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Дисертації з теми "Development of fashion"

Автор: Grafiati

Опубліковано: 30 травня 2022

Оновлено: 31 липня 2025

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1

Гончаренко, Каріна, and Karina Honcharenko. "Fashion tech as the leading world fashion industry trend." Thesis, Національний авіаційний університет, 2020. http://er.nau.edu.ua/handle/NAU/43566.

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Nowadays modern technologies and innovations open new horizons for those who create products and services. New technological changes apply, in fact, to all areas of life and business, from the aerospace industry to medicine, education and even the arts. Virtual (VR) and augmented reality (AR), artificial intelligence (AI), blockchain, smart technologies, the Internet - at this stage these things have become or are gradually becoming ordinary and commonplace.

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2

Смоленська, Б. І. "Development and trends of fashion in Ukraine." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/10791.

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3

Давидюк, Тетяна Олександрівна. "Fast fashion: development or a step back?" Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18240.

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4

Easton, Klazina Mae. "Psychological aspects of colour in fashion theory: Development of a general model of fashion." Thesis, Easton, Klazina Mae (1994) Psychological aspects of colour in fashion theory: Development of a general model of fashion. PhD thesis, Murdoch University, 1994. https://researchrepository.murdoch.edu.au/id/eprint/51499/.

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Анотація:

The Thesis explored psychological aspects of colour in fashion theory. Colour has an important fashion image which provides a tool to link all fashionable objects together in a Fashion Model. Fashion occurs in objects other than the clothing of females; cars, houses, colour & clothing for males. An original General Model of Fashion to account for fashion in all classes of objects was developed by examining various theoretical constructs of Fashion and then testing implications for generalisation to the wider fashion context. Two Preliminary Studies to investigate the match of fashionable o

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5

Ejnarsson, August. "Omnichannel Development within the Swedish Fashion Retail Industry." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-191989.

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Omnichannel is the latest shift in retail which is driven by new technological advancements and changes in customer behaviors. In order to stay competitive retailers are required to integrate their sales and communication channels and deliver a seamless shopping experience to the customers. To create the omnichannel experience both organizational change and consolidation of several ICT components are required, which put a lot of pressure on the retailing organizations. This study examines the current omnichannel development of the Swedish fashion retail industry and explores the different atti

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6

Cheema, Muhammad Shahbaz. "Development of hydroentangled nonwoven structures for fashion garments." Thesis, University of Bolton, 2016. http://ubir.bolton.ac.uk/1196/.

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Making fabrics for apparel applications through conventional methods such as woven and knitting processes are lengthy and expensive because these processes start from ginning, spinning, weaving and knitting process. For saving the cost and quick response to the apparel market, many researchers and companies are trying to explore the non-conventional methods to produce fabrics for apparel applications by skipping some processing steps during apparel fabrics manufacturing process. For decades, nonwovens are being used as supporting materials in the clothing industry, as such, they are used as fu

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7

Мисаковець, Надія Валеріївна. "Facts from the History of Fashion Design Development." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/7372.

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8

Larsson, Jonas. "Mass customised fashion : development and testing of a responsive supply chain for mass customised fashion garments." Doctoral thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3595.

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The background to this thesis is the dynamics and institutions of the fashion world. They have developed out of reasons of convenience and on the whole they work, but there are possibilities of improvement. Time from style and colour-direction to market is up to 18 months, from design to market 12 months and from forecast to market six months. With such long lead-times, there will be a few inherited problems such as matching supply and demand and offering sizes to people with non-standard body shapes. Some of the problems are related to mass and volumes, it is simply not possible to produce ga

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9

Niemczyk, Lize. "The analysis, design and evaluation of an unstructured bra." AUT University, 2005. http://hdl.handle.net/10292/968.

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This practice-based research focuses on the analysis, design and evaluation of an unstructured push-up plunge bra, which combines technical know-how with the sensitivity of bra wearers. The goal of such a dual combination was to create an easily wearable, yet extremely comfortable, fashionable and health-conscious bra. Current bra designs do not contribute to the well-being of the wearer and employ devices that substantially constrict the breasts with unhealthy results. The proposed exegesis introduces a new prototype bra based on new concepts and new construction techniques inspired by old br

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10

Grip, Charlotte. "IN FASHION WE TRUST : Exploring the role of internationalization as an entrepreneurial process in the fashion industry." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-366093.

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Fashion companies struggle with internationalization, as do many retailers, but nevertheless they need to take action and cross borders in order to increase their revenue. A strong focus on the entrepreneurial capabilities of a company is suggested to enhance the process and the model of internationalization as the entrepreneurial process is addressed as an established tool for internationalization. The aim of this paper is to investigate what role internationalization as an entrepreneurial process model plays in the fashion industry context. To do this, a qualitative study with five fashion c

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11

Kang, Keang-Young. "Development of an Assortment Planning Model for Fashion Sensitive Products." Diss., Virginia Tech, 1999. http://hdl.handle.net/10919/26923.

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The purpose of this research is to develop an established assortment-planning model identifying procedures and activities for women's wear retail buyers. This research built three assortment-planning models: (a) a conceptual moddel based on a secondary data analysis, (b) a practical-use model based on interviews using questionnaire and a set of activity cards, (c) the suggested model based on the conncetion analysis of the previous two models.<br>Ph. D.

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12

Galushko, Nastia. "3D fashion and the design of the future." Thesis, Європейська наукова платформа, 2021. https://er.knutd.edu.ua/handle/123456789/18748.

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Анотація:

The global pandemic has brought real fashion shows to a standstill that leads to a new digital era entering the fashion world. The problem of material waste and pollution lies deeper even best-known fashion houses that lead the fashion industry destroy their ready-made products that are in a perfect condition if they are not purchased within a certain period of time. The committed conservatives of the fashion business might never accept new emerging technologies, real-life models are at risk of losing their jobs to the digital ones, and the vital spark of the fashion shows gets lost among the

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13

Solomon, Lauren Amie. "Accidental activism: Intervening in the global fashion industry." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/128298/1/Lauren_Solomon_Thesis.pdf.

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This thesis combines scholarly perspectives with practice-led research to navigate the complex relationship between global fashion production and development. This research project investigates how garment workers in global value chains can be empowered and explores whether this could challenge current industry practices.

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14

PINA, CHRISTINE DOS SANTOS. "COORTE EFFECT AND THE DEVELOPMENT OF THE PREFERENCES FOR FEMININE FASHION." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9049@1.

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Анотація:

Evidências mostram que existe um determinado período na vida dos indivíduos onde certas preferências são desenvolvidas. Essas preferências parecem ser levadas por toda a vida, influenciando nos gostos desses indivíduos a longo prazo. Esse fenômeno vem a ser o que chamamos de Efeito Coorte. Este estudo a avalia se, conforme a teoria dos efeitos do coorte até então estudada, existe um período mais sensível da vida do indivíduo, no qual a preferência pelas tendências da moda é formada. O estudo investiga, ainda, alguns desdobramentos desta teoria, procurando identificar se existe um ponto

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15

McLoughlin, Marie. "Fashion, the Art School and the role of Muriel Pemberton in the development of degree level fashion education in the UK." Thesis, University of Brighton, 2010. https://research.brighton.ac.uk/en/studentTheses/dcb4f707-0a35-427e-9bf1-2780249190cb.

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16

Williams, Cynthia Renee. "A Study of the Perceived Value of the National Association of Schools of Art and Design (Nasad) Accreditation by Fashion Students In Fashion Programs at Public and Private Colleges." Thesis, Pepperdine University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10788330.

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<p> When one thinks of the fashion industry, one might think of famous designers and celebrity fashion shows. Today, fashion is a $1.2 trillion global industry, employing 1.9 million people in the United States, creating a positive impact on regional economies across the country (JEC, 2015; US Department of Labor, Bureau of Labor Statistics, 2017). Presently, 90% of apparel design and production has gone overseas or elsewhere in the world (Robinson, 2013). Manufacturing today requires “universal participation” (Bill, 2011); meaning garments designed in one country, made in fabric f

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17

Wang, Lichuan. "Contribution to development of an intelligent system for supporting personalized fashion design." Thesis, Lille 1, 2012. http://www.theses.fr/2012LIL10033/document.

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Анотація:

La mass customisation a été appliquée au marché de grande consommation de vêtements depuis plus de 20 ans. Pourtant, les travaux concernés se focalisent essentiellement sur le prototypage virtuel par utilisation des outils de CAO. Le stylisme et le marketing n’ont pas été étudiés de façon systématique. Dans le cadre de ma thèse doctorale, nous proposons un système d’aide à la décision orienté vers les styles afin de fournir des conseils aux créateurs. Dans ce système, nous caractérisons, d’abord, les perceptions de créateurs et de consommateurs sur les morphotypes. Deux expériences ont été eff

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18

Varini, Giulia <1995&gt. "Fashionable China: A journey into the development of the Chinese fashion industry." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15975.

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The aim of this dissertation is not only to describe the development of the modern fashion industry in China, but also to deeply analyze the path toward the rise of an autonomous, innovative and independent Chinese fashion system. The first part of this thesis, after a brief introduction to textile and apparel industries, aims at presenting the growth of the modern fashion industry in China, which spread all over the country thanks to the proliferation of mass media, the establishment of fashion education system and also through the foundation of fashion institutions and events. Despite the wo

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19

Santarelli, Bruno. "Creativity, design and management in Australian fashion enterprises." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1770.

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In this study a number of Australian fashion enterprises are investigated in an effort to understand how product development is managed and creativity facilitated. Of particular interest was the interaction between the various actors in the creative process and the manner in which they influenced creative output. The study was underpinned by a wideranging review of the literature that reflects the multidisciplinary nature of creativity and innovation in business. The study is timely because Australian fashion enterprises are operating in an increasingly challenging market with a perfect storm

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20

Anjum, Ali. "Virtual size measurement for garments and fashion industry : Selection of right size at the online fashion buyers." Thesis, Södertörn University College, School of Communication, Media and it, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-3836.

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<p>Internet is one of the major achievements of 21 century by human kind. Retailers have moved their business towards a global market through internet. Human computer interaction is getting enhanced in different contexts. Consumers can now access the global markets online for the sake of shopping. Fashion industry is getting tremendous popularity in an online environment. Fashion is transformed into digital fashion where people from all over the world have easy access to the world of fashion and can interact and get hands on every piece of art. They can simply buy any fashion product anywhere

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21

Déri, Edit. "Challenges of Environmental and SocialResponsibility in the Fashion Industry." Thesis, Uppsala universitet, Institutionen för geovetenskaper, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-202004.

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The purpose of the thesis is to reveal and address macro-environmental sustainability problems in thefashion industry. A qualitative research approach was used to reach the purpose. Throughout the empirics, theexisting literature was studied, and two case studies were carried out. The one about Hennes and Mauritz isbased on secondary data by using its sustainability report, and in the other case, primary data were obtainedabout Ekovaruhuset, an ecological fashion company, through a face-to-face interview. It was found that thefashion industry has a significant environmental impact and often vi

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22

Cataldi, Carlotta, Maureen Dickson, and Crystal Grover. "Slow Fashion : Tailoring a Strategic Approach towards Sustainability." Thesis, Blekinge Tekniska Högskola, Sektionen för ingenjörsvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5405.

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This research explores one avenue for achieving sustainability within the fashion industry; which as it exists today is unsustainable. The Slow Fashion movement has an existing foundation in the larger fashion industry and is already making strides towards sustainability. The authors used this opportunity to examine a strategic approach, as its current approach is ad hoc. First, the authors assessed the Slow Fashion movement using the 5 level Framework for Strategic Sustainable Development. To analyze the Slow Fashion movement further, the concept of Leverage Points was used to provide a focus

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23

Morini, Francesca <1993&gt. "The development of omnichannel strategy in Italian SMEs. The case of fashion industry." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13927.

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The digital transformation has empowered today increasingly informed consumers to decide how, where and when having their shopping experience. As a consequence, organizations aim at adapting to these changes by developing the omnichannel strategy, which depicts the integrated management of multiple interaction channels. Therefore, this strategy provides customers with the opportunity to freely shift between online and offline channels without interrupting their transactions. Focusing on Italian fashion industry, the aim is understanding both whether and how SMEs are approaching this strategy.

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24

King, Julie. "Colour forecasting : an investigation into how its development and use impacts on accuracy." Thesis, University of the Arts London, 2011. http://ualresearchonline.arts.ac.uk/5657/.

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Colour forecasting is a sector of trend forecasting which is arguably the most important link in the product development process, yet little is known about it, the methodology behind its development or its accuracy. It is part of a global trend forecasting industry valued recently at $36bn, providing information which is developed commercially eighteen months to two years ahead of the season. Used throughout the garment supply chain, by the yarn and fibre manufacturers, the fabric mills, garment designers and retailers, it plays a pivotal role in the fashion and textile industry, but appears i

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25

Lam, Ian Ian. "The development of ESP teaching materials for secondary students studying fashion design in Macao." Thesis, University of Macau, 2008. http://umaclib3.umac.mo/record=b1942473.

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26

Gu, Xin. "Social networks in cultural industries : fashion, new media and network development policy in Manchester." Thesis, Manchester Metropolitan University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492146.

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This thesis is a multi-disciplinary approach to the subject of 'cultural industries'. The term has been mostly debated within subjects of social economics, economic geography and cultural studies alongside the public interests in the term. The aim of this research is to investigating the role of social networks in the development of cultural industries and the proposition of network development policy. It is based on the review of dominant critics about the commodification or the exploitation of social relationships in cultural industries and how it is an outcome of increasing individualizatio

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27

Ross, Monique Deidre. "The development and evolution of Parisian fashion supremacy from François I to Napoleon III." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1999. http://digitalcommons.auctr.edu/dissertations/2139.

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This thesis charts the development of Parisian fashion supremacy, dating from the 16th century reign of François I to the eventual establishment of haute couture in the 19th century. Via a century-by-century analysis, key individuals who contributed to the development of fashion dominance and haute couture are highlighted. This analysis is composed of three chapters and a conclusion. The first chapter concentrates on the sixteenth and seventeenth centuries, identifying François I and Louis XIV as central personalities who influenced French fashion supremacy during their respective eras. This c

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28

Rocha, Maria Alice Vasconcelos. "Study of consumer clothing behaviour and its relevance to the successful fashion product development." Thesis, University of Kent, 2007. http://www.research.ucreative.ac.uk/id/eprint/1055.

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Previous research highlighted consumer dissatisfaction with fashion clothing products on offer. There is a lack of information about real consumers needs due to the industry standards of beauty and behaviour as well as a constant rush for innovation that feeds fashion cycles. This research identifies the elements that will enable fashion clothing companies to become more inclusive, and aims to find a methodological relationship between the stakeholders in the fashion industry: consumers, designers and companies. The research considered the difference between a mature market as opposed to emerg

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29

Ridler, Sophie Joyce. "The designer perspective: Opportunities and Obstacles toward circular fashion." Thesis, Uppsala universitet, Institutionen för geovetenskaper, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-417960.

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Circular fashion has become a favoured option for the fashion industry to transition toward as the fast fashion industry becomes unsustainable. Current research within academia, business and policy focuses on the lifecycle stages of the garments, with the designer and design phase in focus. Research on circular economy predominantly looks at material flows and the lifecycle. This however fails to acknowledge potential innovation and the capacity for this change to occur. This study uncovers the perspectives of the designer, who are largely absent from the current research agenda, in order to i

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30

Cleveland, Paul. "The Effect of Technology on the Development of Magazine Visual Design Style." Thesis, Griffith University, 2004. http://hdl.handle.net/10072/366173.

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This thesis is concerned with studying the factors which influence stylistic change in magazine design. Of particular interest is the role computer technology plays in the formulation of design style change. This relates to the rate of style change and the application of inscription characteristics into the visual imagery to create distinct visual grammars. The introduction of the computer during the late 1980’s as a design tool revolutionised the practice of graphic design. Anecdotal evidence suggests computers changed the restrictive practices previously imposed by typesetters, film houses a

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31

Duarte, Janine Alexandra da Silva. "Os impactos económicos, sociais e ambientais da fast fashion : o caso Zara." Master's thesis, Instituto Superior de Economia e Gestão, 2021. http://hdl.handle.net/10400.5/23473.

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Mestrado Bolonha em Desenvolvimento e Cooperação Internacional<br>A indústria da moda é uma potência económica e social que emprega milhões de pessoas no mundo inteiro, contudo é uma indústria paradoxal. A fast fashion faz parte deste setor e é cada vez mais debatido a forma como é produzida pelas grandes marcas internacionais. Nesta linha, a sustentabilidade da moda tem ocupado um lugar relativo a este tema onde é possível encontrar novas formas e práticas sustentáveis na produção de moda, em que as empresas podem adotar um sistema mais amigo do ambiente em todas as fases do ciclo de vida do

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32

Beard, Diana. "Evaluating the Role of Design in the Apparel Industry in the United States." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700003/.

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Анотація:

The purpose of this study was to better understand the role of design in the product development process in the apparel industry in the United States, looking for variations in how design is used in the industry. In order to obtain a snapshot of the fashion design industry, creativity, originality, innovation, and product development were examined, as well as corporate culture and strategic orientation. The study also sought to examine pedagogical strategies based on these findings. A mixed methods approach, consisting of an on-line survey and interviews, was employed. The findings suggest var

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33

Enlund, Elin, and Jennie Nilsson. "Sustainable Decision-Making in the Fashion Industry : How to influence the fashion industry to adopt more sustainable packaging solutions." Thesis, KTH, Industriell ekonomi och organisation (Inst.), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-296518.

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Анотація:

Today, the fashion industry is responsible for 4 per cent of the global greenhouse gas emissions in the atmosphere and 20-35 per cent of the microplastics in the ocean. It is thereby a highly debated industry when it comes to environmental sustainability. Different actors in the sector are stressing how reducing the ecological impact of the business is a matter of staying competitive forward. Many actors in the industry are trying to change towards reducing its effects on the environment. Still, complex global supply chains and business models such as ‘fast fashion’, i.e. fashion produced unde

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34

Elfvik, Emilia. "Cut and paste : exploring two-dimensional material collages for the use in clothing." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-639.

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Анотація:

This work explores how the idea of collage as ”components put together to create a new whole” can be used in the creation of garments and visual expressions in fashion design. As collage in fashion often is reduced to mere decoration in e.g. print design added to predetermined shapes, this work wishes to have the collage be the dominant factor in the creation of the garments in this collection. By two-dimensional material collages this exploration aims to investigate composition of material, colour, surfaces and shapes in dress. The technique of fusing is used to attach the different materials

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35

Ashworth, C. J. "Organizational development, continuity and success in UK SME fashion e-retailing : a critical case approach." Thesis, Manchester Metropolitan University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489885.

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Анотація:

Retail in general and the fashion sector in particular have been slow to develop online despite the considerable opportunities and efficiencies offered by the marketspace. Sixty percent of established fashion stores are yet to move online (Herrod, 2007b) even though fashion products (clothing, footwear and accessories) are the third largest category sold over the internet. The case for smaller companies in this context remains unclear (Verdict, 2007). This research is therefore grounded in an era of conflict where retailing remains polarised between enterprises willing to 'embrace e-commerce f

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36

King, Janice E. "INTERNAL AND EXTERNAL INFLUENCES ON PROGRAM-LEVEL CURRICULUM DEVELOPMENT IN HIGHER EDUCATION FASHION MERCHANDISING PROGRAMS." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/dissertations/132.

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Анотація:

In an ever changing global economy, higher education experiences accountability issues in educating the workforce. Graduates require the knowledge and skills necessary to succeed in the global workplace. For graduates to have the opportunity to attain this understanding and expertise, it is critical to identify what influences curriculum development to create a curriculum that meets workplace needs. The purpose of this study was to contribute to a better understanding of curriculum development in higher education fashion merchandising programs. More specifically what impacts the curriculum

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37

Wagner, Elisa. "Ethical sourcing in small and medium-sized fashion enterprises - A case study." Thesis, Uppsala universitet, Institutionen för geovetenskaper, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-254311.

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Issues in production processes in the fashion industry are highly topical as recentscandals covered by the media show. However, these scandals rather involved multinationalcompanies than small and medium-sized enterprises. This study investigates, how small andmedium-sized fashion enterprises source their material ethically and implement a CSRstrategy by introducing of a code of conduct. Motives and challenges for implementing codeswill be discussed as well as possible solutions.Data was collected by conducting four semi-structured interviews with three fashion retailersand a multi-stakeholder

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Golay, Estelle. "Recycled fibers for circular economy - The case of the fashion industry." Thesis, Uppsala universitet, Institutionen för geovetenskaper, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-443489.

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Some fashion companies have started to use recycled fibers to improve their sustainability practices, as it is a way to implement circularity into their business. By combining the theoretical frameworks of stakeholder theory, socio-technical (ST) systems and sustainable business models (SBM), this study discusses how the current business models of fashion companies relate to the concept of circular economy and what fashion companies’ future perspectives are. Based on a case study approach, empirical data was collected on six Nordic fashion companies: Acne Studios, Filippa K, Ganni, House of Da

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Price, J. Michelle. "An Investigation into the Development of a Professional Online Identity through aProfessional Development Course." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1375717573.

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Nicchelle, Keila Marina. "Design de Moda : framework para implementação de estratégias de inovação pelo Design no processo de desenvolvimento de produtos de moda em empresas de confecção do vestuário." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/182429.

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Анотація:

O Design, inserido na complexidade do atual ambiente social, cultural, produtivo e mercadológico se apresenta como uma atividade complexa, o que exige o estudo de estratégias de inovação direcionadas a resolução de problemas de projeto, aplicáveis ao Design de Moda. Nesse sentido, o presente estudo propõe a apresentação de um framework para implementação de estratégias de inovação pelo Design no processo de desenvolvimento de produtos de moda em empresas de confecção do vestuário, valendo-se da abordagem teórico-metodológica de Design Estratégico. Frente a essa proposta de estudo, a pesquisa f

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Flosdorff, Miriam, Margarete Döring, and Silva Wagner Tanita da. "Virtual Reality in the Product Development in the Fashion Industry : Application Areas, Opportunities, and Challenges of Virtual Reality in the Product Development." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22002.

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The purpose of this thesis is to examine how Virtual Reality can be applied in the product development in the fashion industry. Therefore, the research focuses on potential areas of application as well as opportunities and challenges the implementation of Virtual Reality implies. A narrative literature review is conducted, thoroughly investigating the topic of product development and presenting the four application areas, namely Virtual Training, Virtual Prototyping, Virtual Manufacturing, and Virtual Factory, as well as identified opportunities and challenges. For the empirical part, semi-str

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Dransfeld, Josephine Gisela. "Moving beyond sustainability: To what extent does the Cradle to Cradle framework play a role within New Zealand's fashion industry?" Thesis, University of Canterbury. Department of Marketing, Management and Entrepreneurship, 2015. http://hdl.handle.net/10092/10410.

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Our planet is threatened by a rapidly changing climate, alarming resource depletion and a steadily rising population growth. This calls for intensified sustainable practices within businesses of all sizes and industries. In recent years this resulted in a wholly new model called the circular economy. Inherent to this is the Cradle to Cradle framework which seeks to design and create commodities in such a way that the impact on the environment, i.e. the carbon footprint is neutralised. Significant efforts are currently being undertaken in Europe and the United States in various sectors with a r

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Månsson, Louise, and Emilia Klappe. "Applicability of lean towards improved efficiency in sample processes : A case study of a Swedish branded retailer." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-700.

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Globalization has led to that companies’ within the textile industry, now source manufacturing overseas. Supply chains are therefore now ultimately longer, with a lot of activities and people involved. Control and implementation of strategies is now something that companies need to considerate in the supply chain, in order to reduce lead times, meet the unpredictable demand of today’s consumers and compete against other retailers. One important task in this is for retailers to have an efficient PD and sample process, due to the fact that it's in this stage where the retailers still have time t

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FUETING, EVA. "Look in the past to dress for the future." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17440.

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Ehn, Kajsa, and Emelie Wiklund. "Think slow, it lasts longer : A qualitative study on how slow fashion can contribute to strategic sustainable development." Thesis, Umeå universitet, Företagsekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-185154.

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Today's fashion industry, which is characterized by fast demand shifts and overconsumption, is argued to be contributing to the world's increasing environmental and social issues, and thus bringing harm to the global environment and society. Due to this, a “rebellion” has evolved accordingly, and can further be described as the Slow Fashion movement that strives to create a sustainable fashion industry. This type of rebellion has been adopted by both consumers and organizations, but little research has been made on closing the gap between slow fashion theory versus practice. Slow fashion can f

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Goldsmith, David. "Local Fashionalities : Växbo Lin and WomenWeave." Licentiate thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3713.

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Global Fashion, via the logic of high-speed, large-scale industrial production and anachronistic high-volume consumption habits, causes significant social and environmental damage. Local Fashion isunderstood as part of the Slow Fashion movement that aims to change the functions of fashion so that they support or lead the quest to flourish within known human and planetary boundaries.This Licentiate thesis examines, through an exploratory narrative based on new and existing research, two Local Fashionalities. Växbo Lin is a small linen manufacturer/brand in Hälsingland, Sweden, producing new her

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Yang, Sooyung. "A creative journey developing an integrated high-fashion knitwear development process using computerized seamless v-bed knitting systems." Thesis, Curtin University, 2010. http://hdl.handle.net/20.500.11937/1253.

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This PhD applied a participatory action research approach to address the organizational problems that compromise the use of computerized seamless V-bed knitwear systems in the high-fashion knitwear sector. The research is a response to a widely acknowledged conflict between high-fashion design processes and processes by which designs are developed on computerized seamless V-bed knitting systems. The social, organizational, and technical aspects of design and manufacturing using computerized seamless V-bed knitting technology in high-fashion knitwear design were analyzed as a socio-technical sy

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de, Beer Sarlien. "What we WEAR: Alteration to support a circular economy driven by post-consumer textile waste generated by fast fashion." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78645.

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The value consumers attach to their clothing creates a high demand and frequent consumption of fast fashion. This results in the increase of post-consumer textile waste that ends up on landfills, which has a negative impact on the environment. This raises the critical issue of disposal methods and necessary education to create awareness and equip users to contribute to a circular economy that aims to extend the lifecycle of each garment. This study aims to design for the facilitation of a circular economy driven by post-consumer textile waste that encourages sustainable consumption. The sho

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Pinheiro, Nélio [UNESP]. "Formação em moda no caminho da sustentabilidade." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/89728.

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Made available in DSpace on 2014-06-11T19:24:10Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-08-28Bitstream added on 2014-06-13T19:30:45Z : No. of bitstreams: 1 pinheiro_n_me_bauru.pdf: 1373874 bytes, checksum: 605ee19122d5a826cc54ffcc9b872f7f (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>As questões ambientais vêm sendo cada vez mais estudadas e discutidas por diversos segmentos da sociedade incluindo empresas, governos e instituições de ensino que atuam nas mais variadas áreas de pesquisa. O design como área de conhecimento, também cria propostas

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Pinheiro, Nélio. "Formação em moda no caminho da sustentabilidade /." Bauru : [s.n.], 2012. http://hdl.handle.net/11449/89728.

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Orientador: Aniceh Farah Neves<br>Banca: Monica Moura<br>Banca: Ronaldo Alexandre de Oliveira<br>Resumo: As questões ambientais vêm sendo cada vez mais estudadas e discutidas por diversos segmentos da sociedade incluindo empresas, governos e instituições de ensino que atuam nas mais variadas áreas de pesquisa. O design como área de conhecimento, também cria propostas de forma a combater a degradação do meio ambiente e possibilitar um futuro mais sustentável. O presente estudo, que se caracteriza como pesquisa qualitativa, tem como objetivo a compreensão dos significados e das características p

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