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Relevant bibliographies by topics / Zimbabwean Sculpture

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Academic literature on the topic 'Zimbabwean Sculpture'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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Journal articles on the topic "Zimbabwean Sculpture"

1

Cousins, Jane. "The making of Zimbabwean stone sculpture." Third Text 5, no. 13 (January 1991): 31–42. http://dx.doi.org/10.1080/09528829108576287.

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2

Magee-Curtis, Carol, and Olivier Sultan. "Life in Stone: Zimbabwean Sculpture Birth of a Contemporary Art Form." African Arts 27, no. 3 (July 1994): 24. http://dx.doi.org/10.2307/3337195.

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3

Patton, Sharon F. "Zimbabwe Contemporary Stone Sculpture." African Arts 19, no. 1 (November 1985): 78. http://dx.doi.org/10.2307/3336389.

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4

Kontschán, Jenő, and Sergey G. Ermilov. "Two new species of the genus Bloszykiella (Acari: Uropodidae) from the Afrotropical region." Systematic and Applied Acarology 25, no. 10 (October 9, 2020): 1915–23. http://dx.doi.org/10.11158/saa.25.10.14.

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Two new Bloszykiella species are discovered and described from the Afrotropical realm. Bloszykiella rammsteini sp. nov. (from Zimbabwe) differs from its congeners in the sculptural pattern of the dorsal shield, the strongly sclerotized U-shaped grooves on the dorsal shield and pilose dorsal setae. Bloszykiella lindemanni sp. nov. (from Rwanda) differs from the other species in the shape of the sternal setae, setae on the apical margin of the pygidial shield and the sculptural pattern of the female genital shield.

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5

Rödlach, Alexander. "Popular Images of the AIDS Epidemic: Contemporary Wood Sculptures from Southern Zimbabwe." African Arts 43, no. 2 (June 2010): 54–67. http://dx.doi.org/10.1162/afar.2010.43.2.54.

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6

"Shona Sculpture of Zimbabwe." African Arts 21, no. 1 (November 1987): 83. http://dx.doi.org/10.2307/3336514.

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Dissertations / Theses on the topic "Zimbabwean Sculpture"

1

Samwanda, Biggie. "Postcolonial monuments and public sculpture in Zimbabwe." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006825.

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The study critically examines public art in postcolonial Zimbabwe‘s cities of Harare and Bulawayo. In a case by case approach, I analyse the National Heroes Acre and Old Bulawayo monuments, and three contemporary sculptures – Dominic Benhura‘s Leapfrog (1993) and Adam Madebe‘s Ploughman (1987) and Looking into the future (1985). I used a qualitative research methodology to collect and analyse data. My research design utilised in-depth interviews, observation, content and document analysis, and photography to gather nuanced data and these methods ensured that data collected is validated and/or triangulated. I argue that in Zimbabwe, monuments and public sculpture serve as the necessary interface of the visual, cultural and political discourse of a postcolonial nation that is constantly in transition and dialogue with the everyday realities of trying to understand and construct a national identity from a nest of sub-cultures. I further argue that monuments and public sculpture in Zimbabwe abound with political imperatives given that, as visual artefacts that interlace with ritual performance, they are conscious creations of society and are therefore constitutive of that society‘s heritage and social memory. Since independence in 1980, monuments and public sculpture have helped to open up discursive space and dialogue on national issues and myths. Such discursive spaces and dialogues, I also argue, have been particularly animated from the late 1990s to the present, a period in which the nation has engaged in self-introspection in the face of socio-political change and challenges in the continual process of imagining the Zimbabwean nation. Little research focusing on postcolonial public art in Zimbabwe has hitherto been undertaken. This study addresses gaps in this literature while also providing a spring board from which future studies may emerge.
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Books on the topic "Zimbabwean Sculpture"

1

Milan, Knížák, Pastýříková Lenka, Winter-Irving Celia, and Veletržní Palác v. Praze, eds. Současné zimbabwské sochařství =: Contemporary Zimbabwean sculpture. V Praze: Národní galerie, 2007.

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Milan, Knížák, Pastýříková Lenka, Winter-Irving Celia, and Veletržní Palác v. Praze, eds. Současné zimbabwské sochařství =: Contemporary Zimbabwean sculpture. V Praze: Národní galerie, 2007.

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3

Imbrová, Marie. Stone sculpture in Zimbabwe. Harare: Delegation of the European Commission to the Republic of Zimbabwe, 2009.

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4

Sultan, Olivier. Life in Stone: Zimbabwean sculpture : birth of a contemporary art form. Harare: Baobab Books, 1994.

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5

Peter, Fernandes, ed. Life in Stone: Zimbabwean sculpture : birth of a contemporary art form. Harare: Baobab Books, 1992.

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6

Hermann, Pollig, Winkler Monika, Institut für Auslandsbeziehungen, and Forum für Kulturaustausch (Stuttgart, Germany), eds. Zimbabwe, Skulpturen 1986-1988. Stuttgart: Institut für Auslandsbeziehungen, 1989.

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7

Sandra, Federici, and Marchesini Reggiani Andrea, eds. Tengenenge: E la scultura dello Zimbabwe. Bologna: Lai-momo, 1998.

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8

1960-, Nyanhongo Agnes, and Chapungu Sculpture Park, eds. Agnes Nyanhongo, sculptor. Harare, Zimbabwe: Chapungu Sculpture Park and A. Nyanhongo, 2002.

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9

Ltd, Friends Forever (Pvt), ed. Friends Forever: Contemporary master sculptors of Zimbabwe. Ruwa, Zimbabwe: Friends Forever (Pvt) Ltd., 2007.

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10

Ltd, Friends Forever (Pvt), ed. Friends Forever: Contemporary master sculptors of Zimbabwe. Ruwa, Zimbabwe: Friends Forever (Pvt) Ltd., 2007.

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Book chapters on the topic "Zimbabwean Sculpture"

1

Larkin, Lance L. "Carving the Nation: Zimbabwean Sculptors and the Contested Heritage of Aesthetics." In Contested Cultural Heritage, 233–59. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-7305-4_11.

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2

Maritz, Jessie. "Sculpture at Heroes’ Acre, Harare, Zimbabwe:1 Classical InXuences?" In Classics in Post-Colonial Worlds, 119–38. Oxford University Press, 2007. http://dx.doi.org/10.1093/acprof:oso/9780199296101.003.0008.

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