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Books on the topic 'Zulu (African people) – Music – History and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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1

Nightsong: Performance, power, and practice in South Africa. University of Chicago Press, 1996.

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2

Erlmann, Veit. The early social history of Zulu migrant workers' choral music in South Africa. Das Arabische Buch, 1990.

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3

Sound of Africa!: Making music Zulu in a South African studio. Duke University Press, 2003.

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4

Southern African Music Rights Organisation. Princess Magogo: A portrait. Southern African Music Rights Organisation, 2003.

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5

History of juju music: A history of an African popular music from Nigeria. The Organization, 1992.

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6

Njoku, John E. Eberegbulam. S hort stories of the traditional people of Nigeria: African folks, back home. E. Mellen Press, 1991.

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7

Black music in America: A history through its people. T.Y. Crowell, 1987.

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8

Orawo, Charles Nyakiti. Music of Kilifi: The Midzi Chenda and their music. Lake Publishers & Enterprises, 2002.

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9

Nzewi, Meki. Musical practice and creativity: An African traditional perspective. IWALEWA-Haus, Univ. of Bayreuth, 1991.

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10

Retracing Kikuyu popular music. Ketebul Music, 2010.

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11

An introduction to the music of the Basotho. Morija Museum and Archives, 1994.

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12

Ancient text messages of the Yorùbá bàtá drum: Cracking the code. Ashgate, 2010.

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13

In the time of cannibals: The word music of South Africa's Basotho migrants. University of Chicago Press, 1994.

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14

Mitchell, Hall, ed. The healing drum: African wisdom teachings. Destiny Books, 1989.

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15

Lotz, Rainer E. Black people: Entertainers of African descent in Europe and Germany. 5th ed. Birgit Lotz Verlag, 1997.

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16

The soul of mbira: Music and traditions of the Shona people of Zimbabwe : with an appendix, Building and playing a Shona karimba. University of Chicago Press, 1993.

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17

Drum music of Akamba. K. Renner, 1986.

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18

Jùjú: A social history and ethnography of an African popular music. University of Chicago Press, 1990.

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19

Musiques batéké: Mpa atege, Gabon. Sepia, 2004.

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20

Moitse, Sindile Adelgisa. The ethno-musicology of the Basotho: A study of the entrenchment of music in Sotho cultural institutions. Institute of Southern African Studies, National University of Lesotho, 1990.

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21

Moitse, Sindile Adelgisa. The ethnomusicology of the Basotho. Institute of Southern African Studies, National University of Lesotho, 1994.

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22

Politics and ethnicity: Political anthroponymy in Northern Ghana. Nova Science Publishers, 2010.

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23

Florence, Bikoma, ed. Musiques myènè: De Port-Gentil à Lambaréné, Gabon. Sépia, 2005.

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24

Música chope. Promédia, 2000.

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25

Grupe, Gerd. Traditional mbira music of the Shona. Köppe, 1998.

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26

Delichristos, Grigorios. The function of music in Pygmy societies: With special reference to the BaTwa : their nomadic communities present considerable differences in music perception when compared with neighbouring settled tribes. G. Delichristos], 2001.

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27

Brunner, Anja. Die Anfänge des Mbalax: Zur Entstehung einer senegalesischen Popularmusik. Institut für Musikwissenschaft, Universität Wien, 2010.

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28

Fernando, Ortiz. Los tambores batá. Letras Cubanas, 1995.

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29

Fernando, Ortiz. Los tambores batá de los yorubas. Publicigraf, 1994.

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30

Coplan, David. In the time of cannibals: The word music of South Africa's Basotho migrants. University of Chicago Press, 1994.

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31

Baraka, Imamu Amiri. Blues people: Negro music in white America. William Morrow, 1999.

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32

Baraka, Imamu Amiri. Blues people: Negro music in white America. Perennial, 2002.

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33

Baraka, Imamu Amiri. Blues people. Payback Press, 1995.

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34

Dehoux, Vincent. Chants à penser gbaya (Centrafrique). SELAF, 1986.

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35

African rhythm: A Northern Ewe perspective. Cambridge University Press, 1995.

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36

Branda-Lacerda, Marcos. Kultische Trommelmusik der Yoruba in der Volksrepublik Benin: Bata-Ṣango und Bata-Egungun in der Städten Pobè und Sakété. Karl Dieter Wagner, 1988.

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37

Branda-Lacerda, Marcos. Kultische Trommelmusik der Yoruba in der Volksrepublik Benin: Bata-Ṣango und Bata-Egungun in den Städten Pobè und Sakété. Verlag der Musikalienhandlung K.D. Wagner, 1988.

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38

Female voices from an Ewe dance-drumming community in Ghana: Our music has become a divine spirit. Ashgate, 2009.

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39

Schlottner, Michael. Sehen, hören, verstehen: Musikinstrumente und Schallgeräte bei den Kusasi und Mamprusi in Nordost-Ghana. Centaurus, 1996.

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40

Hen, Ferdinand J. de. Aspecten van muziek en dans in Swaziland. Koninklijke Academie voor Overzeese Wetenschappen, 2000.

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41

Euba, Akin. Yoruba drumming: The Dùndún tradition. E. Breitinger, Bayreuth University, 1990.

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42

Asante ntahera trumpets in Ghana: Culture, tradition, and sound barrage. Ashgate, 2012.

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43

M'mbetsa, Gideon N. Vifaya vya chiduruma vya uimbi na miraye =: Duruma musical instruments and dances. BTL (E.A.), 1997.

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44

Norborg, Åke. The musical instruments of the Ẹdo-speaking peoples of south-western Nigeria. [Musikmuseet], 1992.

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45

Brenner, Klaus-Peter. Chipendani und Mbira: Musikinstrumente, nicht-begriffliche Mathematik und die Evolution der harmonischen Progressionen in der Musik der Shona in Zimbabwe. Vandenhoeck & Ruprecht, 1997.

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46

MacGougan, Sharon. Nok & juju: Nigerian art and music. Briarwood Pub., 1992.

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47

Dargie, David. Xhosa music: Its techniques and instruments, with a collection of songs. D. Philip, 1988.

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48

Sarno, Louis. Bayaka: The extraordinary music of the Babenzele pygmies and sounds of their forest home. Ellipsis Arts, 1995.

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49

Sotunsa, Mobolanle Ebunoluwa. Yorùbá drum poetry. Stillwatersstudios, 2009.

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50

Mwaniki, Henry Stanley Kabeca. Categories and substance of Embu traditional songs. Kenya Literature Bureau, 1986.

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