Gotowe bibliografie tematyczne / Era of modernism

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Gotowa bibliografia na temat „Era of modernism”

Autor: Grafiati

Data publikacji: 3 czerwca 2025

Data aktualizacji: 31 lipca 2025

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Artykuły w czasopismach na temat "Era of modernism"

Adedipe, Ademolawa Michael. "An Experimental Documentary: Making a Case for Baird’s Modernism." Advances in Language and Literary Studies 9, no. 5 (2018): 49. http://dx.doi.org/10.7575/aiac.alls.v.9n.5p.49.

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The refutation and the obliteration of the modernist era in Canadian literature by Robert Kroetsch and reasserted by Glen Wilmott makes it imperative to look at highly experimental literary works in the first half of the 20th century in Canada. The purpose of this paper, thus is to make a case for the inclusion Irene Bird’s Waste Heritage in the repertoire of modernist works in North America. The various criticism of Canadian literature as not having a modernist era needs to be debunked. The false assertion that Canadian literature moved straight from the Victorian era to a postmodernist face

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Matar, Anat. "Wittgenstein and Modernism: an encounter of the third kind = Wittgenstein y el modernismo: un encuentro en la tercera fase." REVISTA DE HISTORIOGRAFÍA (RevHisto) 32 (November 20, 2019): 53. http://dx.doi.org/10.20318/revhisto.2019.4894.

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Abstract: In earlier works, the author has twice discussed Wittgenstein’s work in relation to the modernist Geist that prevailed during his time. In the first, it was argued that the Tractatus was a modernist cornerstone, and then the idea was advanced that Wittgenstein’s later thought exemplified an essential modernist trait. Without contradicting these claims, a criticism is now offered on the aestheticism crucial to modernism and also to Wittgenstein’s thought.Key words: Wittgenstein, modernism, Tractatus, criticism, Aesthetics.Resumen: En el pasado, dos veces trabajé discutiendo sobre el t

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Toderici, Radu. "Tactical Modernism: Romanian Cinema of the 1960s and the Disputed Modernist Aesthetics." Caietele Echinox 47 (December 1, 2024): 208–19. https://doi.org/10.24193/cechinox.2024.47.13.

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Throughout the 1950s, during the heyday of socialist realism, “modernism” as a concept is virtually nonexistent in Romanian literature and arts. Only in the late 1950s and in the early 1960s theories about a modernist style – in literature, but also in cinema – start to reemerge. The main issue with modernism during that era is that it is closely associated with the so-called decadent and bourgeois Western art. In order to be adapted to a Socialist framework, modernism has to be refashioned. As such, a hybrid, tactical modernism – political in content, open to experimentation in matters regard

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Köksal, Duygu. "Domesticating the avant-garde in a nationalist era: Aesthetic modernism in 1930s Turkey." New Perspectives on Turkey 52 (May 2015): 29–53. http://dx.doi.org/10.1017/npt.2015.1.

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AbstractThis paper investigates the rise of aesthetic modernism in Turkey’s early republican era (i.e., the late 1920s and the 1930s), with an emphasis on the influence of international cultural currents on Turkey’s intelligentsia. The paper concentrates on the modernist ideas and works of the D Group, who advocated a high modernism in the plastic arts, and the literary modernism of the socialist poet Nâzım Hikmet (Ran). Firstly, it addresses the historiographical argument that aesthetic modernism in Turkey was a derivative enterprise, a low-grade replica of European modernism. Secondly, it ar

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Abd Aziz, Mohamad Kamal. "Era Modenisme dan Pascamodenisme: Suatu Transformasi Seni Visual dalam Konteks Sosio-Budaya." INTERNATIONAL JOURNAL OF ART AND DESIGN 5, no. 2 (2021): 59–68. http://dx.doi.org/10.24191/ijad.v5i2.6.

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This paperwork discusses some theories between modernist and post-modernist thinking that have been evolved in society. The presence of post-modernist thought is said to be anti-modernist. Thus, the question is whether it emerges as anticipation or the occurrence of a transformation shift at its pace in driving the development of art and culture. The objective of this study is to discuss the changing trends of art practitioners in the context of visual art and culture phenomenon today since the era of modernism. However. to what extent is the presence of post-modernist thinking that is said to

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Perloff, Marjorie. "Modernism Under Review: Hugh Kenner's The Pound Era." Modernist Cultures 5, no. 2 (2010): 181–94. http://dx.doi.org/10.3366/mod.2010.0102.

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This essay offers a critical re-assessment of Hugh Kenner's The Pound Era. It argues that Kenner's magisterial survey remains important to our understanding of Modernism, despite its frankly partisan viewpoint. Kenner's is an insider's account of the Anglo-American Modernist writing that he takes to have been significant because it sought to invent a new language consonant with the ethos of the twentieth century. The essay suggests that Kenner's impeccable attention to the Modernist renovation of language goes beyond formalism, since, for him, its ‘patterned energies’ (a term derived from Buck

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Abd. Aziz, Mohamad Kamal. "The Era of Modernism and Postmodernism: A Transformation of Visual Art in A Socio-Cultural Context." International Journal of Art and Design 5, no. 2 (2021): 57–65. http://dx.doi.org/10.24191/ijad.v5i2.2569.

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This paperwork discusses some theories between modernist and postmodernist thinking that have evolved in society. The presence of postmodernist thought is said to be anti-modernist. Thus, the question is whether it emerges as anticipation or the occurrence of a transformation shift at its pace in driving the development of art and culture. The objective of this study is to discuss the changing trends of art practitioners in the context of visual art and culture phenomenon today since the era of modernism. However, to what extent is the presence of postmodernist thinking that is said to be anti

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Syzdykova, B., A. Kaiyrbekova, and B. Orazova. "National literature of the post-socialist realism era." Bulletin of the Karaganda university Philology series 1, no. 109 (2023): 123–31. http://dx.doi.org/10.31489/2023ph1/123-131.

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This article discusses the artistic trends of the 60s of the twentieth century. The aesthetic concepts of socialist realism, Romanticism, modernism and postmodernism are discussed, as well as the peculiarities of their development in Kazakh literature. The article analyzes the ideological and aesthetic concepts that opposed the socialist realism of that period. The works published during the period of post-socialist realism reflect the ways of development of modernist aesthetics. The features of new characters in literature are revealed. In addition, the article scientifically analyzes the for

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Alfina Hidayah and Hamdan Maghribi Maghribi. "From Modernism to Neo-Modernism: A Religio-Political Context of Muhammad Abduh and Fazlur Rahman." SHAHIH: Journal of Islamicate Multidisciplinary 7, no. 2 (2022): 109–24. http://dx.doi.org/10.22515/shahih.v7i2.6066.

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Muhammad Abduh and Fazlur Rahman are among the influential Muslim scholars after the Medieval era of the eighteenth to twentieth century. Their characteristics of thought are often titled Muhammad Abduh as a Modernist and Fazlur Rahman as a Neo-Modernist. Their ideas became significant since they influenced several contemporary Muslim scholars in the Muslim world, such as Rashid Rida, Qasim Amin, Amina Wadud, Farid Esack, Nurkholis Majid, etc. This study examines the religiopolitical context of Muhammad Abduh and Fazlur Rahman in constructing their thoughts - the so-called - Modernism and Neo

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Martin, Regina. "Literature and Professional Society: Modernism, Aesthetics, and Ian McEwan’s Saturday." College Literature 51, no. 3 (2024): 316–44. http://dx.doi.org/10.1353/lit.2024.a931856.

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Abstract: Ian McEwan’s novels are well-known for their ongoing conversation with turn-of-the-twentieth-century modernism. This essay argues that McEwan’s novel Saturday engages with two modernist problematics—modernist interrogation of aesthetics and the emergence of the professional classes during the modernist era. Reading McEwan’s novel through and against its modernist antecedents, Mrs. Dalloway and Howards End , provides a means of understanding how, in modernist novels, a discourse of literary and aesthetic value exists as a function of the tension between leisure-class and professional-

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Rozprawy doktorskie na temat "Era of modernism"

Téo, Marcelo Róbson. "O tocador pelo pincel: o sonoro, o visual e a sensorialidade, do Modernismo à Era Vargas." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-19092012-093322/.

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Foram investigadas neste trabalho algumas das conexões entre a produção artística e intelectual brasileira e o mundo dos sentidos, especialmente entre as décadas de 1920 e 1940. Tomado como motivo político e estético, o sensorium foi matéria-prima no delineamento de propostas para a identidade artística e cultural do país, conectando-se de forma visceral à própria idéia de cultura popular, que passa por variações significativas no período compreendido entre os primórdios do Modernismo e a Era Vargas. Foram privilegiadas as relações entre os universos visual e sonoro, sobretudo em suas manifest

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Lopes, Ruy Sardinha. "A imagem na era de sua reprodutibilidade eletrônica." Universidade de São Paulo, 1995. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-03072002-101335/.

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A acolhida que as imagens eletrônicas e sintéticas vêm recebendo por parte da crítica é reveladora de um novo otimismo tecnológico e abre espaço para a discussão sobre as conseqüências das novas tecnologias sobre a sociedade. Fala-se, em relação a estas imagens, de um novo regime de visibilidade e de um novo imaginário numérico que transgride nossos códigos perceptivos e cognitivos e nossa relação simbólica com o mundo. Contudo, a desvinculação destes sistemas imagéticos de qualquer prática social mais ampla e da produção imagética que as antecedeu especialmente a pintura, a fotografia

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Stead, Lisa Rose. "Women's writing and British female film culture in the silent era." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3138.

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This thesis explores women’s writing and its place in the formation of female film culture in the British silent cinema era. The project focuses upon women’s literary engagement with silent cinema as generative of a female film culture, looking at materials such as fan letters, fan magazines, popular novels, short story papers, novelizations, critical journals and newspaper criticism. Exploring this diverse range of women’s cinema writing, the thesis seeks to make an original contribution to feminist film historiography. Focusing upon the mediations between different kinds of women’s cinema wr

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Du, Plessis Charl Johann. "The relevance of denominationalism in the postmodern era with specific reference to the Baptist Union of Southern Africa." Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/24098.

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Denominationalism is a concept that the church became used to. Very few people question the concept and simply accept it as part of the make-up of the universal church. More recently, and specifically with the advent of postmodernism, many people started questioning whether God’s will for the church is for it to function within the boundaries of denominations. The natural question to ask then is whether the concept of denominationalism is still relevant within the postmodern context. At the same time very direct and pertinent questions along the same lines have been asked of the Baptist Union

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Ore, Kathryn. "An Era of Change: Mid-Twentieth Century Architectural Education and the University of Oregon, School of Architecture and Allied Arts." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12966.

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This study focuses on the development of architectural education at the University of Oregon's School of Architecture and Allied Arts (A&AA) in Eugene, Oregon. Applying a historic preservation perspective, this study examines how architectural perceptions are manifested through institutional changes in architectural education. Beginning with a focus on the A&AA under the administration of Dean Ellis F. Lawrence and Professor W. R. B. Willcox, this study transitions into an exploration of Dean Sidney W. Little's decidedly modernist alteration of the curriculum and building in the mid-twentiet

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Arantes, Pedro Fiori. "Arquitetura na era digital-financeira: desenho, canteiro e renda da forma." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/16/16132/tde-01062010-095029/.

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A arquitetura contemporânea vive hoje uma arriscada fusão com a publicidade e a indústria do entretenimento. Tal convergência exige uma expansão da forma arquitetônica até o limite de sua materialidade. Em busca da renda informacional máxima, característica do universo das marcas mundiais, constatamos uma inversão de seus antigos fundamentos construtivos e produtivos, subvertidos por um jogo de volumes e efeitos para além de qualquer regra ou limitação. Aliado às técnicas digitais de projeto e à reorganização dos canteiros de obra, esse novo fetichismo da forma, análogo à autonomização do pode

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ROSSI, Lorenzo. "Forme della gestualità nel cinema: un percorso nel genere comico." Doctoral thesis, Università degli studi di Bergamo, 2014. http://hdl.handle.net/10446/30720.

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Elliott, Mark C. "German poetry beyond the boundaries of the Nazi era : the modernist legacy." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432085.

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Arrowsmith, Rupert Richard. "A British museum era : modernist artists and authors in London's museums, 1905-1918." Thesis, University of Oxford, 2007. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486968.

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This study considers the role of London's museums - especially the British Museum - as conduits for the delivery of extra-European visual art to the city's avant-garde during the years preceding World War One. It makes use of documents from the archives of the British Museum, the British Library, the Tate Gallery, the V&A, and the Royal Institute of British Architects - many of which have never before been quoted from or published - to show that the early modernist sculpture of Jacob Epstein, Henri Gaudier-Brzeska and Eric Gill; the philosophy of T.E. Hulme; and the poetic imagery of Ezra Poun

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Wormald, Andrew J. "Voices of experience : modernity and Buddhist meditation in Republican-era China." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681349.

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This dissertation examines how changes at the beginning of the twentieth century in China affected the discourse around Buddhist meditation practices. It has been argued that such changes led to a move from Buddhism as 'religion' to Buddhism as 'philosophy' but also that Buddhist householders emphasised meditative experience as a source of authority. This dissertation seeks to clarify the position of a number of key Chinese Buddhist figures of the Republican period in order to add further detail to the debate. The figures examined include the monks Taixu, Yuanying, Xuyun, and Laiguo, and the B

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Książki na temat "Era of modernism"

Azhary, Tahir. Islamic law under the post modernism era. Universitas Indonesia, 1994.

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Scottish National Gallery of Modern Art, ed. A new era: Scottish modern art, 1900-1950. National Galleries of Scotland, 2017.

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Levidou, Ekaterini. Musical receptions of Greek antiquity: From the romantic era to modernism. Cambridge Scholars Publishing, 2016.

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Blakesley, Lindsay Elizabeth, ed. Literary research and the American modernist era: Strategies and sources. The Scarecrow Press, 2008.

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S, Gwynn R., ed. The advocates of poetry: A reader of American poet-critics of the modernist era. University of Arkansas Press, 1996.

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Bernhard, Rieger, and Daunton M. J, eds. Meanings of modernity: Britain from the late-Victorian era to World War II. Berg, 2001.

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Zhang, Xudong. Chinese modernism in the era of reforms: Cultural fever, avant-garde fiction, and the new Chinese cinema. Duke University Press, 1997.

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Munhak kwa Sasang Yŏnʾguhoe (Korea), ed. Kŭndae kyemonggi munhak ŭi chae insik: A new understanding of Korean literature in the modern enlightenment era. Somyŏng Chʻulpʻan, 2007.

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Meskin, Vladimir, Oksana Gavril'chenko, and Nina Trofimova. History of Russian literature: from the middle Ages to modernism (propaedeutic course). INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1058837.

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The textbook introduces Russian fine literature from the era of its origin to the beginning of the XX century, with historical factors that influenced the processes that took place in it. Its authors are experts in each of the stated theme. Acquaintance with each historical and literary stage begins with its cultural review, followed by pages devoted to the work of the most prominent artists of the word of the period under review. At the same time, one chronological review follows from another, so that the history of culture and literature is presented not dotted, but chronologically linear, i

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translator, Cui Wenjin, ed. Gai ge shi dai de Zhongguo xian dai zhu yi: Zuo wei jing shen shi de 80 nian dai = Chinese modernism in the era of reforms. Beijing da xue chu ban she, 2014.

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Części książek na temat "Era of modernism"

Freyberg, Sascha. "Confronting Modernism in the Stalin Era." In Stalin Era Intellectuals. Routledge, 2022. http://dx.doi.org/10.4324/9781003219835-7.

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Fleming, Bruce. "Why Modernism?" In The End of the Modernist Era in Arts and Academia. Routledge, 2022. http://dx.doi.org/10.4324/9781003217688-4.

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Banks, Paul. "Fin-de-siècle Vienna: Politics and Modernism." In The Late Romantic Era. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-11300-2_14.

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Fleming, Bruce. "Life After Modernism." In The End of the Modernist Era in Arts and Academia. Routledge, 2022. http://dx.doi.org/10.4324/9781003217688-11.

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Podnieks, Elizabeth. "“Freedom and Childbearing”: Prams, Politics, and Literary Life in New Woman Autobiographies of the Interwar Era." In Maternal Modernism. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08911-4_6.

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Hong, Zaixin. "“Creating A New Era in the Twentieth Century”." In Art and Modernism in Socialist China. Routledge, 2024. http://dx.doi.org/10.4324/9781003450535-10.

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Cytlak, Katarzyna. "Multiple Resistances to the Concept of Modernism." In New Histories of Art in the Global Postwar Era. Routledge, 2021. http://dx.doi.org/10.4324/9780367140854-6.

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Cai, Tao. "Tan Huamu's Pictorial Diaries in the Era of the New China." In Art and Modernism in Socialist China. Routledge, 2024. http://dx.doi.org/10.4324/9781003450535-11.

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Moussavi-Aghdam, Combiz. "“Iranian Modernism” and the Idea of Indigenous Art." In New Histories of Art in the Global Postwar Era. Routledge, 2021. http://dx.doi.org/10.4324/9780367140854-12.

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Harris, Jonathan. "Bijiasuo and Truth: Modernism Reassessed in an Era of Globalization." In A Companion to Modern Art. John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118639948.ch12.

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Streszczenia konferencji na temat "Era of modernism"

Wenzel, Baris, Eberhard Möller, Benjamin Schmid, and Christiane Weber. "Creating an openly accessible database for bridges and engineering models and their digital twins – the bridge over the Rhine by Fritz Leonhardt as a case study." In IABSE Congress, San José 2024: Beyond Structural Engineering in a Changing World. International Association for Bridge and Structural Engineering (IABSE), 2024. https://doi.org/10.2749/sanjose.2024.0661.

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<p>For a research project, founded by the German Research Foundation (DFG), an interdisciplinary team of civil engineers, construction historians, restorers, and architects has set itself the goal of documenting and preserving the last witnesses of the method of model analysis, where physical measurement models were used as a tool to examine the structural behaviour of load-bearing constructions in the era of high modernity. This contribution gives an insight into how digital twins are created, as well as how the data and information on these last witnesses were collected, stored, and pr

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Ionica, Marius Alin, Victor Gabriel Baclea, and Ion Croitoru. "IDEOLOGICAL CURRENTS AND ORTHODOXY IN POSTWAR AMERICA. THE CASE OF FATHER SERAPHIM ROSE." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/s09/71.

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Born in 1934 and moved to the Lord in 1982, Father Seraphim Rose carried out his activity against the background of an increasingly fluid world, marked by ideological changes, technological advances and cultural transformations. As a fervent scholar, translator, and ardent monk, Father Seraphim Rose navigated the complexities of modernity, while, passionately advocating for the eternal truths, embedded in Orthodoxy. The text is divided into three sections, each exploring a different aspect of the era. The first section discusses the postwar period, including the economic boom, technological ad

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Pakeeza, Shahzadi. "ISLAMIC MODERNISM: EXIGENCIES OF CONTEMPORARY ERA." In 42nd International Academic Conference, Rome. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/iac.2018.042.037.

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Fan, Kerry Sizheng. "Prelude to International Style: The 1927 Machine-Age Exposition." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.31.

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In the mid to late-1920s, European Modernist designs began to appear in New York galleries. These appearances started rather sporadically, but soon evolved into a sensation and were joined by American indigenous Modernist works. Among these displays, the Machine-Age Exposition of 1927 stood out with its wide coverage of Modernist exhibits and a strong theme. Placing the Machine-Age Exposition in historical perspective, this study traces the origins of the Machine-Age Exposition, examines the Modernist exhibits and their accompanying rhetoric, and reviews the contemporary responses of the show.

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Zaytsev, Pavel. "Modernism, Publicness, Zombification: Gestalt of "Worker" by E. Junger, And Phenomena of Contemporary Exploitative Culture." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-17.

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The need for researching into ideological sources of contemporary exploitative culture is necessitated by both the outer edge of its interaction with other triggers of modernity, and the inner edge consisting in the answer to the following question: ‘what is an exploitative culture?’. The modernism era gave rise not only to global mass culture, but diverse oppositions of ‘privacy’ and ‘publicity’ categories in their key anthropological images. It seems to us to be no coincidence that exploitative culture is presented by researchers primarily in the anthropological dimension of race and sex. Wh

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Cogut, Sergiu. "An Exponential Work of Literary Modernism Reaching its Centenary." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.17.

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2022 was marked by the 100th anniversary of the publication of two literary creations that over time were appreciated as emblematic works of modernism. They are James Joyce’s famous novel Ulysses and Thomas Stearns Eliot’s poem The Waste Land. The latter had an overwhelming impact on subsequent poetry, propelling the author to the top of the hierarchy of poets of the 20th century, although in that era it was perceived as an obscure poetic creation, thus contradicting the literary criticism of the time. In the process of elaboration of his innovative work in both message and form, T. S. Eliot w

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Чернякевич, Б. И. "THE QUESTION OF COLOR IN THE ARCHITECTURE OF EARLY MODERNISM IN GERMANY." In Цвет в пространственных искусствах и дизайне. Crossref, 2024. http://dx.doi.org/10.54874/9785605245766.2024.04.46.

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Исследуется вопрос цвета и его применения в архитектуре раннего модернизма в Германии 1920–1930 гг. В частности, рассматриваются предпосылки развития теории цвета и ее применения архитекторами нового нарождающегося стиля. В статье дается общее представление о процессах и явлениях, которые происходили в ту эпоху. Делается обзор программных работ и манифестов, анализируется среда, которая формировала представления архитекторов и определяла практическое применение подобных теоретических изысканий. Особый акцент делается на анализе работ таких концептуалистов цвета, как Бруно Таут, Карл Шеффлер, П

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Polonskiy, V. "WAR AND THE FATE OF MODERNISM: “THE FALL OF PARIS” BY ILYA EHRENBOURG IN CULTURAL CONTEXT OF HIS EPOCH." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3685.rus_lit_20-21/15-23.

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The paper analyzes Ilya Ehrenbourg’s novel “The Fall of Parisˮ (1942) against the background of synchronic and diachronic cultural contexts. The author pays special attention to the mythologization of Paris from the middle of the 19th century and to the ideological consequences of the country’s defeat in the Franco-Prussian War of 1870. The work shows the connection of the writer’s novel with the cultural background of France “between two warsˮ. The novelist’s polemical dialogue with Jean Giraudoux on the Franco-German value-cultural collisions is demonstrated. It is concluded that for Ehrenbo

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Ibrisimbegovic, Senka, and Nermina Zagora. "The New Art for The New Sarajevo: Spaces for Art and Culture in The Neighborhoods From The Socialist Modernism Period." In On Architecture — Shaping the City through Architecture. STRAND, 2024. https://doi.org/10.60152/q5nkfqot.

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This paper explores the evolving urban landscapes of the post-socialist residential quarters in the municipality of New Sarajevo (Novo Sarajevo), focusing on spaces designated for art and culture from the perspective of past, present, and future. By examining existing and potential venues for artistic expression, the study explores how these spaces contribute to fostering community cohesion, stimulating local economies, and enhancing quality of life. Simultaneously, the research delves into the adaptation and transformation of cultural spaces in post-socialist residential quarters following th

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Virava, Thiago Gil de Oliveira. "Surrealismo e modernismo: experiências surrealistas na arte brasileira 1920-1940." In Encontro da História da Arte. Universidade Estadual de Campinas, 2010. http://dx.doi.org/10.20396/eha.6.2010.3896.

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O que proponho com este texto é apresentar um panorama das experiências surrealistas realizadas no Brasil, do final dos anos 1920 ao início dos anos 1940, visando sugerir em que direções pode se encaminhar uma pesquisa sobre a repercussão do surrealismo no Brasil modernista. No âmbito das artes visuais, os nomes e as obras variam muito pouco, de modo que é possível afirmar que, nos últimos anos, tem se configurado um consenso sobre o que houve de surrealismo no modernismo brasileiro. Refiro-me fundamentalmente a textos de Robert Ponge, Valentim Facioli, Sérgio Lima, Floriano Martins e Jorge Sc

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Raporty organizacyjne na temat "Era of modernism"

García Carpio, Juan Manuel. Estimación del impacto del uso de las TIC y de la inversión en I&D sobre la productividad de las empresas manufactureras en Perú. Banco Interamericano de Desarrollo, 2022. http://dx.doi.org/10.18235/0004588.

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El trabajo estima el efecto del uso de las tecnologías de la información y comunicación (TIC) y de la inversión en Investigación y Desarrollo (I&D) sobre la productividad total de factores (PTF) de las empresas de mayor tamaño en la industria manufacturera peruana entre 2016 y 2018, usando datos de panel de la Encuesta Económica Anual (EEA). Primero, se revisa aspectos conceptuales y metodológicos de la estimación de la PTF a nivel de empresas enfatizando los métodos econométricos modernos que enfrentan los problemas de endogeneidad que afectaban a los métodos tradicionales, y se analiza e

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Resultado de la encuesta de percepción sobre el uso de los instrumentos de pago en Colombia - 2014. Banco de la República, 2015. http://dx.doi.org/10.32468/epipc.2015.

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Las alternativas de pago ofrecidas y administradas por el sistema financiero han puesto a disposición de la población diferentes soluciones que han competido con el efectivo en los últimos años. El cheque, las tarjetas bancarias (de crédito y débito) y la transferencia electrónica de fondos hacen parte de los instrumentos de pago con los cuales las personas pueden realizar sus transacciones. Sin embargo, solo aquellos que tienen productos financieros pueden elegir con qué instrumento pagar sus compras. En esa elección intervienen varios factores, algunos relacio nados con las características d

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