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Journal articles on the topic 'Zoomorphe'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Crampon, Jean Gabriel. "Une fibule zoomorphe trouvée à Fresnes-Mazancourt (Somme)." Revue archéologique de Picardie 1, no. 1 (1985): 116. http://dx.doi.org/10.3406/pica.1985.1464.

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2

Venturi, Fabrizio. "Un vase zoomorphe du Fer I à Tell Afis (Syrie)." Syria, no. 88 (January 1, 2011): 251–63. http://dx.doi.org/10.4000/syria.927.

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3

Rapin, André. "Le fourreau d'épée à «lyre zoomorphe» des Jogasses à Chouilly (Marne)." Etudes Celtiques 22, no. 1 (1985): 9–25. http://dx.doi.org/10.3406/ecelt.1985.1781.

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4

Herbin, Patrice. "Un manche de couteau pliant à décor zoomorphe de la collection Terninck." Revue du Nord 343, no. 5 (2001): 97. http://dx.doi.org/10.3917/rdn.343.0097.

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5

Liégeois, Jean, André D'Anna, Jean-Baptiste Orsini, and Pascal Tramoni. "Le vase en pierre à protomé zoomorphe d’Apazzu (Sartène, Corse-du-Sud)." Bulletin de la Société préhistorique française 105, no. 2 (2008): 335–43. http://dx.doi.org/10.3406/bspf.2008.13799.

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6

Matoïan, Valérie. "Redécouverte d'ununicumde Minet el-Beida : un vase à boire à décor plastique zoomorphe." Semitica et Classica 11 (January 2018): 203–15. http://dx.doi.org/10.1484/j.sec.5.116805.

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7

Choné, Paulette. "L'ornement zoomorphe comme signe politique : le Recueil de Boillot (1592) et son temps." Cahiers de l'Association internationale des études francaises 57, no. 1 (2005): 21–46. http://dx.doi.org/10.3406/caief.2005.1561.

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8

Compagna, Anna Maria. "Langue et parole de la serpente dans La Faula de Guillem de Torroella." Reinardus / Yearbook of the International Reynard Society 28 (December 31, 2016): 31–49. http://dx.doi.org/10.1075/rein.28.03com.

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Vers 1375, le Majorquin Guillem de Torroella écrivit un roman de 1265 vers en langue occitano-catalane. Il s’agit de La Faula, le récit d’un voyage du narrateur à dos de baleine, jusqu’à l’Île enchantée. Là, après une conversation en français avec une serpente, il rencontre Morgane et le roi Arthur. Cette serpente parle français comme Arthur et Morgane. Notre analyse portera notamment sur le discours de la serpente: un animal qui parle… La langue, donc, est le français, mais un français improbable: un français “catalanisé,” qui est non seulement celui de la serpente mais aussi celui d’Arthur et de sa sœur. Une fois de plus, c’est donc dans le merveilleux, et plus particulièrement derrière les références à une culture zoomorphe, que la signification politique possible du texte se trouverait camouflée. Est-il possible qu'un texte comme celui-ci ne dispose que d'une signification didactique et morale sans toute portée politique? Y a-t-il des textes littéraires dépourvus sens politique? Les merveilles et les références à une culture zoomorphe permettent de camoufler l'importance politique, déjà suggérée par l'analyse du contexte historique que semble évoquer l’œuvre (Espadaler), de même que par l'examen de sa tradition textuelle: les lacunes que comportent trois des quatre témoins manuscrits ne paraissent pas fortuites, mais intentionnelles, résultat d’une sorte de censure, que la circulation de l'œuvre a dû subir (Compagna). Ce camouflage n'aurait ainsi pas réussi à convaincre le parti victorieux, opposé à celui de Guillem de Torroella, perdant, qui s’est alors réfugié dans le monde de la littérature…
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9

Guichard, Vincent. "La céramique peinte à décor zoomorphe des IIe et Ie siècles avant J.-C. en territoire ségusiave." Etudes Celtiques 24, no. 1 (1987): 103–43. http://dx.doi.org/10.3406/ecelt.1987.1842.

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10

Riche, Caroline. "Le vase zoomorphe d'Aubevoye (Eure) : une découverte inédite dans un contexte Villeneuve-Saint-Germain en Haute-Normandie." Bulletin de la Société préhistorique française 101, no. 4 (2004): 877–80. http://dx.doi.org/10.3406/bspf.2004.13075.

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11

Pêche-Quilichini, Kewin. "Le vase de fondation zoomorphe du Premier Âge du fer de Cuciurpula (Serra-di-Scopamene/Sorbollano, Corse-du-Sud)." Bulletin de la Société préhistorique française 107, no. 2 (2010): 371–81. http://dx.doi.org/10.3406/bspf.2010.13933.

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12

Duncan, Noah, Lap-Fai Yu, Sai-Kit Yeung, and Demetri Terzopoulos. "Zoomorphic design." ACM Transactions on Graphics 34, no. 4 (July 27, 2015): 1–13. http://dx.doi.org/10.1145/2766902.

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13

Miller, Laura. "Japan’s Zoomorphic Urge." ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts 17, no. 2 (April 1, 2010): 69. http://dx.doi.org/10.16995/ane.208.

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14

Sommer, Robert, and Barbara A. Sommer. "Zoomorphy: Animal Metaphors for Human Personality." Anthrozoös 24, no. 3 (September 2011): 237–48. http://dx.doi.org/10.2752/175303711x13045914865024.

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15

Kuksa, Polina V. "“Zoomorphic” details in the structure of the characters in Mikhail Sholokhov’s novel “And Quiet Flows the Don”." Rhema, no. 4, 2019 (2019): 21–33. http://dx.doi.org/10.31862/2500-2953-2019-4-21-33.

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This article discusses one aspect of the poetics of Mikhail Sholokhov’s novel “And Quiet Flows the Don”. The originality of the poetics of the zoomorphic detail in this novel is revealed. The article discusses the most frequent bestial elements pertaining to the characters of Sholokhov’s novel. It has been established that the zoomorphic imagery of the novel demonstrates the dynamics from zoomorphic associations and metaphors to zoomorphic constant details.
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16

Bonnaud, Christophe. "«Sculptures zoomorphes de Vettonnie: un bilan historiographique»." Conimbriga: Revista de Arqueologia 47 (2008): 5–29. http://dx.doi.org/10.14195/1647-8657_47_1.

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17

Sayidova, Gulrukh Yokubovna. "LINGUOCUL LINGUOCULTURAL FEA TURAL FEATURES OF Z TURES OF ZOOMORPHIC ME OOMORPHIC METAPHORS IN APHORS IN SHAVKAT RAHMAN'S WORKS." Scientific Reports of Bukhara State University 3, no. 3 (March 30, 2019): 131–35. http://dx.doi.org/10.52297/2181-1466/2019/3/3/7.

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In the article, zoomorphic metaphors in the poetry of the famous Uzbek poet Shavkat Rahmon are analyzed in linguistic, as well as linguocultural aspects, the zoomorphic metaphors used in poetry poems are classified by thematic groups, and zoomorphic metaphors such as dogs, birds, storks, ravens have been extensively studied on the basis of material.
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18

Durga Prasad, D., and CH Vasanth Kumar. "Structural design of zoomorphic robot." IOP Conference Series: Materials Science and Engineering 912 (September 12, 2020): 032022. http://dx.doi.org/10.1088/1757-899x/912/3/032022.

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19

Steinhardt, Nancy Shatzman. "Demons on Lintels: Zoomorph and Meaning in Shanxi." Journal of Inner Asian Art and Archaeology 5 (January 2010): 171–88. http://dx.doi.org/10.1484/j.jiaaa.1.103274.

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20

Tazieva, E. M. "Zoomorphic metaphorical adjectives in modern Russian." Sibirskiy filologicheskiy zhurnal, no. 2 (June 1, 2011): 137–44. http://dx.doi.org/10.17223/18137083/35/19.

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21

Akmatova, Ainazik. "Zoomorphic Metaphors in the Kyrgyz Language." Humanitarian Vector 15, no. 1 (February 2020): 79–83. http://dx.doi.org/10.21209/1996-7853-2020-15-1-79-83.

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22

Ojamaa, Triinu. "The shaman as the zoomorphic human." Folklore: Electronic Journal of Folklore 04 (1997): 77–92. http://dx.doi.org/10.7592/fejf1997.04.triinu.

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23

Novichikhin, A. M., and V. A. Trifonov. "Zoomorphic scepter head from Anapa museum." Archaeology, Ethnology and Anthropology of Eurasia 26, no. 1 (August 2006): 80–86. http://dx.doi.org/10.1134/s1563011006020083.

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24

Krylasova, N. B. "Horn zoomorphic combs from Northeastern Europe." Archaeology, Ethnology and Anthropology of Eurasia 29, no. 1 (March 2007): 73–80. http://dx.doi.org/10.1134/s1563011007010070.

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25

Pokrovskaya, L., and E. Tyanina. "Hollow zoomorphic pendants from medieval Novgorod." Rossiiskaia arkheologiia, no. 1 (March 2019): 146–60. http://dx.doi.org/10.31857/s086960630004145-8.

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26

Sauer, Vanessa, Axel Sauer, and Alexander Mertens. "Zoomorphic Gestures for Communicating Cobot States." IEEE Robotics and Automation Letters 6, no. 2 (April 2021): 2179–85. http://dx.doi.org/10.1109/lra.2021.3060416.

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27

Makowski, Maciej. "Zoomorphic clay figurines from Tell Arbid. Preliminary report." Polish Archaeology in the Mediterranean XXIV, no. 1 (February 28, 2016): 627–56. http://dx.doi.org/10.5604/01.3001.0010.0118.

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The collection of clay zoomorphic figurines from Tell Arbid, a site in the Khabur river basin in northern Mesopotamia, comprises nearly 600 specimens, dated mainly to the 3rd and first half of the 2nd millennium BC. It consists of solid figurines and the much less numerous wheeled figurines and hollow figurines/zoomorphic vessels, as well as a single rattle in the form of a zoomorphic figurine. The animals represented include chiefly equids, sheep, goats, cattle, dogs and birds. The find context usually does not permit anything but a very broad dating, but an analysis of details of execution makes it possible to establish the chronology of particular objects. Identified chronological assemblages illustrate the character of zoomorphic representations in particular periods. A comparative analysis reveals, among others, diachronic changes in the popularity of representations of particular kinds of animals. These changes are considered in comparison with the results of an examination of the osteological material in an effort to observe whether they could reflect processes taking place in the animal economy of Tell Arbid.
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28

Sikorski, Eric, Shawn Mulvey, and Eva Wiese. "Effect of Anthropomorphic Design on the Effectiveness of Motivational Messages." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 63, no. 1 (November 2019): 1888–92. http://dx.doi.org/10.1177/1071181319631349.

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The potential for social robots to provide assistance to those in need continues to increase though optimal design for user acceptance and engagement continues to be elusive. The design of social robots for user motivation specifically has not been well researched yet evidence does indicate that virtual agents can be motivational. Theory of mind and social facilitation research points to the motivational potential of social robots. This study examines the effect of human-like appearance (i.e. anthropomorphism) on the effectiveness of motivational messages. Results indicate that images of humans paired with motivational messages were perceived as significantly more motivating than anthropomorphic images and zoomorphic images paired with motivational messages. There were no differences in motivation between anthropomorphic and zoomorphic images. Data indicates that participants tended to prefer human images to anthropomorphic and zoomorphic images for motivational purposes.
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29

Sivkov, Nikolai. "Aeg ja kosmos. Hilisantiikaja kosmoloogia zoomorfne mälestusmärk." Mäetagused 46 (2010): 77–92. http://dx.doi.org/10.7592/mt2010.46.sivkov.

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30

Currie, Christopher K. "A zoomorphic horticultural urn from Gosport, Hampshire." Post-Medieval Archaeology 39, no. 2 (September 2, 2005): 325–27. http://dx.doi.org/10.1179/007943205x62705.

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31

Kutafeva, Natalia V. "Teaching of Japanese Language through Zoomorphic Metaphor." Oriental Studies 19, no. 10 (2020): 141–50. http://dx.doi.org/10.25205/1818-7919-2020-19-10-141-150.

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In this article, the author proposes a method for the consistent acquaintance of Russian students studying the Japanese language by way of zoonymes and zoomorphic metaphors based on the example of the transcription of Aesop’s fable “The Dragonfly and the Ant”. In the Japanese transcription, instead of the zoonyme “dragonfly”, another zoonyme “grasshopper” is used. In addition, in Japanese linguistic culture, there are two versions of the fable. In one version, the ants refuse to help the grasshopper, and he dies. In another version, the ants help the grasshopper, and he lives through the winter with the ants and plays the violin. A type of entertainment that has existed for a long time in traditional Japanese culture is to listen to the sounds of insects. In modern-day Japan, there is a subculture of kirigirisu, the culture of street musicians, which entertain listeners. Besides, some even choose cosplay costumes in order to dress up as a grasshopper. The teaching method consists of several stages: - Introduction of a zoonyme (its meanings and spelling options); - Explanation of its significance in Japanese linguistic culture; - Descriptions of associations connected with this zoonyme in Japanese linguistic culture; - The use of the zoonyme in its direct meaning; - The use of the zoonyme as a metaphor in phrases, sentences and proverbs. The teaching of zoonymes and zoomorphic metaphors has both an applied and theoretical significance. In applied terms, it will help students who study Japanese learn more about Japanese linguistic culture; to get acquainted with the legends and traditions connected with these insects; to understand the associations that exist in Japanese society in connection with these insects; to learn the use of zoonymes in direct and figurative meanings in phrases and sentences, as well as to understand idioms in which the names of the insects are used. In theoretical terms, learning zoonymes will help students to understand Japanese linguistic culture and the essence of metaphorical meanings on the basis of examples of a non-native language. The proposed method can be used to get acquainted with any zoonymes and zoomorphic metaphors.
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32

Hamdamovich, Ibragimov Khayrulla. "Zoomorphic Metaphor In The Works Of Tora Sulaymon (Animal Names)." American Journal of Social Science and Education Innovations 02, no. 07 (July 30, 2020): 305–14. http://dx.doi.org/10.37547/tajssei/volume02issue07-40.

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33

Montamat, B�atrice. "� la poursuite du vishap. Notice sur quelques lettrines zoomorphes arm�niennes." Sigila N�32, no. 2 (2013): 115. http://dx.doi.org/10.3917/sigila.032.0115.

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34

Amirbekian, Raya. "Contribution a La Question Des Symboles Zoomorphes Dans L'Art De L'Orient." Iran and the Caucasus 1, no. 1 (1997): 147–58. http://dx.doi.org/10.1163/157338497x00076.

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35

Myshkin, Vladimir. "Bridle Plaques with Zoomorphic and Anthropomorphic Images of the Nomads of the Southern Urals in the Scythian Time." Nizhnevolzhskiy Arheologicheskiy Vestnik, no. 1 (July 2019): 57–73. http://dx.doi.org/10.15688/nav.jvolsu.2019.1.5.

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The article is devoted to characterizing bridle plaques with zoomorphic and anthropomorphic images, which were used by the nomads of the Southern Urals in the 6th – 4th centuries BC. The paper presents a summary of these horse ammunition items, which includes about 80 finds. The author proposes a typology of these subjects. Types of bridle plaques are distinguished by a combination of features that characterize the plot, composition and style of images. The items are represented by various types of plaques in the form of predatory and hoofed animals, birds, several species of animals or their parts, fish, and a rider on a horse. All the plaques are divided into four chronological groups in accordance with currently accepted dates of the monuments, where they were found: the late 6th – the early 5th century BC, the late 6th – the 5th century BC, the late 5th – the 4th century BC, the late 6th – the 4th century BC. Thus, nomads used plaques with zoomorphic images throughout the period under consideration. The distribution of types of plaques with zoomorphic images on chronological groups demonstrates both continuity in the nomads’ culture development throughout the 6th – 4th centuries BC and cultural transformations that occurred during this period. The transformations are reflected in changing nomenclature in the category of horse ammunition, style of zoomorphic images (including due to the appearance of plaques indicating links with the Don region, the North Caucasus, and the North Pontic region), and emergence of a tradition to use plaques with anthropomorphic images.
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36

Plaksitskaya, Natal'ya Aleksandrovna, and Margarita Vladimirovna Saprykina. "ZOOMORPHIC MOTIVES IN YE. I. ZAMYATIN’S TRAGEDY “ATTILA”." Philological Sciences. Issues of Theory and Practice, no. 8 (August 2019): 48–53. http://dx.doi.org/10.30853/filnauki.2019.8.9.

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37

Korolkova, Elena. "Bracelet from Salamatino: Problem of Identifying Zoomorphic Images." Nizhnevolzhskiy Arheologicheskiy Vestnik, no. 2 (December 2019): 156–68. http://dx.doi.org/10.15688/nav.jvolsu.2019.2.10.

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The article is devoted to the analysis of zoomorphic images on a spiral gold bracelet from the Sarmatian burial of the 1st century AD in Salamatino village in Volgograd region, as well as the problem of interpreting the image of a fantastic animal on the bracelet ends. The stylistic and technological peculiarities of the jewelry can serve as indicators of cultural identity of the subject. The bracelet is made, most likely, by a barbarian craftsman modeled after some kind of non-locally made jewelry. The closest dupe in compositional and pictorial characteristics to the incomprehensible animal on the ends of the Salamatino bracelet is a fantastic creature on the pair of bracelets from the Oxus Treasure (British Museum), stylistically different from the images of Iranian art of the Achaemenid era. The origin of this pair of bracelets is unknown, however, some stylistic features allow for non-exclusion of the assumptions of Chinese or Central Asian jewelry production or the existence of certain jewelry workshops in a region affected by the cultural influence of both Iran and China. Another distant analogy in style for the pair of bracelets from the Oxus Treasure is represented by images of predatory animals on gold torcs from the Stavropol treasure. The chronological gap between the Salamatino bracelet and the jewelry from the Oxus and Stavropol treasures does not allow one to link them unequivocally, but the similarity features certainly indicate the presence of common cultural roots. Identifying a fantastic hybrid animal on the ends of the Salamatino bracelet as any specific mythological creature is not yet possible.
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38

Andreescu, Radian Romus, and Mirea Pavel. "Uncommon practice of Gumelniţa. Zoomorphic clay figurines modelling." Cercetări Arheologice 11, no. 1-2 (2000): 611–13. http://dx.doi.org/10.46535/ca.11.29.

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39

Zvonareva, L. U., and Lu Zhou. "Zoomorphic code in the poetry of Kazimierz Święgocki." Bulletin of the L.N. Gumilyov Eurasian National University.Political Science.Regional Studies.Oriental Studies.Turkology Series. 123, no. 2 (2018): 81–89. http://dx.doi.org/10.32523/26-16-6887/2018-123-2-81-89.

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40

Lertcharnrit, Thanik. "An Incidence of Zoomorphic Spouts from Central Thailand." Bulletin of the Indo-Pacific Prehistory Association 31 (May 26, 2012): 30. http://dx.doi.org/10.7152/bippa.v31i0.12268.

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The archaeological site of Promtin Tai in Lopburi Province, central Thailand, is a multi-activity site occupied over the course of several hundred years. The site has been excavated successively by the author since 2004, yielding evidence for various activities ranging from habitation and mortuary rites to copper smelting and probably trading. The chronology of the site has been dated using stratigraphic information and cultural materials; absolute dating samples have been collected and sent for dating, but results have yet been reported from the laboratory. Archaeologically, the site represents a community with strong evidence of early long distance trade and cultural contact with India and developed from an Iron Age village to early historic town.
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41

Heffron, Y. "The Material Culture of Hittite ‘God-drinking’." Journal of Ancient Near Eastern Religions 14, no. 2 (November 24, 2014): 164–85. http://dx.doi.org/10.1163/15692124-12341261.

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The elusive Hittite cultic phrase DINGIR eku-, “to drink a god,” has long been controversial as regards its precise meaning: Did the phrase refer to a mystical act (comparable to the Eucharist), or was it simply a turn of phrase for toasting the divine? Commentators have thus far remained almost exclusively on philological ground, drawing their conclusions from syntactic arguments and paying little attention to archaeological evidence. This paper offers a new approach to the question of ‘god-drinking’ by focusing primarily on its paraphernalia, namely the vessels themselves, particularly those that are zoomorphic (BIBRU in Hittite texts). The evaluation of zoomorphic vessels centres on the early second millennium forerunners of Hittite BIBRU, namely the large and varied repertoire of the kārum period (20th–17th century b.c.),1 which is exceptionally well-represented at the site of Kültepe-Kaneš/Neša. Also included in the discussion are anthropomorphic vessels and their potential place in cultic drinking. Situating zoomorphic (and anthropomorphic) ritual vessels as part of a continuous tradition throughout the second millennium thus offers a wider scope for understanding their use in the Hittite cult, and their specific function(s) in relation to god-drinking.
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42

Auger, Barbara. "Les figures de proue zoomorphes dans l’iconographie médiévale chrétienne : rhétorique de l’Incarnation." Hommage à Gilbert Durand, no. 34 (June 30, 2013): 147–62. http://dx.doi.org/10.35562/iris.1944.

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S’interroger sur la présence des figures de proue zoomorphes dans l’image chrétienne, c’est poser les questions du discours symbolique mis en place, de la typologie de ses signes et de l’intentionnalité signifiante de l’auteur. Aussi cet article propose-t-il dans un premier temps de dévoiler, par le biais d’un examen terminologique, le processus cognitif déterminant les notions culturelles de « figure » et de « navire », avant d’analyser, dans un second temps, l’iconicité qui leur est rattachée. Est ainsi démontré que, sur la base d’une dialectique latine et du remploi de formes antiques, la figure de proue participe d’une rhétorique fondamentale de la spiritualité chrétienne : la multiplication et démonstration du mystère de l’Incarnation.
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43

Maldonado, Norma Valentín, and Reyna B. Solís Ciriaco. "Technology and Taxidermy of Two Nacreous Zoomorphic Pendants from Tula, Hidalgo." MRS Proceedings 1618 (2014): 181–91. http://dx.doi.org/10.1557/opl.2014.467.

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ABSTRACTDuring an archaeological rescue on Tula’s southwestern urban settlement, two zoomorphic pendants made of the nacreous bivalve Pinctada mazatlanica were found. Such elements belong to a residential compound dedicated to the production of prestige goods for the elite at the Toltec capital.The importance of these objects analysis lies on the fact that both are on-site taxidermy renderings of two canines. This essay main purpose is to identify the biological zoomorphic renderings and its character, since it’s possible that the samples were not living animals but a depiction of their hides. This research will also analyze the manufacturing technology of these pendants using experimental archaeology, Optical Microscopy and Scanning Electron Microscopy, which indicate a local production controlled by the ruling class.
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44

Petrosyan, Alina. "FROM ‘LION FACE’ TO ‘BUTTERFLY ERUPTION’: ZOOMORPHIC METAPHORS AS MESSENGERS OF FACIAL ANOMALIES." Armenian Folia Anglistika 17, no. 1(23) (May 31, 2021): 35–51. http://dx.doi.org/10.46991/afa/2021.17.1.035.

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Medicine contributes to every person’s health in terms of diagnosis, treatment or prevention of a disease. Hence, constructing the clinical picture and the diagnosis of a health condition and conveying complex technical information in a comprehensible language is of utmost importance. In this regard, medical professionals rely not only on Greco-Latin terms of Classical times, but also resort to metaphors to illuminate many facets of medical observations and clinical findings. These metaphors stem either from anthropomorphic or zoomorphic areas and act as primary interface between scientific thought and understanding. From this perspective, the present article examines the value of metaphor in medicine and through the employment of descriptive method, explores some of the most widespread zoomorphic metaphors, which denominate certain facial anomalies.
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45

Popa, Diana Elena. "Multimodal metaphors in political entertainment." Review of Cognitive Linguistics 11, no. 2 (November 28, 2013): 303–19. http://dx.doi.org/10.1075/rcl.11.2.06pop.

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Metaphor is one of the primary ways we accommodate and assimilate information and experience into our conceptual organization of the world. The present study investigates the internal cognitive mechanisms of multimodal-metaphor construction in the television genre of animated political cartoons. Taking a cognitive-semantic approach, we analyze how zoomorphs are constructed by the audience when they first appear. The study concludes by describing the potential of multimodal-metaphor analysis as a methodological tool.
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46

Masseti, Marco, and Cecilia Veracini. "The zoomorphic representations of the Pîrî Reis map (1513)." Anthropozoologica 51, no. 1 (June 2016): 41–54. http://dx.doi.org/10.5252/az2016n1a3.

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47

MATSUMARU, Takafumi. "Discrimination and Implementation of Emotions on Zoomorphic Robot Movements." SICE Journal of Control, Measurement, and System Integration 2, no. 6 (2009): 365–72. http://dx.doi.org/10.9746/jcmsi.2.365.

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48

BELLELLI, G. M. "Reflections on an 'unexcavated' precious vase with zoomorphic decoration." Iranica Antiqua 24 (January 1, 1989): 87–108. http://dx.doi.org/10.2143/ia.24.0.2014030.

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49

Ivanova, A. B. "ZOOMORPHIC NAMES OF ROLLING STOCK IN RUSSIAN RAILWAY JARGON." Bulletin of Udmurt University. Series History and Philology 29, no. 3 (June 25, 2019): 377–89. http://dx.doi.org/10.35634/2412-9534-2019-29-3-377-389.

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Abstract:
The article is devoted to the analysis of mechanisms of representation of railway rolling stock in professional jargon through zoomorphic metaphorical image. The purpose of the research is to identify the totality of lexical means of explication of this image in railway slang; to give classification of these means; to define most topical models on the basis of which images "animal" and "railway transport" semantically correlate. The sources of the actual material are the dictionary of railway jargon by D. Zinoviev and railway Internet forums and chats. We found 117 lexemes of different parts of speech, which from different sides directly or indirectly embody the image "animal" in the nomination of rolling stock and form a special semantic field. In the paper the structure of this field is described, the core of which is the nomination of animals ( bull, crocodile, parrot, mare ) and parts of their body ( muzzle, horns, tail ), used for the metaphorical name of the rolling stock and its parts and devices. On the periphery of the field there are lexemes indicating habitats of animals; artifacts, people, actions related to animals ( burrow, stables, reins, rider, milk (v), horseshoe (v) ). The system relations within the given field were found: synonymic, antonymic, derivation, syntagmatic connections between its components.
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50

Healy, Michael John, and Michael B. Beverland. "Unleashing the animal within: Exploring consumers’ zoomorphic identity motives." Journal of Marketing Management 29, no. 1-2 (January 2013): 225–48. http://dx.doi.org/10.1080/0267257x.2013.766233.

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