Relevant bibliographies by topics / Богородиця «Salus Populi Romani»

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Academic literature on the topic 'Богородиця «Salus Populi Romani»'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Богородиця «Salus Populi Romani»"

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Андрій, Дем'янчук. "Копії ікони Богородиці «Salus Populi Romani» в Галичині (XVII – перша половина ХХ ст.)". ВІСНИК Львівської національної академії мистецтв, № 32 (30 листопада 2017): 155–76. https://doi.org/10.5281/zenodo.1068880.

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Здійснено спробу простежити походження та іконографію копій ікони Богородиці «Salus Populi Romani» («Спасіння Римського Народу») в Галичині у XVII – першій половині ХХ століття. З огляду на актуальність проблеми віднайдено і досліджено понад 20 ікон цього історичного періоду, систематизовано їх стосовно іконо- графії, образної символіки та художньо-стилістичних особливостей. Встановлено, що іконографічний тип цієї ікони походить від Одигітрії (Провідниці), проте має характерні особливості – правою рукою Матір Божа притримує Дитятко Ісуса. Поширення чудотворн
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Hnidyk, Iryna. "ICONS OF THE MOTHER OF GOD IN THE CULTURAL HERITAGE SPACE OF ROME." Ethnic History of European Nations, no. 68 (2022): 14–21. http://dx.doi.org/10.17721/2518-1270.2022.68.02.

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The images of the Mother of God in Italy represent a significant part of the cultural heritage of European and world sacred art and icon painting of various chronological periods and stylistic features. A special place in this dimension belongs to the icons of the Mother of God in Rome. Ever since the first centuries, images of the Virgin have been represented in the paintings of the Roman catacombs. The iconographic heritage of Rome represents different periods and a unique interweaving of styles. Over the centuries, ancient icons of the Mother of God have been kept in Rome, made both in the
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Dulian, Renata. "O ikonie „Salus Populi Romani”. Recenzja książki." Studia Socialia Cracoviensia 9, no. 1 (2016): 209. http://dx.doi.org/10.15633/ssc.2311.

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Kuvatova, Valeria. "Eastern and Western Influence in Wall Paintings of Abuna Yemata Guh Church (Ethiopia)." Oriental Courier, no. 3 (2023): 262. http://dx.doi.org/10.18254/s268684310028342-4.

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The rock-hewn church Abuna Yemata Guh, situated in the Gheralta Mountains of the Ethiopian Tigray region, houses one of the best preserved and least studied wall paintings of medieval Ethiopia. The pictorial program is dated to the second half of 15th century, by stylistic and iconographic characteristics. In fact, no well-proved date has been suggested so far. This research seeks to bridge the existing scholarly gap by conducting a comprehensive analysis of the iconographic and stylistic attributes of the paintings. It also considers the historical backdrop of the church, identifying key cond
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Nelles, Paul. "Martyrs and Madonnas: Inácio de Azevedo, the Brazil Martyrs, and the Global Circulation of the Madonna of Santa Maria Maggiore." Religions 14, no. 5 (2023): 617. http://dx.doi.org/10.3390/rel14050617.

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The article offers a revisionist account of the early circulation of copies of the Madonna of Santa Maria Maggiore, known since the nineteenth century as the Salus Populi Romani. Traditionally, the propulsion of the image into global circulation has been attributed variously to Pius V or Francisco Borja, the third Superior General of the Society of Jesus. The article argues that the circulation of the Saint Luke Madonna, as it was known at the time, was closely tied to the martyr’s cult that grew up around the Jesuit missionary Inácio de Azevedo and the so-called Brazil Martyrs, a group of Jes
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De Caro, Antonio. "(Re-)Producing Conversion from Rome to Beijing. Stories Related to Replicas of the Salus Populi Romani in the Late Sixteenth Century." Convivium 8, no. 2 (2021): 148–65. http://dx.doi.org/10.1484/j.convi.5.131120.

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Pieczara, Jakub. "Sławomir Filipek, Obraz Matki Bożej Śnieżnej w Tokarni: studium nad ikonografią „Salus Populi Romani”, Wydawnictwo Muzeum Archidiecezjalne Kardynała Karola Wojtyły w Krakowie, Kraków 2017, ss. 135." Folia Historica Cracoviensia 24, no. 1 (2019): 215. http://dx.doi.org/10.15633/fhc.3326.

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Kojima, Yoshie. "Reprodução da imagem da Madonna Salus Populi Romani no Japão." Cadernos de História UFPE 12, no. 12 (2017). http://dx.doi.org/10.29022/chufpe.issn2594-3766.2017.12.03.

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Rozkhov, Vladyslav. "Latyczów. Dzieje miasta na Kresach na przestrzeni wieków." Studia i Materiały Lubelskie 21 (December 21, 2023). http://dx.doi.org/10.61464/siml.98.

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Przedmiotem niniejszego artykułu są dzieje miasta Latyczów, uznawanego za jedną z najstarszych miejscowości Podola. W 1362 roku miasto znalazło się w granicach Wielkiego Księstwa Litewskiego, natomiast za panowania króla Kazimierza Wielkiego zostało włączone do Królestwa Polskiego. W okresie najazdów tatarskich na ziemie polskie Latyczów niejednokrotnie padał łupem najeźdźców. W celu powstrzymania najazdów Jan Potocki, starosta kamieniecki, zbudował w Latyczowie zamek i mury obronne. Jednakże miasto nadal było rabowane i niszczone. Około roku 1430 w Latyczowie erygowano pierwszą parafię rzymsk
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Stankevičienė, Regimanta. "The origin of the miraculous painting of Our Lady in Krekenava Church: iconographic sources and their contexts." Menotyra 25, no. 1 (2018). http://dx.doi.org/10.6001/menotyra.v25i1.3686.

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The article presents a high altar painting of “Our Lady with the Child” in the Krekenava Basilica of the Assumption of the Virgin Mary (Our Lady of Krekenava; pine, canvas, oil; size: 172 × 111 cm). Parsons of Krekenava Church were Samogitian archdeacons. The picture was donated by Nicolao Povetrius (Mikalojus Povetrijus), a parson of the church in 1622–1634. It was announced that he brought the picture from Rome. However, the fabrics and artistic features of the painting show that it was created by a Lithuanian painter instead. Iconographic analysis suggests that the painting was painted on t
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Books on the topic "Богородиця «Salus Populi Romani»"

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Wolf, Gerhard. Salus populi romani: Die Geschichte römischer Kultbilder im Mittelalter. VCH Acta Humaniora, 1990.

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2

Filipek, Sławomir. Obraz Matki Bożej Śnieżnej w Tokarni: Studium nad ikonografią Salus Populi Romani. Muzeum Archidiecezjalne Kardynała Karola Wojtyły w Krakowie, 2017.

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3

author, Grzebień Ludwik, ed. Obrazy Matki Bożej Śnieżnej (Salus Populi Romani) w Polsce na przełomie XVI i XVII wieku: Legendy i fakty. Wydawnictwo WAM, 2016.

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4

Salus publica populi Romani. Victrix, 2011.

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Wolf, G. Salus Populi Romani Die Geschichte Roemischer Kultbilder Im Mittelalter. Wiley-VCH, 1991.

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Clero liberiano a servizio della Salus populi romani: 1800-2010. Lisanti, 2011.

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Book chapters on the topic "Богородиця «Salus Populi Romani»"

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"Chapter 5: Salus Populi Romani: The Roman Palladium of the Jesuit Church in Brno." In Jesuit Art and Czech Lands, 1556-1729, edited by Katerina Hornícková and Michal Šronek. Lexington Books, 2023. http://dx.doi.org/10.5771/9781666905878-193.

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Ditchfield, Simon. "Catholic Reformation and Renewal." In The Oxford History of the Reformation. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192895264.003.0005.

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Abstract This chapter tells the story of the Counter-Reformation in a non-Eurocentric fashion. It begins in Goa rather than Wittenberg and continues to the Philippines and then Spain before crossing the Atlantic to Mexico, and recrossing the Pacific to Japan and China before returning to where it begins: India. The thread linking all these places is the art produced by non-European artists that was inspired by European prototypes. Important vectors of influence here were prints made in Europe of such important images as the Madonna of the Snows or Salus populi Romani, whose prototype is venera
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