Relevant bibliographies by topics / Zvukový záznam

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  1. Journal articles
  2. Dissertations / Theses

Academic literature on the topic 'Zvukový záznam'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Zvukový záznam"

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MIHÓK, Martin. "Súkromná nahrávka ako dôkaz v trestnom konaní." Forenzní vědy, právo, kriminalistika 6, no. 2 (2021): 185–96. http://dx.doi.org/10.37355/fvpk-2021/2-06.

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Vyhotovovanie obrazových, zvukových alebo obrazovo-zvukových záznamov zaraďujeme medzi informačno-technické prostriedky predstavujúce skupinu moderných, cenných, ofenzívnych zaisťovacích inštitútov, zasahujúcich do základných ľudských práv a slobôd, bez využitia ktorých je však v súčasných podmienkach veľmi náročné, neefektívne až nemožné odhaľovanie a dokazovanie sofistikovanej, ako aj latentnej trestnej činnosti. Zákonodarca vymedzil legálne podmienky ich použitia v základnom kódexe trestného práva procesného. Súkromná nahrávka však nemá vždy jasné právne základy, na podklade ktorých by bolo nepochybné, že sa jedná o zákonný dôkaz, a teda aj prípustný v trestnom konaní, čo je odbornou verejnosťou pomerne často diskutovaná téma.
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Dissertations / Theses on the topic "Zvukový záznam"

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Šmitmajer, David. "Umění hudby magnetického pásu." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-172967.

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The thesis "Art of Magnetic Tape Music" is dedicated to the genesis of the art of music magnetic tape and its effects on the development of modern music. Through a detailed survey of texts dealing with related issues and preserved audio recordings from around the world, the work seeks to map the importance of magnetic carriers, which inherently has helped the creation of electroacoustic music and also development of pop music. Special emphasis is placed on the fifties and sixties of the twentieth century, when the methods of audio recordings manipulation were developing rapidly and were used for compositional practice which at that time was experiencing numerous innovations and technological development. Described is a generally accepted typology, methodology used and the specific design of equipment needed for sound work with a magnetic medium. Marginal survival technique for the magnetic tape manipulation in the global audio digitization at the turn of the millennium is also taken into account.
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Hadraba, Jakub. "Vliv reprodukce sluchátek a reproduktorů na mix klasické hudby." Doctoral thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-178088.

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Primary focus of the dissertation is comparison of loudspeaker and headphone reproduction and its influence on the mix balance of classical music recordings. A listening test, which represents an essential part of the thesis, was performed on a test group of sound engineers who prepared mixes of selected recordings using both loudspea-kers and headphones. An analysis of the resulting mixes was performed to find out if any systematic changes could be detected between headphone and loudspeaker mixes. The results disclosed a systematic change in preference of reverberation. Individual approaches of the sound engineers are documented by an extensive graphical section of the thesis. Level of stability of the individual models has been examined using repeated testing on selected participants. Selected headphone and loudspeaker mixes have been further evaluated by a listening group in a second listening test. Differences between the mixes were judged using both loudspeakers and headphones. Answers of the participants were analysed to see if there was an increased preference of headphone mixes when judged using headphones and vice versa. The results didn't show significant preference changes based on type of reproduction. The selected mixes weren't found to be "more optimal" when listened to on their respective reproduction device, nor could they be identified based on the subjective preference test. A special part is devoted to evaluation of an internet-based survey featuring a statistical documentation of loudspeaker and headphone usage in todays music recording industry. Special look has been taken at the group of respondents who indicated classical music as primary music genre of their profession. Another theoretical part of the thesis covers the artistic and technical approach of sound engineers to classical music sound image creation, including commonly used technical resources and stylization methods.
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Poledna, Marek. "Digitální restaurování optické zvukové stopy." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202986.

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The main topic of this thesis is restoration of optical soundtracks on films. The thesis includes rough introduction of historical evolution of technical means of film soundtracks as well as problematics of optical soundtrack reading, restoration of optical domains of soundtracks and postproduction restoration. Postproduction phase of the restoration process is demonstrated on a specific restoration example of the film "Ostře sledované vlaky" soundtrack. A brief discussion about specifics of the film restoration field is given at the end of the thesis.
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Kravařík, Jindřich. "Současný stav problematiky hlasitosti zvukového signálu." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2012. http://www.nusl.cz/ntk/nusl-253854.

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The topic of this thesis is the permanently worsening situation in the area of loudness and dynamic range of sound signals being delivered to customers, both on classic media and in broadcast. It discusses the reasons and consequences of the current situation. These problems are global and they have impact on every listener and viewer. Extremely varying loudness of broadcast and terrifying state of some records being published at big media houses are a target of complaints for a long time. At the time of writing, solutions to improve the situation are finally emerging. These solutions are evaluated in the last part of this thesis and using them examples of improperly treated dynamics are given.
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Patríková, Michaela. "Subjektivizace zvukového vjemu ve filmu." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202915.

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The master's thesis deals with characterization of forms of subjective sound in film. The thesis is divided into several main parts. The first part is concerned with the principles of perception of sound and picture from the perspective of psychology, physiology and technology. Next part focuses on subjectivity in film itself. The aim of the remaining parts is to deal with subjectivisation of film sound, definition of Point of Audition (POA) term, analyzing categories of POA and the use of POA in the selection of films. Finally, a creative expression of POA is described and discussed. The analysis is accompanied by a DVD with clips.
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Klobása, Jiří. "Systém pro záznam a opakování událostí pro zvukové systémy." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2015. http://www.nusl.cz/ntk/nusl-234948.

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This thesis deals with the design and implementation of system for recording and repeating of events for audio systems. The introductory part is devoted to the study of sound systems, their user interfaces and communication protocols that are used by audio systems. Hereafter the description of essential features of Mac OS X, as well as the characteristic of its user interface and principles of development on this platform, are given. The core of the thesis consists of the design of system for recording and repeating of events and the concept of events which specifies the reprezentation of events in the system and their subsequent processing. In~the end of the thesis is presented the implementation of the designed system for Mac OS X with respect to possible extensions of the system and its features.
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Přerovský, Petr. "Verifikace metadat zvukových záznamů." Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2012. http://www.nusl.cz/ntk/nusl-236447.

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The work deals with verification of the metadata of audio recordings in an environment of mobile phones running Android. The text work is divided into three main parts. The first part is focused more on theoretical basis, where the main emphasis on the description of Android, application structure, description of the audio MP3 file and theoretical basis of Fourier transform in signal processing. The second part is devoted to solution design, analysis and implementation. The third part deals with testing.
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Kortus, Jiří. "Laboratorní úloha skrývání dat ve zvukovém záznamu." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2014. http://www.nusl.cz/ntk/nusl-220666.

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The diploma thesis aims on the matter of data hiding (steganography) in audio records. It describes general steganographic principles and aims further on the specifics of data hiding in audio records and also aims on the LSB steganographic technique and suitability of different types of audio records to be used with this technique. The thesis also describes a laboratory exercise focused on steganography in audio records and influence of related aspects on the final audio record which contains secret data. Further, the thesis describes a program that was created especially for the laboratory exercise, from the design, functional as well as implementation-related view. Within the exercise, students will be able to examine how the amount of data to be hidden in the audio record and different ways of data hiding will affect quality of the resulting audio record, and therefore they can become more familiar with the matter of steganography based on the LSB method used in audio records.
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Grishina, Marina. "Právní otázky ochrany zvukových záznamů hudebních děl." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-194161.

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In my diploma thesis i deal with legal aspects of the protection of sound recordings of musical compositions in the Czech Republic and the Russian Federation. In connection with the development of modern technoligies that facilitate access to copyright works, for example the internet, protection of copyright and rights related to copyright is becoming a very important and should be corresponding. The first chapter deals with the definition of the basic concepts of copyright. The second chapter focuses on the issue of copyright infringement and infringement of related rights in the Czech Republic and Russia. In the following section copyright's international treaties (TRIPS, ACTA and others) are analyzed and liabilities, which arise from them. The fourth chapter deals with the issue of enforcement of copyright. In the last chapter, I compare effectiveness of Czech and Russian legal norms for the protection of copyright, based on anonymous sociological research among university students relatively to the origin of audio recordings of musical compositions.
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Vacula, Richard. "Nové metody záznamu a reprodukce optické zvukové stopy 16mm filmu." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2016. http://www.nusl.cz/ntk/nusl-242157.

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The work deals with the recording and reproduction of sound tracks on 16mm film and with old forgotten film optic sound technologies, as well as plans experiments and research, which examines possible methods for reading and writing tracks using modern optoelectronic devices. The final output is intended to drive the writing negative audio (analog and digital) on the photosensitive material and design of the device for synchronous playback of digital audio tracks from an external memory card. The work is done in collaboration with film laboratories Barrandov Studio a.s. and Meopta-Optika, spol. s r.o.
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Dissertations / Theses
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