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1

Medeiros, Rodrigo Rui Simão de. "Manifesto de Tecido: A moda de Zuzu Angel e a ditadura civil-militar." Revista Discente Ofícios de Clio 5, no. 8 (2020): 341. http://dx.doi.org/10.15210/clio.v5i8.19033.

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O seguinte trabalho pretende analisar um dos episódios mais marcantes da moda brasileira no século XX, a coleção-protesto da estilista Zuzu Angel, desfilada em 1971. A inquietação para esta pesquisa partiu da pergunta: Zuzu Angel teve sua moda realmente censurada pelas forças do período militar? Desta forma, analisamos sua trajetória enquanto designer de moda, sua consolidação e influência no mercado brasileiro, e o papel que seu filho Stuart Angel possuía na oposição ao regime, que resultaria em sua morte, e assim, levando a estilista a procurar formas de denunciar a ditadura, e encontrando n
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2

Calegari, Lizandro Carlos. "CINEMA E RESISTÊNCIA: A DITADURA MILITAR BRASILEIRA EM ZUZU ANGEL, DE SERGIO REZENDE." Revista Margens Interdisciplinar 9, no. 13 (2016): 114. http://dx.doi.org/10.18542/rmi.v9i13.2678.

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Nos anos compreendidos entre 1964 e 1985, o Brasil viveu a Ditadura Militar, a que se associam imagens de violência extrema. A produção artística desse momento passou a representar tal circunstância histórica, muitas vezes, procurando produzir obras que se colocavam contra a ideologia do poder autoritário em curso. Além de obras literárias e expressões musicais, muitos filmes foram produzidos para “falar” daquela experiência. O propósito deste artigo é arrolar sobre os conceitos de cinema e resistência, buscando verificar como as definições que caracterizam tais vocábulos prestam-se para uma a
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3

Guilherme Simili, Ivana, and Débora Pinguello Morgado. "Tecidos, linhas e agulhas: uma narrativa para Zuzu Angel." Revista Tempo e Argumento 7, no. 15 (2015): 177–201. http://dx.doi.org/10.5965/2175180307152015177.

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4

Chataignier, Gilda. "Estilo: resgate de memórias costuradas." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 1, no. 1 (2007): 48. http://dx.doi.org/10.26563/dobras.v1i1.400.

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As garotas de Ipanema ainda não conheciam o biquíni e nem sonhavam com a poesia apaixonada de Vinícius de Morais. Mas gostavam mesmo das Garotas desenhadas por Alceu Penna nas páginas da revista semanal O Cruzeiro. Lançadoras de moda, essas personagensexibiam modernidade com óculos de gatinho, vestidos de baile e outras criações do seu autor, mineiro de Curvelo. Da mesma cidade veio para o Rio de Janeiro, em 1947, a costureira Zuzu Angel, que deixou seu registro de moda e dor entre nós (...)
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5

Pollini, Denise B. "Research Notes: Occupation Zuzu and the Politics of Re-framing Brazilian Fashion." Fashion Theory 20, no. 2 (2016): 229–38. http://dx.doi.org/10.1080/1362704x.2016.1145324.

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6

Setemy, Adrianna. "“Ato sem perdão”: justiça de transição, políticas de memória e reparação às mulheres vítimas de violência de gênero durante a ditadura militar brasileira." Estudos Históricos (Rio de Janeiro) 33, no. 70 (2020): 338–58. http://dx.doi.org/10.1590/s2178-14942020000200007.

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Resumo O texto apresenta uma reflexão a respeito da necessidade de incorporar-se uma perspectiva de gênero às pesquisas dedicadas a compreender processos de violações massivas de direitos humanos, bem como sobre a violência de Estado durante a ditadura militar no Brasil. Para isso, toma como base a análise de dois casos emblemáticos de mulheres apresentados pelo relatório final da Comissão Nacional da Verdade: Zuzu Angel e Ana Kucinski. O objetivo é tornar visível a diferença do impacto da violência de Estado sobre mulheres e homens, bem como o silenciamento da dimensão de gênero da violência
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7

Bracco, Carolina. "The Changing Portrayal of Dancers in Egyptian Films." Anthropology of the Middle East 14, no. 1 (2019): 6–22. http://dx.doi.org/10.3167/ame.2019.140102.

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This article examines the projected image of dancers in Egyptian cinema. The historical background includes the last period of the Farouk monarchy, the revolution of the Free Officers Movement and the Nasser regime, ending with Nasser’s death in 1970, when a new social and political era started blossoming. I consider the socio-political changes and their cultural repercussions as part of a dialectic relationship that affects the portrayal of dancers in three films: The Lady’s Puppet (1946), My Dark Darling (1958) and Pay Attention to Zuzu (1972). By examining Carioca’s roles in these films, I
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8

Magno, Maria Ignês Carlos. "Sérgio Rezende. Zuzu Angel. Chico Buarque de Hollanda. Lamarca. Charles Dickens. Saberes interligados na narrativa cinematográfica." Comunicação & Educação 12, no. 2 (2007): 119. http://dx.doi.org/10.11606/issn.2316-9125.v12i2p119-130.

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9

Hubbe, Mark, Walter A. Neves, Heleno Licurgo do Amaral, and Niéde Guidon. "“Zuzu” strikes again—Morphological affinities of the early holocene human skeleton from Toca dos Coqueiros, Piaui, Brazil." American Journal of Physical Anthropology 134, no. 2 (2007): 285–91. http://dx.doi.org/10.1002/ajpa.20668.

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10

Cintra, Fernanda do Nascimento, and Cristiane Ferreira Mesquita. "Design, bordado e resistência." DAPesquisa 16 (June 17, 2021): 01–26. http://dx.doi.org/10.5965/18083129152021e0019.

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Este artigo traz os resultados de uma dissertação de Mestrado que aborda um percurso investigativo sobre os conceitos de traje de oposição e bordado de oposição, por meio de aproximações entre os campos do design de moda e da política. Além de uma tomada histórica, são elencadas significativas mudanças nos modos de vida ocorridas na segunda metade do século XX, em articulação com roupas e bordados. Nesse contexto, o conceito de resistência é delineado na produção de subjetividade contemporânea pela abordagem de trajes e de bordados apresentados em dois estudos de caso. O primeiro deles é uma c
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11

Copin, Henri. "Zuru zuru." Sens-Dessous 12, no. 2 (2013): 145. http://dx.doi.org/10.3917/sdes.012.0145.

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12

Kimberly Johnson. "Zulu." Missouri Review 32, no. 2 (2009): 41. http://dx.doi.org/10.1353/mis.0.0138.

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13

Posel, Dorrit, and Stephanie Rudwick. "Marriage and Bridewealth (Ilobolo) in Contemporary Zulu Society." African Studies Review 57, no. 2 (2014): 51–72. http://dx.doi.org/10.1017/asr.2014.47.

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Abstract:This article investigates links between ilobolo (bridewealth) practices and marriage outcomes in contemporary Zulu society. It presents quantitative data showing very low marriage rates among Zulu adults, as well as interview evidence suggesting that the majority of Zulu adults identify ilobolo as a constraint to marriage. However, the interview evidence also suggests that ilobolo remains widely valued as a Zulu tradition and continues to be an integral and defining feature of a Zulu marriage. The article concludes that this tension—between the high cost of ilobolo and respect for ilo
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14

Etherington, Norman. "Were There Large States in the Coastal Regions of Southeast Africa Before the Rise of the Zulu Kingdom?" History in Africa 31 (2004): 157–83. http://dx.doi.org/10.1017/s0361541300003442.

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The Zulu kingdom holds a special place in both popular culture and historical scholarship. Zulu—a famous name, easy to spell and pronounce—is as recognizably American as gangster rap. The website of the “Universal Zulu Nation” (www.hiphopcity.com/zulu_nation/) explains that as “strong believers in the culture of hiphop, we as Zulus … will strive to do our best to uplift ourselves first, then show others how to uplift themselves mentally, spiritually, physically, economically and socially.” The Zulu Nation lists chapters in New York, Philadelphia, Chicago, Washington, Miami, Virginia Beach, Los
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15

Shanahan, S. F., S. J. Anderson, and N. J. Mkhize. "Assessing Psychological Distress in Zulu-Speakers: Preliminary Findings from an Adaptation of the SCL-90-R." South African Journal of Psychology 31, no. 4 (2001): 1–12. http://dx.doi.org/10.1177/008124630103100401.

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The SCL-90-R, a 90-item multidimensional self-report symptom inventory, was translated into Zulu. A multistage translation procedure, involving back-translation, decentering, and the committee approach was employed. The translated instrument was pretested on a group of Zulu farm workers ( N = 12) and revisions made in order to improve its comprehensibility and acceptability to Zulu respondents. The concurrent validity of the Zulu SCL-90-R was investigated with samples of male psychiatric inpatients ( N = 23) and nonpatients ( N = 26). The Global Severity Index of the SCL-90-R demonstrated mode
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16

Reitov, Ole. "White Zulu." Index on Censorship 27, no. 6 (1998): 82–83. http://dx.doi.org/10.1080/03064229808536465.

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17

Panday, Seema, Harsha Kathard, Mershen Pillay, and Cyril Govender. "The Development of a Zulu Speech Reception Threshold Test for Zulu First Language Speakers in KwaZulu-Natal." South African Journal of Communication Disorders 54, no. 1 (2007): 111–23. http://dx.doi.org/10.4102/sajcd.v54i1.761.

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The measurement of speech reception threshold (SRT) is best evaluated in an individual’s first language. The present study focused on the development of a Zulu SRT word list, according to adapted criteria for SRT in Zulu. The aim of this paper is to present the process involved in the development of the Zulu word list. In acquiring the data to realize this aim, 131 common bisyllabic Zulu words were identified by two Zulu speaking language interpreters and two tertiary level educators. Eighty two percent of these words were described as bisyllabic verbs. Thereafter using a three point Likert sc
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18

Šedivec, M., T. Dostálová, and P. Hofmanová. "Alveolar Bone Formation by Orthodontic Movement." Česká stomatologie/Praktické zubní lékařství 112, no. 2 (2012): 33–39. http://dx.doi.org/10.51479/cspzl.2012.031.

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19

Šedivec, M., T. Dostálová, and P. Hofmanová. "Alveolar Bone Formation by Orthodontic Movement." Česká stomatologie/Praktické zubní lékařství 112, no. 2 (2012): 33–39. http://dx.doi.org/10.51479/cspzl.2012.031.

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20

Posthumus, L. "Identificative copulatives in Southern Ndebele: evidence for diachronic postulations in Zulu." Literator 27, no. 2 (2006): 109–34. http://dx.doi.org/10.4102/lit.v27i2.195.

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Southern Ndebele is the language with the smallest number of speakers of all eleven official languages of South Africa. It is thus not surprising that there is no comprehensive description of the copulatives of this language. This article offers an exposition of the grammatical structure of the identificative copulatives of Southern Ndebele. The basic grammatical structure of the copulatives of this language is very similar to that of Zulu. However, the unfailing occurrence of a copulative verb stem “-si” in all negative stative copulatives is an outstanding characteristic of Southern Ndebele.
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21

Haselau, Catherine, Madhubala Kasiram, and Barbara Simpson. "AFRICAN MARRIAGE COUNSELLING AND THE RELEVANCE OF WESTERN MODELS OF COUNSELLING." Southern African Journal of Social Work and Social Development 27, no. 2 (2015): 169–86. http://dx.doi.org/10.25159/2415-5829/367.

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This article explores the relevance of Western models of marriage counselling in the African context and specifically with Zulu couples. It argues that because of different worldviews, there are elements of western therapeutic approaches with couples that do not fit with the beliefs and values of many African people. The article examines some of the philosophies that underlie marriage in contemporary Zulu society, as well as the worldview, values and practices of Zulu people with regard to marriage. It then examines a selection of Western marriage counselling approaches in order to establish w
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22

Devine, Jaime K., Evan D. Chinoy, Rachel R. Markwald, Lindsay P. Schwartz, and Steven R. Hursh. "Validation of Zulu Watch against Polysomnography and Actigraphy for On-Wrist Sleep-Wake Determination and Sleep-Depth Estimation." Sensors 21, no. 1 (2020): 76. http://dx.doi.org/10.3390/s21010076.

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Traditional measures of sleep or commercial wearables may not be ideal for use in operational environments. The Zulu watch is a commercial sleep-tracking device designed to collect longitudinal sleep data in real-world environments. Laboratory testing is the initial step towards validating a device for real-world sleep evaluation; therefore, the Zulu watch was tested against the gold-standard polysomnography (PSG) and actigraphy. Eight healthy, young adult participants wore a Zulu watch and Actiwatch simultaneously over a 3-day laboratory PSG sleep study. The accuracy, sensitivity, and specifi
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23

Jeewa, Sana, and Stephanie Rudwick. "“English is the best way to communicate” - South African Indian students’ blind spot towards the relevance of Zulu." Sociolinguistica 34, no. 1 (2020): 155–71. http://dx.doi.org/10.1515/soci-2020-0010.

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AbstractThe South African University of KwaZulu-Natal has developed an ambitious language policy aiming “to achieve for isiZulu the institutional and academic status of English” (UKZN LP 2006/2014). Part of this ambition is a mandatory Zulu language module that all undergraduate students have to pass if they cannot prove knowledge of the language. In this article, we examine attitudes of South African Indian students towards this compulsory module against the strained history and relationship between Zulu and Indian people in the province. Situated within the approach of Language Management Th
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24

Arvastson, Gösta. "The Zulu Dimension." Cultural Studies ↔ Critical Methodologies 5, no. 3 (2005): 402–10. http://dx.doi.org/10.1177/1532708605276910.

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25

Mnguni, Mbukeni Herbert. "Der Zulu Schilftanz." Paragrana 21, no. 1 (2012): 110–17. http://dx.doi.org/10.1524/para.2012.0009.

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Monteiro-Ferreira, Ana Maria. "Reevaluating Zulu Religion." Journal of Black Studies 35, no. 3 (2005): 347–63. http://dx.doi.org/10.1177/0021934704263127.

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Pincock, Stephen. "Winstone Mwenda Zulu." Lancet 378, no. 9804 (2011): 1694. http://dx.doi.org/10.1016/s0140-6736(11)61730-3.

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von Staden, Paul MS. "PERSOONSNAME IN ZULU." South African Journal of Linguistics 5, no. 1 (1987): 170–89. http://dx.doi.org/10.1080/10118063.1987.9724250.

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van der Spuy, Andrew. "Die Zulu-irrealis." South African Journal of Linguistics 10, no. 4 (1992): 210–14. http://dx.doi.org/10.1080/10118063.1992.9724462.

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van der Spuy, Andrew. "Wordhood in Zulu." Southern African Linguistics and Applied Language Studies 24, no. 3 (2006): 311–29. http://dx.doi.org/10.2989/16073610609486423.

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Preston-Whyte, Eleanor. "Zulu Bead Sculptors." African Arts 24, no. 1 (1991): 64. http://dx.doi.org/10.2307/3336873.

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Groenewald, H. C. "Zulu Oral Art." Oral Tradition 18, no. 1 (2003): 87–90. http://dx.doi.org/10.1353/ort.2004.0017.

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Cleary, Beth M. "The Zulu (review)." Theatre Journal 52, no. 4 (2000): 571–72. http://dx.doi.org/10.1353/tj.2000.0103.

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34

Bosch, S., C. Fellbaum, and K. Pala. "Derivational relations in English, Czech and Zulu wordnets." Literator 29, no. 1 (2008): 139–62. http://dx.doi.org/10.4102/lit.v29i1.104.

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This article investigates one kind of cross-part-of-speech relation for English, Czech and Zulu lexical resources in the form of semantic networks (wordnets). Many languages have rules whereby new words are derived regularly and productively from existing words via morphological processes. The morphologically unmarked base words and the derived words, which share a semantic core with the base words, can be interlinked and integrated into wordnets, where they typically form “derivational nests”, or subnets. Efforts are described to capture the morphological and semantic regularities of derivati
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Dickie, June F. "Community Translation and Oral Performance of Some Praise Psalms within the Zulu Community." Bible Translator 68, no. 3 (2017): 253–68. http://dx.doi.org/10.1177/2051677017728564.

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There is a strong history among the Zulu community of performing praise poetry, and a passion for composing and performing poetry continues among Zulu youth today. On the other hand, the current Zulu Bible is considered by many young people to be irrelevant or difficult to read and understand. With these two factors in mind, I conducted a study in which Zulu youth were invited to participate in basic training, after which they made their own translations of various praise psalms and then performed them before a community audience using song, rap, or spoken poetry. This paper looks at the proce
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Soske, Jon. "Zulu Identities: being Zulu, past and present (review)." Transformation: Critical Perspectives on Southern Africa 71, no. 1 (2010): 109–16. http://dx.doi.org/10.1353/trn.0.0049.

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Zwane, Duduzile. "“Our Beauty Is in Our Breasts”: A Culture-Centered Approach to Understanding Cancer Perceptions in Kwa Zulu Natal, South Africa." Qualitative Health Research 31, no. 1 (2020): 148–59. http://dx.doi.org/10.1177/1049732320960417.

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Breast cancer is an incapacitating physical illness. It was once reported predominantly by patients in developed countries. With the advent of globalization, it is increasingly becoming a major health concern in developing countries such as South Africa. Breast cancer researchers have continuously advocated for original studies that address this condition from a sociocultural perspective. Consequently, in this article I examine the perceptions of breast cancer patients from underprivileged parts of Kwa Zulu Natal (KZN). Thirty semi-structured interviews were conducted with Zulu women at a tert
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Dickie, June F. "The Importance of Literary Rhythm When Translating Psalms for Oral Performance (in Zulu)." Bible Translator 70, no. 1 (2019): 64–81. http://dx.doi.org/10.1177/2051677018824771.

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Poetry must be heard, and heard in a way that is pleasing and memorable. Much of the beauty and rhetorical power of poetry arises from prosody, that is, patterns of rhythm and sound. Rhythm is composed of four elements that work together to provide aesthetic and emotive strength. It is an important feature of both biblical and Zulu poetry, and thus the translator of psalms (translating into Zulu or any Bantu language) must pay attention to aural components of the source and receptor texts. A recent empirical study invited Zulu youth to participate in translating and performing three praise psa
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39

Taljaard, G. H. "Die aard en funksie van Zoeloe-folklore in Die ding in die vuur van Riana Scheepers." Literator 20, no. 2 (1999): 31–46. http://dx.doi.org/10.4102/lit.v20i2.464.

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The nature and function of Zulu folklore in Die ding in die vuur by Riano ScheepersThis article is concerned with how and why Zulu folklore and oral narrative traditions are absorbed in the literature of the writer Riana Scheepers. Scheepers does not use Zulu culture in her work to make it part of the struggle genre. The question therefore arises: Why does Scheepers, a modern, even postmodern writer, make use of the prehistoric, ancient Zulu oral narrative tradition?As starting points for this article the following issues are explored: What is the nature of Zulu folklore and how has it been ap
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Cope, R. L. "Written in Characters of Blood? The Reign of King Cetshwayo Ka Mpande 1872–9." Journal of African History 36, no. 2 (1995): 247–69. http://dx.doi.org/10.1017/s0021853700034137.

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Sir Bartle Frere, the British High Commissioner in South Africa 1877–80, depicted Cetshwayo ka Mpande, the Zulu king 1872–9, as a bloodthirsty monster. This article discusses the accuracy and justice of this depiction, and the nature of Zulu kingship. It shows that both Frere and the missionaries on whom he relied for evidence wished to bring the Zulu kingdom under British rule and thus had a strong motive for discrediting Cetshwayo. The fact that missionary testimony against Cetshwayo was particularly hostile and abundant at times when there seemed a real possibility of British annexation cas
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BJERK, PAUL K. "THEY POURED THEMSELVES INTO THE MILK: ZULU POLITICAL PHILOSOPHY UNDER SHAKA." Journal of African History 47, no. 1 (2006): 1–19. http://dx.doi.org/10.1017/s0021853705001659.

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This article synthesizes metaphors and practices surrounding human and bovine milk and semen appearing in the James Stuart Archive of Zulu oral history. The King's control of the flow of milk in society was the source of his power and the mechanism by which he controlled the state. A fluent understanding of this Zulu political philosophy in the Stuart Archive opens up a rich and underutilized source of historical information for Zulu history that adds significantly to prior studies. Parallels to these images in the Great Lakes region suggest a ‘milk complex’ rather than the common perception o
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Viljoen, Gary, Ann Levett, Colin Tredoux, and Stuart Anderson. "Using the Bender Gestalt in South Africa: Some Normative Data for Zulu-speaking Children." South African Journal of Psychology 24, no. 3 (1994): 145–51. http://dx.doi.org/10.1177/008124639402400306.

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In this study the authors investigated the use of the Bender Gestalt test within the South African context by evaluating the applicability of the existing norms (Koppitz) and by exploring how the variables age, sex, educational level, and geographical area affect test performance in Zulu-speaking school children. Zulu-speaking subjects ( N = 882) ranging in age from 6–18 years, completed the test. The test was administered in group form and independently scored. The study sample's performance was compared to Koppitz's norms and some significant discrepancies were apparent, suggesting that thes
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43

Joseph, Rosemary M. F. "Zulu women's bow songs: ruminations on love." Bulletin of the School of Oriental and African Studies 50, no. 1 (1987): 90–119. http://dx.doi.org/10.1017/s0041977x00053209.

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The existence of a tradition of bow-playing is recorded in some of the earlies written accounts of the Zulu people. Captain Gardiner in 1836 (pp. 104—5 and p1. 1) notes the presence of a gourd-resonated musical bow. It is not, however, clear which of the two Zulu gourd-resonated bows Gardiner encountered. He provides an illustration of a simple bow with undivided string and gourd resonator attached near the centre of the stave but does not note its name. the instrument would seem to be a cross between the Zulu ugubhu, a simple bow with undivided string, but with the gourd resonator attached ne
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McVeigh, Malcolm J. "Book Review: Texts on Zulu Religion: Traditional Zulu Ideas about God." Missiology: An International Review 17, no. 4 (1989): 486–87. http://dx.doi.org/10.1177/009182968901700432.

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45

Leśniewski, Michał. "Deconstructing the Myth of the Deaths of Piet and Dirk Uys." Journal of African Military History 2, no. 1 (2018): 1–23. http://dx.doi.org/10.1163/24680966-00201001.

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Abstract The Battle of eThaleni was an important Zulu victory during the early stages of the Zulu-Boer War of 1838–1840. There is a surprisingly large number of studies on this battle, yet most focus on the deaths of Piet and Dirk Uys, and the heroic circumstances of their deaths, rather than on the battle itself. The lack of classical studies on this battle has led to the persistence of several assumptions concerning this battle and the causes of the Voortrekker defeat. Among these are the crucial role played in the defeat by the conflict between Potgieter and P.L. Uys, and Potgieter’s over-c
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46

Biondi, M., and G. De Nardis. "The Chaetocnema longicornis species-group: systematics and geographic distribution (Coleoptera: Chrysomelidae, Alticinae)." Insect Systematics & Evolution 31, no. 1 (2000): 27–42. http://dx.doi.org/10.1163/187631200x00291.

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AbstractThe known species of the longicornis species-group in the genus Chaetocnema Stephens, 1831, are revised. A diagnosis of the C. longicornis species-group is given and five new species are described from Republic of South Africa and Democratic Republic of Congo: C. kapirensis sp. n. (Lualaba Province), C. mariobiondii sp. n. (Kwa-Zulu Natal, Weza), C. zulu (Kwa-Zulu Natal, Central Drakensberg), C. mapumalangaensis (Mapuma langa), and C. phuthaditjhabensis (Free State). Redescription and line drawings of male and female genitalia of C. longicornis Jacoby, 1895 and C. reprehensa Bechyné, 1
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47

Devine, Jaime, Evan Chinoy, Rachel Markwald, Jaime Devine, and Steven Hursh. "260 Beyond Validation Testing: A Sleep Tracker for Longitudinal Data Collection in Operational Environments." Sleep 44, Supplement_2 (2021): A104—A105. http://dx.doi.org/10.1093/sleep/zsab072.259.

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Abstract Introduction Sleep tracking wearables are increasingly being validation tested against polysomnography (PSG) and actigraphy, but they may not be ideal for long-term epidemiological sleep studies, or for use in operational environments. A given device’s short battery life, limited data storage capacity, inability to detect naps or estimate sleep architecture, or privacy concerns may discourage researchers from using wearables to collect objective sleep data in real-world settings. The Zulu watch (Institutes for Behavior Resources) is designed to collect longitudinal sleep data in opera
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48

Groenewald, H. C. "Reclaiming lost ground – the history play in Zulu." Literator 25, no. 1 (2004): 159–78. http://dx.doi.org/10.4102/lit.v25i1.250.

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This article briefly sketches the history of African-language literatures as initiated by missionaries and formed by Bantu education. Against this background the aim of this article is to establish what the objectives of Zulu dramatists were when they presented historical fact, flawed history, as well as ideological sentiment in their historical plays. Are history plays in Zulu simply the products of writers whose objective was to meet a publisher’s requirements, namely to extend the dramatic genre by writing history plays? Did authors perhaps only have an educational objective, that is, to pr
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49

Sanneh, Sandra. "Speak Zulu with Us." CALICO Journal 19, no. 2 (2017): 370–80. http://dx.doi.org/10.1558/cj.32660.

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50

G., S. F., and Joan Mathieu. "Zulu: An Irish Journey." Canadian Journal of Irish Studies 26, no. 1 (2000): 170. http://dx.doi.org/10.2307/25515341.

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