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Relevant bibliographies by topics / Zolotoe runo

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Academic literature on the topic 'Zolotoe runo'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Zolotoe runo"

1

Bethea, David M., and William Richardson. ""Zolotoe Runo" and Russian Modernism." Slavic and East European Journal 33, no. 1 (1989): 127. http://dx.doi.org/10.2307/308395.

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2

Rosenthal, Bernice Glatzer, and William Richardson. "Zolotoe Runo and Russian Modernism: 1905-1910." American Historical Review 93, no. 3 (1988): 740. http://dx.doi.org/10.2307/1868210.

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3

Melnik, N. D. "The Magazine “Zolotoe runo” (1906–1909) as a Reflection of the Artistic Life of Russia at the Beginning of the 20th Century." Vestnik NSU. Series: History and Philology 20, no. 6 (2021): 62–73. http://dx.doi.org/10.25205/1818-7919-2021-20-6-62-73.

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Purpose. The article studies the history of the magazine “Zolotoe runo” (“Golden Fleece”) that has been publishing in Moscow from 1906 till 1909. It was a project of the young art lover, millionaire N. P. Ryabushinsky, who decided to continue the mission of “miriskusniki” (members of the “World of Art” movement) and promote the aesthetic principles of symbolism, which he saw as the most promising style of art at the beginning of the 20th century.Results. Based on the analysis of the memoirs written by contemporaries, correspondence between the representatives of the Russian cultural elite, publications in the periodical press, as well as outcomes of modern research, the author argues that the magazine “Zolotoe runo”, providing its pages to outstanding writers and publishing works of iconic artists and articles about their works, became one of the most influential periodicals about art in Russia.Conclusion. This research shows that, having said a new word in art and journalism, the magazine “Zolotoe runo” became a worthy reflection of the artistic life of Russia at the beginning of the 20th century.

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4

Ryabchenko, V. D. "The Evolution of Symbolist Ideas in the Zolotoe Runo Magazine." Concept: philosophy, religion, culture 4, no. 3 (2020): 158–67. http://dx.doi.org/10.24833/2541-8831-2020-3-15-158-167.

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The article treats the role art magazine Zolotoe runo played in history of symbolist’s theoretical ideas. By 1906, symbolism as a philosophical and aesthetic movement enters a crisis stage (and, then, a renaissance) — the pioneering movement has become utterly formal, tendentious, and has even acquired public recognition, which contradicts the modernist spirit. Zolotoe runo turns into a platform for the adversaries of outdated, decadent or individual symbolism, changing the symbolist nature and landscape. V. F. Khodasevich suggests that not only hasn’t symbolism been yet studied, but it also doesn`t seem to have been even read. This phenomenon and its notion deserve proper research. The scientific community’s interest in this movement is growing, as the importance of symbolism comes to light, and it becomes more evident that it was not only a milestone in history, but it also predetermined many trends in the development of culture and art up to the present day. Apart from that, the extreme heterogeneity within the symbolist movement and its paradoxical and unexpected metamorphoses are rarely understood. Nonetheless, through the analysis of such magazines as Zolotoe runo, and by drawing upon the research of cultural scientists, art historians and literary critics, we can clarify the features of symbolism, contradictory and holistic at the same time.

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5

ЄЛІСЕЄНКО, Анна. "The history of B. Sadovskoy’ cooperation in the journals "Vesy" and "Zolotoe runo"." EUROPEAN HUMANITIES STUDIES: State and Society, no. 2 (May 11, 2020): 16–25. http://dx.doi.org/10.38014/ehs-ss.2020.2.02.

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B. Sadovskoy led an active literary activity in the first half of the twentieth century. In 1904 the editor of “Vesy” V. Bryusov invited the young writer to collaborate in the journal. B. Sadovskoy proved to be a talented literary critic and poet. Nevertheless, his reviews and notes were considered as pretentious and sharp in expressions that led to the condemnation and alienation of many contemporaries in relation to the writer. A few years later B. Sadovskoy became a member of “Zolotoe Runo”. Editorial policy of this journal from the first issue became the subject of controversy in literary circles, especially from the Symbolists who published their works on the pages of “Vesy”. The journals “Vesy” and “Zolotoe Runo” played a considerable role in B. Sadovskoy’ formation as a writer, poet and literary critic.

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6

Kennedy, Janet E. "“Zolotoe Runo” and Russian Modernism: 1905-1910. By William Richardson. Ann Arbor, Mich.: Ardis, 1986. 231 pp. $27.50, cloth." Slavic Review 46, no. 3-4 (1987): 656–57. http://dx.doi.org/10.2307/2498166.

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7

Bogdanova, Olga. "Bibliography of Georgy Chulkov’s literary and critical works of 1903 –1922." Literary Fact, no. 16 (2020): 413–35. http://dx.doi.org/10.22455/2541-8297-2020-16-413-435.

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Bibliography of literary and critical works (books, articles, reviews, conversations, notes, “letters”, etc.) by Georgy Ivanovich Chulkov (1879 –1939), compiled and published on these pages for the first time, gives an idea of the range of creative interests and the evolution of aesthetic views of one of the major literary and cultural figures of Russian Symbolism in the first two decades of the 20th century. Poet, translator, novelist, playwright, literary critic and journalist, publisher, and since the 1920s also a literary critic, who created serious scientific works about A.S. Pushkin, F.I. Tyutchev, F.M. Dostoevsky and other writers, and memoirist, author of valuable memoirs about the literary life of the Silver Age “Years of travel” (1930), Chulkov was also a sensitive theater and art critic, who collaborated with V.F. Komissarzhevskaya, V.E. Meyerhold, M.V. Dobuzhinsky, E.E. Lansere, Z.A. Serebryakova and others. Having linked his creative fate with such iconic magazines of the Silver Age as “Novyi put'”, “Voprosy zhizni”, “Zolotoe runo”, and then “Narodopravstvo”, whose editorial policy he influenced and in some cases determined, Chulkov often and regularly acted as a literary critic, ideologist of literary trends of “mystical anarchism” and “mystical realism”, a fighter for the social and national significance of contemporary literature. Chulkov's literary criticism is not only an important part of his creative legacy, but also an irreplaceable feature of the complex and diverse literary movement of the first two decades of the 20th century

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8

Makarova, Tatiyana, Nina Samofalova, Nina Ilichkina, Olga Dubinina, Aleksey Popov, and Oksana Kostylenko. "Adaptability parameters of the winter durum wheat varieties of various ecology in the Rostov region." E3S Web of Conferences 175 (2020): 01014. http://dx.doi.org/10.1051/e3sconf/202017501014.

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There have been generalized the study results of the parameters of ecological adaptability of winter durum wheat and there have been identified the most adaptive varieties of different ecology under unstable climatic conditions of the Rostov region. There was conducted the analysis of 34 varieties of domestic and foreign breeding, which have been recommended for cultivation in different climatic zones. During the current study there have been identified the groups of winter durum wheat varieties that were different in their ecological adaptability parameters. The first group included 11 highly responsive varieties recommended for cultivation on an intensive background, namely ‘Alyy parus’, ‘Kontinent’, ‘Laguna’, ‘Kassiopeya’, ‘Akveduk’ (Ukraine), ‘Prikumskaya 142’, ‘Eyrena’, ‘Kiprida’, ‘Terra’, ‘Oniks’, ‘Kurant’ (Russia). To obtain the largest average productivity there have been recommended to cultivate the following 11 varieties on the average agricultural background, namely ‘Aksinit’, ‘Amazonka’, ‘Kermen’, ‘Uniya’, ‘Diona’, ‘Yakhont’, ‘Yubilyarka’, ‘Belgorodskaya yantarnaya’ (Russia), ‘Zolotoye runo’, ‘Gardemarin’, ‘Andromeda’ (Ukraine), since these varieties were good adapted to various environmental conditions. The varieties ‘Agat donskoy’,‘Zolotko’,‘Krupinka’, ‘Laska’, ‘Lazurit’, ‘Krucha’, ‘Stepnoy yantar’ (Russia), ‘Burshtin’, ‘Dnepryana’, ‘Perlina odesskaya’ and ‘Shulyndinka’ (Ukraine) -to cultivate on a reduced agrofone, where they will give a fairly high yield from 8.45 to 9.67 t / ha.

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9

"William Richardson. Zolotoe Runo and Russian Modernism: 1905–1910. Ann Arbor, Mich.: Ardis. 1986. Pp. 231. $27.50." American Historical Review, June 1988. http://dx.doi.org/10.1086/ahr/93.3.740.

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Books on the topic "Zolotoe runo"

1

Lebedev, Vasiliĭ. Zolotoe runo: Povesti i rasskazy. Sovremennik, 1989.

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2

Gofman, I. Zolotoe runo: Zhurnal vystavki, 1906-1909. "Russkiĭ raritet", 2007.

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3

Zolotoe runo and Russian modernism, 1905-1910. Ardis, 1986.

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4

Art periodical culture in late imperial Russia (1898-1917): Print modernism in transition. Brill, 2016.

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5

Mify Drevnej Gretsii. Zolotoe runo. Dvenadtsat' podvigov Gerakla. Strekoza, 2000.

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6

A, Bogomolov N., та Shadurskiĭ Vladimir Vi︠a︡cheslavovich, ред. Zolotoe runo: Khudozhestvennyĭ, literaturnyĭ i kriticheskiĭ zhurnal, 1906-1909 : rospisʹ soderzhanii︠a︡. Novgorodskiĭ gos. universitet im. I︠A︡roslava Mudrogo, 2002.

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7

Zolotoe runo. Khudozhestvennyĭ, literaturnyĭ i kriticheskiĭ zhurnal (1906-1909): Rospisʹ soderzhanii︠a︡. Novgorodskiĭ gosudarstvennyĭ universitet, 2002.

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8

Zhurnal "Zolotoe runo" v kollekt︠s︡ii redkoĭ knigi Omskogo oblastnogo muzei︠a︡ izobrazitelʹnykh iskusstv im. M. A. Vrubeli︠a︡: Katalog, Vyp. 2. Omskiĭ muzeĭ izobrazitelʹnykh iskusstv im. M. A. Vrubeli︠a︡, 2004.

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Book chapters on the topic "Zolotoe runo"

1

"The anthithesis. Zolotoe Runo and Oraea. Erotica in Skorpion, Vesy. Symbolist theatre. Polemics (1906–8)." In A History of Russian Symbolism. Cambridge University Press, 1994. http://dx.doi.org/10.1017/cbo9780511519611.013.

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