabwiërs nie bedrewe genoeg is om in hierdie taal te funksioneer nie. Dit kan natuurlik verwant wees aan die feit dat baie Zimbabwiërs dit as 'n bykomende taal moet leer aangesien dit nie 'n inheemse taal is nie en daarom linguisties en kultureel verwyder is van die inheemse tale van sy leerders. Omdat dit oor die gebied van die leksikografie handel, beskou hierdie verhandeling 'n tussenkoms met betrekking tot daardie probleme wat deur die raadpleging van woordeboeke benader kan word. Die beskikbaarheid, gebruik en gebruikersvriendelikheid van Engelse woordeboeke word ondersoek met betrekking tot die kenmerke van Zimbabwiërs as leerders van Engels as 'n bykomende taal, hul omstandighede waarin leksikografies relevante probleme voorkom en die gevolglike inligtingsbehoeftes. Om dit te doen, word die teorie van aanleerdersleksikografie (Tarp 2004; 2004a; 2008) gebruik. Eerstens is vasgestel dat woordeboeke skaars artikels in Zimbabwe is, met 'n baie beperkte reeks woordeboeke vir Zimbabwiërs om te koop. Tweedens word woordeboeke nie daadwerklik aangewend by die leer en gebruik van Engels binne die skoolstelsel nie, behalwe in die vroeëre Groep A-skole wat elitisties van aard is. Leerplanontwikkelaars, onderwysers, assessore en leerders het nie baie groot duidelikheid oor die rol van woordeboeke binne die skoolstelsel nie. Derdens, die woordeboeke wat gebruik word, is nie geskik vir die leerders wat hulle raadpleeg nie, met gevorderde aanleerderswoordeboeke wat selfs in primêre skole die beperkte aanwesigheid oorheers. Nieteenstaande hierdie swak agtergrond, word dit algemeen aanvaar dat geskikte woordeboeke, ten spyte van die feit dat daar 'n algemene gebrek aan 'n bewustheid van die verskille tussen woordeboeke is, sommige van die probleme wat met Engels verband hou, veral in die onderwysstelsel, kan oplos. Sou dit gebeur, sal leerders 'n woordeboekkultuur ontwikkel en woordeboeke as nutsartikels beskou waarop hulle later kan steun in hul akademiese en professionele loopbane waarin Engels voortgaan om oorheersend te wees. 'n Model van leksikografiese tussenkoms in die verwerwing en gebruik van Engels in Zimbabwe word gevolglik geformuleer. Dit word gedoen teen die voorafgaande agtergrond en ook die geskiedenis van sowel Engelse as Zimbabwiese leksikografie. Engelse leksikografie toon tans dat Engelse woordeboeke voortgebring word in 'n menigte ander lande as Brittanje, Amerika, Australië en Nieu-Seeland waar Engels 'n inheemse taal is. Dit is hoofsaaklik as gevolg van die oorheersende rol wat Engels in daardie lande soos Suid- Afrika verkry het. Zimbabwiese leksikografie het egter tot sover gefokus op moedertaalwoordeboeke in Sjona en Ndebele, met as hoofrede die behoefte om hierdie voorheen gemarginaliseerde tale te ontwikkel. Gevolglik probeer die voorgestelde model om die omvang van Zimbabwiese leksikografie uit te brei. Dit is nie net ter wille van uitbreiding nie. Inteendeel. In die navorsing word dit waargeneem dat die woordeboeke wat die beoogde leksikografiese tussenkoms uitmaak, in Zimbabwe voortgebring moet word vir hulle om die plaaslike behoeftes met betrekking tot hierdie taal doeltreffend te benader. Byvoorbeeld, lemmakeuse, betekenisparafrases, toeligtende voorbeelde en data bevat in die buitetekste moet linguisties en kultureel toepaslik wees om die inheemse tale en kulture van die teikengebruikers in aanmerking te neem. Daar word opgemerk dat, om die voorgestelde model suksesvol deur te voer, plaaslike uitgewers 'n belangrike rol sal moet speel, terwyl leerplanontwikkelaars, assessore, onderwysers en leerders leksikografies opgevoed sal moet word. Op die oomblik versprei plaaslike uitgewers met internasionale verbintenisse ekstern-gemotiveerde woordeboeke (Gouws 2005). Waar woordeboeke gebruik word, word geen ernstige oorwegings geskenk aan die geskiktheid van woordeboeke nie. Enige beskikbare woordeboek word gekoop ongeag sy bruikbaarheid. Ongelukkig lei dit tot 'n situasie waar gebruikers in gebreke bly om die beste uit die woordeboeke te haal en ontnugter eindig oor die nuttigheid van woordeboeke as gebruiksgereedskap Sommige van die woordeboeke wat in skole aangetref is, word net in veilige kaste in skoolhoofde se kantore weggesluit, terwyl leerders voortgaan om probleme te ondervind wat opgelos kan word deur geskikte woordeboeke. Met leksikografiese opvoeding, en verdere navorsing oor bepaalde aspekte van die model, word 'n leksikografiese tussenkoms in die verwerwing en gebruik van Engels in Zimbabwe gevolglik as 'n verdienstelike onderneming beskou.

Thesis (PhD)--Stellenbosch University, 2014.
ENGLISH ABSTRACT: This thesis finds its epistemological basis in two related motives: the re-conceptualisation of white writing in Zimbabwe as a sub-category of Zimbabwean literature, and the recognition of white narratives as necessarily dialogic. The first motive follows the realization that writing by Zimbabwean whites is systematically marginalized from “mainstream” Zimbabwean literature owing to its perceived irrelevance to the postcolonial Zimbabwean nation. Through an application of Even-Zohar’s polysystem theory, this thesis argues for a recognition of white writing as a literary sub-system existing in relation to other literary and non-literary systems in Zimbabwe’s polysystem of culture. As its second motive, the thesis also calls for a critical approach to white Zimbabwean narratives built on the understanding that the study of literature can no longer be left to monologic approaches alone. Rather, white narratives should be considered as multiple and hence amenable to a multiplicity of approaches that recognize dialogue as an essential aspect of all narratives. The thesis attempts, by closely reading nine white-authored narratives in Zimbabwe, to demonstrate that white Zimbabwean literature is characterized by multiplicity, simultaneity and instability; these are tropes developed from Bakhtin’s understanding of utterances as characterized by a minimum of two voices. To consider white writing in Zimbabwe as a multiplicity is to call forth its numerous dimensions and breadth of perceptions. Simultaneity posits the need to understand opposites/conflicts as capable of existing side by side without necessarily dissolving into unity. Instability captures the several movements and destabilizations that affect writers, characters and the literary system. These three tropes enable a re-reading of white Zimbabwean narratives as complex and multi-nuanced. Such characteristics of the literary system are seen to reflect on the experiences of “whiteness” in postcolonial Zimbabwe. The white narratives selected for examination in this thesis therefore exhibit crises of belonging that reflect the dialogic nature of existence. In sum, this thesis is meant as a dialogue, culminating in the proposition that calls for a decentred and redemptive literary experience.
AFRIKKANSE OPSOMMING: Hierdie tesis vestig sy epistemologiese basis in twee verwante motiewe: die herkonseptualisering van skryfwerk deur wit skrywers in Zimbabwe as ’n sub-kategorie van Zimbabwiese letterkunde, en die erkenning van wit narratiewe as onontkombaar dialogies in aard en wese. Die eerste motief volg die argument dat die skryfwerke van wit Zimbabwieërs stelselmatig gemarginaliseer is uit “hoofstroom” Zimbabwiese literatuur, as gevolg van dié skryfwerke se beweerde irrelevansie tot die koloniale Zimbabwiese nasie-staat. Deur Even-Zohar se polisisteem teorie toe te pas, pleit hierdie tesis vir die erkenning van letterkunde deur wit skrywers as ’n literêre sub-stelsel wat bestaan in verhouding tot ander literêre en nie-literêre sisteme in Zimbabwe se polisisteem van kultuur. As sy tweede motief, vra die tesis ook vir ’n kritiese benadering tot wit Zimbabwiese narratiewe, gebou op die verstandhouding dat die studie van letterkunde nie meer suiwer aan monologies benaderings oorgelewer behoort te word nie. Inteendeel, wit narratiewe moet as veelsydig beskou word, en dus vatbaar vir ’n verskeidenheid benaderings wat dialoog as ’n noodsaaklike aspek van alle verhale erken en verken. Deur nege wit outeurs se verhale in Zimbabwe noukeurig te lees, dui hierdie tesis aan dat wit Zimbabwiese literatuur gekenmerk word deur veelvuldigheid, gelyktydigheid en onstabiliteit; hieride is teoretiese konsepte wat ontleen is aan Bakhtin se begrip van uitsprake (“utterances”) as bestaande uit ’n minimum van twee stemme. Om wit lettere in Zimbabwe as veelvuldig te verklaar is om die talle dimensies en breedtes van persepsie in letterkundige korpus te erken. Gelyktydig postuleer die tesis die moontlikheid dat teenoorgesteldes/konflikte langs mekaar kan en móét bestaan, sonder om noodwendig in ’n eenheid te ontaard. Onstabiliteit, soos dit hier verstaan word, omvat die verskillende bewegings en ontstuimige roeringe wat skrywers, karakters en die literêre sisteem beïnvloed. Hierdie drie konsepte laat ’n herlees van wit Zimbabwiese verhale toe wat as kompleks en multi-genuanseerd bestempel kan word. Sulke kenmerke van die literêre sisteem moet in ag geneem word om die ervaring van “witheid” in post-koloniale Zimbabwe effektief uit te beeld. Die wit verhale wat gekies is vir herlees in hierdie tesis beeld dus krisisse van bestaan uit wat die dialogiese aard van die menslike bestaan omvat. Ter afsluiting is hierdie tesis bedoel as ’n dialoog wat kulmineer in ’n oproep vir gedensentraliseerde en verlossende ervarings van die letterkunde in sy geheel.

This study focuses on the use of English as the sole medium of instruction in Zimbabwean schools and the effect of such a policy on the educational achievement of students, particularly in secondary schools. The role of Shona and Ndebele, two other Zimbabwean official languages, in schooling is also examined.
Some of the findings reveal a learning and teaching environment that prevents strategies from addressing linguistic, social and cultural development with a coherent workable vision in the English classroom.
Because English is the working language of government, business, and industry in Zimbabwe, an English-only policy seems to be a practical means to prepare students for higher education and the workforce. The growing status of English as an international lingua franca provides additional support for such a policy.
This study reveals the need to rethink the imposition of an English-only policy. The findings indicate that current teaching approaches/methods and materials do not entirely support language development in English, largely because they do not take into account the economic, social, and linguistic situations of the students.
The study supports and calls for a multifaceted approach to the way language is currently taught in Zimbabwe, and sees this as one way secondary schools can produce, through the medium of English instruction, students and teachers who can adapt to rapid change, and relate to people from diverse socio-cultural and linguistic backgrounds.
The study emphasizes the integration and expectations of people's views on language and education, as heard and expressed by many respondents. This is considered central to any meaningful effort towards linguistic competence, a challenging but stimulating learning environment, and better communication among students and teachers.

Philosophiae Doctor - PhD ( Language Education)
Ordinarily, Teacher Development at the level of Bachelor of Education (B.Ed.) at Great Zimbabwe University (GZU) comes in two major phases spread over four years - the theoretical and the practical based phases. The theoretical phase comes in the form of courses based on pedagogical content and professional knowledge in the initial years at the university while the practical based phase comes in the form of school-based Teaching Practice (TP) for real and direct teaching experiences. The initial theoretical phase is often based on the liberal arts-like education to develop the whole teacher for adaptable life-long service. This is translated by a number of subject that can vary according the dictates of the focus of a particular national curriculum. TP on the other hand, provides student-teachers the opportunity to apply not only the knowledge acquired in the initial phase but also the schoolbased curriculum they are immersed in plus other contextual experiences they might have. If well-structured and blended, the two phases may ensure a smooth transition from a novice student teacher to an expert professional teacher for long-life practice.

The purpose of this study was to analyse formative assessment challenges facing English Language (L2) Secondary school teachers in the Makoni District of Zimbabwe. Data were collected from 25 English Language secondary school teachers pooled from 5 secondary schools in the Makoni District. The study utilised the pragmatic paradigm which allowed the use of the mixed methods approach. The study used the survey research design. Quantitative data were collected through questionnaires while qualitative data were collected through follow-up interviews, documents and non-participant observations. Cross-tabulations were used to present data which were then reported mainly in percentages. While most of the qualitative data were used to buttress findings established through the questionnaires, the other data were categorised into themes and analysed accordingly. Major challenges that were revealed by this study were that teachers used the teacher – centred approach, feedback given to pupils was not detailed, there was less time to assess appropriately and that teachers were not motivated to assess effectively. Remedial activities were not being carried out and that teachers’ training in assessment was not thorough. Shortage of teaching and learning resources and high teacher – pupil ratios were some of the challenges that teachers faced. There was lack of coordination of agencies involved in assessment and that assessment was examinations – oriented. Assessment policy formulation did not involve teachers and that most pupils were not motivated to learn. On the basis of these findings, the study recommended the provision of adequate teaching and learning resources, provision of appropriate pre-service and in – service training programs as well as involving the teachers in the formulation of assessment policies.

This essay explores the living conditions of the main characters Kambili in Purple Hibiscus by Chimamanda Ngozi Adichie and Tambudzai in Nervous Conditions by Tsitsi Dangarembga and their struggle to achieve personal freedom. It aims to show that colonial stereotypes are challenged through the girl´s struggles. It starts with a short exposé over post-colonial theory, here a methodological viewpoint, which is important to consider Kambili and Tambudzai from. It furthermore considers how their extensive family circumstances have impact on these two young protagonists, and finally examines how they employ formal and informal education as a tool to make changes in their lives and become inspirational young African women.

The purpose of this study is to determine the challenges O-level students face and other factors that contribute to poor reading-comprehension and it further seeks to establish the strategies that teachers employ in teaching reading-comprehension to O-level students. This study applied the qualitative case study methodology at a rural secondary school in Zimbabwe with twenty-nine participants purposively sampled. The students were first given two texts to read; one narrative and the other expository to provide information about the strategies they use to comprehend texts using a thinkaloud protocol to determine the challenges they face before, during and after reading narrative or expository texts. Further, the researcher conducted observation as a nonparticipant observer, semi-structured interviews, focus group discussions (FGD) and documentary evidence from class and exams' records about students' work. The results of the study reveal that O-level students face challenges in readingcomprehension as they are unable to approach written texts actively to interact meaningfully with texts and are incapable of setting specific goals for reading hence face challenges with word meanings, resulting in them unable to make connections with new vocabulary. When reading-comprehension gets difficult, students are only able to monitor their reading-comprehension using the clarifying strategy, which is only one of the monitoring strategies used to repair reading-comprehension failure. The main conclusion about students is that they lack vocabulary synonym-language to handle reading-comprehension tasks; they have not been availed reading materials to expand their vocabulary through extensive reading. Findings indicate that teachers are contradictory in their use of strategies that help students activate their prior knowledge and they use less effective methods such as lecturing and testing. They do not make use of the Communicative Language Teaching (CLT) approaches to process-teach reading-comprehension. Therefore, the researcher recommends a reflection upon current reading-comprehension teaching methods so as to improve instruction and that the government should buy textbooks and library books for students and reduce class sizes. Teachers also should conduct a formative assessment to improve teaching and draw up detailed schemes and organise school training days and also acquire old magazines and newspapers to provide students' extra reading material and give timely feedback to inform and monitor student progress in reading-comprehension.

Thesis (Ph.D. (Educational Psychology)) --University of Limpopo, 2012
This research project was an endeavor to investigate the effects of the languages of instruction (English and Shona), to teach Tsonga (Shangani) speaking children in Chiredzi district of Zimbabwe. Because of the nature of the study, a mixed method design was used where both qualitative and quantitative methods were adopted to study the performance of the Tsonga (Shangani) minority language speaking learners in five purposively sampled schools. 222 learners participated in the study. The main aim of the study was to investigate the effect of the language instruction in teaching Tsonga (Shangani) speaking Grade Seven children in Environmental Science. In fact, the researcher was interested in finding out whether teaching learners in a foreign language was a bridge or barrier to learning. In this case, the research did not only look at the effect of using English for instructional purposes, but also investigated how other major or dominant indigenous languages which are used for instructional purposes affect the performance of minority language speaking children in Chiredzi district of Zimbabwe. Data for this study were collected using lesson observation, document analysis, the questionnaire and a knowledge test. In this case, fifteen lessons were observed. Fifteen Tsonga (Shangani) speaking Grade Seven learners per school were purposively selected and taught in Tsonga (Shangani) only and the other fifteen Shona speaking Grade Seven children per school were also purposively selected and taught the same topic in Shona, and a third group of fifteen Grade Seven learners per school, were randomly selected and taught in English only. A knowledge test was given to each group thereafter. Children from each language condition were allowed to answer questions in their home languages, except for the third group which was taught in English. This group answered the questions in English with the restricted use of Shona. Each of the test results from the knowledge tests were analysed using a One Way Anova of Variance (ANOVA) and conclusions drawn. The results from other data collection instruments were analysed using qualitative methods like narrative discussions of data. A sample of five learners per school had their exercise books analysed. Data were presented in tables. The results from the knowledge tests given showed a significant difference in the mean marks obtained from the three groups (the Shangani, Shona and English group). The result showed that language has a significant influence on the performance of learners since the p – value was 0.000. This implies that the performance of learners between the three groups is significantly different. On the basis of these observations, the Null hypothesis was rejected. The same picture was also shown in document analysis and in the questionnaires. Consequently, conclusions were drawn and recommendations made.

In der zimbawischen Literatur sind die Themen Nation, Körper, Gewalt, Sprache und Erinnerung aufs engste miteinander verbunden. Durch den Einfluß von Yvonne Vera hat sich in den 90er Jahren das Bild des weiblichen Körpers und insbesondere die Diskussion um koloniale und postkoloniale Gewalt deutlich verändert. Im ersten Teil der Arbeit geht es um die Frage nach Nation. Unterschiedliche Darstellungen von Nehanda und den Kämpferinnen des 2. Chimurenga werden näher beleuchtet. Außerdem geht es um Veras "pastoral novel" in der sie von einer weißen Farmersfrau erzählt. Im zweiten Teil geht es um die Körperkonzepte in der zimbabwischen Literatur. Gewalt in der Familie und vor allem der weibliche Körper als Schlachtfeld steht hier im Mittelpunkt. Die Vergewaltigte und die Prostituierte sind auch weiterhin Symbole für den kolonisierten afrikanischen Kontinent. Vera versucht diese Frauen aus einer anderen Perspektive zu betrachten. Bei ihr geht es um die Erfahrung der Frauen selbst. Der dritte Teil der Arbeit befasst sich schließlich mit der Frage nach der Darstellbarkeit von Gewalt. Wie ist es möglich von Gewalt zu erzählen, ohne die Gewalt zu reproduzieren? Vera beantwortet diese Frage mit der Reflexion über des Erzählen. Bei ihr wirkt Sprache heilend.
In Zimbabwean literature, the themes of nation, body, violence, language, and memory are closely connected. The dissertation analyses, how the treatment of these themes changed significantly during the 1990s. The focus lies on Yvonne Vera's work and its influence on the image of the female body and the debate about colonial as well as postcolonial violence. The first part deals with the question of nation at the example of various narratives about Nehanda and other female freedom fighters in the Second Chimurenga. Further material is drawn from Vera's "pastural novel", in which she tells about a white settler woman. The second part looks at body concepts in Zimbabwean literature. Special attention is paid to domestic violence and the image of the female body as battlefield. The raped woman and the prostitute are still widely used as symbols for the colonized African continent. Vera tries to break with this tradition by looking at such female characters from the perspective of their own experiences. The third part, finally, raises the issue of the representation of violence. How is possible to write about violence without reproducing it? Vera answers this question by reflecting about narration. Language thus works as a healing power in her texts.

The aim of this study was to explore language censorship in Zimbabwean films in Shona and English. The study concentrated on the themes of politics, culture and economic in the genre of the documentary, feature and short film genres. It was demonstrated that the Zimbabwean laws enabled authorities to impose censorship strategies that ranged from banning, restriction, persecution of filmmakers, withdrawal of films from circulation, and threats of withdrawal of permits of film retailers. These visible, direct and banal forms of censorship have forced some filmmakers to flee the country. Most of the filmmakers who have remained in the country have been forced to deal with themes that appear harmless to the state. This state induced form of self-censorship on the filmmakers has resulted in the production of uncritical, and unreflective films whose staple diet were embedded in cultural stereotypes. The study argued that language is a signifying practice that cannot be interpreted in a single direction. Thus, despite these realities of film censorship some filmmakers deliberately encoded or used verbal and visual film language that generated surplus meanings with which the films could be re-read in ways that reveal new linguistic strategies to evade and challenge both the restrictive censorship laws as well as criticise the undemocratic political culture that has taken root in Zimbabwe. The study used eclectic theories such as Marxism, audience-reception approach, critical legal theories and language theories to analyse the films. The explanatory capacity of these theories helped to reveal the contradictory ways in which the desire to impose restrictions on film meanings was constantly undermined in the innovative language of the films.
African Languages
D. Litt. et Phil. (African Languages)

A thesis submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Master of Art.
This study demonstrates the relationship between nationalism and identity formation by exploring the ways in which Zimbabwean writers have constructed identities within the context of a nationalist struggle for independence. By focusing on the predominant themes of disease, alienation and disintegration, it explores how these identities emphasise difference and heterogeneity in response to the homogenising discourses of colonialism and nationalism. The disparity between the ways in which nationalism articulates itself and is apprehended, and the ways in which nationalism allows for the foregrounding of particular identities is illustrated by reference to the idea of a pact or alliance - an agreement reached on the basis of the necessity of defeating colonialism. WhiIe motivations are often disparate, this common goal allows for a show of unity, often mistaken as homogeneity. The achievement of independence entails a shift in priorities, where those differing identities that previously seemed homogenous, come to the fore precisely to emphasise their difference.
Andrew Chakane 2019

MA (English)
Department of English
This study examines the representation of the Zimbabwean migrant experiences in both regional and international migrations. It utilizes narratives that highlight the experiences of the Zimbabweans who migrate thereby exploring issues of mobility and identity. These narratives are Harare North (2010), An Elegy for Easterly (2010), Zebra Crossing (2013), We Need New Names (2014) and The Maestro, The Magistrate and The Mathematician (2014). These narratives have been utilized in the study to argue that migrants encounter traumatic experiences as they cross either the regional or international spaces they move to in search of better economic prospects. It further explores the kinds of trauma that they are subjected to, ranging from racism, the threat and reality of xenophobic attacks, the intricacy of negotiating an existence and a livelihood in these new spaces, searching for employment, to mention a few. The study argues that the migration experience has a catastrophic effect on the migrants’ psychological state, represented as partially being caused by the realization that the host country presents its own set of challenges and is also hostile, a different reality from the preconceived romanticized view of the countries they migrate to. The study argues that the selected novels foreground the inhospitable nature of the Zimbabwean post-2000 political instabilities and the socio-economic meltdown as fostering the forced trans-migrations of Zimbabweans in an effort to escape poverty and political challenges.
NRF

The research highlights the problems of the diglossic relationship between Shona and English in the teaching-learning situation in Zimbabwe secondary schools. It focuses on how English as a high variety language adversely affects the performance of learners writing 'O' level Shona examinations in secondary schools. The research also confirms that teachers and learners of Shona in Zimbabwean secondary schools have a negative attitude towards Shona. Finally, the use of English in the teaching of Shona, the less hours allocated to Shona, the low esteem of Shona vis-à-vis the dominance of English and the association of English with social mobility impact on the attitude of students towards Shona as a subject. This linguistic attitude coupled with orthographic problems causes low passes in Shona at 'O' level. Hence, one proposes, language awareness campaigns and the use of Shona in the teaching of practical criticism and grammar.
African Languages
M.A. (African Languages)

The Zimbabwean Education Act of 1987 stated that English was the official language of learning and teaching (LoLT) from grade four upwards. From grade three downwards, the mother tongue was to be used. That Education Act was later amended in 2006, to extend the use of the mother tongue up to grade seven. As a college lecturer, I have observed that there is tension between policy and practice. English and indigenous languages are vying for supremacy as the LoLT from as early as the Early Childhood Development (ECD) level. For the majority of these learners, English is a second language. This research aims to investigate problems emanating from the use of English as a second language (ESL) in learning and teaching Environmental Science (ES) at primary school level. Its objectives are to investigate the usefulness of the language policy currently in use in Zimbabwe as well as to investigate empirically, how grades four to seven teachers and their pupils communicate in class during ES lessons; and identify problems resulting from the use of ESL during ES lessons at primary school level and suggest solutions to these problems. I purposively chose ES because I developed interest in that subject when I taught it at college level where I observed many students teaching it for almost three decades. Most of the pupils these students taught struggled to communicate in ESL. My research was not intended to test existing theory. Therefore I chose an inductive (qualitative) approach. I adopted the phenomenological case study in which I collected data from the natural setting, namely: three purposively selected primary schools. I did my pilot study at the fourth school. I used four methods of data collection, namely: direct observation, in-depth interviews, focus group discussions and document analysis. The participants were grades four to seven teachers and their pupils. Findings of this study show that pupils were not willing to participate in class oral discourse. When teachers asked questions, pupils usually gave one-word answers. Teachers and pupils spoke the same first language (L1). So, when they failed to express themselves coherently in English, they code-switched to their L1. When that happened, most of the pupils were eager to talk. They gave correct responses in their L1. Group discussions were very lively when they were held in the pupils’ L1. But when teachers instructed the pupils to discuss in English, many pupils were silenced because of their limited English proficiency (LEP). It was very evident that ESL was a barrier to the learning of ES for many learners. Pupils faced conceptual and communication problems because most of them were not yet proficient enough to use ESL effectively to learn ES. Participants welcomed code-switching to L1 as a solution to their limited English proficiency.
Educational Studies
D. Phil. (Education)

Bibliography: leaves 215-230
This thesis uses a postcolonial framework to analyse the construction and representation of identities of Shona women in selected black and white Zimbabwean-authored fiction in English published between 1890 and 2015. The study traces meanings associated with Shona women’s identities as ascribed by dominant powers in every epoch to create narratives that reflect the power dynamics. The thesis argues that identities are complex, characterized by various intersections such as race, gender, class and ethnicity. Shona women have to negotiate their identities in various circumstances resulting in shifting multiple identities. The thesis focuses on how such identities are represented in the selected texts. Findings reveal that the colonial project sought to write the Shona women out of existence, and when they appeared negative images of dirt, slothfulness and immorality were ascribed to them. These images continued after independence to justify male dominance of women. However, the lived experience of women shows they have agency and tend to shift identities in relation to specific circumstances. Shona women’s identities are dynamic and multifarious as they aim at relevance in their socioeconomic and political circumstances. Representations of Shona women’s identities are therefore influenced by the aim of the one representing them. All representations are therefore arbitrary and must be interrogated in order to deconstruct meaning and understand the power dynamics at play. The works analysed are Olive Schreiner’s Trooper Peter Halket of Mashonaland (1897), Doris Lessing’s The Grass is Singing (1950), Yvonne Vera’s Nehanda (1993), Cythia Marangwanda’s Shards (2014), Valerie Tagwira’s The Uncertainty of Hope (2006), Violet Masilo’s The African Tea Cosy (2010), Eric Harrison’s Jambanja (2006), Dangarembgwa’s The Book of Not (2006), Christopher Mlalazi’s Running with Mother (2012) and Brian Chikwava’s Harare North (2009).
English Studies
D. Litt. et Phil. (English)

The dissertation focuses on the mapping of the southern African urban spaces and how it is linked to the urban dwellers' constitution of their identities, agency and subversion of the obtaining bleak and hegemonic conditions as represented in current fiction set in South Africa and Zimbabwe. Chapter 1 of the dissertation gives an overview of the social and historical developments characterising the construction of the southern African city from the colonial up to the current global city. The subordinate and marginal identities inscribed upon the Southern Africans as well as early forms of agency and subversion of the Western social, political and economic hegemony that has defined the city through out history will be looked at. Michael de Certeau's (1993) ideas showing the hegemonic Western socio-economic agenda's creation of ordinary urban dwellers' invisibility and fragmentation, which they later subvert by renaming and remapping the alienating urban spaces of New York to improve their own lives, will be taken into consideration in this chapter's definition of the construction of the city and urban identities. In Chapter 2, the representation of the southern African urban spaces' cartography in the fiction is discussed. The characteristic spaces ranging from the socially and morally decayed inner-city, the well-built postmodern and elite Central Business District, the affluent low-density suburbs and the far-away impoverished highdensity suburbs will be explored. The discussion attempts a complex unpacking of linkages between the mapping of Harare and Johannesburg with the hegemonic western social and economic agenda as well as the current urban dwellers' state of individual and psychological fragmentation. Chapter 3 examines the way in which the current southern African urban social dislocation is represented in the fiction. The complexity of the urban dislocation signified by the prevalence of violence, xenophobia and HIV/AIDS is discussed. There is also a dialectical analysis ofhow the depicted urban dislocation is located within the legacy of colonialism and apartheid, the western global cultural and economic influence as well as individual effort and decision-making in the chapter. Chapter 4 explores the ways in which gendered urban spaces are portrayed in the fiction. The subordination of primarily women, as well as the weak and dependent irrespective of gender is discussed. The resultant anxieties, alienation, marginalisation of women and the subservient are viewed from the traditional and colonial patriarchy's construction of the city as a predominantly masculine space excluding women. The western global cultural and economic hegemony's creation of a new gendered ideology characterised by the exclusion and feminisation of the poor, invisible and dependent is also discussed in this chapter. Nevertheless, the chapter ends with a discussion of the existing possibilities of female empowerment notably inscribed in the city's open education system, informal trade space as well as the provision of a social space encouraging pragmatic female decision-making especially in relation to HIV and AIDS. Finally the dissertation's concluding note is based on an evaluation of the postcolonial condition of southern Africa in relation to the mapping of the urban spaces and various identities represented in the fiction. An attempt is also made to place the research within the problematic of whether the mapping is based on postcolonialism or postmodernism. The objective here is to offer the importance of a cross-reading between the two as enabling a more meaningful conception of the region's current urban space.
Thesis (M.A.)-University of Natal, Pietermaritzburg, 2003.

This study examines the myth of the surrogate power of canonicity by exposing the condition of liminality of the Zimbabwean short story genre within African literary canon. Building on the hypothesis that canonisation distorts literature the study postulates that literary canon produce predictable biases in construing the position of the short story. It fossilises and condenses the marginal genres to the extent that the existing canon repertoire hardly recognises them. The peripheral but de facto canon of the short story genre entertains a strong relationship of heteronomy to the mainstream/central canon. This thesis studies this relationship which determines canon formation within the African literary systems. It challenges the prevailing status quo in which the short story is polarised against other literary modes. The polarity creates a charged diametric force between the presumed canonical genres and the supposedly non-canonical short story mess. What lacks in this equation of conflicts is a sense of revival, reformation and continuity of the short story canon. The marginality of the short story canon is predicated on factors external to the genre itself, such as the influence of colonial institutions, collegiate institutions and publishers on writers. These factors pervade the dialectics of canonical marginality of the genre. The study, which argues that there is no unanimity on theory of canon, proposes Africulture, as both a theory and praxis of Afrocentricity, to function as an arbiter of short story literary reputation and consecration. The research reveres the autonomous value of African story-telling tradition which withstood the test and movement of time, in the process, surviving not only the historical-cum-cultural threat of colonial loss and canonical displacement, but also the throes and will power of new media and digital technologies. The ascendancy of the electronic short story genre to canonical status remains questionable. Critical controversies abound about the canonicity of electronic literature. The study employs Technauriture as a theoretical model for rethinking the transcendence of the electronic short story canon. The study concludes that, by virtue of its resilience, the short story ought to be treated as a wholesale and independent genre, worth of full scale appreciation.
African Languages
D. Litt. et Phil. (African Languages)

This dissertation is a study of women and utterance in contexts of violence in the three selected novels written by the late Yvonne Vera: Nehanda (1993), Without a Name (1994), and The Stone Virgins (2002). A study of the representation of women in particular is appropriate because their role in the making of the history of Zimbabwe has been deliberately undermined or ignored by 'patriotic' historians and politicians alike. This study incorporates a historical and post-colonial feminist analysis of women and their empowerment through utterance in Vera's novels. Their achieving utterance is seen as a way of countering a past tendency to focus on women being victims of patriarchal ideologies with little being done to expose the degree and nature of women's resistance against oppressive, socially constructed gender relations. The kind of violence experienced by Vera's women is both physical (rape and murder) and psychological. Two dimensions of utterance have been explored in this study. Firstly, the study examined what the characters can and cannot say about their conditions of suffering. This entailed an examination of their cultural and contextual limitations as well as their personal difficulties. Secondly, the study investigated how Vera, writing some fifteen years after the events she depicts and with the advantage of hindsight, represents her women characters as agents of their own recovery from the violation perpetrated against them. This involved an analysis of Vera's utterance and her thematic concerns, especially her revisioning of history in breaking the silence of her women characters. Positioned in relation to existing critical works on Vera's novels, this study's contribution to the critical debate has been its demonstration of how Vera, through the use of her narrative technique and unique poetic style was able to challenge the conditions of women in the past in a way that has relevance to present-day Zimbabwe and offers possibilities for the future Zimbabwe.
Thesis (M.A.)-University of KwaZulu-Natal, 2006.

This study critically explores the numerous strains of “madness” that Zimbabwean authors represent in their postcolonial literature. My focus is on their reflection of “madness” as either an individual state of being, or as symptomatic of the socio-political and economic condition in the country. I have adopted insights from an existential psychoanalytic framework in my literary analysis in order to bring in an innovative dimension to this investigation of the phenomenon. I consider this an appropriate stance for this study as it has enriched my reading of the literary texts under study, as well as played a crucial role in providing me with effective conceptual tools for understanding the manifestations of “madness” in the texts. The literary works that I critique are Shimmer Chinodya’s Chairman of Fools (2009), Mashingaidze Gomo’s A Fine Madness (2010), Brian Chikwava’s Harare North, Petina Gappah’s An Elegy for Easterly (2009), Tsitsi Dangarembga’s The Book of Not (2006) and Yvonne Vera’s Without a Name (1994) and Butterfly Burning (1998). These selected texts offer me an opportunity to analyse the gender dynamics and discourses of “madness”, which I do from a peculiarly indigenous and feminist perspective. My study reveals that these authors’ representations are located in and shaped by very specific temporal and spatial contexts, which, in turn, shed light on the characters’ existential reality, revealing aspects of their relationship with the world around them. It demonstrates that their notions of “madness” denote different markers of identity, such as race, class, gender, and religion, amongst others. Significantly, my literary analysis illustrates the varied permutations of “madness” by exposing how these authors characterise the phenomenon as trauma, as alienation, as depression, as insanity, as subversion, as freedom, and even as a sign of the state of affairs in Zimbabwe. This investigation also reveals that because “madness” in these authors’ fiction is intricately linked to the question of identity, it manifests in situations where the characters’ sense of ontological security is compromised in some way. What emerges is that “madness” can either signify a grapple with identity, a loss of it, or a struggle for its redefinition
English Studies
D.Litt. et Phil. (English)

The aim of this study is to offer a critical analysis of representations of gender violence and resistance to such violence in selected novels by Zimbabwean women writers. A great deal of scholarship on Zimbabwean women writers focuses on well-known authors such as Yvonne Vera and Tsitsi Dangarembga. Even here, the critical emphasis tends to be on the representation of women’s suffering under patriarchy and their status as victims. Although the exposure of gendered suffering is important, these studies often fail to take into consideration the female characters’ agency and survival strategies, including how they go about rebuilding lives and identities in the aftermath of violence. This thesis argues that the fictional texts of other, lesser known Zimbabwean authors are similarly worthy of critical scrutiny, yielding as they can important insights into female characters’ resistance to gender violence. The current study analyses Zimbabwean women writers’ literary contributions to discourses on gender-based violence and explores how female characters have embraced the concept of agency to recreate their identities and to introduce a new gender ethos into the contexts of lives that are often shaped by severe restrictions and oppression. Violence is a phenomenon that is always shaped by specific cultural, ideological and socio-economic forces. As the study shows, characters’ identities are constituted by the complex intersections of a number of markers of difference, including their gender, race and class. This study thus regards identity as intersectional and takes all these factors into consideration in its analysis of the representations of violence and resistance in the selected texts. The study also aims to determine whether these literary representations offer any solutions to the difficulties of characters affected by or living with violence. The works critiqued are Lillian Masitera’s The Trail (2000), Valerie Tagwira’s The Uncertainty of Hope (2006), Virginia Phiri’s Highway Queen (2010) and Violet Masilo’s The African Tea Cosy (2010).
English Studies
D. Litt. et Phil. (English)

The study critically explored the language of reportage of the Zimbabwe Land Reform programme as presented in selected Shona and English newspapers in Zimbabwe. The study focused on Kwayedza, The Herald, The Daily News and The Daily Mirror. The objective was to find out whether or not the verbal and visual languages used in reporting the Land Reform programme left readers more knowledgeable about the programme, and then adopt a critical attitude towards the Land Reform exercise. The study used qualitative textual analysis to unpack the language frames used in representing Land Reform in the selected newspapers. Some relevant critical voices from readers were also enlisted in order to support or complicate interpretations of how Land Reform was portrayed in the selected stories. Kwayedza and The Herald unequivocally supported the Land Reform. This official stance was contested in Chapter Four in which The Daily News adopted an ideological position opposed to both the idea of the Land Reform and the confiscatory way the land was repossessed. The Daily News’ extremely negative criticism of the Land Reform was challenged and then modified in The Daily Mirror. The Daily Mirror criticised both the government’s extremely supportive view of the Land Reform. The Daily Mirror also openly criticised The Daily News for refusing to acknowledge the historical inevitability and necessity of the Land Reform. The Daily Mirror advanced a perspective that suggested that Land Reform programme should benefit the masses more than the elites. It was argued that in contexts of political change such as that of Zimbabwe, newspapers take a stance and support particular ideological interests.
African Languages
D. Litt. et Phil. (African Languages)

This study discusses the evolutionist approach to African history as an action plan for challenging the hegemony of English in university education and in the teaching and writing of literature in post-independence Africa. The researcher selected Zimbabwe’s university education and literary practice as the microcosm case studies whilst Africa’s university education and literary practice in general, were used as macrocosmic case studies for the study. Some two universities: the Midlands State University and the Great Zimbabwe State University and some six academic departments from the two universities were on target. The researcher used questionnaires to access data from university students and lecturers and he used interviews to gather data from university departmental Chairpersons, scholars, fiction writers and stakeholders in organizations that deal with language growth and development in Zimbabwe. Data from questionnaires was analysed on the basis of numerical scores and percentage of responses. By virtue of its not being easily quantified, data from interviews was presented through capturing what each of the thirteen key informants said and was then analysed on the basis of the hegemonic theory that is proposed in this study. The research findings were discussed using: the evolutionist approach to the history of Africa; data from document analysis; information gathered through the use of the participant and observer technique and using examples from what happened and/or is still happening in the different African countries. The study established that the approaches which have so far been used to challenge the hegemony of English in post-independence Africa are not effective. The approaches are six in total. They are the essentialist, the assimilationist, the developmentalist, the code-switch, the multilingualist and the syncretic. They are ineffective since they are used in a wrong era: That era, is the era of Neocolonialism (Americanization of the world). Therefore, the researcher has recommended the use of the evolutionist approach to African history as a strategy for challenging the hegemony in question. The approach lobbies that, for Africa to successfully challenge that hegemony, she should first of all move her history from the era of Neocolonialism as she enters the era of Nationalism.
African Languages
(D.Litt. et Phil. (African Languages))

The Rhodesian and Zimbabwean space-time involved the creation and adoption of hegemonic discourses that influenced ways of behavior, thinking, perceiving reality and particular ways of identity construction based on mystifying nationalisms. In raced and politically charged spaces, such grand narratives depended, for their currency, on stereotypes, essentialisms, domination and dichotomization of ‘nation as narration’. The metanarratives of the two spaces functioned as discursive tools for the legitimation of particular forms of exclusions, elisions and distortions. As discursive and polemical literary tools, these discourses always found sustenance and perpetuation in the existence of a different other. In other words, these constructed narratives sought to use difference as a basis for scapegoating and naturalizing racial, economic, political and resource asymmetries in the Rhodesian and Zimbabwean spaces. Power was wielded not in the service of, but against, the majority who are marginalized. This study explores John Eppel’s writings on the constructions of both Rhodesia and Zimbabwe as ideological spaces for the legitimation of power based on class, race and politics. I argue that Eppel’s selected writings are a literary intervention that proffers a satirically dissident critique of the foundational myths, symbols and narratives of Rhodesian and Zimbabwean space-time. The study argues that Eppel offers literary resistance to unproblematized identity compositions predicated on socially constructed but skewed categories that limit the contours of belonging and citizenship. The Rhodesian space is viewed as a palimpsest upon which is overwritten the Zimbabwean patriotic discourse that also authorize racism, marginalization, power abuse and other forms of exclusion. In examining Eppel’s satiric disruption of both spaces, I use certain strands of the Postcolonial Theory that problematize issues of nation, identity, race, tribe and power. Its usefulness lies in its rejection of fixities, of absolutes and in its general counter-hegemonic thrust. I therefore invoke the theorizations of Frantz Fanon, Homi Bhabha, Maria Lara, Paul Gilroy, Mikhail Bakhtin and Benita Parry. These form the theoretical base with which the study confronts Eppel’s writings on Rhodesia and Zimbabwe. The focal texts used are: Absent: The English Teacher (2009), selected short stories in White Man Crawling (2007) and The Caruso of Colleen Bawn (2004), The Holy Innocents (2002), Hatchings (2006), selected poems from Spoils of War (1989), Songs my Country Taught me: Selected Poems 1965-2005(2005) and D.G.G.Berry’s The Great North Road (1992). I conclude by arguing that Eppel creates a fictional life-world where race, origin, politics, class and culture are figured as polarizing identity markers that should be re-negotiated and even transcended in order to materialize a more inclusive multicultural society. To the extent that both the colonial and post-independence eras cross-fertilize each other in terms of occlusions, creating hegemonic narratives, resort to race, violence, silencing and erasure of certain subjectivities, Eppel advocates the ‘hatching’ of a new national, moral and inclusive ethos that supersedes the claustrophobia of both spaces.
English Studies
D. Litt. et Phil.(English)

Includes bibliographical references (leaves 84-91)
My thesis focuses on the representation of marginalized voices and trauma in the selected fiction of Tsitsi Dangarembga and Yvonne Vera. I analyze three novels written by the Yvonne Vera—Without a Name (1994), Under the Tongue(1996) and The Stone Virgins(2002) set during the Zimbabwe liberation struggle period and postcolonial Zimbabwe dissident era respectively and Nervous Conditions(1988) and its sequel, The Book of Not (1996), by Dangarembga set during the 1960s to 1970s colonial Rhodesia period (the colonial name for Zimbabwe) and during the period of white‐minority rule in Rhodesia to the attainment of independence in 1980. I analyze these novels from the feminist/womanist, gender and postcolonial literary models. The rational for grouping these theoretical models in the analysis in this thesis is that they commonly highlight from a gender perspective the complex factors which oppress and marginalize women in the colonial and postcolonial contexts in which the two authors set their writings. These literary paradigms highlight the oppression of women from an African perspective and all acknowledge the need to address all factors which oppress and subordinate women (gender, race, class) if total emancipation for them is to be achieved. I also posit that Vera and Dangarembga offer discourses that challenge the silencing of narratives of oppression and violation in their novels selected for analysis in this thesis. The thesis has five chapters. In Chapter 1, I set out the argument of the thesis and give a brief history of gendered colonialism and the historical period which provides a setting for the fiction of the two authors. Next, I describe the conceptual framework I will use in analyzing the works of the two postcolonial Zimbabwe female writers. Then I will outline the research questions and hypothesis and expose the research methodology and approach that will serve as my vehicle for data collection, analysis and interpretation. In Chapter 2, I will focus on gender, class and race and discuss the ways Dangarembga explores these factors in Nervous Conditions and The Book of Not. I will also discuss innovate ways women explore to champion their freedom and voice in the fiction of Dangarembga. Chapter 3 focuses on the novels of Yvonne Vera— Without a Name, Under the Tongue and The stone Virgins —which articulate narratives of violated subjects and silenced voices. I will discuss the ways Vera explores to show how narratives of violated subjects are silenced by patriarchy, colonialism and masculine narratives of nationalism in these novels. Chapter 4 focuses on narratives of trauma. Using theories of trauma, I will analyze Without a Name, Under the Tongue and The Stone Virgins by Vera and show how these narratives articulate colonial and postcolonial trauma and female child trauma. I will also discuss The Book of Not by Dangarembga and show how the novel articulates colonial and racial trauma. My discussion of the novels of Vera and Dangarembga in this chapter will show that these novels work out traumatic experiences in the colonial and postcolonial eras and will also reveal the challenges of representing tra
English Studies
M.A. (English)

A research report submitted in fulfillment of requirements for the degree of Masters in African Literature of Faculty of Humanities, University of the Witwatersrand, April 2017
This research report uses the “Frozen Image” - a widely circulated photograph taken by the British South Africa Company of Mbuya Nehanda and Sekuru Kaguvi, the female and male Shona Mhondoros who led Zimbabwe’s first anti-colonial uprising against the settlers, as its point of departure to explore the relationship between settler-colonial, nationalist, patriarchal and feminist versions of Mbuya Nehanda’s role and agency in the First Chimurenga. This paper begins by demonstrating that it is necessary for nationalist discourses to seek to “lock in” the histories embodied in visual moments such as the widely and historically circulated “Frozen Image”, arguing that they are reliant on the “fixedness” of gendered national temporalities. I argue that Charles Samupindi’s Death Throes: The Trial Against Mbuya Nehanda demonstrates that when the challenge to settler-colonial projections of an African past go unaccompanied by an interrogation of historical gender relations and a broader challenge to Western modernities, it is necessary to remain faithful to, and narrate the Frozen Image, in a self-conscious, realist, imaginatively constrained narrative project. This is whereas Yvonne Vera’s, Nehanda demonstrates that it is possible to “move beyond the image” to create a liberatory, poetic and imaginative narrative project.
XL2018

Various researches across the world have established that graffiti writing is a universal social practice. The actual occurrence or manifestation of graffiti is however far from being universal cross-culturally. It varies based on a wide array of social variables. This research therefore set out to interrogate the occurrence of graffiti writing as a unique social practice in Zimbabwean urban areas. Three Zimbabwean urban areas (Harare, Chitungwiza and Gweru) were specifically sampled for the collection of graffiti inscriptions on various surfaces which included toilet walls, durawalls as well as road signs. Graffiti data collected from the various surfaces was complemented by reader feedback contributions from The Herald and Newsday. Focus group discussions provided a third tier of data aimed at establishing participants’ multiple reactions towards the practice of graffiti. Analysis of data was done based on three significant sections of participants’ attitudes towards graffiti, urban street protest graffiti as well as educational graffiti collected from various toilet surfaces in urban areas. Participants’ attitudes towards graffiti revealed varied reactions towards the practice of graffiti. The reactions were partly influenced by the participants’ ages as well as levels of education and maturity. Age and maturity proved to be predictors of the extent to which participants were willing to be pragmatic in so far as the appreciation of graffiti writing is concerned. Older and more experienced and mature participants were thus willing to look past the ‘deviant’ nature of graffiti writing to consider the various pressures that force writers to take to the wall. Urban street protest graffiti is a term coined in this research to capture the unique type of graffiti that is written on various surfaces along streets in urban areas. This highly textual graffiti is drastically different from the post-graffiti commonly found in Western urban cities and is aptly referred to as street art. Urban street protest mainly manifested itself in Zimbabwean urban areas in two main themes of protest inscriptions directed towards the operations of Zimbabwe’s electrical energy supplier (commonly referred to by its former name of the Zimbabwe Electricity Supply Authority - ZESA) as well as through political inscriptions. Political inscriptions expose a high degree of nuances that have not been hitherto discussed in literature on political graffiti inscriptions. The research analysed how graffiti writing can be employed for both pro-hegemonic and anti-hegemonic purposes. Inscriptions in high schools and tertiary institutions highlighted a differential construction of discourse on a gendered basis. Inscriptions in female toilets indicated a tendency of graffiti writers to perpetuate dominant educational, health, traditional and religious discourses which assert male dominance. The inscriptions show a major preoccupation with restricting or policing of female sexuality by fellow students mainly through the discursive usages of social corrective Shona labels such as hure (prostitute) and gaba ([big] tin). These are labels that are virtually absent in graffiti inscriptions in male toilets which is suggestive of a situation whereby female inscriptions are conservative. A consequence of such conservatism in inscriptions in female toilets is that no new sexualities are reconstructed and negotiated through discourses in discursive spaces provided by the inherently private nature of toilets in general. Thus, cultural and religious normative expectations are regarded as still weighing heavily on female high school writers in the construction and negotiation of sexuality and gendered behaviours, attitudes, norms and values through discourses constructed through graffiti. In contrast, male inscriptions highlight a major subversion of dominant discourses on abstinence and responsible sexual behaviours and attitudes. Corrective social labels such as ngochani (gay person) are mainly employed to pressure males into indulging and engaging in heterosexual behaviours. Discourses constructed through graffiti inscriptions in male toilets also demonstrate how sexuality is constructed through debate on the appropriateness of marginalised sexualities such as masturbation and homosexuality.
African Languages
D. Litt. et Phil. (African Languages)

This study seeks to understand colonial narratives of Zimbabwe 1860-1900 as a locus of transgression and opposition. I investigate the range and complexity of discourses within the imperial project open to both European male and female writers, their shifts over time or within one or more texts. Narratives of the explorer, missionary, hunter and soldier are examined as a literary genre in which attempts were made to re-imagine the Western self through an encounter with Africans. I consider how positions from which the European in the colonies could speak and write were reformulated. This study will employ Foucauldian discourse theory in an analysis of the British 'civilizing mission' in Central Southern Africa. The Introduction examines existing historical and theoretical approaches in this field and argues for a particular use of Foucualt's insights and vocabulary. Chapter One is concerned with the way European explorers constituted notions of 'civilized nations' in Europe and 'primitive tribes' in Africa . I then question how this process of division and exclusion was reinforced by the mythography of an EI Dorado in the African interior. In Chapter Two I consider how Colonial Man was constituted in different ways by Victorian discourses of adventure, travel and conquest. I also attempt to account for the effects that followed the activation, within colonial culture, of structures of exclusion and division based on race or class. Chapter Three focuses on the economic dimension of a dissident LMS missionary and the sustained resistance to Western philanthropy among the Ndebele. I also examine the later Mashonaland mission where the missionary-administrator became instrumental in the division and control of Africans. In the final chapter I consider discursive formations which sought to constrain African resistance during the 1896-7 Chimurenga and the institutionalization of a settler order in the post-Chimurenga era.
Thesis (Ph.D.)-University of Natal, Durban, 1998.

Academic achievement in the context of the school necessarily involves a whole range of factors. The education system and schools in particular, have assumed the primacy of cognitive attributions in the learner over that of any other factors in the shaping and honing of individual academic achievement. However, the literature revealed that the learning process within the school environment feeds on a plethora of explanations for academic success or otherwise. Much work by researchers has focused on factors other than the cognitive, in an attempt to explain good or weak academic achievement. Certainly the separation of the cognitive from the affective in terms of achievement is impractical, as revealed by the literature. However the literature also contradicts received wisdom which suggests the omniscience of the cognitive as an explanatory tool for academic performance. This investigation focused on factors other than the cognitive in order to seek reasons for academic success. Three important affective factors were selected from the literature in order to ascertain whether these factors played a role in academic achievement or indeed if there was a relationship between these factors and scholastic success or otherwise. An empirical investigation was conducted which consisted primarily of a questionnaire for form four students in English classes. The questionnaire consisted of four sections with a total of 81 items. It was completed by 271 students attending five schools in Mutare Zimbabwe. Statistical analyses revealed that the affective factors attitudes towards English, self-concepts of academic ability and student perceptions of their teachers of English correlated significantly. The analyses also revealed that the selected factors took up 33% of the variance and that within that 33% the area in which students lived was the most important factor contributing to academic achievement whilst I.Q. and student self-concept of academic ability followed closely. The results of the literature study and the empirical investigation demonstrated that there are factors other than the cognitive which are important in terms of academic success in school As a result recommendations were made regarding school based programmes where the aim is to enhance affective factors and therefore achievement.
Educational Studies
D.Ed. (Psychology of Education)

This study analyses the perspectives of teachers on English as a language of learning and teaching in the context of government recommendations that Shona and Ndebele be used alongside English as languages of learning and teaching in Zimbabwean secondary schools. Through a questionnaire survey, open interviews and classroom observation, it was found that the teachers regard English as a language of learning and teaching in a positive way though they are aware of the difficulties associated with its use. There was a high consensus on the desirability of English among teachers as informants with various attributes obtained attitude, pedagogical beliefs and perceived difficulties scores that were, in the main, not statistically significant. It also emerged that government recommendations for the use of endoglossic languages as languages of learning and teaching (LoLT) have not been complemented by concrete measures and that the subsequent efforts to change the language-in-education policy have so far seemed insincere.
Linguistics
M.A. (With specialisation in Applied Linguistics)

In 1998 I conducted a series of interviews with Zimbabweans who recounted, often using English, their memories of Albert Sumbo-Ncube. From these I have selected and transcribed five interviews with ZIPRA ex-combatants in which they tell the story, as they remember and elaborate on their memories, of Sumbo's escape from Rhodesian police custody at the Victoria Falls in 1977 during the Zimbabwean liberation struggle. The interviews represent Sumbo as a hero and reveal the folk hero creation process at work. This hero figure was created by people who needed an effective figure of oppositional propaganda and who did not have access to the technology and resources of the Rhodesian government. Their narratives were communicated orally and they fused material found in the Rhodesian government-controlled newspapers with an amaNdebele oral tradition. I shall draw on Hobsbawm's (1972) notions of the social bandit and Robens's (1989) study of the folk hero creation amongst post-slavery African-Americans in order to understand the ZIPRA guerrillas' hero creation. The Sumbo folk hero creation served to promote an ideal self for the Zimbabwean guerrillas and their recruits. Sumbo's daring and his ability successfully to defy authority evoked admiration amongst the guerrillas in the 1970s, and in 1998 revives for them the idealism of the struggle. In Zimbabwe the 'hero' has become a contested category, because of the government's will to control the historical representation of the liberation struggle by promoting an official history with official categories of heroes. Working with Barber's notion of popular African arts (1987 and 1997), I argue that a folk hero can be redefined as a 'popular hero' when created by a proletariat and expressed by means of a popular art form. The interviewees use a specific form, the oral historical narrative, to preserve and transmit the Sumbo hero figure. I argue that though this oral historical narrative is less fixed in form and occasion than praise poetry, songs and genealogies, it nevertheless possesses identifiable and recurrent characteristics and I have established a number of criteria for identifying oral historical narrative as a genre. In order to avoid taking a generalised and essentialising approach to the notion of 'African culture', I have drawn on theory that is as specific as possible to the understanding of oral historical narratives within the context of siNdebele speakers in Zimbabwe. I have drawn on research published by Hofmeyr (1993) and Scheub (1975) because they focused on Nguni-speaking societies. Their research is further supported by my own research conducted in the rural area of Tsholotsho in Zimbabwe. The analysis of the oral historical narrative genre used by the interviewees demonstrates that significant formal and performance skills occur in this type of narrative which takes place within apparently informal conversations.
Thesis (M.A.)-University of Natal, Durban, 2000.

Various researches across the world have established that graffiti writing is a universal social practice. The actual occurrence or manifestation of graffiti is however far from being universal cross-culturally. It varies based on a wide array of social variables. This research therefore set out to interrogate the occurrence of graffiti writing as a unique social practice in Zimbabwean urban areas. Three Zimbabwean urban areas (Harare, Chitungwiza and Gweru) were specifically sampled for the collection of graffiti inscriptions on various surfaces which included toilet walls, durawalls as well as road signs. Graffiti data collected from the various surfaces was complemented by reader feedback contributions from The Herald and Newsday. Focus group discussions provided a third tier of data aimed at establishing participants’ multiple reactions towards the practice of graffiti. Analysis of data was done based on three significant sections of participants’ attitudes towards graffiti, urban street protest graffiti as well as educational graffiti collected from various toilet surfaces in urban areas. Participants’ attitudes towards graffiti revealed varied reactions towards the practice of graffiti. The reactions were partly influenced by the participants’ ages as well as levels of education and maturity. Age and maturity proved to be predictors of the extent to which participants were willing to be pragmatic in so far as the appreciation of graffiti writing is concerned. Older and more experienced and mature participants were thus willing to look past the ‘deviant’ nature of graffiti writing to consider the various pressures that force writers to take to the wall. Urban street protest graffiti is a term coined in this research to capture the unique type of graffiti that is written on various surfaces along streets in urban areas. This highly textual graffiti is drastically different from the post-graffiti commonly found in Western urban cities and is aptly referred to as street art. Urban street protest mainly manifested itself in Zimbabwean urban areas in two main themes of protest inscriptions directed towards the operations of Zimbabwe’s electrical energy supplier (commonly referred to by its former name of the Zimbabwe Electricity Supply Authority - ZESA) as well as through political inscriptions. Political inscriptions expose a high degree of nuances that have not been hitherto discussed in literature on political graffiti inscriptions. The research analysed how graffiti writing can be employed for both pro-hegemonic and anti-hegemonic purposes. Inscriptions in high schools and tertiary institutions highlighted a differential construction of discourse on a gendered basis. Inscriptions in female toilets indicated a tendency of graffiti writers to perpetuate dominant educational, health, traditional and religious discourses which assert male dominance. The inscriptions show a major preoccupation with restricting or policing of female sexuality by fellow students mainly through the discursive usages of social corrective Shona labels such as hure (prostitute) and gaba ([big] tin). These are labels that are virtually absent in graffiti inscriptions in male toilets which is suggestive of a situation whereby female inscriptions are conservative. A consequence of such conservatism in inscriptions in female toilets is that no new sexualities are reconstructed and negotiated through discourses in discursive spaces provided by the inherently private nature of toilets in general. Thus, cultural and religious normative expectations are regarded as still weighing heavily on female high school writers in the construction and negotiation of sexuality and gendered behaviours, attitudes, norms and values through discourses constructed through graffiti. In contrast, male inscriptions highlight a major subversion of dominant discourses on abstinence and responsible sexual behaviours and attitudes. Corrective social labels such as ngochani (gay person) are mainly employed to pressure males into indulging and engaging in heterosexual behaviours. Discourses constructed through graffiti inscriptions in male toilets also demonstrate how sexuality is constructed through debate on the appropriateness of marginalised sexualities such as masturbation and homosexuality.
African Languages
D. Litt. et Phil. (African Languages)

This study sought to examine linguistic and discursive strategies used to construct messages reflective of the implementation of the HIV and AIDS policy for Zimbabwe of 1999 by government and private newspapers. Such analysis was perceived to be important since media content has a bearing on Zimbabweans‘ perception and attitudes regarding HIV and AIDS prevention, treatment and control. The study was aimed at comparing messages from newspapers with views by the people of Zimbabwe regarding the implementation of the policy. Findings reveal that empowerment programmes particularly those targeting women and children are lagging behind as Zimbabweans, literature and newspaper data sources testify. In addition, information sources concur that cultural (For example, stigmatisation, polygamy, religious practices, spouse inheritance) and structural (For example, patriarchy, masculinity, bureaucracy, politics) are stumbling blocks that negatively affect the implementation of the policy. Further, even though private and government newspapers do not fully agree on the portrayal of human agents, there is a general consensus between newspaper reports and Zimbabweans that people still face socio-economic and econo-political challenges that militate against the smooth implementation of the HIV and AIDS policy. Government newspapers tend to downplay aspects which reveal inadequacies of government activities. The study notes this as betrayal of use of ideological squares both by government and private newspapers whereby certain aspects regarding the implementation of the policy are either downplayed or highlighted to influence perception. The study reveals that newspaper reports used nominalisation, quantification, positive politeness, thematisation, rhematisation, intertextuality, euphemism, proverbs, idioms, action verbs, metaphors and citation of experts as linguistic and discursive strategies both for agenda setting and building purposes regarding the implementation of the HIV and AIDS policy. Other devices used particularly in the encoding of Operation Murambatsvina are, claptraps, deictic referencing, personal pronouns, adjectives and direct speech. The study attributes problems regarding the Zimbabwean HIV and AIDS intervention model to the top – down approach inherent in the policy. Hence, the call for an adoption of an unhu/hunhu/ubuntu inspired bottom – up HIV and AIDS intervention model in Zimbabwe. This would inculcate pro-family, pro-village, pro-nation/people and ―servant leadership‖ (Mangena and Chitando, 2011) values in the fight against the pandemic through the embracing of Indigenous Knowledge Systems (IKS). Unfortunately, such values largely continue to elude the radar of the current top – down HIV and AIDS intervention model cuurently in use in Zimbabwe.
African Languages
D. Litt et Phil. (African Languages)

The research study was conducted to investigate the effectiveness of the instructional methods, particularly the lecture-discussion instructional method as a teaching and learning method at grade 7 level, in Shurugwi district, Zimbabwe. The subject taught being English language. The experimental method (quasi-experimental) used at the twenty chosen schools was the pre-test and post test group method. It was found that the lecture-discussion instructional method produced better results in more cases than the discussion method alone. It was also found that work produced by the lecture-discussion instructional method was more refined than work produced by the discussion method alone. Guided learners were more work focused than learners discussing alone without a teacher. Average and below average learners did not enjoy learning without the presence of the teacher talk. The learners, during teacher absence, seemed hesitant and confused at times. The lecture-discussion method seems to cater for all the learners and their learning styles. The importance of the teacher in the class was clearly demonstrated by the work and results produced by the learners at the twenty selected primary schools in Shurugwi district, Midlands province, Zimbabwe. All the learners that received treatment from the experiment produced better results than their control groups that did not receive the treatment. However, conclusions and generalisations can not be made because the samples used and the areas covered were too small in size. The learners studied were too few to make meaningful generalisations and conclusions for the country. Further researches should be carried out in future.
Curriculum and Instructional Studies
M. Ed. (Didactics)