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Books on the topic 'Zoroastrian art'

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1

Cama, Shernaz. Threads of continuity: Zoroastrian life & culture. Parzor Foundation, 2016.

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2

Williams, Ron G. Ritual art and knowledge: Aesthetic theory and Zoroastrian ritual. University of South Carolina Press, 1993.

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3

Mistree, Firoza Punthakey. Across oceans & flowing silks: From Canton to Bombay 18th-20th centuries. Edited by Sudha Seshadri editor, Bombay Parsi Punchayet, India Ministry of Culture, National Gallery of Modern Art (Mumbai, India), and World Zoroastrian Congress (10th : 2013 : Mumbai, India). Spenta Multimedia, 2013.

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4

India. Ministry of Minority Affairs. Painted encounters: Parsi traders and the community and No Parsi is an island.. National Gallery of Modern Art, 2016.

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5

translator, Lenshev Vasil, ed. Deo soli invicto Mithrae: Mithra’s invincible sun god : collection. Bulga Media, 2021.

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6

1946-, Varnedoe Kirk, Karmel Pepe, Museum of Modern Art (New York, N.Y.), and High Museum of Art, eds. Picasso: Masterworks from the Museum of Modern Art : an exhibition. Museum of Modern Art, 1997.

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7

Maria-Teresa, Ocaña, Palazzo Medici Riccardi, Centro mostre di Firenze (Italy), and Museo Picasso, eds. Picasso: La grande grafica, 1904-1971 : Ottanta incisioni dal Museo di Barcelona. Electa, 1986.

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8

Markus, Müller, and Städtische Galerie Bietigheim-Bissingen, eds. Picasso: Linolschnitte. Edition Braus, 2005.

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9

1940-, Clair Jean, and Fondation Pierre Gianadda, eds. Picasso: Sous le soleil de Mithra : Fondation Pierre Gianadda, Martigny, Suisse, 29 juin au 4 novembre 2001. Fondation Pierre Gianadda, 2001.

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10

1937-, Spies Werner, and Art Focus (Zurich Switzerland), eds. Picasso: Retrospektive. Art Focus, 2000.

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11

Mercè, Doñate, Llorens Elena, and Museu Nacional d'Art de Catalunya., eds. Picasso: Museu Nacional d'Art de Catalunya. Museu Nacional d'Art de Catalunya, 2007.

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12

Marc, Gundel, Hirner René, Rohleder Stefanie, and Kunstmuseum Heidenheim, eds. Picasso: Zwischen Arena und Arkadien = Picasso : from arena to Arcadia : Bestandskatalog der Picasso Plakate- und Druckgraphiksammlung, Hermann Voith Galerie, Kunstmuseum Heidenheim. DuMont, 2001.

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13

Musée national Picasso La Guerre et la Paix (Vallauris, France) and Musée Magnelli, musée de la céramique., eds. Picasso: L'homme au mouton : 4 juillet-4 octobre 1999. Réunion des musées nationaux, 1999.

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14

M, Fischer Alfred, and Museum Ludwig, eds. Picasso: Die Sammlung Ludwig, druckgraphische Werke : Museum Ludwig Köln, 27. Februar-16. Mai 1993. Locher, 1993.

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15

Valeriano, Bozal Fernández, and Museo Nacional Centro de Arte Reina Sofía., eds. Picasso: En Boisgeloup, con Marie-Thérèse, y en torno a L'homme au mouton. Museo Nacional Centro de Arte Reina Sofía, 2006.

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16

Anne, Baldassari, Musée Picasso (Paris France), and Art Gallery of Ontario, eds. Picasso: Masterpieces from the Musée National Picasso, Paris. Musée National Picasso, 2012.

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17

1924-, Richardson John, Cowling Elizabeth, Arnaud Claude, and Gagosian Gallery (London England), eds. Picasso: The Mediterranean years 1945-1962. Gagosian Gallery, 2010.

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18

Colombia, Museo Nacional de, ed. Picasso: Museo Nacional de Colombia, mayo 13-agosto 11, Bogotá, 2000. Museo Nacional de Colombia, 2000.

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19

A Zoroastrian Tapestry: Art, Religion & Culture. Mapin Publishing Pvt, Ltd., 2002.

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20

Godrej, Pheroza J. A Zoroastrian Tapestry ; Art, Religion and Culture. Mapin Publishing Pvt. Ltd., 2002.

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21

Godrej, Pheroza J. A Zoroastrian Tapestry ; Art, Religion and Culture. Mapin Publishing Pvt. Ltd., 2002.

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22

Zhongguo xian jiao yi shu shi yan jiu: A history of Chinese Zoroastrian art. Sheng huo, du shu, xin zhi san lian shu dian, 2004.

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23

Archaeology of Mithraism: New Finds and Approaches to Mithras-Worship. Peeters Publishers & Booksellers, 2020.

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24

Die Sprache der Bilder: Eine Studie zur ikonographischen Exegese der anthropomorphen Götterbilder im Zoroastrismus. Harrassowitz, 2018.

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25

Buhler, Alexandra. Zoroastrianism in India and Iran. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755601615.

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In the nineteenth century, a number of Zoroastrians emigrated from Iran to India. The subsequent importance of the cultural, religious and political ties between the Zoroastrian communities of Iran and the Zoroastrian communities of India has long been recognised. But despite this, there has been little scholarly attention paid to the changing dynamics of this transnational relationship. This book examines the Zoroastrian community in the late Qajar and early Pahlavi period beyond the borders of Iran to trace this Parsi-Persian relationship. A major theme is the increase in philanthropy direct
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26

Mithraic Prophecy. British Archaeological Reports Limited, 2022.

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27

Picasso: Breaking the Rules of Art (Great Artists). Barron's Educational Series, 1997.

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28

Picasso: Erotic Sketchs / Erotische Skizzen (Prestel's Erotic Sketchbook). Prestel Publishing, 2006.

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29

Picasso. Susaeta Ediciones, 1989.

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30

Picasso: Caja de remordimientos. Bancaja, 2001.

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31

Picasso: Las Grandes Series. Aldeasa, 2001.

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32

Bernstein, Alan E. Hell and Its Rivals. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501707803.001.0001.

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The idea of punishment after death—whereby the souls of the wicked are consigned to hell—emerged out of beliefs found across the Mediterranean, from ancient Egypt to Zoroastrian Persia, and became fundamental to the Abrahamic religions. Once hell achieved doctrinal expression in the New Testament, the Talmud, and the Qur’ān, thinkers began to question hell’s eternity, and to consider possible alternatives—hell’s rivals. Some imagined outright escape, others periodic but temporary relief within the torments. One option, including Purgatory and, in the Eastern Orthodox tradition, the Middle Stat
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33

Ball, Warwick. East of the Wardrobe. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197626252.001.0001.

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This book teases out hitherto unrecognised Eastern aspects in and influences on C. S. Lewis’s Narnia Chronicles. These include storylines, plots, themes, imagery, and even cities and landscapes in the East, as well as the ‘Persian’ style of illustrations by Pauline Baynes. Although never having ventured east himself, Lewis wrote that ‘I am the product of endless books,’ and in recognising Eastern references—many only subconsciously intended by Lewis—it is possible to enter the rich world of books that Lewis lived and breathed all his life and, perhaps less obviously, overhear the conversations
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34

Adrych, Philippa, Robert Bracey, Dominic Dalglish, Stefanie Lenk, and Rachel Wood. Images of Mithra. Edited by Jas Elsner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198792536.001.0001.

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Images of Mithra begins with the seemingly simple question: what’s in a name? With a history of use extending back to Vedic texts of the second millennium BC, derivations of the name Mithra appear in the Roman Empire, across Sasanian Persia, and in the Kushan Empire of southern Afghanistan and northern India during the first millennium AD. Even today, this name has a place in Yazidi and Zoroastrian religion. But what connection have Mihr in Persia, Miiro in Kushan Bactria, and Mithras in the Roman Empire to one another? Over the course of the volume, specialists in the material culture of thes
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35

Sumler, Alan. Cannabis in the Ancient Greek and Roman World. The Rowman & Littlefield Publishing Group, 2018. https://doi.org/10.5040/9781666988048.

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Did the ancient Greeks and Romans use psychoactive cannabis? Scholars say that hemp was commonplace in the ancient world, but there is no consensus on cannabis usage. According to botany, hemp and cannabis are the same plant and thus the ancient Greeks and Romans must have used it in their daily lives. Cultures parallel to the ancient Greeks and Romans, like the Egyptians, Scythians, and Hittites, were known to use cannabis in their medicine, religion and recreational practices. Cannabis in the Ancient Greek and Roman World surveys the primary references to cannabis in ancient Greek and Roman
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