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Journal articles on the topic 'Zouk (Music)'

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1

Cohen, Paul. "“Zouk Is the Only Medicine We Need”." French Historical Studies 45, no. 2 (2022): 319–53. http://dx.doi.org/10.1215/00161071-9532010.

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Abstract This article demonstrates how the history of Kassav, the French Caribbean music group founded in 1979, sheds light on the cultural politics of French Caribbean music and the history of “global France.” It argues that Kassav's music represents an inventive cultural and commercial response to patterns of neocolonial and capitalist exclusion in the French Caribbean, one that drew on the islands' own cultural resources to fashion a new musical form, called zouk, that has had lasting influence. Kassav owes its commercial success in part to a global music industry hungry for new musics from
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2

Malm, Krister, and Jocelyn Guilbault. "Zouk: World Music in the West Indies." Yearbook for Traditional Music 26 (1994): 154. http://dx.doi.org/10.2307/768260.

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3

Largey, Michael, Jocelyne Guilbault, Gage Averill, Edouard Benoit, and Gregory Rabess. "Zouk: World Music in the West Indies." Notes 52, no. 1 (1995): 123. http://dx.doi.org/10.2307/898831.

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4

Guilbault, Jocelyne. "Sociopolitical, Cultural, and Economic Development Through Music: Zouk in the French Antilles." Canadian Journal of Latin American and Caribbean Studies 17, no. 34 (1992): 27–40. http://dx.doi.org/10.1080/08263663.1992.10816677.

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5

Guilbault, Jocelyne. "Interpretation out of Contradiction: A World of Music in the West Indies." Canadian University Music Review, no. 14 (February 22, 2013): 1–17. http://dx.doi.org/10.7202/1014308ar.

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This paper addresses the researcher's double challenge: to acknowledge and situate contrasting experiences of the same phenomenon and yet to integrate them into a personal rendition of that phenomenon. An examination of the various strategies employed in ethnographic writing, from the copious use of quotations to dialogical or polyphonic writing, shows how contradictory viewpoints have been given more attention in ethnographic literature, as the politics of representation have developed into an important debate in the social sciences. While these various approaches have undeniably allowed more
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6

MURRAY, DAVID A. B. "Zouk: World Music in the West Indies. JOCELYNE GUILBAULT with GAGE AVERILL, EDOUARD BENOIT, and GREGORY RABESS." American Ethnologist 22, no. 3 (1995): 661–62. http://dx.doi.org/10.1525/ae.1995.22.3.02a00600.

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7

Bilby, Kenneth M. "Tracking the Caribbean sound: three current hits." New West Indian Guide / Nieuwe West-Indische Gids 71, no. 1-2 (1997): 69–77. http://dx.doi.org/10.1163/13822373-90002616.

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[First paragraph]Zouk: World Music in the West lndies. JOCELYNE GuiLBAULT (with GAGE AVERILL, ÉDOUARD BENOIT & GREGORY RABESS). Chicago: University of Chicago Press, 1993. xxv + 279 pp. and compact disk. (Cloth US$ 55.00, Paper US$ 27.75) Calypso Calaloo: Early Carnival Music in Trinidad. DONALD R. HlLL. Gainesville: University Press of Florida, 1993. xvi + 344 pp. and compact disk. (Cloth US$ 49.95, Paper US$ 24.95) Calypso & Society in Pre-Independence Trinidad. GORDON ROHLEHR. Port of Spain: Gordon Rohlehr, 1990. x + 613 pp. (Paper US$ 40.00)In 1983, from my Hstening post in Cayenne
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8

Archer, Ken. "From Vodou to Zouk: A Bibliographic Guide to Music of the French-speaking Caribbean and its Diaspora (review)." Notes 68, no. 1 (2011): 76–77. http://dx.doi.org/10.1353/not.2011.0107.

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9

Witmer, Robert. "Jocelyne Guilbault, with Gage Averill, Édouard Benoit, and Gregory Rabess. Zouk: World Music in the West Indies. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 1993. xxv, 279 pp., compact disc included. ISBN 0-226-31041-8 (hardcover), ISBN 0-226-31042-6 (paperback)." Canadian University Music Review, no. 15 (1995): 194. http://dx.doi.org/10.7202/1014408ar.

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10

Staverman, Désirée, and Desiree Staverman. "Op zoek naar de ware Elektra. Diepenbrocks toneelmuziek en het probleem van het melodrama." Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 51, no. 1 (2001): 42. http://dx.doi.org/10.2307/939227.

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11

Kiejziewicz, Agnieszka. "Metal w cieniu kwitnącej wiśni. Specyfika i przemiany gatunku na gruncie japońskim." Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura 3, no. 10 (2018): 117–26. http://dx.doi.org/10.24917/20837275.10.3.10.

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Metal in the shade of a blooming cherry. The specificity and transformationof the genre on the basis of Japanese In the presented article the author depicts the distinctive features of the Japanese metalmusic in the different decades of its development, what she accomplishes through showingthe achievements of the chosen artists. She also focuses on pointing out the primary sourcesof their inspirations that influenced the described genre. The significant part of the presentedanalysis in the development of the cultural phenomena accompanying the development of themusic – such as zoku sub-culture
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12

Cui, Zhehao, and CHENG-KANG CHEN. "Art and history go hand in hand: the evolution of Chinese national vocal music from the Yan'an period to reform and opening up." Herança 6, no. 1 (2023): 240–51. http://dx.doi.org/10.52152/heranca.v6i1.784.

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The Yan'an area was an important base for China's revolution. It was also in Yan'an that the Chinese Communist Party brought a lot of political and theoretical knowledge to the local people and created a lot of artistic forms, one of which was vocal music. Driven by the "Red Gene," the work of the Red Army in the Yan'an area became smoother, and they communicated with the local people on a spiritual level through vocal works. In the past 40 years of reform and opening up, the development of the times and social changes, the public aesthetic concept has also quietly developed and changed, which
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13

Kim, Se-Joong. "On Jeong Yak-yong’s Critique in Akseo gojon of Zou Yan’s and Lü Buwei’s Relic in Music Theory." Tongyang Ŭmak 44 (December 31, 2018): 9–41. http://dx.doi.org/10.33452/amri.2018.44.9.

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14

Office, MTR Editorial. "Acknowledgement to Reviewers of Maritime Technology and Research in 2022." Maritime Technology and Research 5, no. 1 (2023): 264087. http://dx.doi.org/10.33175/mtr.2023.264087.

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The editorial team greatly appreciates the reviewers who have dedicated their considerable time and expertise to the journal’s rigorous editorial process in 2022, regardless of whether the submissions were finally published or not. In 2022, a total of 59 articles were submitted to the journal, with a median time to first decision of 78 days, and 108 days from submission to publication. The editorial team would like to express their sincere gratitude to the following reviewers for their generous contribution in 2022:
 Abdullah Açık, Turkey
 Adam Prokopowicz, United States
 Agnies
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15

Anzeneder, Sofia, Valentin Benzing, and Mirko Schmidt. "Designed acute physical activity to benefit primary school children’s cognition: Effects of cognitive challenge, bout duration and positive affect." Current Issues in Sport Science (CISS) 8, no. 2 (2023): 025. http://dx.doi.org/10.36950/2023.2ciss025.

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Introduction
 Acute bouts of physical activity (PA) have the potential to transiently enhance children’s cognition (Ludyga et al., 2016). Although these positive results seem to be relatively consistent, there is considerable heterogeneity in the magnitude of effects (Lubans et al., 2022). Cognitive benefits are largely influenced by the interaction of quantitative and qualitative PA task characteristics (Lubans et al., 2022; Pesce, 2012), as well as by individual differences in responsiveness to PA bouts (Herold et al., 2021). Understanding the individual and joint effects of moderators
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16

"Zouk: world music in the West Indies." Choice Reviews Online 31, no. 10 (1994): 31–5364. http://dx.doi.org/10.5860/choice.31-5364.

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17

Chen, Mengzha. "Invariants of the complex tripart form in the piano sonatas of chinese composers." NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD, no. 1 (April 16, 2024). http://dx.doi.org/10.32461/2226-3209.1.2024.302105.

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The purpose of the work is to find the first examples of a complex three-part form in the sonatas of Chinese composers, to determine the peculiarities of their structure in order to further reveal the problem of the typology of musical forms in the piano works of the twentieth century, to highlight the process of transformation of artistic thinking, which gave rise to new formative concepts. The methodology of the research is manifested in the application of historical, epistemological, theoretical, analytical and typological methods of analysis. The scientific novelty lies in the fact that fo
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