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Relevant bibliographies by topics / " Đông Hồ folk paintings

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Academic literature on the topic '" Đông Hồ folk paintings'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "" Đông Hồ folk paintings"

1

Dr., Tran Quoc Viet. "Research on Dong Ho Folk Paintings: Content, Meaning, and Cultural – Artistic Values of the Artwork 'Hứng Dừa'". International Journal of Human Research and Social Science Studies 02, № 05 (2025): 269–75. https://doi.org/10.5281/zenodo.15455583.

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Abstract This study explored the artistic and cultural values of Dong Ho folk paintings, exemplified by the artwork "Hứng Dừa" (Catching Coconuts), a typical painting that reflected the labor activities in traditional rural Vietnam. Employing content analysis, comparative methods, and case studies, the paper analyzed the cultural layers conveyed by "Hứng dừa." The findings revealed that this artwork not only held high artistic value but also served as a cultural symbol, reflecting the labor, family relationships, and harmony with nature of traditional farmers. The study highlighted the unique

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2

Thuy, Thi Tran, Minh Nguyen Tam, Thu Thi Nguyen Ha, and Thi Hoai Le Tram. "Compare Between the Scenes of Teaching in South Korea and Vietnam in the Folk Painting." International Journal of Social Science And Human Research 06, no. 08 (2023): 4870–77. https://doi.org/10.5281/zenodo.8238718.

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Painting is one of the most important and popular forms of art. It serves not only as a means of appreciation but also as a document expressing of a local culture, a country, or a continent. This study selects two folk paintings: "Village School" by Kim Hong Do (1745-1806?) from the Danwon Folk Painting Collection - a Korean national treasure (number 527) dating back to the late Joseon period (1700~1850); and " Village School" by the Hồ, Hoàng, and Nguyễn families in Vietnam, created in 1440 during the Le so Dynasty. The objective is to explore the teaching and learn

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3

Viet, Dr Tran Quoc. "Research on Dong Ho Folk Paintings: Content, Meaning, and Cultural – Artistic Values of the Artwork 'Hứng Dừa'". International Journal of Human Research and Social Science Studies 02, № 05 (2025). https://doi.org/10.55677/ijhrsss/06-2025-vol02i5.

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Abstract:

This study explored the artistic and cultural values of Dong Ho folk paintings, exemplified by the artwork "Hứng Dừa" (Catching Coconuts), a typical painting that reflected the labor activities in traditional rural Vietnam. Employing content analysis, comparative methods, and case studies, the paper analyzed the cultural layers conveyed by "Hứng dừa." The findings revealed that this artwork not only held high artistic value but also served as a cultural symbol, reflecting the labor, family relationships, and harmony with nature of traditional farmers. The study highlighted the unique position

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4

Thi Tran, Thuy,, Tam Minh Nguyen, Ha, Thu Thi Nguyen, and Tram, Thi Hoai Le. "Compare Between the Scenes of Teaching in South Korea and Vietnam in the Folk Painting." International Journal of Social Science and Human Research 6, no. 08 (2023). http://dx.doi.org/10.47191/ijsshr/v6-i8-35.

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Abstract:

Painting is one of the most important and popular forms of art. It serves not only as a means of appreciation but also as a document expressing of a local culture, a country, or a continent. This study selects two folk paintings: "Village School" by Kim Hong Do (1745-1806?) from the Danwon Folk Painting Collection - a Korean national treasure (number 527) dating back to the late Joseon period (1700~1850); and " Village School" by the Hồ, Hoàng, and Nguyễn families in Vietnam, created in 1440 during the Le so Dynasty. The objective is to explore the teaching and learning cultures of Korea and V

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Books on the topic "" Đông Hồ folk paintings"

1

Nguyễn, Thuần. Ai về làng Mái Đông Hồ: Nghiên cứu, tiểu luận. Nhà xuất bản Hội nhà văn, 2007.

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Nguyễn, Thuần. Ai về làng Mái Đông Hồ: Nghiên cứu, tiểu luận. Nhà xuất bản Hội nhà văn, 2007.

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3

Tranh dân gian Đông Hồ =: Đông Hồ folk paintings. Nhà xuất bản Mỹ thuật, 2010.

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Conference papers on the topic "" Đông Hồ folk paintings"

1

Phạm, Ngọc Uyên, та Thị Tú Anh Nguyễn. "Cultural interaction between Việt Nam and Southeast Asian nations in the 15th-16th centuries: An overview of pottery items from ancient shipwrecks on display at the Museum of History in Hồ Chí Minh City | Giao lưu văn hóa giữa Việt Nam và các quốc gia Đông Nam Á: Tổng quan về loại hình gốm tàu đắm niên đại thế kỷ 15-16 đang được lưu giữ tại Bảo tàng Lịch sử Thành phố Hồ Chí Minh". У The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-04.

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This article systematizes the typical covered box ceramics after the excavation of the shipwrecks in Cham Islands, Hội An currently on display at the Museum of History in Hồ Chí Minh City. Comparisons lead to the assumption that such products can only satisfy the needs of the consumer market based on the iconographic interpretation accounting on traditional literature in Việt Nam and some Southeast Asian nations, such as Java, Malay, the Philippines. This article also assumes that it is a product ordered by foreign traders, or the creation of Vietnamese ceramic artists, because animals/other i

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