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Books on the topic 'Zoomorphic'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Patricia, Krussow J., and Hood River County Library (Or.). Friends., eds. Aakki-daakki to zoomorphic: An encyclopedia about Hood River country. Friends of the Hood River Library, 1994.

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2

1947-, O'Neill Dennis, ed. Celtic beasts: Animal motifs and zoomorphic design in Celtic art. Blandford, 1999.

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3

Gheorghiu, Dragos, and Ann Cyphers, eds. Anthropomorphic and zoomorphic miniature figures in Eurasia, Africa and Meso-Amercia.: Morphology, materiality, technology, function and context. Archaeopress, British Archaeological reports, 2010.

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4

Cardoso, Maria Fernanda. Zoomorphia. Museum of Contemporary Art, 2003.

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5

Bavaeva, Ol'ga. Metaphorical parallels of the neutral nomination "man" in modern English. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1858259.

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The monograph is devoted to a multidimensional analysis of metaphor in modern English as a parallel nomination that exists along with a neutral equivalent denoting a person. The problem of determining the essence of metaphorical names and their role in the language has attracted the attention of many foreign and domestic linguists on the material of various languages, but until now the fact of the parallel existence of metaphors and neutral nominations has not been emphasized. The research is in line with modern problems of linguistics related to the relationship of language, thinking an

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6

Verlaine, Joëlle. Les statuettes zoomorphes aurignaciennes et gravettiennes d'Europe centrale et orientale. Préhistoire liégeoise, 1990.

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7

Pscheidl, Christian. Zoomorphe Gefässe der späten Bronze- und frühen Eisenzeit in Mitteleuropa und Oberitalien. VML, Verlag Marie Leidorf GmbH, 2021.

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8

Chou, Nan-chʻüan. Ku yhu tung wu yü shen i shou chʻüan =: Ancient jades in zoomorphism and miraculous animal. Wen pʻe mei shu tʻu shu chʻu pan she, 1994.

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9

Dupré, Sylvestre. Bestiaire de Cappadoce: Terres cuites zoomorphes anatoliennes du IIe millénaire avant J.-C. au musée du Louvre. Réunion des musées nationaux, 1993.

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10

Fougeray, Sylvie. Le bœuf, le saint et le jeu: Analyse sociologique de l'univers ludique d'une population d'ouvriers agricoles brésiliens à travers une matrice : le masque corporel zoomorphe. A.N.R.T. Université de Lille III, 1991.

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11

Zoomorphic Architecture. Fulton Books, 2017.

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12

The zoomorphic mask. Drawing Institute, The Morgan Library & Museum, 2019.

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13

Aldersey-williams, Hugh. Zoomorphic: New Animal Architecture. Collins Design, 2003.

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14

From Elephants to Skyscrapers: Zoomorphic Architecture. Fulton Books, 2018.

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15

Minoan Zoomorphic Culture: Between Bodies and Things. Cambridge University Press, 2024.

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16

Miller, Emily Brower. Zoomorphic vases in the Bronze Age Aegean. 1986.

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17

Bush, Susan, Qianshen Bai, Eugene Y. Wang, Sarah Allan, and Jerome Silbergeld. Zoomorphic Imagination in Chinese Art and Culture. University of Hawaii Press, 2016.

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18

Bush, Susan, Qianshen Bai, Eugene Y. Wang, Sarah Allan, and Jerome Silbergeld. Zoomorphic Imagination in Chinese Art and Culture. University of Hawaii Press, 2016.

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19

Krussow, J. Patricia. Aakki Daakki to Zoomorphic an Encyclopedia About. Friends Of The Hood River Libr, 1994.

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20

Bush, Susan, Qianshen Bai, Eugene Y. Wang, Sarah Allan, and Jerome Silbergeld. Zoomorphic Imagination in Chinese Art and Culture. University of Hawaii Press, 2016.

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21

Andreeva, Petya, ed. The Zoomorphic Arts of Ancient Central Eurasia. MDPI, 2023. http://dx.doi.org/10.3390/books978-3-0365-6825-6.

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22

Minoan Zoomorphic Culture: Between Bodies and Things. Cambridge University Press, 2024.

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23

Minoan Zoomorphic Culture: Between Bodies and Things. Cambridge University Press, 2024.

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24

Allan, Sarah, Qianshen Bai, Susan Bush, et al. The Zoomorphic Imagination in Chinese Art and Culture. Edited by Jerome Silbergeld and Eugene Y. Wang. University of Hawaii Press, 2016. http://dx.doi.org/10.1515/9780824872564.

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25

The Zoomorphic Imagination in Chinese Art and Culture. University of Hawaii Press, 2016.

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26

Scheuer, Blaženka. Bees, Wasps, and Weasels. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978718012.

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In this book, Blaženka Scheuer explores the zoomorphic content of Zibburta (bee/wasp) and Karkušta (weasel)—demeaning names given by R. Na?man of b. Meg 14b to Deborah and Huldah, two distinguished prophets of the Hebrew Bible. Looking closely at relevant texts, she explores ancient beliefs about bees, wasps, and weasels, recounting a variety of key literary and visual motifs that highlight the different attributes of these animals. Scheuer demonstrates the multiple ways in which zoomorphic images were used as interpretative keys both in the formation of Deborah and Huldah stories in the Hebre

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27

Kelly, Elizabeth C. Zoomorphic Incense Burners of Medieval Khurasan: A Study of Islamic Metalwork. British Archaeological Reports Limited, 2024.

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28

Felix, Marc. Beauty and the Beasts: Striped Polychrome Anthropo-Zoomorphic Masks in Southeast Congo. Holmes & Meier Publishers, Incorporated, 2003.

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29

An Ancient Menagerie: New Perspectives in the Zoomorphic Imagination in Early Chinese Art and Culture. Periscope Pub, 2009.

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30

Leskinen, Maria V., та Eugeny A. Yablokov, ред. All men and beasts, lions, eagles, quails… Anthropomorphic and Zoomorphic Representations of Nations and States in Slavic Сultural Discourse. Institute of Slavic Studies, Russian Academy of Sciences, 2020. http://dx.doi.org/10.31168/0441-1.

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The book was compiled on the materials of the scientific conference “Anthropomorphic and zoomorphic representations of nations and states in the Slavic cultural discourse” (2019), held at the Institute of Slavic Studies of the Russian Academy of Sciences (Moscow) and devoted to the history of the nations’ personifications and generalized ethnic images in period of “imagined communities” formation. This process is reconstructing on verbal and visual sources and by methods of various disciplines. The historical evolution of such zoomorphic incarnations of nations as an Eagle (in the Polish patri

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31

Blaženka Scheuer. Bees, Wasps, and Weasels: Zoomorphic Slurs and the Delegitimation of Deborah and Huldah in the Babylonian Talmud. Lexington Books/Fortress Academic, 2023.

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32

Blaženka Scheuer. Bees, Wasps, and Weasels: Zoomorphic Slurs and the Delegitimation of Deborah and Huldah in the Babylonian Talmud. Lexington Books/Fortress Academic, 2023.

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33

Zoomorphics and poems. Zoomorphics, 2005.

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34

Knox, Daisy. Mediterranean—Cyprus. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.037.

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Prehistoric Cyprus was home to a surprisingly rich and varied corpus of three-dimensional figurative imagery, including anthropomorphic and zoomorphic figurines and figurative vessels, as well as models of inanimate objects in stone, clay, and copper. Beginning with the rare fragments discovered in Pre-Pottery Neolithic A contexts, Cyprus’ figurine record developed over several millennia into the diverse, island-wide, representative phenomena of the Bronze Age. This chapter explores the most pervasive and ongoing debates concerning the function and significance of these figurines—their use in

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35

Bánffy, Eszter. Neolithic Eastern and Central Europe. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.035.

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Contrasted with the vast majority of Neolithic finds, thousands of Neolithic figurines, anthropomorphic vessels, and house models were vested with both a special typological and an artistic value, often divorcing them from their original contexts and removing any clues about their roles within the community. This was aggravated by interpretations that considered these sixth and fifth millennum bc southeast and Central European figurines as forerunners of the deities and goddesses of classical antiquity. What positive interpretation do these representations allow, given that some sites have occ

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36

Kuijt, Ian. Clay Ideas. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.028.

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Beginning around 11,500 years ago, the Neolithic of the Near East encompassed some of the most profound and fundamental innovations in our species’ history. This included the establishment of the earliest sedentary villages, founded by food-producing communities who relied on wild and domesticated plants and animals for subsistence. Major changes were also seen in use of imagery, both anthropomorphic and zoomorphic, in concert with society’s struggle to control new structures of economy, social organization, and symbolism. This chapter explores how Near Eastern Neolithic figurine use changed t

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37

Clark, Sharri R., and Jonathan Mark Kenoyer. South Asia—Indus Civilization. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.024.

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Figurines of the Indus Civilization (c.2600–1900 BC) provide unique insights into technological, social, and ideological aspects of this early urban society. The Indus script has not yet been deciphered, so figurines provide one of the most direct means to understand social diversity through ornament and dress styles, gender depictions, and various ritual traditions. This chapter focuses on figurines from the site of Harappa, Pakistan, with comparative examples from other sites excavated in both India and Pakistan. Anthropomorphic and zoomorphic terracotta figurines, and special forms with mov

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38

Malone, Caroline, and Simon Stoddart. Figurines of Malta. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.036.

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Figurative art developed in the Maltese islands during the Neolithic, as part of the Temple Culture that flourished c.3500–2500 bc. Anthropomorphic and zoomorphic figurines, carved from stone or modelled in terracotta represented, not only a distinct Maltese identity but also significant artistic competence. From very large to very small, the material ranges from objects used in burials to immense statues that decorated temple interiors. Some anthropomorphic figures are dressed, others naked, some obese, others stick-like, and another category associated with mortuary sites is represented lyin

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39

Taiz, Lincoln, and Lee Taiz. Crop Domestication and Gender. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190490263.003.0003.

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“Crop Domestication and Gender” traces the rise of permanent settlements and incipient agriculture from the Pre-pottery Neolithic to the Pottery Neolithic in the Levant, together with the iconographic changes that show a shift from the predominance of zoomorphic forms to female forms concurrent with the increasing importance of agriculture. It discusses relevant geographic features, climactic periods and changes in temperature, rainfall and glaciation while exploring the important transitional cultures and the artifacts that reveal the progress of agricultural development and plant domesticati

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40

Barich, Barbara E. The Sahara. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.006.

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This chapter discusses the collection of objects, in clay and stone, from various pastoral Saharan sites whose original core area lay between Libya (Tadrart Acacus) and Algeria (Tassili- n-Ajjer). The chapter starts from the general theme of the relationship between the figurines and the subjects they represent, and the difference between two-dimensional and three-dimensional representation. It goes on to discuss the manufacturing process of the clay specimens (dating from between 7000 and 4000 years ago) and the significance of the changes introduced by the Neolithic. Most of the items studie

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41

Farbstein, Rebecca. Palaeolithic Central and Eastern Europe. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.034.

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This chapter discusses the rich archaeological record of Upper Palaeolithic symbolic material culture from sites in Central and Eastern Europe. In particular, it focuses on art and ornaments excavated from sites in Czech Republic, Austria, Ukraine, and Russia. Following a review of some influential and provocative interpretations of the most frequently discussed figurative art, in particular the so-called ‘Venus’ figurines, it proposes new contextual frameworks that facilitate a more comprehensive understanding of the diverse records of symbolic material culture, which include large quantities

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42

Les Palettes Egyptiennes Aux Motifs Zoomorphes Et Sans Decoration: Etudes de l'Art Predynastique. Archeobooks, 1991.

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43

Les lions en pierre sculptée les Bakhtiari: Description et significations de sculptures zoomorphes dans une société tribale du sud-ouest de l'Iran. Sean Kingston Publishing, 2013.

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44

Dino, Nelson, Baharudin Arus, Lokman Abdul Samad, and Jul-Amin Ampang. Suluk Ukkil on the Barong Expressions, motifs and meanings. UMS Press, 2022. http://dx.doi.org/10.51200/sulukukkilnelsonums2021.

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With its origin dating back to as early as the 500 BC, the ukkil forms part of a centuries-old woodcarving art and tradition of the Suluk, one of the many indigenous ethnic groups of Nusantara (Southeast Asia). Suluk ukkil bears striking resemblance to the Malay ukir, both featuring similar patterns and motifs. The ukkil is often used to decorate jewellery, boats, houses, grave markers, and mosques. It is also used to decorate the hilts and sheaths of bladed weapons such as the barung. The barung refers to the thick, leaf-shaped sword of the Suluk. A barung with beautifully carved hilt and she

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45

Zhou, Nanquan. Gu yu dong wu yu shen yi shou quan =: Ancient jades in zoomorphism and miraculous animal (Zhongguo gu yu duan dai yu bian wei). Wen pei mei shu tu shu chu ban she, 1994.

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