Bibliografías temáticas / Ants – Songs and music

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  1. Artículos de revistas
  2. Tesis
  3. Libros
  4. Capítulos de libros
  5. Actas de conferencias
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Literatura académica sobre el tema "Ants – Songs and music"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 31 de julio de 2025

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Artículos de revistas sobre el tema "Ants – Songs and music"

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MacLachlan, Heather. "Music and Incitement to Violence: Anti-Muslim Hate Music in Burma/Myanmar." Ethnomusicology 66, no. 3 (2022): 410–42. http://dx.doi.org/10.5406/21567417.66.3.05.

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Abstract This article examines a corpus of Burmese-language anti-Muslim hate songs archived on YouTube. Burma/Myanmar is the site of recent genocidal violence perpetrated against Muslims, and these songs are part of the hate speech campaign that undergirds this violence. Using the definition of incitement articulated by the International Criminal Tribunal for Rwanda, the article shows that the lyrics of these songs constitute incitement to violence. Further, the comments written by YouTube listeners provide evidence that the songs provoke additional dehumanizing speech. The songs and their cre
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Bang, Hak-jin. "Analysis of ‘Anti-Japanese Music’ through Text Mining." Academic Association of Global Cultural Contents 62 (February 28, 2025): 87–121. https://doi.org/10.32611/jgcc.2025.2.62.87.

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This study finally analyzed 631 songs, excluding 170 overlapping songs and 129 songs with unknown production date, among 930 songs published in the <330 anti-Japanese music collection> and <600 songs of independence sung again>. After dividing the songs to be analyzed into 1900s, 1910s, 1920s, 1930s, and 1940s, frequency and TF-IDF analysis, N-gram analysis, CONCOR analysis, and emotional vocabulary analysis were performed using text mining for each period. As a result of the analysis, the words appearing in the lyrics of anti-Japanese music reflected the appearance of each era fro
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Anderson, Martin. "Estonian Composers (combined Book and CD Review)." Tempo 59, no. 232 (2005): 60–66. http://dx.doi.org/10.1017/s0040298205210161.

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Ancient Song Recovered: The Life and Music of Veljo Tormis, by Mimi S. Daitz. Pendragon Press, $54.00/£36.00.The Works of Eduard Tubin: Thematic-Bibliographical Catalogue of Works by Vardo Rumessen. International Eduard Tubin Society/Gehrmans Musikförlag, E.57.TORMIS: ‘Vision of Estonia’ II. The Ballad of Mary's Land; Reflections with Hando Runnel; Days of Outlawry; God Protect Us from War; Journey of the War Messenger; Let the Sun Shine!; Voices from Tammsaare's Herdboy Days; Forget-me-not; Mens' Songs. Estonian National Male Choir c. Ants Soots. Alba NCD 20.TORMIS: ‘Vision of Estonia’ III. T
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Diko, Mlamli. "Unity sings against apartheid’s injustice: probing the historical consciousness and memory in three selected anti-apartheid songs." EUREKA: Social and Humanities, no. 5 (September 30, 2024): 50–67. https://doi.org/10.21303/2504-5571.2024.003402.

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South African history bears the painful legacy of apartheid and systemic oppression, destructively affecting Black South Africans, especially women and children of the lower class, who were, and still are, vastly sidelined. Various apartheid or silencing policies systemically dismissed the majority Black population and condemned their ancestral languages, depriving them of basic human rights. Forced community removals disrupted basic family structures and displaced individuals. Women and children not only faced racial segregation but also encountered gender-based discrimination, obstructing th
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Subekti, Arif, and Hervina Nurullita. "Singing the Memories: Songs about the 1965 Anti-communist Violence in Banyuwangi." Indonesia 116, no. 1 (2023): 153–70. http://dx.doi.org/10.1353/ind.2023.a910155.

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Abstract: Within post-genocide societies and in the aftermath of mass killings, music functions beyond entertainment. It serves to reconcile, remember, and convey a message of peace or even criticize how authorities deal with the effects of atrocities. Music also functions to remember and preserve memory of violence, particularly in the context where violence is not part of the official narrative and historiography. By taking the case study of Indonesia's anticommunist violence in 1965, this article would like to analyze critically the perspective that perceive music as counter memory. Focusin
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Ingram, Paul. "Songs, Anti-Symphonies and Sodomist Music: Dadaist Music in Zurich, Berlin and Paris." Dada/Surrealism 21 (July 17, 2017): 1–33. http://dx.doi.org/10.17077/0084-9537.1334.

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Moon, Krystyn R. ""There's no Yellow in the Red, White, and Blue": The Creation of Anti-Japanese Music during World War II." Pacific Historical Review 72, no. 3 (2003): 333–52. http://dx.doi.org/10.1525/phr.2003.72.3.333.

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This article focuses on the production of anti-Japanese music during World War II through the frameworks of popular culture, consumption, and propaganda and by analyzing the music itself, as well as lyrics and sheet music covers. Anti-Japanese music codified certain racial beliefs while distinguishing among Asian nationalities. Portraying Japan in racialized and gendered terms told Americans something about themselves and white male superiority. These musical images also demonstrated the dialogue between the music industry and its consuming audience. Publishers and composers tried to describe
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Stallings, Stephanie N. "Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez." Journal of the American Musicological Society 76, no. 2 (2023): 463–501. http://dx.doi.org/10.1525/jams.2023.76.2.463.

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Abstract Mexican composers Silvestre Revueltas and Carlos Chávez each wrote one song that execrates the lynching-murder of Black persons in the United States. In them, the composers pit a Mexican aesthetics of death against violent spectacle and social inequities to assert a universal dignity of life and to situate an antiracist position within the context of a broader international class struggle. In the process of airing fresh interpretations of the songs, I imply that the composers’ divergent experiences in the United States—Chávez’s relative proximity to establishment structures of power a
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Bamle, Håvard Haugland. "Anti-Pastoral and the Prophetic Mode in Moddi’s Climate Songs." Ecozon@: European Journal of Literature, Culture and Environment 15, no. 2 (2024): 218–35. http://dx.doi.org/10.37536/ecozona.2024.15.2.5177.

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This article explores aspects of apocalypse and pastoral in the climate themed song lyrics of Norwegian indie folk artist Moddi. Through close listening and contextualizing of the songs “Noens ark” (“Someone’s ark”, 2013) and “En sang om fly” (“A song about planes”, 2013), apocalypse and pastoral emerge as key motifs. These are navigated in an exploration of a conflicted Norwegian response to global warming. The songs express critique of unrelenting pursuits of economic growth and personal consumption even as the future imposes itself on the present. In two different ways, elements of indie fo
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Saputro, Bagas Yudha Gilang, Rizmay Ananda, Firmansyah Dwi Ardianto, et al. "Indonesian College Student Defense Mechanism Reflected in Taylor Swift's Anti-Hero." HUMANIKA 31, no. 1 (2024): 32–44. http://dx.doi.org/10.14710/humanika.v31i1.60698.

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The phenomenon of the youth releasing their feelings to receive a sense of comfort by listening to sad songs cannot be separated from the rising mental health issue, which is in accordance with the increasing amount of sad songs produced by the music industry. Taylor Swift's songs are popular among the youth, especially Indonesian college students who are going through profound and complex emotional journeys relating to identity crises, love, and other unpleasant events, because the lyrics, the melody, and the story present the youth’s experiences. The popularity of Swift's songs among young p
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Tesis sobre el tema "Ants – Songs and music"

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Souza, Paula Leme de. "Músicas da infância, de tradição oral: um relato das experiências expressivas, a partir de uma intervenção pedagógica com crianças de 6 a 7 anos." Universidade Presbiteriana Mackenzie, 2014. http://tede.mackenzie.br/jspui/handle/tede/1915.

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Made available in DSpace on 2016-03-15T19:42:49Z (GMT). No. of bitstreams: 1 Paula Leme de Souza.pdf: 3166084 bytes, checksum: 6921e296427fbe5f360338a8dbe4e523 (MD5) Previous issue date: 2014-08-07<br>This dissertation consists of the report of the pedagogical experiment conducted with children 6-7 years, involving children's songs from oral tradition understood as cultural event at school in classes Art / Music EMEF Minister Aníbal Freire, located in São Paulo. This is a case study that seeks to uncover the teaching career from the look of peculiar expressions in each of the songs, games an
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Hubbard, Colton M. "Tea Songs." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116378208.

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Lanci, Michael P. "Songs for Joe Hill." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin149580760300849.

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Hung, Justin. "Songs about Words." Digital Commons @ Butler University, 2020. https://digitalcommons.butler.edu/grtheses/523.

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A song cycle for baritone and mixed chamber ensemble, "Songs about Words" consists of five songs for everyday concepts and subjects, and explores deeper themes of communication and identity. The ensemble consists of piano, accordion, tenor saxophone, percussion and double bass. The text was inspired by Pablo Neruda and written by the composer.
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Baron, Michael David. "The songs of Franz Liszt." Connect to resource, 1993. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1234717504.

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Hood, Errik M. "Teaching the Songs of Ivor Gurney:An Applied Studio Guide to the Utilization of Fourteen Songs." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1448468099.

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Nguyễn, Xuân-Thaʼo Joseph. "Music ministry the inculturation of liturgical vocal music in Vietnam /." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p033-0807.

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Jones, Reba Pestun. "An examination of coal mining song repertoire in the Virginia elementary music curriculum with the creation and incorporation of a suggested coal mining musical unit of study /." < Digital Thesis and Dissertation Collection > Username and password required for access, SU only, 2003. http://www.su.edu/library/digitalthesis/jonesreba.pdf.

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Wood, Kenneth Edward. "An investigation and analysis of selected Victorian art songs /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004204.

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Van, Rhyn Chris. "Towards a mapping of the marginal : readings of art songs by Nigerian, Ghanaian, Egyptian and South African composers." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85813.

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Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: African art music practices of western origin have oftentimes been excluded from general discourses on western art music practices. In this study, close readings of selected art songs by twentieth and twenty-first century Nigerian, Ghanaian, Egyptian and South African composers serve to ‘map’ this music through challenging existing general discourses on art music composition, and genre-specific discourses on art song composition in Africa. The readings also serve to create new discourses, including ones that promote African
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Libros sobre el tema "Ants – Songs and music"

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Kelly, Martin. The ants came marching... Handprint Books, 2000.

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ill, Bernal Richard, ed. The ants go marching one by one. Scholastic Inc., 1999.

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ill, Bernal Richard, ed. The ants go marching one by one. Publications International, 1993.

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Hoose, Philip M. Hey little ant. Tricycle Press, 1998.

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Hannah, Hoose, and Tilley Debbie illustrator, eds. Oye, hormiguita. Scholastic, 2003.

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Aquino, Mara de. Cravos na janela: 300 anos de canção brasileira. [Edições da Terra], 2007.

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K, Aleksynas, and Ramoškaitė Živilė, eds. Palinko liepa šalia kelio: Partizanų dainos. Lietuvos gyventojų genocido ir rezistencijos tyrimo centras, 1998.

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Reyes, Fernando. Zarabanda para o Gran Duque: Antes e despois da chegada de Cosimo dei Medici. Xunta de Galicia, 2005.

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Eaklor, Vicki Lynn. American antislavery songs: A collection and analysis. Greenwood Press, 1988.

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Câmara, Renato Phaelante da. 100 anos de Frevo: Catálogo discográfico. CEPE, 2007.

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Capítulos de libros sobre el tema "Ants – Songs and music"

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Barna, Emília, and Ágnes Patakfalvi-Czirják. "Populist Discourses in ProGovernment, Anti-Government and Anti-Elite Songs in Hungary under the Orbán Regime." In Popular Music and the Rise of Populism in Europe. Routledge, 2024. http://dx.doi.org/10.4324/9781003293156-2.

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Salzbrunn, Monika, and Birgit Ellinghaus. "How Does “Migrant” and “World” Music Change Local and National Cultures? An Insight from the Cologne Carnival, Related Antiracist Networks and Recent Cultural Politics." In IMISCOE Research Series. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-39900-8_7.

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AbstractNina Glick Schiller and Ayse Çağlar have invited migration scholars to constructively question the transnational paradigm by “locating migration”. Based on our work on the dynamics of the Cologne carnival, this chapter assesses the impact of “migrant” and “world” music on local and national cultural policies.Cologne’s history has always been shaped by migration, even though the enrichment of the music and carnival scene, thanks to migrants, has been recognised and celebrated only for a couple of decades. Over the last 30 years, Cologne’s carnival as well as the broader music scene in C
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Guéret, Christelle, Nicolas Monmarché, and Mohamed Slimane. "Ants Can Play Music." In Ant Colony Optimization and Swarm Intelligence. Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-28646-2_29.

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Schutz, Rachel. "Traditional Songs, Hymns, and Patriotic Songs." In Welsh Vocal Music. Routledge, 2025. https://doi.org/10.4324/9781003347347-10.

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Akuno, Emily Achieng’. "Children’s songs." In Music Education in Africa. Routledge, 2019. http://dx.doi.org/10.4324/9780429201592-19.

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Thomas, Richard K. "Campfire Songs." In Music as a Chariot. Routledge, 2018. http://dx.doi.org/10.4324/9781315145631-6.

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Callet-Feltz, Victoria. "Harmonization of Pop Songs." In Computational Music Science. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-82236-0_7.

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Amos, Jonny. "Releasing Cover Songs and Remixes." In The Music Business for Music Creators. Focal Press, 2024. http://dx.doi.org/10.4324/9781003452119-24.

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Archer, W. G. "Steps and Music." In Love Songs of Vidyāpati. Routledge, 2021. http://dx.doi.org/10.4324/9781003104216-79.

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Lal, Ananda. "Note on the Music Scores." In Songs of Tagore. Routledge India, 2023. http://dx.doi.org/10.4324/9781003276869-5.

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Actas de conferencias sobre el tema "Ants – Songs and music"

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Puttegowda, Kiran, Kay Hooi Keoy, R. Deepak, Vinaye Armoogum, and B. D. Parameshachari. "Automated Music Classification using Machine Learning for Indian Songs." In 2024 Second International Conference on Networks, Multimedia and Information Technology (NMITCON). IEEE, 2024. http://dx.doi.org/10.1109/nmitcon62075.2024.10698871.

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Bhargavi, Devapatla, Chandini Magoo, and Manpreet Kaur. "Classifying Music Genre and Recommending songs using various ML Algorithms." In 2025 4th OPJU International Technology Conference (OTCON) on Smart Computing for Innovation and Advancement in Industry 5.0. IEEE, 2025. https://doi.org/10.1109/otcon65728.2025.11071205.

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Yang, Sihui, and Yan Li. "Research on Music Feature Extraction and Machine Learning Classification Algorithm for Anhui Folk Songs." In 2025 International Conference on Digital Analysis and Processing, Intelligent Computation (DAPIC). IEEE, 2025. https://doi.org/10.1109/dapic66097.2025.00053.

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Folorunso, S. O., O. O. Banjo, J. B. Awotunde, and F. E. Ayo. "Machine Learning Analysis of Music Based on Music Information Retrieval Tasks." In International Workshop on Social Impact of AI for Africa 2022. AIJR Publisher, 2024. http://dx.doi.org/10.21467/proceedings.157.3.

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Music Information Retrieval (MIR) methods extracts from music high-level information like classification, musical feature extraction, song similarity and tonality. Musical genre is one of the orthodox methods of describing musical content and a significant part of MIR. At present, few MIR research has been done on Nigerian songs. So, this paper proposed to build a genre classification model based on Mel Spectrogram of audio songs. The process first converts ORIN audio dataset to Mel Spectrogram and extract numerical information from it using the Histogram of Oriented Gradient (HOG) and apply m
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Soleymani, Mohammad, Micheal N. Caro, Erik M. Schmidt, Cheng-Ya Sha, and Yi-Hsuan Yang. "1000 songs for emotional analysis of music." In the 2nd ACM international workshop. ACM Press, 2013. http://dx.doi.org/10.1145/2506364.2506365.

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Cheng, Zhiyong, Jialie Shen, Lei Zhu, Mohan Kankanhalli, and Liqiang Nie. "Exploiting Music Play Sequence for Music Recommendation." In Twenty-Sixth International Joint Conference on Artificial Intelligence. International Joint Conferences on Artificial Intelligence Organization, 2017. http://dx.doi.org/10.24963/ijcai.2017/511.

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Users leave digital footprints when interacting with various music streaming services. Music play sequence, which contains rich information about personal music preference and song similarity, has been largely ignored in previous music recommender systems. In this paper, we explore the effects of music play sequence on developing effective personalized music recommender systems. Towards the goal, we propose to use word embedding techniques in music play sequences to estimate the similarity between songs. The learned similarity is then embedded into matrix factorization to boost the latent feat
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Sridhar, Rajeswari, and T. V. Geetha. "Music Information Retrieval of Carnatic Songs Based on Carnatic Music Singer Identification." In 2008 International Conference on Computer and Electrical Engineering (ICCEE). IEEE, 2008. http://dx.doi.org/10.1109/iccee.2008.118.

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Hishida, Hirotoshi, Yoshihiro Komatsu, Tomohiro Nomura, Yasuhiro Hishida, and Keiko Hishida. "Music Database for Earphone Hearing Loss Prevention and Music Therapy - American Musical Songs -." In 13th International Multi-Conference on Complexity, Informatics and Cybernetics. International Institute of Informatics and Cybernetics, 2022. http://dx.doi.org/10.54808/imcic2022.02.40.

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Das, Nikhil, Esther Ramdinmawii, Ajit Kumar, and Sanghamitra Nath. "Vocal Singing and Music Separation of Mizo Folk Songs." In 2023 4th International Conference on Computing and Communication Systems (I3CS). IEEE, 2023. http://dx.doi.org/10.1109/i3cs58314.2023.10127457.

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Garcia-Garcia, Dario, Jeronimo Arenas-Garcia, Emilio Parrado-Hernandez, and Fernando Diaz-de-Maria. "Music genre classification using the temporal structure of songs." In 2010 IEEE International Workshop on Machine Learning for Signal Processing (MLSP). IEEE, 2010. http://dx.doi.org/10.1109/mlsp.2010.5589240.

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Informes sobre el tema "Ants – Songs and music"

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Berrian, Brenda F. Chestnut Women: French Caribbean Women Writers and Singers. Inter-American Development Bank, 2001. http://dx.doi.org/10.18235/0007945.

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Trifon, Maria, Alin Savu, Bogdan Pălici, Cristian Georgescu, and Dinu Ion. Music streaming practices. Spotify usage in Romania. National Institute for Cultural Research and Training, 2025. https://doi.org/10.61789/pub.cdi.psm.en25.

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This publication provides an overview of music streaming practices, taking the use of the Spotify platform in Romania as a case study. Given that streaming has become the dominant form of cultural consumption nowadays (Arditi, 2021), analyzing the consumption trends and preferences recorded in Spotify charts in Romania becomes relevant. Spotify is a popular digital music streaming service that provides users with access to a vast library of songs, podcasts and other audio content from various artists and creators around the world.
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Manhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), 2020. http://dx.doi.org/10.19088/ids.2020.001.

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This study examines Mozambican popular music to investigate three questions: Are notions of empowerment and accountability present in popular music in Mozambique? If so, what can these existing notions of empowerment and accountability reveal about relations between citizens and state institutions in general and about citizen-led social and political action in particular? In what ways is popular music used to support citizen mobilisation in Mozambique? The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field int
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