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Journal articles on the topic 'Zoomorphic'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Juraeva, Barno Nizomiddinovna. "ZOOMORPHIC VIEW OF THE UNIVERSE." EURASIAN JOURNAL OF ACADEMIC RESEARCH 2, no. 4 (2022): 116–20. https://doi.org/10.5281/zenodo.6473217.

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Zoomorphism is the converse of this: it is the attribution of animal-like mental states to humans. Zoomorphism proceeds by frst understanding what kind of mental states animals have and then attributing these mental states to humans. Anthropomorphism is the methodology of attributing human-like mental states to animals. Zoomorphism has been widely used as scientifc methodology especially in cognitive neuroscience. But it has not been taken seriously as a philosophical explanatory paradigm: as a way of explaining the building blocks of the human mind. The philosophical explanatory paradigm of z

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2

Duncan, Noah, Lap-Fai Yu, Sai-Kit Yeung, and Demetri Terzopoulos. "Zoomorphic design." ACM Transactions on Graphics 34, no. 4 (2015): 1–13. http://dx.doi.org/10.1145/2766902.

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Tamošiūnienė, Aušra. "Zoomorfinių motyvų įvairovė ir savitumas Danieliaus Naborovskio (1573–1640) poezijoje." Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums, no. 30 (March 24, 2025): 51–64. https://doi.org/10.37384/aplkp.2025.30.051.

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Daniel Naborowski (1573–1640) was a noteworthy author of the Grand Duchy of Lithuania, writing in Polish and Latin. A courtier of the Radvilles, a physician and a lawyer, he is considered the pioneer of Polish Baroque poetry and one of the most talented poets of his period. The article will focus on the discussion of zoomorphic motifs in his Polish poetry, revealing their diversity and uniqueness. Zoomorphism is a philosophical paradigm opposed to anthropomorphism, whereby attributing the characteristics of an animal to a human being reveals or emphasises certain qualities. Naborowski’s poetry

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Husiev, Serhii. "Zoomorphic Images of the BII Stage Trypillia Settlements in the Middle Buh River Region." Archaeology, no. 3 (September 22, 2021): 36–46. http://dx.doi.org/10.15407/arheologia2021.03.036.

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Widely known in Trypillia archaeological culture various zoomorphic images clearly represent multisided spiritual world of farmers of Eneolithic period, in particular the spread of domestic animals cult. While retaining common features of zoomorphism throughout the whole range of Trypillia, from the early to later stages, there are certain distinctive features for each region and time of existence. Their study allows us to understand the peculiarities of formation and development of the animal image, manners and styles of its performance. It is important to study the embodiments of the animal

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Miller, Laura. "Japan’s Zoomorphic Urge." ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts 17, no. 2 (2010): 69. http://dx.doi.org/10.16995/ane.208.

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Kuksa, Polina V. "“Zoomorphic” details in the structure of the characters in Mikhail Sholokhov’s novel “And Quiet Flows the Don”." Rhema, no. 4, 2019 (2019): 21–33. http://dx.doi.org/10.31862/2500-2953-2019-4-21-33.

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This article discusses one aspect of the poetics of Mikhail Sholokhov’s novel “And Quiet Flows the Don”. The originality of the poetics of the zoomorphic detail in this novel is revealed. The article discusses the most frequent bestial elements pertaining to the characters of Sholokhov’s novel. It has been established that the zoomorphic imagery of the novel demonstrates the dynamics from zoomorphic associations and metaphors to zoomorphic constant details.

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Akchurina-Muftieva, Nuria M. "Anthropomorphism and Zoomorphism in the Ornamental Art of the Crimean Tatars." Golden Horde Review 10, no. 1 (2022): 229–40. http://dx.doi.org/10.22378/2313-6197.2022-10-1.229-240.

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The author of the article reveals the problem of anthropomorphic and zoomorphic images in Islamic art, particularly in the Turkic ornamentation of the Crimea. Superficial, unscientific interpretations of motifs and ornamental compositions often lead to the search for and appropriation of anthropomorphism without appropriate research, loose interpretations of motifs, and the creation of a new mythology. Despite conservative views regarding the categorical denial of the permissiveness of the image of a person, there are many surviving works of fine and decorative art that confirm an opposite tra

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Mitsaeva, Kh V., and E. N. Polyakov. "Design of Zoomorphic Playgrounds for Children." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 27, no. 2 (2025): 63–78. https://doi.org/10.31675/1607-1859-2025-27-2-63-78.

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This article studies the principles of zoomorphic playground design, analyzes their safety aspects and development potential, and highlights the importance of integrating biologically inspired design to create an attractive and stimulating environment.Purpose: The aim is to analyze existing approaches and concepts for design of zoomorphic playgrounds.Methodology: A comprehensive analysis of existing zoomorphic playgrounds, including visual analysis and assessment of functionality and safety.Research findings: The key factors and aspects required for the creation of zoomorphic playgrounds are i

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Makhmutova, E. N., A. A. Chuganskaya, and E. A. Chuprygina. "Socio-psychological Aspects of Business Communication through Iconic Zoomorphic Markers (Using the Example of Spanish Linguoculture)." Concept: philosophy, religion, culture 8, no. 2 (2024): 83–98. http://dx.doi.org/10.24833/2541-8831-2024-2-30-83-98.

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Zoomorphic markers are signs with metaphorical potential that define the contextual and semantic interpretation in communication. The relevance of the cultural study of zoomorphic markers is due to the need to produce and use creative means of socio-psychological influence in the communication process. The purpose of the study is to analyze the use of zoomorphic markers as signs in interpersonal and intergroup communication according to the perspective of a cultural approach. The objectives of the study in this regard are: 1) systematization of scientific ideas about the cultural role of signs

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Sayidova, Gulrukh Yokubovna. "LINGUOCUL LINGUOCULTURAL FEA TURAL FEATURES OF Z TURES OF ZOOMORPHIC ME OOMORPHIC METAPHORS IN APHORS IN SHAVKAT RAHMAN'S WORKS." Scientific Reports of Bukhara State University 3, no. 3 (2019): 131–35. http://dx.doi.org/10.52297/2181-1466/2019/3/3/7.

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In the article, zoomorphic metaphors in the poetry of the famous Uzbek poet Shavkat Rahmon are analyzed in linguistic, as well as linguocultural aspects, the zoomorphic metaphors used in poetry poems are classified by thematic groups, and zoomorphic metaphors such as dogs, birds, storks, ravens have been extensively studied on the basis of material.

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Naydenova, Darya Vadimovna. "Zoomorphic iconography of St. Christopher in the Art of the Balkan countries." Studia Slavica et Balcanica Petropolitana, no. 2 (28) (2020): 107–24. http://dx.doi.org/10.21638/spbu19.2020.207.

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St. Christopher was one of the few Christian saints whose image was portrayed in vivid and remarkable iconic art. Although the anthropomorphic iconographic image of the martyr was known in the Byzantine world since ancient times, the painters purposely proceeded to depict this saint in his zoomorphic guise. The belief in his miraculous power allowing to prevent troubles and to guard against diseases, fostered by the diverse artistic interpretations of the zoomorphic face representation, emphasized his particular mystical status, which enabled this unprecedented martyr’s iconography to survive

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Kadirov, R. "Zoomorphic metaphor in French." Bulletin of Science and Practice 4, no. 3 (2018): 400–404. https://doi.org/10.5281/zenodo.1198826.

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This article analyzes the cognitive mechanism of the formation of the zoomorphic metaphor of the French language. A zoomorphic metaphor is a complex phenomenon that includes both figurative and cognitive potential for expressing knowledge about the world through linguistic models. In its study, therefore, it is not so much what qualities are possessed by this or that real animal (the referent of zoosadism), but those qualities that are attributed to it by the linguistic consciousness of the given collective, i.e. those that characterize the denotation.

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Bolgova, E. V. "The Person’s Image in a Zoomorphic Worldview: Language Instances of Anthropomorphism vs Zoomorphism." Human Culture Education, no. 2 (2021): 59–72. http://dx.doi.org/10.34130/2233-1277-2021-2-59.

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Kravets, Larysa, Galyna Siuta, Tetiana Semashko, and Nadiia Bobukh. "Cognitive-Assessment Content of Zoomorphic Metaphors in Contemporary Ukrainian and English Language Culture a Comparative Aspect." World Journal of English Language 13, no. 6 (2023): 439. http://dx.doi.org/10.5430/wjel.v13n6p439.

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The academic paper highlights the results of studying zoomorphic metaphors of modern Ukrainian linguoculture. Poetic texts of the ХХ - ХХІ centuries were primarily the source base because the language of poetry is the natural medium of metaphor. In poetry, the potential of metaphor is fully implemented. It conveys numerous shades of meaning, and semantic nuances, as well as the purpose of influencing the reader, stimulating his creative imagination, giving aesthetic pleasure, expanding the worldview, involving in co-creation, etc. Publicistic texts containing zoomorphic metaphors were also inc

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Georgieva, Petya. "Cow, Bull, Woman, Man (Relief on a Vessel from the End of the Fifth Millennium BC from the Western Black Sea Coast)." Archaeologia Lituana 23 (December 30, 2022): 88–106. http://dx.doi.org/10.15388/archlit.2022.23.5.

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In the Varna Eneolithic necropolis three gold applications were found with shapes presenting cattle in profile. They have no clear sexual characteristics. These figures are usually interpreted as bulls. Images with analogous shapes occur rarely on ceramic vessels as well.This paper presents a vessel from the settlement mound Kozareva Mogila (Bulgaria). Two anthropomorphic and two zoomorphic figures are depicted on it. The images are schematic, modeled in relief along the entire middle part, arranged in a horizontal belt and alternating anthropomorphic and zoomorphic. The anthropomorphic ones a

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Voytseva, Olena A., and Yulia S. Malychenko. "SYMBOLIC NATURE OF ZOOMORPHIC METAPHOR IN UKRAINIAN AND POLISH LANGUAGE CULTURES." Мова, no. 39 (September 5, 2023): 5–9. http://dx.doi.org/10.18524/2307-4558.2023.39.284908.

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The purpose of the article is to identify the specific features of semantic-symbolic and functional-pragmatic features of zoomorphic metaphors in modern Ukrainian and Polish. The object of the analysis is zoomorphic metaphors — figurative meanings of animal names fixed in the system of Ukrainian and Polish languages, which generalise knowledge and conceptions of the animal world in the context of human beings. The subject of the study is to identify the symbolic nature of zoomorphic metaphor in Ukrainian and Polish. The collected material contains universal metaphors, synonymous names, as also

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Ulyana Petrovna, Suzdalova. "The creatures in the Yakut zoomorphic pantheon: chimeras and werewolves." Vestnik of Saint Petersburg State University of Culture, no. 2 (51) (2022): 107–15. http://dx.doi.org/10.30725/2619-0303-2022-2-107-115.

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The article is devoted to the study of the creatures in the Yakut zoomorphic pantheon. It is noted that fantastic qualities are an indispensable attribute of all zoomorphic characters in a view of the world and folklore of traditional culture. Special attention is paid to the analysis and typological ranking of chimeras and werewolves in Yakut folklore. Examples of fixation of other subgroups of the creatures are given. The problem is posed of constructing an exhaustive typology that allows ranking all the fantastic characters of the zoomorphic pantheon. The article contains many examples of f

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Bazovský, Igor, Luboš Rypka, and Petr Vágner. "Fish-head shaped zoomorphic Fittings." Zborník Slovenského národného múzea Archeológia 34 (2024): 227–40. https://doi.org/10.55015/emai3122.

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Durga Prasad, D., and CH Vasanth Kumar. "Structural design of zoomorphic robot." IOP Conference Series: Materials Science and Engineering 912 (September 12, 2020): 032022. http://dx.doi.org/10.1088/1757-899x/912/3/032022.

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20

Туаллагов, А. А. "ZOOMORPHIC SYMBOL OF THE YASE." NARTAMONGÆ 18, no. 1-2 (2024): 118–62. http://dx.doi.org/10.46698/vnc.2024.66.56.001.

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Статья посвящена продолжению исследования по проблемам геральдических сим- волов алан раннего средневековья. В ней обращается внимание на исключительные сведе- ния славянских источников о таком символе алан-асов как олень. Учитывая возможные сложности в верификации данных сведений, предлагается обращение к дополнительным археологическим и фольклорно-этнографическим данным. Установлено, что образ оленя в этнокультурной традиции ираноязычного «скифо-сакского мира» был связан с тотеми- ческими культами, служил символом солнца и плодородия, соотносился с царскими куль- тами. Культ оленя как тотемн

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Oynotkinova, N. R. "Зооморфный код в мифоритуальной традиции алтайцев". Languages and Folklore of Indigenous Peoples of Siberia, № 44 (2022): 33–42. http://dx.doi.org/10.25205/2312-6337-2022-2-33-42.

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The article reveals the peculiarities of the zoomorphic cultural code implementation in the mythology and rituals of the Altai people. Folklore texts of different genres: myths, legends, historical legends, tales, and ritual works of Altaians were studied using the descriptive method, the method of semantic reconstruction, and the method of motivational analysis used in ethnolinguistics. The concept of “double coding” serves as a methodological basis for studying the zoomorphic code in the mythological picture of the world of the Altaians. The culture code is understood as a way of expressing

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22

Makowski, Maciej. "Zoomorphic clay figurines from Tell Arbid. Preliminary report." Polish Archaeology in the Mediterranean XXIV, no. 1 (2016): 627–56. http://dx.doi.org/10.5604/01.3001.0010.0118.

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The collection of clay zoomorphic figurines from Tell Arbid, a site in the Khabur river basin in northern Mesopotamia, comprises nearly 600 specimens, dated mainly to the 3rd and first half of the 2nd millennium BC. It consists of solid figurines and the much less numerous wheeled figurines and hollow figurines/zoomorphic vessels, as well as a single rattle in the form of a zoomorphic figurine. The animals represented include chiefly equids, sheep, goats, cattle, dogs and birds. The find context usually does not permit anything but a very broad dating, but an analysis of details of execution m

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Merzlikina, Olga V. "Zoomorphic metaphor in the dialect nominations of plants as a fragment of the Galician language picture of the world." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 90 (2024): 75–93. https://doi.org/10.17223/19986645/90/4.

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The article studies the cognitive-onomasiological mechanism of motivation of zoomorphic metaphorical nominations of plants in the Galician language. The aim of the article is to analyze the motivation of the folk plants names and to reveal the mechanism of metaphorical rethinking of the conceptual sphere “animals”, as well as to describe the conceptual connection in the motivational bases of phytonyms created on the basis of synthesizing models. The material of the study was the folk plants names in the Galician language. The reason for including a phytonym in the sample for analysis was the p

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Ağasəməd oğlu Yəhyalı, Pərviz. "On zoomorphical components in the spiritual culture of the people of Azerbaijan." NATURE AND SCIENCE 21, no. 6 (2022): 29–33. http://dx.doi.org/10.36719/2707-1146/21/29-33.

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Mənəvi mədəniyyət insan zəkasının yaratdığı, onun iç dünyasından xəbər verən, arzu və istəklərindən doğan maddi mədəniyyətlə kəskin sərhəd ayrılığı olmayan mədəniyyətdir. Buraya adət və ənənələr, din, fəlsəfi görüşlər, inam və etiqatlar, xalq yaradıcılığı daxildir. Azərbaycsn xalqının mənəvi mədəniyyəti, onun tarix boyu keçdiyi inkişaf mərhələləri ilə, zamanla formalaşdırdığı dəyərlərlə mübarizə tarixi ilə zəngin bir irs təşkil edir. İnam və inanc dünyasında hifz edib yaşatdığı zoomorfik komponentlər minilliklərdən boylanan canlı tarixdir. Təsərrüfat məşğuliyyəti, təbiətlə ünsiyyəti özündə eht

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Shanmugasundaram, R., and T. Manickavasagan. "Construction and Validation of Zoomorphic Naming Ability Test in Zoology." RESEARCH REVIEW International Journal of Multidisciplinary 9, no. 1 (2024): 129–35. http://dx.doi.org/10.31305/rrijm.2024.v09.n01.016.

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Zoology is the branch of biology concerned with the study animals and animal kingdom. It is also known as animal biology. The study zoology includes the interaction of animal kingdom in their ecosystems such as classification, habits, structure, embryology, distribution, evolution, and extinct species. Zoology is the division of biology that deals with the animals kingdom. It is the scientific study related to construct and validate the tool to measure the higher secondary science stream students in Zoomorphic naming ability it means that the science of naming, describing and classify organism

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Lbova, Lyudmila. "Malta Bestiary: Birds, Snakes and Others…" Stratum plus. Archaeology and Cultural Anthropology, no. 1 (February 26, 2021): 57–73. http://dx.doi.org/10.55086/sp2115773.

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The paper presents the results of a complex study of the collection of zoomorphic figurines from the Upper Palaeolithic site of Malta in the Angara region of Eastern Siberia. The materials described and analyzed in the paper were obtained during the excavations by M. M. Gerasimov in 1928—1958 and are currently divided between four museums in Saint Petersburg, Moscow and Irkutsk. Based on morphometric, stylistic, technological and use wear analyses in combination with zoological, archaeozoological and ethnographic evidence, the authors propose new classification and interpretation of the zoomor

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Ayten, Ebru Gizem, and Çiğdem Atakuman. "Zoomorphic imagery and social process during the Early Bronze Age." Documenta Praehistorica 50 (August 4, 2023): 2–21. http://dx.doi.org/10.4312/dp.50.13.

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Through the agency of animals, we think about our identity, landscape and society, and therefore animal imagery holds a special place in approaches to human thought. Through a study of the zoomorphic figurine assemblage recorded at the Early Bronze Age site of Koçumbeli-Ankara, we argue that the zoomorphic figurines of this time period were produced through a meaningful linking of particular images and raw materials to particular use contexts. For example, the ambiguously sexed zoomorphic figurines of clay are usually found within the settlement contexts, whereas the rest of the zoomorphic ima

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BAUBEC-FELEA, Ioana-Cristina. "Valorificarea expoziţională și educaţională a colecţiei de figurine Cucuteni-Ariușd din situl arheologic Păuleni-Ciuc - Dâmbul Cetăţii, jud. Harghita. Proiect de educaţie muzeală/ Exhibition and educational valorisation of the Cucuteni-Ariușd figurine collection from the archaeological site Păuleni-Ciuc - Dâmbul Cetății, Harghita County. Museum education project." ANGVSTIA 26, no. 1 (2022): 187–208. http://dx.doi.org/10.36935/angvstia_v26_7.

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The valorisation, for the benefit of the museum public and the community, of the collection of anthropomorphic and zoomorphic figurines/statuettes belonging to the Cucuteni-Ariușd Cultural Complex (5th-4th mill. BC), is carried out by the team of the National Museum of the Eastern Carpathians (NMEC) in Sfântu Gheorghe, Covasna County, through several cultural products. The collection of Cucuteni-Ariușd figurines consists of anthropomorphic and zoomorphic representations, pendants, objects of different shapes and sizes, mostly made of clay, but there are also some pieces made of red deer antler

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Chshiev, V. T. "The ancient Iranian dog-bird in the Caucasian repoussage (based on the materials of the Koban archeological culture)." Bulletin of the State University of Education. Series: History and Political Sciences, no. 5 (February 28, 2024): 111–18. https://doi.org/10.18384/2949-5164-2023-5-111-118.

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Aim. To clarify the semantics of zoomorphic bronze pendants in the form of a protoma and the head of a dog-like animal, equipped with a bird’s triangular tail, found in the burial complexes of the Koban archaeological culture.Methodology. The paper examines the “bird-like” bronze pendants of the Koban culture and other Koban artifacts with similar zoomorphic sculptural compositions; it uses a methodology typical of archaeological research, such as comprehensive and comparative historical methods.Research implications. The article proposes and proves a new original interpretation of the semanti

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Pokrovskaya, L., and E. Tyanina. "Hollow zoomorphic pendants from medieval Novgorod." Rossiiskaia arkheologiia, no. 1 (March 2019): 146–60. http://dx.doi.org/10.31857/s086960630004145-8.

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Sauer, Vanessa, Axel Sauer, and Alexander Mertens. "Zoomorphic Gestures for Communicating Cobot States." IEEE Robotics and Automation Letters 6, no. 2 (2021): 2179–85. http://dx.doi.org/10.1109/lra.2021.3060416.

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Akmatova, Ainazik. "Zoomorphic Metaphors in the Kyrgyz Language." Humanitarian Vector 15, no. 1 (2020): 79–83. http://dx.doi.org/10.21209/1996-7853-2020-15-1-79-83.

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Frînculeasa, Alin. "Eneolithic zoomorphic vessels from Wallachian Subcarpathians." Annales d'Université "Valahia" Târgovişte. Section d'Archéologie et d'Histoire 14, no. 1 (2012): 59–72. http://dx.doi.org/10.3406/valah.2012.1104.

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Tazieva, E. M. "Zoomorphic metaphorical adjectives in modern Russian." Sibirskiy filologicheskiy zhurnal, no. 2 (June 1, 2011): 137–44. http://dx.doi.org/10.17223/18137083/35/19.

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Novichikhin, A. M., and V. A. Trifonov. "Zoomorphic scepter head from Anapa museum." Archaeology, Ethnology and Anthropology of Eurasia 26, no. 1 (2006): 80–86. http://dx.doi.org/10.1134/s1563011006020083.

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Krylasova, N. B. "Horn zoomorphic combs from Northeastern Europe." Archaeology, Ethnology and Anthropology of Eurasia 29, no. 1 (2007): 73–80. http://dx.doi.org/10.1134/s1563011007010070.

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Najafov, Shamil. "Zoomorphic ceramics of the Sarvantepe settlement." Археология Казахстана, no. 4 (26) (December 31, 2024): 63–80. https://doi.org/10.52967/akz2024.4.26.63.80.

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Ancient people have always pondered the question of when and how the human species emerged. Answers to this question were often sought in the animal world that surrounded humans, leading to the assumption that humanity's great ancestors may have descended from certain animals or that a spiritual or mystical connection existed between humans and these creatures. Consequently, animals were sanctified, and their images were depicted on ceramics, metal, stone, wood, and other materials. This article examines the zoomorphic decor of ceramics discovered at the settlement of Sarvantepe (Rustepe), dat

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Mishurovskaya, O. E. "ZOOMORPHIC MOTIFS IN RUSSIAN CHINOISERIE INTERIORS." Bulletin of Kemerovo State University of Culture and Arts, no. 67 (2024): 70–82. https://doi.org/10.31773/2078-1768-2024-67-70-82.

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Chizhevsky, Andrey A., and Alexander V. Novikov. "Zoomorphic Figurine from the Odoevsky Hillfort." Povolzhskaya Arkheologiya (The Volga River Region Archaeology) 3, no. 49 (2024): 138–51. http://dx.doi.org/10.24852/pa2024.3.49.138.151.

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In 2023, during the study of the Odoevsky hillfort, a zoomorphic figurine made of bone was found. It was discovered in a layer together with ceramics of the Vyatka-Vetluzh culture of the Ananyinsky cultural and historical region (AKIO). The individual finds identified in the cultural layer of the Odoevsky hillfort are not original, and are widespread throughout the territory of the AKIO. The attribution of this product made it possible to define it as a partial image of a horse's head to the shoulders. According to the manufacturing technology, the figurine belongs to relief images and is a no

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Ojamaa, Triinu. "The shaman as the zoomorphic human." Folklore: Electronic Journal of Folklore 04 (1997): 77–92. http://dx.doi.org/10.7592/fejf1997.04.triinu.

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Sharapova, Asya. "Zoomorphic Vocatives in Lexicography and RNC." Stephanos Peer reviewed multilanguage scientific journal 57, no. 1 (2023): 229–35. http://dx.doi.org/10.24249/2309-9917-2023-57-1-229-235.

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The article examines the vocal function of zootropes on the basis of lexicographic sources – “Russian Semantic Dictionary” (ed. by N. Shvedova), “The Big Explanatory Dictionary of the Russian Language” (ed. by S. Kuznetsov) and data from the Russian National Corpus. The paper presents the features of the use of lexical units in terms of gender, as well as new cases of the use of zootropes in the late 20th – early 21st centuries. The main derivational model of change in zoomorphic vocatives is revealed.

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Venclová, Natalie. "Zoomorphic motifs on La Tène pottery." Archeologické rozhledy 70, no. 1 (2018): 91–109. http://dx.doi.org/10.35686/ar.2018.4.

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A fragment of a vessel with a zoomorphic motif from the Břežany II site in central Bohemia is one of the rare representatives of figural images on La Tène pottery. A selection of roughly thirty cases from La Tène Europe of the 5th–1st century BC presents the development of this specific expression of La Tène art from regular decoration to spontaneous graffiti.

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Zhang, Fan. "Xianbei Zoomorphic Plaques: Art, Migration, and Human-Environment Entanglement." Arts 11, no. 6 (2022): 129. http://dx.doi.org/10.3390/arts11060129.

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This paper adopts an ecological perspective to investigate the visual and material remains associated with the Xianbei people, a nomadic group active in Northeast Asia from the turn of the common era to the early medieval period. Through the study of metal plaques bearing animal motifs and the environmental contexts of these artworks, I articulate the entangled relationship between humans, animals, and nature. More specifically, this research highlights three groups of zoomorphic designs, including the deer, the horse, and the human–animal juxtaposition. By investigating the stylistic changes

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Sem, T. Y. "Tungus-Manchu Traditional Beliefs. Part 2: Zoomorphic Complex." Archaeology, Ethnology & Anthropology of Eurasia 49, no. 4 (2022): 120–26. http://dx.doi.org/10.17746/1563-0110.2021.49.4.120-126.

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This article describes the zoomorphic complex of Tungus-Manchu beliefs refl ected in mythology, ritual practices, shamanism, and decorative and applied arts. Those beliefs are regarded as a coherent whole within the cultural system. The typology of the zoomorphic complex shows that the key fi gures were the serpent-dragon, the deer, the bear, and the tiger. In traditional worldviews and rituals, they were related to cosmogony, ancestor cult, hunting and fi shing rituals, healing, and initiation shamanic complexes. The semantics of animal images depended on their place in the cultural system, r

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Sikorski, Eric, Shawn Mulvey, and Eva Wiese. "Effect of Anthropomorphic Design on the Effectiveness of Motivational Messages." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 63, no. 1 (2019): 1888–92. http://dx.doi.org/10.1177/1071181319631349.

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The potential for social robots to provide assistance to those in need continues to increase though optimal design for user acceptance and engagement continues to be elusive. The design of social robots for user motivation specifically has not been well researched yet evidence does indicate that virtual agents can be motivational. Theory of mind and social facilitation research points to the motivational potential of social robots. This study examines the effect of human-like appearance (i.e. anthropomorphism) on the effectiveness of motivational messages. Results indicate that images of human

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Pereira-Martínez, Xurxo, Eduardo Méndez-Quintas, and Pilar Prieto Martínez Prieto Martínez. "LOS GRABADOS DE CUADRÚPEDOS EN EL ARTE RUPESTRE ATLÁNTICA. DISTRIBUCIÓN Y ANÁLISIS ESTILÍSTICA." Estudos do Quaternário / Quaternary Studies, no. 22 (December 30, 2022): 24–44. http://dx.doi.org/10.30893/eq.v0i22.205.

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Resumo:  El objetivo de este trabajo es mostrar el patrón de distribución de las figuras de zoomorfos en el noroeste ibérico, apartir de los datos recopilados por las diferentes administraciones de Galicia y Portugal, y de las prospeccionesrealizadas en el área del Miño litoral (Norte de Portugal y Suroeste gallego). Ofrecemos una síntesis actualizada sobreeste tipo de representaciones rupestres, con el estudio de 169 superficies con figuras de zoomorfos, analizando elemplazamiento de este tipo de motivos, siguiendo diferentes criterios como la especie de animal representado y/o lavariab

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Faizullina, N. I., and S. Hang. "Zoomorphic metaphor in a Russian folk riddle." Philology and Culture, no. 3 (October 4, 2023): 76–80. http://dx.doi.org/10.26907/2782-4756-2023-73-3-76-80.

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Metaphor is a unique phenomenon both from the point of view of language and culture, for it preserves unique relic forms of the surrounding reality perception. At present, when modern conditions of people’s lives are transformed, metaphor, as a way of realization of hidden comparison, undergoes a number of qualitative changes. In this regard, it will be relevant to turn to metaphor functioning in folklore texts, because due to its conservatism we can identify archetypal images underlying the hidden comparison. This article examines the features of zoomorphic metaphor in Russian folk riddles. T

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DUKTAVA, L. "THE ZOOMORPHIC CULTURAL CODE IN THE BELARUSIAN ARTISTIC CONSCIOUSNESS." Herald of Polotsk State University. Series A. Humanity sciences, no. 3 (August 17, 2023): 90–95. http://dx.doi.org/10.52928/2070-1608-2023-68-3-90-95.

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The article considers the zoomorphic code as one of the cultural codes, reveals the features of the use of cultural codes as carriers of the deep meanings of national identity. The main subcodes of the zoomorphic code in the Belarusian literature of the XX–XXI centuries are considered. The ornithological subcode is represented by the images and motifs of the stork, crane, raven, lark, and eagle. The thematic group «wild animals» of the theriological subcode is represented by images of a wolf, a bison, a bear. One of the common images belonging to the thematic group «domestic animals» of the th

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Kutafeva, Natalia V. "Teaching of Japanese Language through Zoomorphic Metaphor." Oriental Studies 19, no. 10 (2020): 141–50. http://dx.doi.org/10.25205/1818-7919-2020-19-10-141-150.

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In this article, the author proposes a method for the consistent acquaintance of Russian students studying the Japanese language by way of zoonymes and zoomorphic metaphors based on the example of the transcription of Aesop’s fable “The Dragonfly and the Ant”. In the Japanese transcription, instead of the zoonyme “dragonfly”, another zoonyme “grasshopper” is used. In addition, in Japanese linguistic culture, there are two versions of the fable. In one version, the ants refuse to help the grasshopper, and he dies. In another version, the ants help the grasshopper, and he lives through the winte

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Currie, Christopher K. "A zoomorphic horticultural urn from Gosport, Hampshire." Post-Medieval Archaeology 39, no. 2 (2005): 325–27. http://dx.doi.org/10.1179/007943205x62705.

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