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Relevant bibliographies by topics / Zollkriminalinstitut (Cologne, West Germany)

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Academic literature on the topic 'Zollkriminalinstitut (Cologne, West Germany)'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Zollkriminalinstitut (Cologne, West Germany)"

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Thompson, Martyn P. "Letter from Germany: Reflections Occasioned by the First East-West German Political Philosophy Meeting." Government and Opposition 25, no. 4 (1990): 463–71. http://dx.doi.org/10.1111/j.1477-7053.1990.tb00397.x.

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ON THE SAME WEEKEND AS EAST GERMANS OFFICIALLY exchanged East Marx for real Marks, another kind of exchange took place between East and West German professors at the Centre for Interdisciplinary Research in Bielefeld. The recently established Deutsche Gesellschaft zur Erforschung des politischen Denkens, in the person of Volker Gerhardt (Cologne), had invited some sixty senior philosophers, political theorists and political scientists from both sides of the inner-German border to discuss basic questions in political philosophy. The meeting was not a conference. The organizer, recognising the a

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Schieder, Martin. "»Entartete Genialität« Guernica im geteilten Deutschland." Zeitschrift für Kunstgeschichte 82, no. 2 (2019): 234–48. http://dx.doi.org/10.1515/zkg-2019-2005.

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Abstract When in 1955/1956, for the first time in divided postwar Germany, a major Picasso exhibition took place in Munich, Cologne, and Hamburg, it came to be a cultural event that reached and emotionalized the German audience, media, and sciences to an unprecedented extent. The exhibition Picasso 1900 – 1955 contributed significantly to the popularization of Picasso at all levels of society and gave the German people access to modern art on a much wider scale than the first documenta held concurrently in Kassel. The undisputed eye-catcher of that spectacular exhibit was Guernica, on display

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Pantenburg, Volker. "From the golden age of television: The case of Westdeutscher Rundfunk (WDR)." Critical Studies in Television: The International Journal of Television Studies 14, no. 1 (2019): 106–24. http://dx.doi.org/10.1177/1749602018818263.

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The mid-1970s proved a particularly fertile moment in the encounter between cinema and television in West Germany. Focusing on different editorial units at Cologne-based Westdeutscher Rundfunk (WDR), this dossier traces the sense of experimentation at the public service broadcaster. Commissioning editors like Werner Dütsch at the film unit, Angelika Wittlich and the series Telekritik, but also those at the department ‘Language and Literature’ made it possible for critics and film-makers like Harun Farocki to explore essayistic formats and programmes. The dossier combines a retrospective essay

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Jung, Theo, Cristian Roiban, Gregor Feindt, Alexandra Medzibrodszky, Henna-Riikka Pennanen, and Anna Björk. "Reviews." Contributions to the History of Concepts 12, no. 2 (2017): 111–34. http://dx.doi.org/10.3167/choc.2017.120206.

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Ernst Müller and Falko Schmieder, Begriffsgeschichte und historische Semantik: Ein kritisches Kompendium (Berlin: Suhrkamp, 2016), 1,027 pp.Jörn Leonhard and Willibald Steinmetz, eds., Semantiken von Arbeit: Diachrone und vergleichende Perspektive (Cologne: Böhlau Verlag, 2016), 413 pp.Balázs Trencsényi, Maciej Janowski, Mónika Baár, Maria Falina, and Michal Kopeček, A History of Modern Political Thought in East Central Europe, Volume I: Negotiating Modernity in the “Long Nineteenth Century” (Oxford: Oxford University Press, 2016), 687 pp.Yasuhiro Matsui, ed., Obshchestvennost’ and Civic Agen

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Ibraheem, Ismael M., Bülent Tezkan, and Rainer Bergers. "Integrated Interpretation of Magnetic and ERT Data to Characterize a Landfill in the North-West of Cologne, Germany." Pure and Applied Geophysics 178, no. 6 (2021): 2127–48. http://dx.doi.org/10.1007/s00024-021-02750-x.

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AbstractElectrical resistivity tomography (ERT) and ground magnetic surveys were applied to characterize an old uncontrolled landfill in a former exploited sand and gravel quarry in an area to the north-west of the city of Cologne, Germany. The total magnetic field and its vertical gradient were recorded using a proton precession magnetometer to cover an area of about 43,250 m2. The magnetic data were transferred to the frequency domain and then reduced to the north magnetic pole. The amplitude of the analytical signal was calculated to define the magnetic materials within and outside the land

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Fitz Gibbon, Elaine. "Beethoven Returns to Bonn: Origins, Belonging and Misuse in Mauricio Kagel’s Ludwig van (1969)." Current Musicology 107 (January 28, 2021): 29–61. http://dx.doi.org/10.52214/cm.v107i.7195.

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In 1969 West Germany, the country was abuzz with anticipation of the approaching Beethoven bicentennial. That year the composer and experimental filmmaker Mauricio Raúl Kagel, born in Argentina to Russian- and German-Jewish parents in 1931 and living in Cologne since 1957, was commissioned by the State to commemorate the momentous occasion. What resulted was a film that surely no West German official had anticipated. Entitled Ludwig van: A Report and strongly inflected by Kagel’s absurdist aesthetic, Kagel’s film critiques the fetish object that Beethoven’s music and person had become in twent

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Kent, Alexander J., Martin Davis, and John Davies. "The Soviet mapping of Poland – a brief overview." Miscellanea Geographica 23, no. 1 (2019): 5–15. http://dx.doi.org/10.2478/mgrsd-2018-0034.

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Abstract The Soviet military mapping project was the most comprehensive cartographic endeavour of the twentieth century. The resulting maps have been commercially available to the West since at least 1993, when a Latvian business first offered Soviet plans of Western cities for sale at the 16th International Cartographic Conference in Cologne, Germany. Covering the globe at a range of scales, Soviet military maps provide a fascinating – if disconcerting – view of familiar territory with a striking aesthetic. But they also provide a substantial untapped geospatial resource, often with an unpara

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Prokschová, Daniela. "To Join or Not to Join? Contextualising the Motives of Organisational Membership in the Czech Republic and East and West Germany." Politics in Central Europe 17, no. 4 (2021): 743–71. http://dx.doi.org/10.2478/pce-2021-0039.

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Abstract This article investigates sources of motivation for organisational engagement in different sociopolitical contexts. On the grounds of my own qualitative data, this text aims to answer the main research question: ‘Why do Czech and German university students get involved in political and civic organisations?’ The analysis also shows how the perception and understanding of politics differ according to the types of political motivation. The research draws upon a unique dataset of 60 interviews with university students conducted in former East (Jena) and West Germany (Mannheim, Cologne), a

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Rudolph, Karsten. "German Foreign Trade Policy Towards the East in the Light of Recent Research." Contemporary European History 8, no. 1 (1999): 159–71. http://dx.doi.org/10.1017/s0960777399000193.

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Robert Mark Spaulding, Osthandel und Ostpolitik. German Foreign Trade Policies in Eastern Europe from Bismarck to Adenauer (Oxford and Providence: Berghahn, 1997), 546 pp., £60, ISBN 1–57181–039–0.Volker R. Berghahn, ed., Quest for Economic Empire. European Strategies of German Big Business in the Twentieth Century (Oxford and Providence: Berghahn, 1996), 224 pp., £35:00 (hb), £16.50 (pb), ISBN 1–57181–027–7.Meung-Hoan Hoh, Westintegration versus Osthandel. Politik und Wirtschaft in den Ost-West-Beziehungen der Bundesrepublik Deutschland, 1949–1958, (Frankfurt: Peter Lang, 1995), ISBN 3–631–49

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Verhoeyen, Etienne. "Een Duits netwerk bij de voorbereiding van de Militärverwaltung in België (1939-1940)." WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 69, no. 4 (2011): 289–305. http://dx.doi.org/10.21825/wt.v69i4.12342.

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Nadat Hitler in oktober 1939 beslist had een aanval in het Westen te ondernemen, werden in Keulen twee studiegroepen opgericht, die het toekomstig bezettingsregime van België en Nederland moesten voorbereiden. Er was een studiecommissie die geleid werd door de toekomstige leider van het Duits Militair Bestuur in België, Regierungspräsident Reeder, en daarnaast bestond een geheime studiegroep die de Sondergruppe Student werd genoemd. Deze bijdrage belicht het voorbereidend werk van de leden van deze studiegroep op het gebied van handel, industrie, recht, Volkstum en cultuur in België. De groep

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Books on the topic "Zollkriminalinstitut (Cologne, West Germany)"

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P, Ashby J., and European Committee for Clinical Laboratory Standards., eds. Clinical laboratory science in the changing scene of health care: Proceedings of the Sixth ECCLS Seminar held at Cologne, West Germany, 8th-10th May, 1985. MTP Press, 1987.

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Ashby, J. P. Clinical Laboratory Science in the Changing Scene of Health Care: Proceedings of the Sixth ECCLS Seminar Held at Cologne, West Germany, 8th-10th May 1985. Springer London, Limited, 2012.

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Ashby, J. P. Clinical Laboratory Science in the Changing Scene of Health Care: Proceedings of the Sixth ECCLS Seminar Held at Cologne, West Germany, 8th-10th May 1985. Springer, 2011.

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Clinical Laboratory Science in the Changing Scene of Health Care: Proceedings of the sixth ECCLS Seminar held at Cologne, West Germany, 8th-10th May, 1985. Springer, 2011.

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Fischer-Lichte, Erika. Inventing New Forms of Political Theatre. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199651634.003.0009.

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Chapter 7, ‘Inventing New Forms of Political Theatre’, covers the 1960s and 1970s. It situates the chosen productions in the socio-political climate of the GDR—that is, within the discussions on the leadership of the Party—and in the Federal Republic of Germany, where the anti-authoritarian movement, the student movement, and the emergence of the Red Army Faction provide the context. The aesthetics of Benno Besson’s Oedipus Tyrant (1967, East Berlin), Hansgünther Heyme’s Oedipus (1968, Cologne), Hans Neuenfels’ Medea (1976), and Christoph Nel’s Antigone (1978, both in Frankfurt/Main) is evalua

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Iverson, Jennifer. Electronic Inspirations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190868192.001.0001.

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Cold War electronic music—made with sine tone and white-noise generators, filters, and magnetic tape—was the driving force behind the evolution of both electronic and acoustic music in the second half of the twentieth century. Electronic music blossomed at the Westdeutscher Rundfunk (WDR [West German Radio]) in Cologne in the 1950s, when technologies were plentiful and the need for cultural healing was great. Building an electronic studio, West Germany confronted the decimation of the “Zero Hour” and began to rebuild its cultural prowess. The studio’s greatest asset was its laboratory culture,

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Book chapters on the topic "Zollkriminalinstitut (Cologne, West Germany)"

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Moebius, Stephan. "Reconstruction and Consolidation of Sociology in West Germany from 1945 to 1967." In Sociology in Germany. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71866-4_3.

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AbstractThis chapter will focus on the two decades after 1945, the period of the “post-war society” (1945–1967), which in the historical sciences is also characterized as a period of boom (keywords: “Wirtschaftswunder” (“economic miracle”), expansion of the welfare state, expansion of the educational sector, certainty about the future) and which comes to an end in the 1970s. Germany was undergoing a profound process of change: socio-structural changes in an advanced industrial society, structural changes in the family and a retreat into the private sphere, new opportunities in the areas of con

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Fanghanel, Alexandra. "Not the Wild West: Femonationalism, Gendered Security Regimes and Brexit." In Geographies of Gender-Based Violence. Policy Press, 2022. http://dx.doi.org/10.1332/policypress/9781529214499.003.0009.

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On 31 December 2015 throngs of men profited from the New Year’s festivities in Cologne, Germany to rob and sexually molest women revellers. At the time, it was widely reported in the press that the attackers of these women were predominantly men who were Black and foreign. Initially, men seeking asylum from Syria were blamed for the attacks, subsequently it was discovered that many of these perpetrators were from North Africa. These attacks, in Cologne and in other parts of Germany, sparked nationalist backlashes that continue to reverberate around Europe. This chapter examines how imaginaries

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Iverson, Jennifer. "Introduction." In Electronic Inspirations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190868192.003.0001.

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The Westdeutscher Rundfunk [West German Radio] or WDR studio emerged in the early 1950s in Cologne, West Germany in a conflicted Cold War climate. On the one hand, electronic music signified social and artistic progress; avant-garde music stood as a reliable marker of democracy and freedom in contrast to Nazi and Soviet aesthetic mandates. On the other hand, technophobic audiences and critics reacted with skepticism to de-personalized, machine-mediated concerts, often regarding the new sounds with disdain. Nevertheless, cultural administrators, especially by means of the regional radio network

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Pantenburg, Volker. "A Televisual Cinematheque." In How Film Histories Were Made. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463724067_ch13.

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Research on film historiography usually focuses on academia and film cultural institutions. The contribution of public television to this field has largely been ignored. This chapter highlights TV as a multiplier and agent of film history, alongside cinematheques and film archives, university programmes, journals, festivals, and other practical and intellectual networks. It focuses on West Germany, and specifically the Filmredaktion (film unit) of Westdeutscher Rundfunk (WDR), based in Cologne. However, this case study also more generally indicates how, in the 1970s to the 1990s, the combinati

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Rodden, John G. "“Who Has the Youth, Has the Future”." In Repainting the Little Red Schoolhouse. Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195112443.003.0007.

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Experiencing everyday life in another culture places your own in stark relief. Assumptions stand revealed, often by utterly minor objects and events. Consider, for instance, bananas. Bananas? We Americans take them for granted, we even trivialize them—playing second banana, being driven bananas, going bananas, and on and on. But not so in Germany. To Germans, bananas are not such a light-hearted matter. As one well-known Cologne artist who has stenciled his Andy Warhol–style, Day- Glo bananas on the outer walls of hundreds of art galleries has proclaimed: “Bananas are almost a holy object in G

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Stryk, Karin Nehlsen-von. "The Centralization ofJustice and the Formation of aJudicial Hierarchy in the Early Modern State: The Principality of Hesse." In Legislation and Justice. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198205463.003.0008.

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Abstract In contrast to other West European countries, the formation of the modern state in Germany proceeded not at the royal and national level but on a princely and regional one. The German principalities, such as the electorates of Brandenburg, Saxony, and the Palatinate, the archbishoprics of Mainz, Cologne, and Trier, the duchies of Bavaria, Wilrttemberg, Jillich-Berg, Brunswick Lilneburg, and Mecklenburg, the margravate of Baden, and the bishoprics of Munster, Wilrzburg, and Bamberg, were recognizably developing from the thirteenth century onwards in the direction of institutionalized t

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Reports on the topic "Zollkriminalinstitut (Cologne, West Germany)"

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Tennery, V. J., and E. L. Long, Jr. (Ceramic components in machines), Cologne and Aachen, West Germany, Maastricht, The Netherlands, and Brussels, Belgium, June 14-27, 1989: Foreign trip report. Office of Scientific and Technical Information (OSTI), 1989. http://dx.doi.org/10.2172/6051513.

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