Relevant bibliographies by topics / Zouk (Music)

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  1. Journal articles

Academic literature on the topic 'Zouk (Music)'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Zouk (Music)"

1

Cohen, Paul. "“Zouk Is the Only Medicine We Need”." French Historical Studies 45, no. 2 (2022): 319–53. http://dx.doi.org/10.1215/00161071-9532010.

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Abstract This article demonstrates how the history of Kassav, the French Caribbean music group founded in 1979, sheds light on the cultural politics of French Caribbean music and the history of “global France.” It argues that Kassav's music represents an inventive cultural and commercial response to patterns of neocolonial and capitalist exclusion in the French Caribbean, one that drew on the islands' own cultural resources to fashion a new musical form, called zouk, that has had lasting influence. Kassav owes its commercial success in part to a global music industry hungry for new musics from
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2

Malm, Krister, and Jocelyn Guilbault. "Zouk: World Music in the West Indies." Yearbook for Traditional Music 26 (1994): 154. http://dx.doi.org/10.2307/768260.

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Largey, Michael, Jocelyne Guilbault, Gage Averill, Edouard Benoit, and Gregory Rabess. "Zouk: World Music in the West Indies." Notes 52, no. 1 (1995): 123. http://dx.doi.org/10.2307/898831.

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4

Guilbault, Jocelyne. "Sociopolitical, Cultural, and Economic Development Through Music: Zouk in the French Antilles." Canadian Journal of Latin American and Caribbean Studies 17, no. 34 (1992): 27–40. http://dx.doi.org/10.1080/08263663.1992.10816677.

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5

Guilbault, Jocelyne. "Interpretation out of Contradiction: A World of Music in the West Indies." Canadian University Music Review, no. 14 (February 22, 2013): 1–17. http://dx.doi.org/10.7202/1014308ar.

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This paper addresses the researcher's double challenge: to acknowledge and situate contrasting experiences of the same phenomenon and yet to integrate them into a personal rendition of that phenomenon. An examination of the various strategies employed in ethnographic writing, from the copious use of quotations to dialogical or polyphonic writing, shows how contradictory viewpoints have been given more attention in ethnographic literature, as the politics of representation have developed into an important debate in the social sciences. While these various approaches have undeniably allowed more
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6

MURRAY, DAVID A. B. "Zouk: World Music in the West Indies. JOCELYNE GUILBAULT with GAGE AVERILL, EDOUARD BENOIT, and GREGORY RABESS." American Ethnologist 22, no. 3 (1995): 661–62. http://dx.doi.org/10.1525/ae.1995.22.3.02a00600.

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7

Bilby, Kenneth M. "Tracking the Caribbean sound: three current hits." New West Indian Guide / Nieuwe West-Indische Gids 71, no. 1-2 (1997): 69–77. http://dx.doi.org/10.1163/13822373-90002616.

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[First paragraph]Zouk: World Music in the West lndies. JOCELYNE GuiLBAULT (with GAGE AVERILL, ÉDOUARD BENOIT & GREGORY RABESS). Chicago: University of Chicago Press, 1993. xxv + 279 pp. and compact disk. (Cloth US$ 55.00, Paper US$ 27.75) Calypso Calaloo: Early Carnival Music in Trinidad. DONALD R. HlLL. Gainesville: University Press of Florida, 1993. xvi + 344 pp. and compact disk. (Cloth US$ 49.95, Paper US$ 24.95) Calypso & Society in Pre-Independence Trinidad. GORDON ROHLEHR. Port of Spain: Gordon Rohlehr, 1990. x + 613 pp. (Paper US$ 40.00)In 1983, from my Hstening post in Cayenne
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8

Archer, Ken. "From Vodou to Zouk: A Bibliographic Guide to Music of the French-speaking Caribbean and its Diaspora (review)." Notes 68, no. 1 (2011): 76–77. http://dx.doi.org/10.1353/not.2011.0107.

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9

Witmer, Robert. "Jocelyne Guilbault, with Gage Averill, Édouard Benoit, and Gregory Rabess. Zouk: World Music in the West Indies. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 1993. xxv, 279 pp., compact disc included. ISBN 0-226-31041-8 (hardcover), ISBN 0-226-31042-6 (paperback)." Canadian University Music Review, no. 15 (1995): 194. http://dx.doi.org/10.7202/1014408ar.

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10

Staverman, Désirée, and Desiree Staverman. "Op zoek naar de ware Elektra. Diepenbrocks toneelmuziek en het probleem van het melodrama." Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 51, no. 1 (2001): 42. http://dx.doi.org/10.2307/939227.

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